0507574 Look At Zoom 2oo2 - фонд промышленных каталогов

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0507574 LOOK at ZOOM 2OO2 •Multi-Track R e c o r d e r • Multi-Effects Processor •Studio P r o c e s s o r • Drum Machine • Sampler CATCH US IF YOU CAN www.zoOm.co.jp sm The Zoom MRS-126B sets your Щ|Л5 No longer must your musical ideas remain prisoners of your mi Zoom gives you all the tools of a professional recording studio, in an easy-to-use table-top unit. With the new MRS-1266, your only limit is your imagination. * MultiTrak Recording Studio Now nothing stands in the way of your music Multi Track Recorder The ultimate all-in-one Studio It's like having a professional recording studio on your desk. The MRS-1266 has ten independent tracks plus a stereo Master channel. It has a full-function mixer section, programmable drum and bass machines, a huge array of effects and an optional CD burner for final cuts. When inspiration strikes, you have all the tools you need to record, edit, mix and master your compositions. With 44.1 kHz sampling, 16-bit linear un-compressed data, 24-bit A/D D/A conversion and 24-bit processing, you are building songs on a professional level digital foundation. 10 physical tracks X 10 V-takes = 100 tracks Not even the pros get every track right the first time. With 10 Virtual "V-Takes" per channel, you get 10 chances per track to get it right. Select the best take from several sessions, choose a favorite set of effect and rhythm variations, and combine them for a final mix. With a 20 GB hard drive, you can record up to 60 hours of music, up to 1,000 songs or "projects," use all your V-Takes and still have memory left over. 6-track simultaneous recording For live recording, the MRS-1266 offers all-new flexibility. With 6 channel simultaneous input capability you can mic a rehearsal or performance with up to six microphones. Using virtual tracks, you can record 10 takes with a guide rhythm, and then pick the best take for each instrument for the final mix. Vocal groups can be evaluated objectively when they record on separate tracks. Elaborate drum and percussion recordings can be made. Record drums like the studio pros using six microphones, and mix them down to a stereo drum track. Track edit Mess up a guitar solo? Flub the lyrics? No problem, Simply use the punch in/out to fix your mistakes. Specify precise start and end points using the Scrub and Preview functions, practice the lead using the rehearsal function, then hit record. You can compare your takes before and after, using the Capture and Swap function. If you are running out of tracks, "Bounce" everything to one empty track. Because it's digital audio, you won't lose any sound quality. Combine usable portions of a different takes, Copy/ Erase/ Exchange whole tracks, and Copy/ Move/ Erase/ Reverse just a specified part of track. Phrase loop With the optional CD-R/RW drive, you can import sample phrases from pre-recorded drum beat or sound sample CD-ROMs. Store up to 100 phrases per project. Cut and paste to create loops. Specify the start point, number of measures, end point and sound level, and you can modify the length of a phrase without changing the pitch. Thanks to Zoom's various editing features, you can drop loops in and out of songs quickly and easily. 13 track playback Up to 13 tracks can be played back simultaneously, including 10 audio tracks, stereo drums, and a mono bass track. Track 1 -8 has independent faders, track 9-10 are linked to one stereo fader. Two more faders are dedicated to drum and bass. Track parameters such as EQ and effect send level can be adjusted for stereo linked odd and even tracks, which correspond to a stereo source such as an external synthesizer. Track parameters Each track has parameters including a two band (variable frequency) EQ, a Chorus/Delay send level, Reverb send level, and L/R Pan controls. Pressing the solo switch will mute all other tracks except the specified one track. Transport You can put up to 100 locate markers in a song or "project." The Scrub/Preview function is a tool for locating a precise mark point on a track. The A-B repeat lets you repeat a desired section of a project easily, for rehearsing that tricky Punch In/Out. Scene memory Automation used to be a tool found only in high-end studios. Not anymore. Save your fader positions, effects patches, sendreturn effects and key status as a "Scene". Up to 100 scene settings can be stored for one project. Call them up anytime to compare and contrast. Or assign different scenes to different location markers in your project. The MRS-1266 will automatically switch levels and effects within your song during playback or mix-down. different songs and burn an 'album' automatically MultiTrak Recording Studio MRS-1266 CD MultiTrak Recording Studio MRS-1266 •Optional CD-R/RW Drive MultiTrak Recording Studio MRS-1266 CD •Built in CD-R/RW Drive Mufti Effects •-УЛ1И5, ' jj effects The MRS-1266 comes with an awesome array of built-in effects. They are sub-divided into five major categories, or "algorithms": Guitar/bass, Microphone, Line, Dual input(i.e. guitar and vocal mic) and Mastering. Each algorithm is built from four major effect modules (compressor, pre-amp/drive, equalizer and modulation/delay). 94 different effects are selectable beyond that. Six effect types can be used simultaneously, and saved as effect "patches". Up to 280 patches can be stored for each project. You can insert your effects at different points in the signal path: at instrument level, track level or master track level. This gives you the option to record 'dry' and adjust the effect type and depth after recording. By using dual algorithms, you can simultaneously insert different effects on instrument combinations such as guitar + mic, mic + mic, or guitar + bass. Send / Return effects Send/Return allows you add an effect to all your tracks. All the effect algorithms, plus 30 pre-set effect patches are included so that any kind of hall, room, or studio sound can be simulated. Mastering effects Mastering is the key to making a professional-sounding recording. By using the MRS-1266's mastering effects, such as a 3-band Compressor, 3-band EO, a Normalizes Dimension, Lo-Fi, and Resonance, you can add flavor and sound pressure to a master track that has been mixed down to stereo. These effects can also be routed as insert effects on each track. Drum & Bass Create rhythm and audio tracks interactively It's tough to lay down a final drum track before you work out your melodies. With the MRS-1266, you create a temporary rhythm guide by choosing from the library of 400 factory preset patterns, and setting the tempo. Then specify a bass chord progression, and start recording your ideas. Once you have nailed a few tracks, you can fine-tune the rhythm tracks. Also, by importing SMF (Standard Midi File), you can use a variety of existing rhythm patterns. Zoom's exclusive "FAST" rhythm programming The FAST(Fonnula Assisted Song Translator)is a brand-new programming method for building rhythm patterns and structuring your songs. Pattern information can be entered like an algebraic equation. After assigning numbers to different rhythm patterns, you simply input an equation. For example, "1 + (2X84-3X8+4X8+5X8) X3+6," is a song that starts with an introduction (1) , repeats the song pattern (2X8+3X8+4X8+5X8) three times, and finishes with an ending pattern (6). Once you have built a song using FAST, it is simple to add or remove sections, cut, insert, change tempo information, and otherwise edit the rhythm portion of your composition. 1 2-key touch sensitive pad bank Up to 10 songs -drum and bass patterns- can be stored in one project, and different rhythm arrangements can be assigned to each of the 10 V-Takes. You can choose step or real-time recording for creating original patterns; up to 20,000 steps/ events can be recorded. With either method, the 12 key (full chromatic scale) pad bank makes recording drum or bass patterns easy. And with variable sensitivity, your playing sounds even more real. The best electronic drum & bass sounds anywhere Zoom has been making drum machines for years, and they are well known for having the best electronic drum sounds in the business. 127 drum sounds have been recorded as 16-bit linear PCM, 30 polyphonic. 26 varieties of ultra-real bass guitar sounds are also provided. Build your own drum kits There are 50 factory preset drum kits built-in to the MRS-1266, each with a distinctly different sound. Each drum kit is made up of 36 different drum sounds. You can also built custom kits using the faders as a drum kit sub mixer, and even add effects like EQ, reverb and chorus to individual drums. These kits can be saved and modified as you wish. Built-in CD-R/ftW drive The MRS-1266 CD comes equipped with a reliable, high performance CD-R/RW drive. Master and burn your own CD, or backup and restore project data. If you want to backup your entire internal hard drive, multiple disc saves can be accomplished. The CD-R/RW also allows you to import WAV/AIFF data from sample collection CDs or import audio from standard music CDs. A standard CD player function is also builtin. The 1266 is also available without the drive, and the CD-01 CD-R/RW drive is available as an optional accessory. •Project:Maximum 1000 «Hard Diak;E-IDE/'3.5 Inch 20GB «CD-R/RW Drive:ATAPI/5 inch bay type, Buffer Under-run Error Protection Supported *A/D Conversion^ bit 64 times over-sampling »Q/A Conversion:24 bit В times over-sampling •Sampling Frequency:44.1kHz «Signal Processing:94blt •Frequency Response.2QHz-20kH2 ±1dB(At 10 knioadl •S/N:93dB(IHF-A) •Dynamic Range:97dBUHF-A) •THD-t-N:Q.Q2%(400Hz, At lOknioad) eDifiplaylBexeSmm original LCD (with back light) »Guitar Bass Input (HiZ):£xl/4" Monaural Phone Jack, Input Impedance BOOkn »Llne(Unbalance) lnput:Sxl/4" Monaural Phone Jack, Input Impedance 50kn or mare »XLR(Balanced) lnput:2*XLR3-31 type. Input Impedance Ikn, 2nd Hot «Phantom Powcr:4SV(witn On/Off switch) «Input Levei:-5QriBm< Variable*;+4dBm •Master Out:i_/R RCA PIN Jack. Output impedance Ikn. Rated Output Level -IDdBm •Digital OutS/P DIF Optical (ЗОЫО •Headphone Outl x l / 4 " Stereo Phone Jack, 50mW(at 32nioad) *Sub Outlx 1/4" Stereo Phone Jack • MIDIMn, Out •Control Input: 1 «Expression Pedal, IxFoot Switch •Optional Board Slot: 1 •Dim9nsion:48CKW}x31QlD)xl 15(H)mm •Welght:6.8kg (with CD-R/RW drive). 