1 Of 1 Amendment Number 1 To The Bid Documents To All

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Foothill-De Anza Community College District AMENDMENT NUMBER 1 BID DOCUMENT NUMBER 1166 DeAnza College VPAC Audiovisual Systems Amendment Date: August 7, 2008 ______________________________________________________________________________ AMENDMENT NUMBER 1 TO THE BID DOCUMENTS To all general contract bidders of record on the Bid Proposal titled: BID DOCUMENT NUMBER 1166 VPAC Audiovisual Systems Amendment Date: August 7, 2008 A. This Amendment shall be considered part of the bid documents for the above mentioned project as though it had been issued at the same time and shall be incorporated integrally therewith. Where provisions of the following supplementary data differ from those of the original bid documents, this Amendment shall govern and take precedence. B. Bidders are hereby notified that they shall make any necessary adjustments in their estimates as a result of this Amendment. It will be construed that each bidder's proposal is submitted with full knowledge of all modifications and supplemental data specified herein. The bid documents are modified and clarified, as follows: Item #1 ATTACHED. Please find the attached Memorandum dated August 1, 2008 from Thorburn Associates, Inc. Incorporate all information provided within the memorandum into the bid documents accordingly, inclusive of Audiovisual Systems specification section 11030 and sketches SKAV20 and SK-AV21 dated August 1, 2008. Gina M. Bailey Gina M. Bailey Sr. Buyer Enclosed: Thorburn Associates, Inc. Memorandum 8/1/08 Section 11030 8/1/08 SK-AV20 8/1/08 SK-AV21 8/1/08 1 of 1 MEMORANDUM DATE: 1 August 2008 TO: Tracy Wong DES Architects + Engineers 399 Bradford Street PO Box 3599 Redwood City, CA 94063 CC: Craig Ivancovich – DES Architects + Engineers via: _____ Mail ___X__ E-mail E-mail: [email protected] Donna Jones-Dulin – College Services, Director via: _____ Mail ___X__ E-mail E-mail: [email protected] FROM: Yeng Moua, EIT – Thorburn Associates, Inc. Steve Thorburn, PE – Thorburn Associates, Inc. SUBJECT: De Anza VPAC Addendum 7 Item Confirmation TA Project #05055.00 After reviewing the addendum recommendations dated July 24, 2008, the following has been addressed for the project specifications: 1. Kinoton 16/35mm film projectors are noted to include Red LED Optical/ Dolby analog and digital reader. The part number has been updated. 2. The quantities of “Sony BRC-300 Camera” has updated from 1unit to 2 units. 3. The requested Clear Com units have been corrected. The old Clear Com parts were 10 months old and obsolete. The Clear Com Intercom equipments have been updated with most recent model and make numbers. 4. Tannoy IW6 surround loudspeakers quantities have been updated from 6 units to 10 units. 5. Control touchpanel screens a) The intent of the design is to be able to share one touch screen for two locations (the mix position and the control booth). When the mix position is in use, the Crestron TPS can be disconnected from the Control booth and plugged into the control system at the mix position, and vice versa. b) A custom connection panel needs to be added to the control booth. The mix position connection is located in FB-4. c) The model of the “shared” Crestron touchpanel shall be a tilt touch panel.  Copyright 2007 Thorburn Associates Corporate Office: Regional Office: Regional Office Castro Valley, California Burbank, California Morrisville, North Carolina Tel: 510-886-7826 Tel: 818-569-0234 Tel: 919-463-9995 Tracy Wong, DES Architects + Engineers Subject d Month 2005 Page 2 6. The quantities of power amplifiers have been verified to match the functionals. 7. “Audio Patchbay” has been changed to “Audio Patchcord.” We hope this information is helpful. If you have any questions or need additional information, please do not hesitate to contact us. YXM/jtj Enclosure(s): DA VPAC AV Specs -Group II 08 08 01.pdf Q:\05055 - DeAnza Performing Arts Center\Correspondence\jy3108yxma-05055-00-Addendum 7 Item Confirmation.doc  Copyright 2007 Thorburn Associates Corporate Office: Regional Office: Regional Office Castro Valley, California Burbank, California Morrisville, North Carolina Tel: 510-886-7826 Tel: 818-569-0234 Tel: 919-463-9995 SECTION 11030 AUDIOVISUAL SYSTEMS PART 1 - GENERAL 1.01 REQUIREMENTS Contractor shall review all other documents for additional requirements and information that apply to the Work. If conflicts between this Section and/or the General Requirements and General Conditions occur, the more stringent shall apply. Contractor shall deliver the complete Audiovisual System, including any design-build requirements of this Section and the following Drawings: The following was to be provided as part of the base building group I work. The AVC is responsible for reviewing the site conditions and bringing to the owners’ attention any work that has not been completed. TAE0.1 TAE0.2 TAE1.1 TAE1.2 TAE2.1 TAE2.2 TAE7.1 Title Sheet and Notes Back Box Schedule Audiovisual System Plan – Stage Level Audiovisual System Plan – Balcony Level Audiovisual System Reflected Ceiling Plan – Stage Level Audiovisual System Reflected Ceiling Plan – Balcony Level General Details The following outlines the Group II effort. TA0.1 Cable Notes TA3.1 Sections and Elevations TA3.2 Sections and Elevations TA4.1 Audiovisual System Functional TA4.2 