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TECHNICAL RIDER Nick MacDaniels Manager C: 301 237 7290
[email protected]
Cam Grogan TM, SOUND & LD C: 336 549 4611
[email protected]
BIG Something Personnel (7 people) Nick MacDaniels – guitar, vocals Doug Marshall – bass Josh Kagel – keys, trumpet Casey Cranford – sax, ewi Jesse Hensley – guitar, vocals Ben Vinograd – drums Cam Grogan – production manager Touring Vehicle – Chevy 15 passenger Van + Trailer (Total Length = 25’ / Height = 7’5”) INPUT LIST 1. Kick 2. Snare 3. HH 4. Rack 5. Floor 6. OH 7. Bass 8. Center Gtr 9. SL Gtr 10. SR EWI 11. SR Sax 12. Trumpet 13. Keys 14. Center Vocal 15. SL Vocal 16. Spare
(D6) (SM57) (KSM137) (D2) (D4) (KSM137) (Direct) (E609) (E609) (DI) (SM58) (XLR L) (XLR R) (E935) (E835)
MONITORS 3 Wedges + 3 IEM 1. CS – Center Vocal, SL Vocal, Sax, EWI, Keys 2. SL – Vocals only 3. Drum – Kick, Toms, Bass, (snare), Sax, EWI, vocals, center guitar
Note: We will supply all of our own mics, xlr cables, and instrument cables. We will also use our own soundboard (Behringer x32) and digital snake if deemed necessary.
BIG SOMETHING STAGE PLOT
OPTIONAL LIGHTING PACKAGE: Requires separate 20amp circuit 6 – 8 Chauvet Intimidator 150s on stands Chauvet Hurricane Haze Machine
TECHNICAL REQUIREMENTS: Unless stipulated otherwise in the contract, the following is required and is a part of the Agreement. Please initial the bottom of this page to acknowledge you have read and agree to all of the following terms: 1. Big Something sound engineer will mix FOH system for the duration of band’s performance. Venue will provide Big Something sound engineer access to house mixing board, all house mics, stands, and cables for use throughout the entire duration of band’s performance. 2. OUTDOOR SHOWS: If the performance is to take place outdoors, the stage / performance area must be above ground and of sturdy construction; flat, level and free of tripping hazards. The stage deck and sub-‐structure shall not have sag or bounce that would cause amplifiers, speaker stacks or lighting rigs to lean or sway. ALSO – the stage, FOH mixing area, all power sources and all equipment must be completely covered by a roof of sturdy construction to protect gear and musicians from rain and all other forms of inclement weather. 3. POWER: Buyer must provide one (1) AC Distribution system capable of not only powering the House and Monitor systems being provided, but also able to provide power to the band equipment at various drops (minimum 4 power drops) on stage with a minimum of 200 amps of service. This system should have circuit breakers on both the Primary and Secondary. Lighting power should be separate and fully isolated from audio and musical equipment power service. 4. PA: Buyer must provide a minimum 3-‐way active PA system capable of producing at 115dB without audible distortion, 60o phase turn per octave, properly crossed-‐over, and in proper phase relationship with PA. 5. MONITORS: Buyer must provide 3 – 5 wired and powered stage monitors with separate mixes. 6. HOUSE ENGINEER: Buyer must provide house sound engineer from load-‐in to load-‐out to assist big something sound engineer with the house system and in the event of technical difficulties. 7. SOUND CHECK: Artist requires a full sound check of at least 30 minutes. If this is not an option due to the nature of your event, please contact tour manager. 8. BACK LINE: Artist requires no back-‐line equipment and WILL NOT use back-‐line if they choose not to. 9. GEAR SHARING: With regards to equipment sharing, Artist will not share any of their own equipment with other acts on the bill, unless arrangements are made in advance with Tour Manager. 10. SECURITY: Buyer shall guarantee proper security at all times to ensure the safety and privacy of Artist crew and guests, all equipment, and personal property from the beginning of load-‐in until completion of load-‐out. 11. TAPING AND CAMERAS ARE ALLOWED. Video and Broadcasting of any sort may be allowed only with Artist’s prior consent. Please advance this issue with Tour Manager. Artist retains the non-‐negotiable right to record (audio and/or video) their performance or have it recorded for them, free of charge or limitation from buyer or venue. If there are any questions or if you are unable to fully meet any of these requirements, please contact Tour Manager as soon as possible. Buyer Initials: _______ Date:______________