5.S kg (without CD-R/RW drive) «Power Supply:DC] 2V 2,5A(AC Adaptor AD-Q01Q specified) •Power Coil6umption:30W(ieV S A J T Y P •Supplied Accessory:Unlversal AC adaptor AD 0010 «Optional Accessary :CO-Q1 (CO-R/RW drive] .UIB-01 (USB interface board). FS-Q1 (Foot switch). FP-02 (Expression Pedal) QdBm-0.775Vnns MultiTrak Recording Studio MRS-1266 Authenticity 8 396 Preset Patterns, 99 User Patterns, and 99 Songs A total of 396 presets (99 x 4 banks) offer an incredible array of patterns and styles, including intros, fill-ins and endings. By modifying these patterns, or by recording a new pattern, you can create up to 99 of your own user patterns. You can then combine any of the total 495 patterns and construct up to 99 different songs. 199 Sound Sources, 50 Preset Drum Kits, and 20 User Drum Kits Zoom has the most authentic drum sounds in the industry. The MRT-3 conies with 199 of the most realistic drum sounds you' II ever hear from a drum machine. 50 preset drum kits are programmed in, consisting of 14 sound sources (7 pads x 2 banks), to support various applications and music genres. Furthermore, you can create 20 of your own drum kits by combining any available drum sounds, and then setting the tuning, level, and pan. Built-in Mastering Kit Recording with drum sounds this real will add a whole new dimension to your music. And when you are done, you can further enhance your work with the built-in Mastering Kit that simulates the equalizing and balancing done during professional mastering sessions. User-Friendly Interface Zoom engineers worked extremely hard to design a simple and easy-to-use interface. The MRT-3 features optimized key arrangements, transport keys that are common to our MRS Series, and a big, bright display. Great for beginners and professionals alike. Illuminated Switches and Pads The pads light-up when active so that you can check the sound visually while you record. This function is convenient for checking complicated patterns. In addition, PLAY / STOP / REC switches and mode change switches are also illuminated, letting you see the current status at a glance. Touch Sensitive Drum Pads In the studio it's hard get the perfect drum mix. Getting the right mic placements, setting the EQ and effects takes time and money. By fully utilizing the touch sensitive pads on the MRT-3, you can create complex drum sounds easily. Touch-sensitive pads allow you to control levels, and mixes in ways that even advanced DAW software can't. Micro RhythmTrak zooMMRT-3 MIDI IN Terminal Since the MRT-3 is equipped with a MIDI IN terminal, synchronized play with a sequencer or a recorder that has a MIDI clock transmit function is possible. The MRT3 also supports a Song Position Pointer, so it can be used as external rhythm device for recorders that don't have integrated rhythm sections. In addition, the MRT-3 can be used as a drum sound generator by using a NOTE ON trigger. Remote Controlled by Foot Switch By connecting an optional FS-01 foot switch, you can use convenient functions such as start/stop, start/pause, trigger bass-drum, open/close high-hat, lap tempo, and mute. гоомМаТ-3 i Light-Weight and Compact, With a 2-way Power Circuit A 2-way power circuit is built in, allowing the use of either of a battery or an AC adaptor. The MRT-3 is lightweight and compact, so that it can be taken anywhere. Use it at home, in the studio, or outdoors—any environment you like. The MRT-3 will run continuously for over 15 hours on 4 AA alkaline batteries. Optimized For Use With The Zoom MRS 4 By connecting the MIDI OUT on the new Zoom MRS-4 Digital Recorder to the MIDI IN on the MRT-3, and the stereo out on the MRT-3 to the AUX IN on the MRS-4, the two devices will work together as a completely integrated, single recording system. You can create drum patterns using the MRT-3, and then record your audio tracks on the MRS-4. Since there is no need to a record drum parts on the audio tracks, you can use the extra tracks on the MRS-4 for other instruments. Flexible arrangements are possible by changing the drum kit or substituting a pattern after recording. SPECIFICATIONS •Rhythm Dattern:495(Preset:396. Usar:99)«Song:Max. 9 «Instrument: 1 99 «Drum kit 70 (PresetSO, User:20) «Maximum event.2d,QOO (Pattern: ] aound-l event. Song: 1 step-1 event) «Tempo: 4О--2БО «Resolution:96PPQN «Polyphony^ I voice «D/A conversion: 16blt «Sampling frequency :48kHz «Drum pad:7 (Touch sensitive) «Display:4digit 7aoement LED «Mono out:lM" phone lack*) (Nominal output level:-lOdBm, Output impedance: Ikn or less) «Stereo out:]/4" stereo phone lack *l (Nominal output leval:-10dBm. Output Impedance: IkO or 1еэз) «Control IniFoot switch Input* l «MIDIMNxl «Power requirement:AA size hattoryx4 or AC adaptor DC9V/300mA/CentEr minus type(ADOOQ6 cHcornmended) «Battery life:0ver 15hours( Alkaline type battery) «Dimensions: 144{W)xl 65 (D)x52(H)mrn «WeiEht:440g (Without batter у) «Supplied accessory Operation manual •Optional sccassory:AC adaptor AD-QQO6. Foot switch FS-01. AA size battery *DdBin=0.775Vrms Hundreds of incredibly real drum sounds, hundreds of patterns, all in a palm-sized box. Micro RhythmTrak MRT-3 Portability When inspiration strikes, you'll be ready. Cumbersome preparation, like mixer routing, rhythm programming and effect setting is no longer a requirement to get started. Just like a cassette-based recorder, the MRS-4 is ready to record as soon as you turn on the power. The custom back-lit LCD screen always displays all functions along with 8 points x 8 level meters (input 1 & 2, track 1-4, master L/R), and location in Minutes/Seconds/m-Seconds plus optionally in Bars and Measures. With the MRS-4, extensive digital editing tools are at your fingertips. Copy & Paste makes it a snap to create loops, erase any unnecessary parts or exchange data between tracks. Up to 50 marker points can be inserted anywhere in a song, for immediate Fast Forward and Rewind. A-B repeat from any point or block is possible, and manual and auto punch in/out capabilities are included. The MRS-4 can bounce tracks without any sonic degradation, giving you a virtually unlimited number of great-sounding tracks. Up to 2 tracks can be recorded simultaneously. With 8 virtual takes for each 4 physical tracks, you get up to 32 takes of recording. Save your work to the supplied 32MB Smart Media card, and get 17 track-minutes in Hi-Fi mode and 34 trackminutes in Long mode. With an optional 1 28MB card, you can record up to 1 35 track-minutes in Long mode. Stereo-Link function enables stereo sources (like synthesizer, sampler, drum machine) to maintain their surround-sound. Stereo bouncing is possible onto virtual takes even when the 4 playback tracks are full. Three types of effects operation A like the Compressor/Limiter optimize the dynamic range of the input from your guitar, bass, or microphone. Cabinet simulators produce the sound of a natural guitar/bass amp cabinets. Mic-preamp enables adjustment for any sound source to be set at its optimal level, j.1.:t:i»lMil.=**4:i:i=<:IJ:t'>i^l such as Hall, Room Doubling, Delay, and Chorus are adjustable using the track parameter function, and provide rich ambience to dry audio tracks. l^lMr^l'^LlMil.^'JIrlrJ can be used after adjustment of mix balance. Power, Boost and Vocal effects can be used simultaneously with the Send/Return effects for perfectly finished mixes. MultiTrak Recording Studio ZOOM MRS-4 The long 45mm faders are perfect for critical mixing without any stress. Independent track parameters, Frequency and Gain for each EQ-high and EQlow, Effect send level and Pan, allow incredible mixing flexibility. The MRS-4 is light-weight and compact, has a 2 way power supply as Battery and PSD, and will operate for over 5 hours with 4 AA batteries, allowing for flexible song writing anytime, anywhere. Once you set the tempo, the metronome automatically starts as recording begins. Temporarily the metronome guides you in recording, and after creating a structure for your songs, you can replace the metronome with a synchronized drum program from a drum machine via MIDI, such as the Zoom MRT-3, and program it right into your mix. Your instruments will always be in tune, thanks to the on-board auto-chromatic tuner. 