Audiovisual System Functional TA4.3 Audiovisual System Functional TA4.4 Audiovisual System Functional TA5.1 Rack Elevations and Details TA6.1 Interface Plates TA6.2 Interface Plates TA6.3 Interface Plates TA7.1 General Details TA8.1 Enlarge Plans 1.02 DESCRIPTION A. OVERVIEW The DeAnza Performing Arts Center is a new construction, multi-use performing arts facility that will be used for a variety of classes and events by DeAnza College and the surrounding community. B. AUDITORIUM The auditorium will be used for many different event types, including: Film viewing (Digital, 16mm and 35mm) DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 1 - Digital Film Mix Down Dance Concerts Music Concerts (Band, Orchestra, Vocal and Instrumental Jazz) Lectures Meetings Live Theatre Productions Mediated Instruction Outside Events A main mixing console position in needed in the house for live performances. This needs to be supported by basic mixing capabilities in the Control Booth and backstage. The mix position will also be used for film and video post-production work. The loudspeaker system needs to include distributed audio, sound reinforcement as well as support 5.1 and future 7.1 surround for film projection. Audio sources for the system need to include CD and cassette, as well as audio from the video sources described below. A selection of wired and wireless microphones is needed to support the different performances that will take place in the venue. Onstage foldback audio monitors are needed for dance and music performances. The space will also use 24-track hard disk recording. Final mix down sessions will require locking the hard disk system to film and video sources. Theatrical intercom system is needed throughout the facility. A stretched, flat, perforated front projection screen will be used for film and video viewing. Left, center and right loudspeakers should fly with the screen when it is not being used. The video projector will be ceiling mounted, while the 16mm and 35mm projectors will be located in the control booth. Controls for the projectors need to be located at the mix position, control booth and backstage. C. ART HISTORY ROOM (OFE SYSTEMS NOT IN AVC CONTACT) The art history room will be used for classes and instruction, as well as backstage overflow space for events. This room will be used at the same time as the auditorium for different classes or events. The room will have an audiovisual system to support dance rehearsal, warm-ups and instruction. The room will also support slide, video, and 16mm projection. When the room is being used in support of an event, the audio system can also be used for monitoring the events taking place within the auditorium. D. LOBBY, EUPHRAT EXHIBITION AND PUBLIC AREAS These areas will be used during events and require audience paging and chimes. The exhibition room will be used for art displays and lobby overflow space during events. An audio system with video monitors will also be used for monitoring the events taking place within the auditorium. The EUPHRAT Space is OFE and NOT in AVC CONTRACT E. BACK-OF HOUSE AREAS DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 2 These areas include the dressing rooms and green room, and when needed, the art history room. These areas will be used during events and require paging from the Stage Manager. The audio system will also be used for monitoring the events. 1.03 SCOPE OF WORK A. Contractor shall provide a turn-key audiovisual system installation including, but not limited to, all cabling, loudspeakers, projection equipment, mounting hardware and electrical components including the necessary equipment, interconnections, transducers, labor, and services required to meet the functional requirement outlined in the design documents. B. The Contractor will be held responsible to have examined the site and premises and satisfied them self as to existing conditions under which they will be obligated to operate in performing their part of the work or that, which will in any manner affect the work under this contract. C. Permits: Obtain any necessary permits for the execution of this work in conformance with applicable union regulations, local, State and Federal codes and regulations. D. All aesthetic issues are to be coordinated and approved by the Owner, Architect and Design Consultant. E. Verify all conduit and penetrations, wire raceways, back boxes, mounting hardware to building structure and cabling connecting system components, as required by the Audiovisual System and installed by the General Contractor/Electrical Contractor as part of the base building fit out. Notify Owner of any discrepancies that may exist between the Contract Documents and existing conditions. F. Verify 120-volt AC power requirements for each equipment location. Provide and coordinate installation of any additional or related cabling, or conductor circuits. G. Patch, repair, finish and paint any surfaces that are damaged or demolished for access during this work. Room finishes to be returned to initial condition. H. Coordinate the installation of the audiovisual system issues including, but not limited to, architectural and structural items associated with the project. I. Coordinate with other trades to ensure that all required access and clearances to equipment and services are provided and maintained. J. Verify site conditions including