1 data convert usmg the С Once you download the free "MRS-4 Card Manager" software from our Web site www.zoom.co.jp, audio data for each track can be converted to/from WAV or AlFF files and can be used with your desktop DAW software. If you back up the data or set up a library on your computer, the running cost is basically zero. For data transmission, a Smart Media reader/writer with USB interface is a low cost, convenient option. Designed as the perfect rhythm companion to the MRS-4, the MRT-3 RhythmTrak synchronizes seamlessly with the MRS-4 via MIDI. Just connect MRT-3's stereo out to MRS-4's auxiliary input, and they operate beautifully. The drum program won't take up any of the MRS-4's capacity, so the 4 audio tracks can be used just for music sources. The MRT-3 is an excellent stand-alone drum machine, with touch sensitive drum pads, so your original patterns/songs can be programmed right in, An extensive library of patterns and other features are also included. •Physical tracks.4 •virtual takes:32(BTakes /1 Track) •Simultaneous recording tracks:2 •Simultaneous playback tracks:4 •Maximum recording tlmefon to supplied 32MB Smart Media]. 17 track-minutas in Hi-Fi. 34 track-minutes in LONG •Maximum songs: 15 «Mark pointa:5Opoints рог song «A-B repeat: 1 block section •Punch In/Out:Manual and Automatic •Location Display Mln/Sec/m-Sec, Measure/Beat *Track edltiCopy and Paste. Erase, Exchange, Bounce «Fader: 45mm stroke xSlTrack 1 to 4. Master] «Level meter: epoints xBchannelellnput 1 /2, Track 1-4. Master L/R]. Post farter «Track parameter:Equalizer, Effect send. Pan «Equalizer ;HIgtl(f:5QQ-SOQQHZ, Gain: ± 12dB], Law(f:63-?onOH7, Gain:-H Prtfl) «Stereo link:Track !S2 or Track 3S4 «insert effects: Compressor, Llmlter, Cabinet simulator, Microphone pre-amp •Send/Return effects:Hall. Roam, Doubling. Delay. Chorus «Mix dawn offsets: Power, Boost. Vocal •Tuner Auto chromatic type •Metronomes tempo:40.0-250.0 «Metronomes beat: 0/4-8/4 «Metronomes pre count: Off. 3-9 «Display'Custom LCD with back light «A/D converter 20blt 64times over-sampling «D/A canverter:20bit Stimes over-sampling «Sampling rate: 32kHz(Hi-Fl). 16kHz(Longj «Compatible smart media: 16MB -12BMB. 3.3V «input(i ,2): 1 /4" phone lack x2. Unbalance «Input level: 50dBm < Variable •-: HdBm «Input Impedance: Ikn <• Variable f 500kП «AUX input(L/MQNQ. R):1/4" phone jack *a. Input Impedance 20kП «Master output (L, R):flCA pin-jack xg «Rated output level: -IQdBindoad impedance )0kn or more) «Output impedance: Ikn or less «Headphone output: 1/4" stereo Jack x i, bOmWfAt load impedance 32П) «MIDI out 1 «Power supply:4xAA size battery or 9V 300mA AC adaptor/Center minus typs(AD-0006 recommended) «Dimensions:220{W)x 165fD)x56,3(H)mm •Weight:700g (Without Battery) «Supplied accessories:32MB Smart Media «Optional accessories:AC Adaptor AD-0006. Batteries 'OdBm - D.775Vrms MultiTrak Recording Studio MRS-4 S£SmartMedia ZOOM RhythmTrak TO ALL THE ARTIST •Flexible 4 Track «377 Sounds В 24 bit D/A -Real Time Song Recording *S5 Bass Snunds -Sound Jammer -2 Way Power Supply 4-track configuration: Drum A+Prum B+Bass+Song track Line input is convenient for practicing Combine two drum tracks with a bass line and a song track, put together a balanced set of drums, percussion, and bass, or fuse dual drums kits with a bass program. Pattern programming on three tracks is easy. Whether you want to combine different sounding drum kits or try out various bass pattern variations, the RT- 323 delivers. A separate song track is great for recording fill-ins, single sound events, or sound effects. Plug in another instrument and mix it with the sounds of the RT-323. No need for an expensive and complex mixer setup. Large LCD panel shows all needed information at a glance Pads and switches light up internally, making the unit simple to operate even in low light conditions. The rounded layout places the pads with built-in velocity sensors right at your fingertips. Large encoder knobs and large LCD panel are highly useful for editing data. Those user interfaces has been designed with careful attention to every detail. 24-bit D/A converter provides 377 source samples From the traditional rhythm track sound, dynamic live sound, powerful compression sound, dry sound for post-production sessions, to Lo-Fi sound for hip-hop grooves, the RT-323 has got it! The 24-bit D/A converter reproduces the full envelope with superior clarity, goes far beyond general purpose sound module. Groove Play function for DJ use The RT-323 is ideal for the DJ. Assign patterns to the pads and play them in real time. Sound Jammer Slider for real-time adjustment A handy JAM slider lets you adjust the sound on the fly, for quick adjustment of volume or pitch. You can even tailor the hi-hat opening slope. Full MIDI support with MIDI recorder function Operate a sequencer or other MIDI component in sync with the RT-323 acting as dedicated drum machine. The bulk dump feature of MIDI is also supported, letting you save all internal data of the RT-323 on another device. The MIDI recorder function allows real-time recording and playback. Two sub outputs and two control inputs provide superior flexibility 500 patterns; 4OO preset +100 user Assign any sound source to the control in lines, and make optimum use of foot switch and expression pedal simultaneously. 64 preset drum kits and 64 user programmable kits Take it into the rehearsal studio or on stage, by AC or Battery operation. Optimized circuitry makes efficient use of battery power, over 7 hours. Drum Kits include Live Rock, Hip-Hop, Analog, Techno and all music categories. Within each kit, there are 13 pads x 3 banks, resulting in 39 sounds that can be played in any combination. By freely mixing and matching sound sources, you can create up to 64 user kits. SmartMedia gives you virtually unlimited capacity for storing 400 preset patterns, covering various music styles. In addition, you can create 100 user patterns for your complete original rhythm track. Assign patterns to pads: Real-time song recording is a snap You can assign various patterns such as intro, melody A, melody B, fill-in A, fillin B, and ending to the pads and then play and record them at will in real time. Versatile editing functions designed for the needs of musicians With simple keystrokes, advanced pattern copy (pattern part for example) and paste functions are available. You don't have to repeat same keystrokes many times. Lightweight, compact and ergonomic layout SmartMedia allows you to store your data whenever you like and take them with you wherever you go. Compatibility with PS-O2 SmartMedia compatibility lets you import drum and bass patterns, edit them on the RT-323, and export them to the PS-02, further enhancing the flexibility of both units. * * #• • •Sampling Frequency: 48kHz «D/A Conversion: 24blt 8 times oversamplme «Maximum Polyphony: SOvnices •Resolution: 96ppqn «Tempo: 40 to 25Qbpm •Maximum Notes/ Events; 40,000 «Drum Sound: 377 «n-v-,<, Sound: 55 «Drum Kit: 1 SB (Preset 64/Usar 64) •Rhythm Pattern; 500 (Preset400/User1DD) «Song; 100 «Pads: 13Veloclly sensitive pads *3Bank «Display: 640 segment custom LCD •Sound Jammer Slider: 1 «MIDI: IN/OUT «Line Incut: 1 /4" monaural phone jack x 1 •Control Input: \ /4" phone jack x2 «Line Output: 1/4" monaural phone jack x2(L/Mono, R) «Sub Output; 1/4" monaural phone jack *2 •input Impedance: 10kn(Llne Input) «Output Impedance: Ikn or less(Llne/Sub Output! •Nominal Input Level: -1 QdBm (Line Input) •Nominal Output Level; -1 OrJBm (Lone/Sub Output) •Headphone Output: Mini stereo phone Jack x 1, 50mW at 32П load impedance •Memory Card: 3.3V Smart Media 4MB to 128MB «Power Requirement: DC9V 300mA «Battery life: More than 7hours(AA x6, Alkaline Battery) «Dimensions: S65(W)x175(D)x55 (H)mm «Weight: B7Og(Withnut batteries) «Supplied Accessory: AC adaptor AD-QOOB «Optional Accessory: Expression Pedal FP-OS, Foot Switch FS-D1 *QdBm -, 0.775Vrms RhythmTrak RT-323 ZOOM RhythmTrack Series GUIIAR Ideal for guitarist training / The secret behind great demo tapes / Spruce up a DJ performance Use as a DTM system rhythm source / For all creative artists No more hassle with complicated sequencers. The simple solution: RhythmTrak ZOOM RhythmTrak With a footprint corresponding to about half a magazine and a weight of a mere 5SOg (1.2lbs), the RT-123 easily fits into the soft carrying case of a guitar. Translucent Edition black A large number of preset patterns 3-Track configuration for each pattern The RT-123 offers a large number of preset patterns, it will hardly be necessary to make your own. Simply by combining the 297 presets (99 x 3 banks), you can quickly create original songs. A user memory that holds 99 patterns is also available. Two drum/percussion tracks and one bass track make it possible to split up complicated patterns into multiple tracks. You can for example put a snare and another drum sound on separate tracks and combine these into a single rhythm pattern. By slightly shifting tracks, interesting effects can be achieved. Self-Lit pads and keys The pads and switches of the unit incorporate LED lights which make them very easy to see on a dark stage or in other low-light situations. Drum kit focusing on real rock sounds 80 built-in drum kit types provide realistic sound and are geared especially for rock performances. Besides drums and percussion, the RT-123 also delivers a wide variety of bass programs. Line input for guitar practice The groove play for DJs The Groove Play feature lets you assign a number of desired patterns to the pads and play them at will. Patterns can of course be created freely, so there are no limits to your creativity. Midi capability The RT-123 can serve as a dedicated rhythm source when receiving a MIDI note. Synchronized play using the MIDI clock is also possible, letting you use an external sequencer for example to cook up a real mind-blowing rhythm section. The line input allows mixing the sound of other instruments with the unit's rhythm sound. SPECIFICATIONS •Drum Kits: 80 (Including Percussion, SFX kit) «Bass Proei'ams. S5 «Rhythm Patterns: Preset: 897(99x3 banksj/User; 99 «Sangs: 99 ( 1 0,000 notes max.] «Maximum Polyphony. 30 voices «Resolution: 96 ppan «Tempo: 40 to £50 bpm «Pads: 13 with Velocity Sense «Control: MIDI In. Foot switch for FS01 «Display: 4 digit. 7 segment LED «Line Input: 1 /4" jack (Mono) '• 1, Imnedence 33kQ «Line Outputs (L/MONO. R>: 1 /4" iack (Mono|x2, Impedance 2.2kn ar less «Phnnes Output: Mini jack (Stereo)x 1, Output Power 50mW into Э2П «Power Requirements: 9V DC/300mA (from supplied AC adaptor AD-0006) «Dimensions: 196(W)xl 5B(D}*35(H)mm «Weight: 550g (l.eibs.) «Ar.cossory: Foot switch f-SU I 'OOBm - 0.775Vrms RhythmTrak RT-123 СШТАЯ «Ч I building On The Zoom Tradition : The feature-packed 70711 & 70811 •-Inlroiliniij.iJ. nuAhiU'sl irnxliKl iii llu1 /.«\ f—•> «*,, sr-^•»"«.! is,, tJrJBffeB^Oce Guitar Effects Processor 707II GUITAR Guitar Effects ZOOM Processor 707П* GUITAR of effects like Chorus, Phase. Pilch-shift. Flange, Wan and Produces several classic ambient effects 70711 EFFECT MODULE 30 Types of Drive Sounds + 3 Types of Acoustic Simulation Thanks to the use of a VAMS(Variable Architecture Modeling System), the drive module contains 10 "personalities" including amplifier modeling. Each personality has 3 styles: Classic, Standard and Modern. Therefore, a total of 30 types of drive sounds are available. Using a dedicated Drive knob and Variation buttons, you can select and change the drive sound anytime. While in Play mode, parameter edit knob #1 is assigned to be the Drive Gain, so that you can adjust the amount of distortion. The drive module also has three Acoustic Simulations, so you can get acoustic tones on your favorite electric axe. ,V/lftTS THEMOlOiCHORUS RING MOD.VI8H Bass Effects Processor ZOOM 708Я 7O8II EFFECT MODULE fНЯ 4 d d £<Ъ Л *ТЕП ЙОХ COMBO in m-.i 1 1 COMBO STACK > > FLANGEH PHASER TREMOLO HALL REVERB DOOM nbVtllf] SPRING REVERB MONO BELAY PINQ-PONO DELAV HOLD DELAV STEP PEDAL PTCH RING MODULATOR 33 types of Amp Modeling & Bass Effects Thanks to the use of Zoom VA MS (Variable Architecture Modeling System), the drive module contains contains 11 11 "personalities" including 3 Amplifier modeling and 8 Bass oriented effects. Each personality has 3 styles: styles Classic, Standard and Modern. Therefore, a total of 33 types of bass sounds are available. These personalities personalities, ve, distortion, distortion such as fat amp, bright amp, rock amp, compressor, limiter, 8 band EQ, isolator, enhancer, overdrive, fuzz, octaver and bass synth, can be selected or changed easily using a dedicated knob and button anytime. V ЕШИ DEFRET DELAV ECHO TUtMQlO. CHORDS VIBRATO 7O7D & 7О8П SPECIFICATIONS •Effflfit Type :74(7П701.69(70811) «Effect Module:8(7070 ).7 (708D ) •Maximum Simultaneous Effects: 1 0(70711) .9 (708 П ) «Patch Memory: 1 eO(User60 • PreaetBO) «Samrjllnfj Frequency1.31.25kHz «A/D Conversion:20blt G4timea oversnmpling «D/A Conversion:2Qbit Sttmes oversampline «Guitar Bass Input: l/4"Phone Jack x 1 «Nominal Input Level: 20dBm «Input Impedance:470kП «AUX Input: l/8"Stereo phone jack x 1 (Nominal Input level: SQdBm. Input Impedance:20kn) «Output(Used ns both line arid headphone): l/4"Stereo phone |ack x 1 «Maximum Output Level: i3aBm(at load Impedance lOkf] or more) «Display:6dieit alphanumeric LED, Sdigit 7segment LED. Podal Assign LED x?> Drive variation LED x 3. Module LED x9 «Maximum sampling timofwithout Smart Media): Gseconds «Samplar plnyhnck r.peed: x 1, x 1 /2. x 1 /4 «Preset rhythm pattsrn: 60«Pawor Requirement: AA size(LnB) Battery x4lOptional), or AC Adaptor DC9V/3OOmA/Center Minus lype(Optional, AD-Q006 recommended) «Battery life: 1 1 hours or more (Alkaline type) «Dimension: 243(W)xi95(DjxSj7(H) mm «Weight-060s (without battery) «Optional accessory:Smart Medial 16MB--1 28MB. 3.3V). AD-0006, AA size Battery -DdBm-a.77bVrms Bass Effects Processor 70811 BASS '» _ Style sor for Guitar & Bass Surpass all previous standards Simple and Easy Operation Built-in Expression Pedal User-friendly operation is a characteristic that has succeeded from the 50511, a best-selling unit. All settings for drive types, pedal assignments, and effect parameters can be completed with just a couple of touches of the knob and gain key. With an intuitive analog sense, you can use as many advanced digital effects as you like. The Expression Pedal, which allows you to give your guitar/bass rich, extended performance, is neatly integrated into a compact unit that can be stored In the pocket of a guitar/bass case. You can change the pedal settings by simply pressing the Pedal Assign key, while the current status is clearly displayed by a dedicated LED. Besides the volume and wan, you can also control: 606 3 Amp-Cabinet Simulators Three typical cabinet ambiences for guitar amp-Combo, Bright Combo, and Stack- can be simulated. Even in multi track recordings, you can achieve a live-feel recording without difficult microphone settings (type or position). 35 Versatile Effects - 9 Types of Simultaneous Use A full array of 35 effect types are assigned to the modules and connected in series, as shown in the figure. Each module equals one unit on a stomp box. You can use up to nine effects simultaneously in various combinations, which allow you to create any sound you can imagine. [ 'f'Drive (Distortion) gain ".Chorus depth -".^Flanger speed aPhaser speed OTremolo Speed f >Slow attack envelope ;'."Step Effect speed ;i 'ilnput sensitivity for the Cry effect •''>Modulation frequency for the Ring Modulator "-'Pitch shift width or mixing balance ' 'Mixing balance (between dry and wet(Doubling/Delay/Reverb) 607 dry and wet(Octaver/Bass Synth/Delay/Reverb! Preprogrammed Ready Fire Power Patch 42 Preset at the factory are 42 types of patch programs, in which 35 of the effects are combined with optimized parameters. With these patches alone, you could feel as though your technique has improved. You can also edit each parameter to create your favorite sound and store it. You'll quickly see why the is 606 / 607 much more useful than just a stomp box or independent pedal alone. ZMiR-Zoom Noise Reduction Sy stein _ Noise problems that occur due to high gain and distorted sound can be solved using the ZNR. A natural, smooth release, which no noise-gate can achieve, is one of the unique features of ZOOM technology. Built-in Auto-chromatic Tuner With the pedal under your foot, you can create unique, impressive expressions by switching to the above effects in real time. Just try it! You will produce new, fresh, striking guitar phrases in your playing. More than 24 Hours of Continuous Battery Operation On stage or in the rehearsal studio you have had to worry about running out of battery power - but the new, low power consumption design allows continuous use for more than 24 hours (alkaline type, size AA x 4). The 606 / 607 also has an AC adaptor option, giving you two choices depending on the situation, the battery, or the adaptor. __ There is frequently no time for leisurely tuning at rehearsals just before a live show or even in the practice studio. Any inaccuracy of pitch is displayed in a rotation speed that allows quick, fine adjustment. While you are speaking, you can unobtrusively correct any tuning that has been upset by heavy arm movement - Isn't that convenient? 606 & 607 SPECIFICATIONS • Effect Type:35 «Effect MDdule:B «Maximum Simultaneous Effect s:9Types «Patch Memory:42 (6 Patch x? BanKs) «Sampling Frequency: 31,£5kHz «A/D Con version :90bit 64tirnas ovsrsampling «D/A Conversion:£0blt Stlrnes ovorsampling «Input: J/4"Phone Jack *1 «Nominal Input Level:-2QdBm «Input Impedance'470kn «Output (Used as both Line and Headphone) ;i/4"Stereo Phone Jack *1 «Maximum Output Level:+5tfBm(at Load Impedance IQkO or more) «Display:2 digit 7 saement LED. Pedal Assign LED x5: Drlva LED xl •Power Requirement: AA size(LR6)Battary x4 (Optional), or AC Adaptor AD-QOO6 (Optional, DC9V/300mA, Center Minus) «Battery llfe'24 hours or more (Alkaline type I «Dimension: 233 (W) x 159 (D) x54 (H) mm •Weieht:600g (without battery) •QdBm~D.775Vrms Guitar Effects Processor 606 GUITAR Guitar Effects Processor Drive Selector & Gain ± Key 10 types of "Drive Sound", a key factor in guitar sound, are available, including five Amp-Modeling sounds. Additional Acoustic Simulation is provided, allowing you to switch between the different types at any time using the dedicated selector knob in a single action. Using the Gain ± Key, you can turn the Drive module ON/ OFF or change the Drive circuit's gain or depth at any time. ZOOM, 6O6 EFFECT MODULE DIST LEAD 6O6 DRIVE MODULE FDR CLN {FDR Clean) US BLUES MS DRV (MS Drive) BG DRV (BG Drive) PVY DRV (PVY Drive) OD (Overdrive) DIST (Distortion) LEAD FUZZ METAL 7th ACCOUSTIC PHASE SHIFT PHASE SHIFT ?<• CHORUS DOUBLING DOUBLING»- CHORUS TREMOLO TREMOLO *• CHORUS STEP STEP IK CHORUS CRY1 CRY2 CRY ^ CHORUS RING MOD RING MOD CHORUS SLOW ATTACK SLOW ATTACK - PITCH SHIFT PITCH SHIFT PEDAL PITCH • * • Simulates the clean sound of a built-in type tube amplifier. Solid crunch sound for playing the Blues. • • Drive sound emulating a British style tube stack amp. • • Drive sound emulating a tube stack amp with a tight and controlled midrange. • • High-gain tube amplifier drive sound, great for heavy metal. • • Extended overdrive sound with the character of tube amplifier distortion. • • Distortion similar to driving a three-stack amp in the hard rock style. • -Smooth, bright distortion sound. • • Sixties style fuzz sound with fat bass. • • Heavy metal type sound with emphasized bass and treble. Suitable for 7-string guitar. • -Changes the sound of an electric guitar into that an acoustic guitar. Drive Selector & Gain ± Key Bass Effects Processor ZOOM£*/b4 OC//IвА$$ The drive module that characterizes the fundamental bass sound includes 5 distortion sounds, 4 clean sounds and 2 enhancers. 3 Amp Modeling sounds are included and you can switch between the different types at any time using the dedicated selector knob in a single action. Using the Gain ± Key, you can turn the Drive module ON/OFF or change the Drive circuit's gain or depth at any time. 607 DRIVE MODULE • • -High-class clean sound with prominent midrange. ТЕ Clean • • -Drive sound simulating a built-in tube amplifier. FDR Drive • • -Overdrive sound with strong midrange. AC Drive Band-Pass Enhancer • • • Enhancer using a band-pass filter. High-Pass Enhancer • • • Enhancer using a high-pass filter. • • -Clean sound with flat characteristics, CLEAN RICH • • -Rich clean sound with emphasized bass range. • • -Clean sound suitable for the slap playing style. SLAP • • -Treble-rich overdrive sound. EDGE DIST • • -Distortion sound for hard rock. FUZZ • • -Wild fuzz sound. _TE_CLH FDR DRV AC DRV BANDPASS ENH HIPASS ENH CLEAN RICH SLAP EDGE DIST Bass Effects Processor 607 BASS 607 EFFECT MODULE PHASE SHIFT STEP CRY1 CRY2 DEFRET BASS SYNTH OCTAVEv CHORUS PITCH SHIFT PEDAL PITCH The New Classic Cutting Edge Technologies and Traditional Values. The New 50511 / 50611 sets its sites on becoming the universal standard. Analog feel and simple operation Zoom's long experience with compact effect devices has helped shape the pedals : a large rotary selector, easy to read red LED display, foot switches with ample travel. In a word, an interface that is truly user friendly. You build your sound simply by selecting elements shown on the panel and using the + and - key> A palm-sized partner Thanks to its palm-top size dimensions and low weight of only 280g (without batteries), the unit fits in any guitar case and can even be carried in your jacket pocket. Highly appealing sophisticated design Chassis with its sleek, flowing lines offers a stylish ultra-modern appearance that will endure for many years to come. Extremely durable space-age plastic and a flat control surface take the worry out of carrying the unit in the same case with other gear. The pedal switches are tough enough to be operated with the sole of a hard boot, providing ruggedness on a par with metal units. 28 hours of continuous operation with four size ДА alkaline batteries On stage or in the rehearsal studio, you don't always have spare batteries at hand. This isn't a problem any more. Its low power consumption design extends battery life to the maximum. Of course, you can also use an optional AC adapter for extended practice sessions or pre-production work. Built-in auto-chromatic tuner The integrated tuning function lets you quickly and precisely adjust the pitch of your instrument, even in a loud rehearsal environment or live gig. The re-designed tuner interface looks cool and is extremely useful. Besides the note readout, the difference in pitch is shown by the speed of a rotating indicator. This makes tuning as easy as using a harmonics beat. Ready for pedal effect operation A rear-panel CONTROL IN jack lets you connect an optional Zoom foot switch or expression pedal. This greatly enhances the range of your playing options. You can use the pedal to control volume, Wah, or other parameters in real time. 5О5П EFFECT MODULE (Maximum Simultaneous Effects : 9) MOD /PITCH COMPRESSOR ACOUSTIC 4 BAHD EQ LIMITER FDBCLN PHASE SHIFT PEDAL CHORUS CRY2 ECHO AUTO WAH RHYTHM FLANGER CRY " CHORUS HALL COMPRESSOR - AUTO WAH OVERDRIVE FLANGEH PEDAL CRY ROOM PEDAL WAH DIST DOUBLING COMPRESSOR » PEDAL WAH BLUES DOUBLING FUZZ PEDAL DOUBLING |2NB | CRY1 CHORUS CHORUS PITCH SHIFT CHORUS PEDAL PITCH DOWN PEDAL PITCH UP LEAD REMOLO METAL REMOLD MS DRV EDAL TREMOLO PEDAL RINO MOD BG DRV ТЕР SLOW ATTACK PVV DRV ТЕР DELAY V n RINO MOD CHORUS CHORUS EDAL STEP RING MOD -CHORUS SLOW ATTACK » PITCH SHIFT PEDAL SLOW ATTACK SPECIFICATIONS 50511, 50611 & 50411 REAR PANEL / //i»w ~\ оси соитии in |ИВв1\Ч «Effect Modules: 7(50511). 7(50611), 9 504 Д ) •Maximum Simultaneous Effects: ID ^Effect types '9 Modules, Patch Memory. 36(6 Banks x 6 Patches) •Sampling Freqi y: 3 1 .25kHz *A/0 Conversion: 1 6 bit 64 times oversamplins вО/А Conversion' 1 6 bit В times oversampllng •Guitar Input 1 /4" monaur jack (Nominal Input level: -20dBm/ Input impedance: 470КП) •OutputlUsed as both Line ar| rel •Control Input: For expressi d Headphone): 1 /4" stereo phone jack i/laximurn output level: I SdBnVLofid impedance 1 Okfl o pedal FP02 or toot witch FSQ1 eDispla digit 7 segment LED «Power requirements: DC9V/300mA(Optlanal AC Adopter AD-0006/ Center minus) AA(LR6)battery *4 •Continuous battery Operation: More than 29hours (Alkaline type battery) •Dimensions: 125(W)x 14B(D)x40(H) m •Weight. £80g(Without battery) •Accessory Expressiion pedal FP02 / Foot switch FS01 "OdBm-0.775 Vrms Guitar Effects Processor 50511 GUITAR Your First Purchase After Your Guitar. 33 versatile effects """SOSE GUITAR The 5051! far surpasses anything previously available. The distortion module in particular has been designed to please any guitarist, offering world-famous guitar amp sounds created using the latest modeling techniques. Use 36 preprogrammed patches right away Effect combinations and parameter settings can be stored by the user in up to 36 patches. What's more, a variety of patches that faithfully reproduce the sound of famous guitarists are also included. Without having to buy expensive amplifiers, you can now play with an unlimited variety of sounds. For line out use and recording at home or studio, the amp simulator allows you to recreate the tonal characteristics of a real guitar amp. ZNR (Zoom Noise Reduction) An adequate amount of distortion is indispensable for getting a great guitar sound, but using it effectively depends on one's ability to control noise. The ZNR (Zoom Noise Reduction) system solves the problems of noise that affect every guitarist with a silky smooth and natural release that gives you greater freedom in creating the sound you're looking for. BLACK & CHAMPAGNE GOLD Your First Purchase After Your Bass. ZOOM! 33 versatile effects The 506 II far surpasses anything previously available. Versatile Effect Unit With 33 Types of Effects Features an array of effects to broaden a bassists range of sound and style, such as enhancer effect to bring out the contours of a tone, or defretting which enables you to achieve a fretless. Use 36 preprogrammed patches right away Effect combinations and parameter settings can be stored by the user in up to 36 patches. What's more, a variety of patches that faithfully reproduce the sound of famous bassists are also included. Without having to buy expensive amplifiers, you can now play with an unlimited variety of sounds. For line out use and recording at home or studio, the amp simulator allows you to recreate the tonal characteristics of a real bass amp. ZNR (Zoom Noise Reduction) BLACK & CHAMPAGNE GOLD Because the bass provides the backbone of a band's sound, the utmost attention must be paid to noise reduction. The ZNR(Zoom Noise Reduction) system enables you to achieve a smooth and natural release for a noise-free sound environment. Your Personal Acoustic Guitar Engineer. 33 versatile effects Effects such as LIMITER, EQUALIZER, and CHORUS have been specially optimized for acoustic guitai AIR s iiilates the spatial feeling of sounds being picked up in a room by a microphone. De-AMP removes the harshness that can be a problem when playing acoustic guitar through a guitar amplifier. TOUCH helps makes your picking more uniform and smooth. Other effects include EMPHASIZER which simulates a steel guitar and the world's first WAH effect specifically designed for acoustic guitar. Explore a whole new world of sound with the 50411. Use 36 preprogrammed patches right away even patches for electric gut guitars which stand out for slow, legato stylo playing Highly effective Feedback Suppressor Unwanted feedback can be a real problem when using an acoustic guitar on stage. Depending on the size and type of venue, the frequency where feedback occurs can vary considerably. But now you have exactly the right tool to solve that problem. The 50411's built-in feedback suppressor automatically detects the frequency range where feedback occurs and attenuates that band with a highly effective notch filter. Its Automatic Detection feature can be easily triggered with the optional foot switch. Make your electric guitar sound like an acoustic The built-in simulator instantly transforms an electric guitar sound into an acoustic instrument sound. Various patches let you choose among flat top, nylon, 12-string, slide, piezo pickup and other acoustic sounds. Without changing guitars, you can amaze your audience by easily switching from electric to acoustic guitar during a live performance. This function is also really ieful if you don't own a steel or nylon string guitar, or if you don't like thick strings and the higher action of acoustic instruments. Bass Effects Processor 506II BASS ACOUSTIC Acoustic Guitar Effects Processor 50411 ACOUSTIC True Sounds Create Authentic Guitar Sounds The GFX-4 will not stand in the way of your sound. It keeps the true guitar sound, adding effects carefully. It's as simple as operating Compact Pedals. FX Panels Make Operation Super Easy The user interface of the GFX-4 is so simple and intuitive. FX panels let you adjust three effect modules and three parameters, each in real time. Settings are shown by a graphic image, parameters and patch names are shown in alphanumeric format on backlit LCD, and LED indicators let you check the status of all the important functions at a glance. Built-in Auto-chromatic Tuner helps the tuning of your instrument quickly and precisely. Pitch accuracy is shown by the indicator rotation speed, which helps prevent overshoot and lets you hit exactly the right note. i - •••. - Hybrid Architecture with Analog Distortion Circuits and VAMS By combining all analog distortion and a sophisticated technology called VAMS (Variable Architecture Modeling System), the sound of vintage effects can be recreated with amazing realism. The GFX-4 models Overdrive, Distortion, Compressor, Chorus, Phaser, Wah, as well as many other effects of world famous guitarists. The control knobs duplicate the feel and adjustment range of the original classic model, thanks to the sophisticated modeling techniques used. Of course, you also get the ZOOM original distortion and convincingly recreated guitar amplifier sound. Create Any Distortion Character with Booster + Distortion The COMP/OD/ENV module and the DRIVE module in the GFX-4 can be combined to create a two-stage distortion sound, just like connecting two compact effects in series. Combining effect distortion, AMP distortion and distortion with sustain. All sorts of possibilities are open to you. Even advanced techniques such as adjusting the level of volume and distortion together when changing from backing to lead can be implemented. Progressive ZNR (ZOOM Noise Reduction) Shuts Out Noise Comprehensively The GFX-4 incorporates the most recent and refined version, ensuring noise-free play even when using the two-stage distortion approach. Low-noise components and latest DSP algorithms result in a 12dB improvement of Drive module S/N ratio. Get exactly the right amount of distortion without any unwanted noise. Included! with the GFX-4 is a Patch Library with Carefully Chosen Effect Types The Patch Library contains 44 distinct, high-quality effect types designed to be truly useful. These are combined in preprogrammed patches stored in the memory of the unit. There are 60 user patches which can be freely rewritten, plus 60 preset patches, making the unit ready for immediate use-right out of the box. Amp Simulator Allows Line Recording with Realistic Sound The amp simulator of the GFX-4 lets you select various amplifier types as well as the cabinet size and number of speakers, This assures dynamic, realistic sound during line recording, The Ideal Balance: Metal & Molded Body For your peace of mind the GFX-4 is built from Stainless steel in all the important sections such as foot switch's frame, expression pedal, and connectors. This assures rugged physical strength and a great feel. The unit is light yet it is stable and highly resistant against damage. The intelligent design of the switches and controls live up to the highest expectations of the user. Relay Switch for Optimum Direct Sound Bypass for the Mono Output operates as a mechanical switch (relay circuit), the guitar output signal therefore does not pass through the A/D and D/A converters, allowing a "clean" noise free signal path. A buffer circuit assures low output impedance, to prevent treble losses caused by floating capacitance of the shielded cables. Also the AC-AC adaptor with clean power supply circuitry built into the main unit helps to reduce noise. Pickup Selector Gets the Best Out of Any Guitar A switch provides easy impedance and level matching for any type of guitar. Whether you use a passive pickup, active pickup, or integrated preamp, your instrument will sound its best. GUITAR EFFECTS PROCESSOR \ EFFECTS LIST COMPRESSOR VINTAGE COMPRESSOR OVERDRIVE BOOSTER AUTO WAH SLOW ATTACK ACOUSTIC SIMULATOR OVERDRIVE DISTORTION PLUS DISTORTION FAZZ л METAL Z METAL DRIVER US BLUES BRITISH DRIVE DRF METAL EVH DRIVER 3 BANDS EQUALIZER I CHORUS CE CHORUS FLANGER VIBRATO STEP TREMOLO DELAY PHASE RING-MODULATION PITCH SHIFTER DETUNE PEDAL WAH PEDAL PITCH HALL ARENA ROOM GARAGE DELAY+HALL DELAY+ROOM PING POMG DELAY ECHO REVERSE STEREO CHORUS И.МаЖЯГГШТдЧаЛ SPECIFICATIONS •Effect Proeram: 44Турез •Effect Modulo; 6 Modules+ZNR-t-Amp Simulator •Patch Memory: User 60+Preset 60, Total 1 SO •Sampling Frequency: 4OkHz вА/D Conversion: 20 bit 64 times oversampling *D/A Conversion: 20 bit 128 times nvcrsampling «Input: 1/4" monaural phona jack *1 ^Nominal input level: - 1 OdBm «Input Impedance: 5 IDkO(Pickup Select: Normal], 20kn(Pickup SelectActlve) • Monaura! Output; 1 /4" monaural рпопн jack x 1 •Stereo Output: 1 /4" stereo phona jack x 1 (Used for both Line and Headphone) •Nominal Output Level lOrJBm for both monaural and stereo (Load impedance 10kn or more) •Display: Back-lighted original LCD *2 digit ~> segment LED ePower requirement AC 1 2V I 5DOmA(Supp!ied AC adaptor AD-OODS) •Dimensions: 397(W)x 1 B3(D)x6a(H)mm *QdBm-Q.775rms Guitar Effects Processor GFX-4 u The Ultimate m Di$toi*№n"is closer 1/ian you think. VAMS, V.A.M.S. Variable Architecture Modeling System Cyberdistortion with a human heart There isn't a sound in the universe that can't be reproduced if you have a GFX-8 equipped with the V.A.M.S. system. Even the electronic circuitry and sonic characteristics of a wide variety of guitar amps and the specific feel and presence of the guitarist can be digitally simulated. By refining Zoom's legendary modeling technology with high-grade analog circuitry, V.A.M.S. provides a degree of freedom and flexibility that has been unimaginable until now, V.A.M.S. easily emulates everything from the screaming distortion of a highpowered stack to the warm, fat distortion of a classic vintage amp. More than just a hybrid electronic circuit, the V.A.M.S. variably fuses analog and digital technologies to achieve "cyberdistortion with a human heart." Custom Distortion : Even a crack team of development engineers or an army of voicing consultants can't exhaust the potential of the V.A.M.S. The only way to do it is by freeing up all of the parameters to the user. Whether in edit mode, using a Windows or Mac GUI environ-ment, you get custom distortion with "cut-and-paste" editing freedom to tap the unlimited potential of the system as if you were developing the product itself. The user is now in control of the evolution of distortion. The solid feel of metal. Superior VAMS distortion THE CONCEPT OF HYBRID a VARIABLE ARCHITECTURE The solid feel of metal The Zoom GFX-8 is housed in a rugged, solid metal chassis that can easily withstand the full range and force of the guitarist's artistic emotions. Its classy color scheme underscores a harmonious integration between studio and stage environments. After putting in all the sound and functionality a guitarist could ever want, the incorporation of a metal body was the logical step for achieving the final element of perfection. In our quest to give the GFX-8 the strength and durability any guitarist can trust in even the most rigorous performance situations, we probably got carried away by making all of the switches, pedals and knobs more durable than necessary. Guitar-Friendly Interface design Your perspective is what constantly drove our development of the GFX-8, That's why we were able to design a truly user-friendly interface for a guitar effects processor that never performs as a musical instrument and brings out the individual style of the performer. Turn any one of them and the sound changes. Each knob clearly says what it does, and does what it says. 69 Type Effects An Amazing Collection of High Quality Effects To Set Your Playing Apart. Exceptional performance for price is no longer an adequate description of our high-density DSP technology. Each and every one of the GFX-8's 69 effects were individually developed to achieve a level of quality that goes way beyond specialized single effect devices. 3-Level editing makes it easy for anyone to use Level 1 is GFX-8 front panel editing which lets you edit nearly every function. Level 2 is custom distortion, which opens up nearly infinite parameters for you to create. Using this function gets you to the rich, deep world of V.A.M.S. Level 3 addresses that ultimate editing environment: PC editing via MIDI. The supplied editor and librarian gives you limitless freedom to manage graphical edits and patch memories. Function GUITAR EFFECTS PROCESSOR EFFECTS LIST FDR CLEAN FDR DRIVE MS CRUNCH MS DRIVE RG DHIVE PVY DRIVE VX CRUNCH POWER LEAD VINTAGE OVER DRIVE OVER DRIVE VINTAGE DISTORTION DISTORTION FUZZ WILD METAL COMPRESSOR COMP+CRUNCH COMP+OVER DRIVE COMP+DISTORTION EXTERNAL DISTORTION ACOUSTIC USER CUSTOM 1 USER CUSTOM 2 , i з ;, t«] : \'A 80 user and 1 60 preset Patch Memories for a total of 240 patches that can be called up in an instant. The 1 60 presots cover an incredible variety of guitar sounds. i Four individual knobs let you make incremental sound adjustments very easily, like on a guitar amp. You can assign a variety of functions to the super tough and durable metal foot pedal which features a secret assign switch that can be activated by pressing the pedal harder. | Stereo out, of course, with an independent volume control knob. Can be used for a sampler line in and MIX IN to accommodate external sound sources. Send/Return jacks allows external effects to be inserted into the signal chain. *ТЗт Lets you activate a new patch while the previous patch still delayed, ZNR(ZOOM NOISE REDUCTION) ensuring smooth transitions. EQUALIZER PAGE 1 EQUALIZER PAGE 2 ЕШДтИе GFX-8's vastly enhanced MIDI functionality serves as a control center for a variety of MIDI devices and as a MIDI system performer. No high-tech stage performance SAMPLER can do without the GFX-8. E Я Г1 SLft AU TOWA H+TR EMOLO GATE REVERB HARMONIZED PITCHSHIFTEH TWIN PITCHSHIFTER SAMPLE&HOLD SYNTH EFECT CUSTOM 1 CUSTOM 2 1 CHORUS CE CHORUS VIBRATE FLANGER PHASE TREMOLO PEDALWAH AUTO WAH STEP CRY PITCH SHIFTER PEDAL PITCH RING MODULATOR SLOW ATTACK DELAY TIMETHIP BPM DELAY HOLD DEL AY TREMOLO+CHORUS RING+VIBRATE CUSTOM 1 CUSTOM2 HALL REVERB ROOM REVERB DELAY+HALL DELAY+ROOM PINPON DELAY SEAMLESS DELAY CHORUS*DEL AY ECHO STEREO CHORUS AUTOPAN PITCHSHIFTER+QELAY BEND CHORUS JAMPLAY •Effect Program: 69 Types «Effect Module; 4 modules (Drive. Equalizer. Modulation and Dfilfiy/Rovorbl+Amp Simulator+ZNR(Zoom Noise Reduction) «Sampler Function: Maximum 25 sec. recordable, variable playback speed * Patch Memory: User 80. Preset 160, Total 340 •Sampling Fiequency: 40kHz «A/D Conversion; 20 bit, 64 times oversamrjllng «D/A Conversion; 20 bit, 128 times oversampling «Input: 1 /4"monaural phone jack, nominal input level -1 OdSm input impedance 4/GkD «External Return. 1 /4"monaursl phone jack, nominal input level - 1 OdBm. input Impedance 470kn «AUX In: Mini stereo phone jack, Input impedanca 1 Dkn «Output: 1 /4"rnonaural phone jack *2 (I/MONO, R). nominal output levsl +4dBm (load Impedance 1ОКП or more «Headphone Out: 1 /4"atereo phone lack «External Send: 1 /4"monaural phone jack, nominal output level - 1 QdBm (load impedance 1 ОШ or more) «MIDI. IN. OUT (THRU) «Display: a digit alphanumeric LED and 2 digit 7 segment LED «Power Requirement: AC 12V50QmA (From supplied AC Adapter AD-00OB) «Dimensions: 455(W)x203(D)xBO(H}mm «Weight; 3.6kg *Qutjm=Q.77EVrms Guitar Effects Processor GFX-8 8MB Smart Media, AC Adaptor and Belt Clip Included Palmtop Studio THE COMCEPT OF "SMART STYLE " MUSIC LIFE. Digital Recorder +- Drum & Bass Machine + Multi Effects Processor A Friendly Rivalry with your Creativity 111 World's S m a l l e s t Recording DIGITAL RECORDER Sf5manM,dia~ The PS-02 is a new generation recorder using memory card and offering 3 audio tracks, a stereo drum track and a bass track for a combined 6 tracks of creative power. Even better, up to 10 virtual takes per audio track let you hone a song until you get it just right. Maximum recording time with a 64MB card is about 67 minutes for all audio tracks combined, in mono and long play mode. This gives you enough leeway to work in comfort. Auto Punch-in/Punch-out makes editing parts of a track easy and quick. Digital bounce lets you combine two tracks on one, or three tracks on one or a stereo track. Digital technology ensures that the sound stays crisp even after multiple passes. The three faders of the unit assume various functions and let you adjust the mixing balance between input, drums, bass, and audio track 1. 2, and 3 as easily as with a mixer. The PAN setting for each audio track controls the left/right positioning. Stereo recording of a CD or MD source input via the AUX IN jack is also possible. DRUM & BASS MACHINE Rock, Pop, Jazz, Blues are just some of the styles you'll find in the PS-02. Techno, Country, Bossa Nova, Latin, Metronome...with as many as 200 preset rhythm patterns are available at the touch of a button, wherever and whenever you want. Various patterns for intros, fill-ins, and endings let you build your own song configurations. You can program drum patterns and bass chord progression for up to 100 songs. 50 template songs are already contained in the unit, which can be used for practice or as steppingstones for your own creations. The PCM sound source uses the same technology as the ZOOM Rhythm Track series for super realistic sound. By downloading new data and patterns from the ZOOM web site (www.zoom.co.jp), the possibilities for future expansion are limitless. MULTI EFFECTS Studio /VAIVTS The PS-02 features 50 built-in effects for all sorts of instruments, with the capability to use 6 modules and 8 types simultaneously. The patch memory with 60 preset and 60 user patches lets you create and store your own variations. For guitars, the Variable Architecture Modeling System (VAMS) developed for the GFX-8 Guitar Effects Processor is used, letting you record with that genuine amp modeling sounds, Convenient vocal recordings are no problem with a built-in microphone. Also a high-quality Mic-preamp with a direct connection of a dynamic microphone, allows high class recordings of vocals and any kind of instrument. Dedicated effect patches are provided for electric bass, acoustic guitar, and keyboards. Of course, the famous ZNR(ZOOM Noise Reduction) and a cabinet simulator are also built in. For track down or presentation, special Mix-down effects allow professional mastering techniques. &MORE The unit can operate continuously for over 4 hours on four AAA type alkaline batteries, plus palm size portability lets you be creative no matter where you are. The intuitive display with backlight is easy to read even in dark surroundings. An integrated auto-chromatic tuner makes the PS-02 as a complete all in one processor. The supplied 8MB Smart Media card contains a demo song for checking out the unit right away. A belt clip is convenient for use in the field or on stage. The supplied AC adapter AD0006 is great for those extended works. MTsR Ниш Track Smart Recorder D i g i t a l R e c o r d e r Drum & B a s s Machine Multl E f f e c t s P r o c e s s o r SPECIFICATIONS •Audio Tracks: 3 •Recording time: 16 minutes/Hi-Fi mode. 32 minutes/Long mode(32MB Memory card. Total tracks, Monaural) «virtual Takes 1Q/Track «Song: Maximum 100 •Preset patterns; 200 «Tempo: 40-25O «Drum Kit: 6 «Bass Program(Sound): 5 «Effect type 50 «Effect Module 6 •Maximum simultaneous effects: 8 «Effect Patch Memory: User 60, Preset 60. Total 120 «Sampling frequency: 31.25kHz «A/D Conversion; 20blt 64tlmos oversampling «D/A Converslon:20bi( Stlmes oversampline DSP ZFX-2/24DII processing (ZOOM original) «Built-in Mlc:OmnidirBCtional condenser electrostatic microphone «Input (Used as both Line and Mic]: 1 /4" monaural phone jack x 1, Nominal input level: 50dBm (Mic / High Gain),: 40dBm|Mlc / Low Gain), -16dBm(Guitar/Hleh Gain). - IQdBmfGultar / Law sain), Input Impedance: SOOkn «AUX Input: Mini stereo phone jack x ] , Nominal Input level: -1 OdBm. Input Impedance: 40kn «Output: 1 /4" stereo phone jack x i, Nominal output level: -10dBm(Load Imoedance 1 Okn or more). Output impedance: Less than 1 kn «Headphones output: Mini Stereo phone jack xi. Nominal output level: -1 OdBm (Load impedance 3SO), Output Impedance 1 On «Display: Original LCD with Backlight «Memory card: 3.3V Smart Media/8MB-64MB(Confirmed) «Power requirements: Supplied AC adaptor AD-Oa06(DC9V/30QmA/C9nter minus) or Optional AAA type battery v4 «Continuous battery opHration: More than 4 hours(Contlnuous playback, Alkaline battery) «Dimensions: 85(W)x90(D)x35(H)mm «Weight: 140g(Withuul battery) 'DdBm=0.775Vrms Palmtop Studio PS-02 Color your music with many different shades. Intuitive Editing Lets You Create Sounds That Exceed Your Expectations RFX-1 ОOO When editing, you only have to select the effects, character or variations you want and set the time or parameters. After that, you just have to tune input, output and mixing levels to get the best sounding effects. DIGITAL REVERB & MULTI EFFECTS Unique New Effects Programs Enhance The Power Of Your Imagination Professional Studio Sound Quality The sophisticated reverb delivers truly professional performance with 44.1 kHz sampling frequency, 18-bit quantization and 24-bit processing. Its transparent reverbs provide a sound that is deep, wide and incredibly smooth and natural without compromising any aspect of the program material. Versatile Effects for Instant Creativity The REVERB Bank has 121 different presets (11 types x 11 characters). The EFFECTS Bank includes: COMPRESSOR, LIMITER, CHORUS, FLANGER and much more along with any combination of the above effects. The MIX & SFX Bank provides mixdown effects and other unique effects such as CABINET SIMULATOR, VOCODER and LO-FI. Each bank has 11 different effects for a total of 33, New Mixdown Effects For Dynamic Recordings Final mixdown is very often the most important element that separates the amateur from the recording professional. Tight, polished mixes you never dreamed you could attain can now be achieved through the four effects in the RFX-1000 that give you the professional mastering knowhow within the final mixdown process. The RFX-1000 also includes radical new programs such as RESONANCE with a powerful filtering effect; LO-FI for creating unusual and primitive ambient sounds; RING MODULATOR for adding metallic overtones and more. Mic In & Mic Simulator The convenient MIC IN jack on the front panel lets you plug your mic right into the RFX-1000 to get vocal effects and/or Vocoder settings quickly and easily. The Mic Simulator effect can make affordable dynamic mics sound like high-priced condensers as well as adding warmth, depth and lush quality to acoustic instruments, drums and vocals. •Preset Programs: 363( 11 effectsxGbanksx 11 varlations)«S3mpling Frequency: 44.1 kHz «A/D Conversion: 1 Sblt, 64times Ovarsampling «D/A conversion IBblt. Stlrnes Oversampllng «DSP: ZOOM ZFX-2 (24blt signal processing) «Rear Input: 1/4" Phone Jack x2(L/MONO. R). Impedance IQkn(MONO), SOkn(STEREO), Normal Input Level -1 OdBm to -f 4rJBm «MIc Input: 1 /4" Phone Jack, Impedance 20kn, Normal Input Level -56dBm •Output: 1/4" Phone Jack xa (L, H}, impedance ШОП or more. Normal Output Level -lOOBm to +4dBm •Control: BYPASS •Power Requirements; 12V AC 500mA (from supplied AC adapter AD-OD08) •Dimansions: 4S2(W] x 1 1 5(D)x44(H)mm •Weight; 1 .Skg •Accessory: Foot Pedal FS01 for BYPASS •Od9m-0.775Vrms Achieve excellence. More than you could expect from any studio proceccor. MIDI Control You can use MIDI to change patches, store internal patch data into external equipment and control parameters in real time. DIGITAL REVERB & MULTI EFFECTS Windows & Mac software can be used to graphically control the RFX-2000 parameters 10O ready-to-use patches are stored in the memory In the initial setting, 100 patches are stored in memory. These include basic programs such as Vocal Enhancer, Orchestra Hall to reproduce sound like that in a top quality hall. And unique patches like Gunshot that makes the snare sound like gunfire. Plus an MP3 enhancer to make your MP3 files sound better.You can also program it the way you want and overwrite it as your original patch. Control the production of different spaces with a superior quality digital reverb With outstanding specs like 20-bit quantization, a 44.1 kHz sampling frequency, and 24 bit processing that makes professional CD-quality sound a reality. Add a wide, natural expanse and depth to the sound without compromising the original sound. A wide range of effects for sound quality that exceeds your expectations Reverb with up to 121 variations for more creative potential. The RFX-2000 is loaded with a total of 48 kinds of effects (8 effects x 6 banks) including:EFFECT Bank with FLANGER and CHORUS, MIXDOWN bank with Multi-band EQ/Compressor, and REMIX bank with unusual effects like LO-FI and COMB FILTER. It allows you to create sounds beyond your wildest imagination. The Tap function keeps time with your music Operations that are difficult to sync with tho tempo of the music such as setting delay times and the degree of flanger "swings" can be easily set with the Tap function. It gives you the freedom to make your creative impulses part of your sound production. Installing bundled software for the RFX-2000ED makes it possible to edit sounds within the Windows & Mac GUI environment. It is also lets you use up to eight extra effects. Bundled Editor RFX-2000ED lor Windows & Macintosh The RFX-2000 can be easily connected to digital gear via the digital output connector Equipped with an optical/coaxial S/PDIF digital output terminal, the RFX-2000 can be easily connected to equipment with digital inputs such as digital MTRs, MD recorders and DAT recorders. Front MIC IN Jack & MIC Simulator With the MIC IN jack in the front, you can quickly and easily adjust the vocal effects and vocoder without changing the rear panel wiring. In addition, the mike simulation effect lets you record and reproduce original sounds more accurately. •Prosat Programs: В ] 6(8cffEctsX7banksx 1 1 variations) •Program Memory: 100 «Sampling Frequency: 44.1kHz «A/D Conversion: aObtt. 64times Dversampling «D/A Conversion: 20bit. 128tlmes Oversampllng «DSP: ZOOM ZFX-2 (24bit signal processing) «Rear Input: 1 'A" Phone Jack x2 (L/MONO, R). Impedance lOkn(MONO), 2Qkn(STtREO), Normal Input Level -lOdBm to -t-4dBm «Mic Input: 1 /4" Phone Jack. Impedance 20kn, Normal Input Level -56dBm «Output: 1/4" Phone Jack x2(L R). Impedance 500П, Normal Output Level -1 OdBm to +4dBrn «Digital Audio interface(SXPDlF): Coaxial Output, Optical Output «MIDI: IN. OUT end THRU «Control: BYPASS «Power Requirements: 1 £V AC50QmA(from supplied AC adopter AD-OODS) •Dimensions: 482 (W)xi 15(D)x44(H)mm «Weight: 1,5kg «Accessory: Foot Pedal FS01 for BYPASS -OdBm-0.775Vrme FOR USE WITH YOUR MU1 TI-TRACK RECORDER •INPUT/OUTPUT BBATTRY DRIVE «MTR RECORDING •HI-QUALITY EFFECTS BIN SIDE MIC SIMULATOR •MfXOCJWVN EFFECTS ИТАР KEY HEASY OPERATION DIGITAL REVERB & MULTI EFFECTS «Number of Effect Programs: 22(1 1 effects x2 Banks) «Sampling Frequency: 44,1 kHz «Analog/Digital Conversion: IS bit, 64 times overssmpling «Digital/Analog Conversion: 1 8 bit. 8 times oversampling «DSP: ZOOM original ZFX-2 «Inputs: Standard monaural phone jack x2(L>MONO, R), RCA type phone |aoks(L. R). Input Impedance 22Ш, Rated input level -10dBm(Line),-56 dBm(Mic) «Outputs: L. R standard monaural phone jackslL. R), RCA type phone jacksll. П). Output load Impedance 10ОП or more. Maximum output +6dBm «Power Requirements: 9V DC30QmA(AC adapter AD-OQ06 supplied) «Battery: IEC R6 (size AA|«6, Battery life: approx. lOhlwith alkaline batteries) «Dimensions: 168(W) x 170(D)x59(H)mm «Weigh:: 550e TJdBm - 0.775 Vrms DIGITAL REVERB & MULTI EFFECTS RFX-1000 ZOOM Power Drive PD-OI •The warmest and fattest overdrive overproduced by Zoom. •ingenious analog circuit, delivers a pure and natural distortion. •Huge and full sonic impact while maintaining a very low noise floor. •A true booster, the PD-01 will sound Perfectly clean sound in "GAIN 0" position, Raising the gain will drive your amp to a full 20V p-p signal level. •Dedicated High and Low EQ functions. Think Sound О' О О О Q , •! \ . ZOOM Tri Metal TM-OI •ingenious analog circuit, delivers ultra HIGH-GAIN while maintaining LOW-NOISE. •Newly designed TRIPLE GAIN circuit, distorted in 3 steps, opens the possibility create standard or com pletely unique distortions. •With it's profound and heavy voicing, the TM-01 responds to all of the demands of 7-string guitars. •Dedicated TREBLE & BASS equalizer control, •Parametric MID range equalizer to further enhance your sound. ZOOM ZOOM Hyper Lead HL-OI Ultra Fuzz UF-OI •The first "Fat" and "Stack" Lead sounds produced by Zoom. *New TRIPLE GAIN circuit, delivers HIGHGAIN while maintaining LOW-NOISE. ^Lead sound cuts through any PA mix. •Dedicated BASS & TREBLE equalizer controls. •Parametric MID range equalizer allows you to customize the shape of the Lead sound. •The ultimate pedal for creating an unlimited variety of modern and vintage fuzz guitar sounds. •"COLOR" allows mixing of 2 types of sounds. «Extended range "TONE" control for creating vintage style sounds, •"GATE" for noise reduction and gating type effects. •"RESO" control to adjust the shape of the resonant •Solid full-metal body is durable enough for the demands of the road. • Large economically designed footswitch is both sturdy and functional. •True Mechanical BYPASS circuit passes the unprocessed guitar signal through intact. SPECIFICATIONS Power Drive PD-01 Tri Metal TM-01 Hyper Lead HL-01 Ultra Fuzz UF-01 Card Manager for MRS-4 •Convert V-take on the MRS-4 to WAV or AIFF format. •Convert WAV or AIFF to V-take for the MRS-4. •Backup data and restore it. SmartMedia Reader / Writer Note: For data transmission, a Smart Media reader/writer with USB interface is a low cost, convenient option. For Windows Card Manager for PS-02 •Convert PS-02 recorded takes to WAVE files. •Convert and export WAVE files to PS-02 audio data (takes). •Convert rhythm sequence data to SMF (standard MIDI files). •Replace your drum and bass (PCM) data file (SOUNDS.SYN) with another. •Replace your rhythm sequence data file (SONGS.PTS) with another. диве*] Note: For data transmission, a Smart Media reader/writer with USB interface is a low cost, convenient option. For Macintosh GFX-8ED The GFX-8ED is a librarian/editor software that enables editing and management of patches for the GFX-8 Guitar Effect Processor. In addition to providing great freedom in the management and realignment of patches, it features intuitive patch editing using a analog-knob style interface.Moreover, it includes custom distortion designing tool that allows to create your own distortion sound and save it on GFX-8. Visual Editor Custom Distortion RFX-2000ED The RFX-2000ED is a librarian/editor software that enables editing and management of patches for the RFX-2000. Moreover, it enables use of 8 extra effects rich in parameter including a 31-band graphic equalizer and 20 tap delay. Visual Editor OPTIONAL ACCESSORIES CD-01 CD-R/BW Dri.e ATARI / sinch bay type, Buffer Under-run Error Protection Supported. UIB-01 USB Interface Board OWindows * Mac OS compatible. FootSwitch FSO1 Expression Pedal FP02 > Unlatch and normally close type !QTo control effect parameters SOFTWARE & OPTIONAL ACCESSORIES : www.zoom.co.jp AC Adaptor AD-0006 "'OTDC/300mA(Center minus) Adaptor AC Adaptor ДО-001 0 ZOOM STYLE LOOK at ZOOM gQQg ZOOM P R O D U C T S GUIDE 2OO2 •Multi-Track •Multi-Effects •Studio •Drum Recorder Processor Processor Machine •Sampler gDYNATONE МАГАЗИНЫ В МОСКВЕ • СТ.М..ПЕТРОВСКО-РАЗУМОВСКАЯ», ДМИТРОВСКОЕ Ш., Д.64/4 ТЕЛ./ФАКС: (095) 489-9030, 487-5726 (ОПТ. ОТДЕЛ) • СТ.М.«ФРУНЗЕНСКАЯ», КОМСОМОЛЬСКИЙ ПР-Т, Д.19 ТЕЛ.: (095) 246-7161 • СТ.М.«ФИЛИ», УЛ. 1812 ГОДА, Д.8/1 ТЕЛ.: (095) 148-0781 WWW.DYNATON.RU E-MAIL: [email protected] i; Hnnted in Japan. ГУ РосНИИИТ и АП Ассоциация МВТК Федеральный информационный фонд отечественных и иностранных каталогов на промышленную продукцию Каталог был представлен на выставке «Музыка - 2004» Каталог включен в базу данных «Федерального информационного фонда отечественных и иностранных каталогов на промышленную продукцию» Россия,105679, Москва, Измайловское шоссе, 44, Тел./факс (095)366-5200,366-7008, 365-5445. e-mail:; [email protected], www.ffpk.ru Электронная копия издания изготовлена с целью её включения в базы данных Федерального информационного фонда отечественных и иностранных каталогов на промышленную продукцию, которые формируются в соответствии с Постановлением Правительства РФ от 24 июля 1997 г. № 950 и Постановлением Правительства РФ от 31 декабря 1999 г. № 2172-р и зарегистрированы Комитетом по политике информатизации при Президенте РФ под №№ 39-50. 2005 год