dimensions and clearances. Coordinate and size the exact location of the equipment racks with the architectural drawings. K. Conduct preliminary testing and adjustment. Submit documentation required by this Specification. Participate in approval testing for acceptance by the Owner. Perform final adjustments as required to meet the Specifications. L. Deliver to the Owner, bound "as-built" system documentation. Transfer all warranties and equipment guarantees to the Owner and provide a written DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 3 description of system operation at the time of acceptance of the Work by the Architect/Owner. M. 1.04 Provide system operation training as specified in Part 3 of this Section. QUALITY ASSURANCE A. All materials must be newly manufactured current production models and conform to all applicable codes and the relevant standards listed below: American National Standards Institute (ANSI) Electronic Industries Alliance (EIA) Institute of Electrical and Electronic Engineers (IEEE) 1.05 B. Experience: The Contractor shall specialize in the installation of audiovisual systems, have a minimum of five years of documented experience in the field of audiovisual system installation and be a manufacturer approved vendor for all of the components installed. C. Supervision: Contractor shall designate a Project Manager and Foreman to oversee the installation work for the duration of the Work, to ensure that the system is installed in accordance with the Specification and Drawings. 1. Project Manager shall maintain adequate staff and be responsible for installing and testing the system on schedule. 2. Project Manager and Foreman/Project Supervisor shall have at least five years of documented, recent and similar project experience. D. The Owner reserves the right to make use of the system prior to the completion of the Work. Temporary use of the equipment shall not constitute an acceptance of the system or any part. The Owner shall not pay additional cost to the Contractor and the commencement of the warranty period shall not begin for the system, or any device prior to the completion of the punch list and final acceptance of the system, by the Owner. E. Contractor shall promptly notify the Owner, in writing, of any difficulties that may prevent proper coordination or time of completion of the Work. Failure to do so shall constitute acceptance of work and indicate that the site is suitable in all ways for this Work, except for defects that may develop in the work of others after commencement of system installation. F. Insurance: Provide evidence of insurance for the full value of equipment and material located on-site. Insurance shall cover losses due to fire, theft and vandalism, until the final acceptance of the system, by the Owner. Maintain additional liability insurance to protect the supplier and/or Owner, Architect, Design Consultant against damage claims for personal injury, including death, which may arise during the performance of this work REFERENCES A. B. C. All requirements of the latest published edition, unless otherwise noted, shall apply National Electric Code (N.E.C.). National Electric Safety Code (N.E.S.C.). DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 4 D. E. F. G. H. I. 1.06 Davis, Don, Sound System Engineering, Second Edition, Howard W. Sams and Co., Indianapolis, Indiana, 1997. American National Standards Institute (A.N.S.I.). Electronics Industries Alliance (E.I.A.). Audio - Design and Installation, Giddings, Howard W. Sams, 1990. Society of Motion Picture and Television Engineers (S.M.P.T.E.). American Society for Testing Materials (A.S.T.M.). SUBMITTALS A. Contractor shall comply with the General Requirements and General Conditions of this Specification. B. Bid Submittals: Contractor shall submit the following qualification documents with the bid proposal: C. 1. Firm description of the Contractor, and a copy of the Contractor’s license, as well as a statement regarding the relationship of the License Holder to the Contractor. 2. Provide a minimum of ten related projects, four of which must have been completed within the last 12 months. 3. Résumé of Project Manager and Foreman/Project Supervisor documenting related experience. Foreman/Project Supervisor must have completed at least two similar installations in the past 12 months. 4. Submit a list of major equipment components, along with any deviations, to the system design and Specification. Indicate which products will not be purchased directly from the manufacturer. 5. Submit a list including names, firm description, job foreman, copy of license and scope of work, for any subcontractors whose work would be part of this Contract. 6. Submit a list of names for the lead installers who will be working on this project and indicate for each, if they are NSCA NICET/EST or ICIA CTSInstall, certified or registered. Construction Submittals 1. Provide shop drawings and record drawings using the following scales: a. Plans - not less than 1/8” = 1’-0” b. Details - not less than 1/4” = 1’-0” 2. Before ordering equipment, submit catalog data sheets, neatly bound with title page, space for submittal stamps and tabbed dividers between sections. List all proposed equipment with reference to corresponding specification paragraph numbers or equipment title. Denote all approved substitutions. 3. Submit point-to-point wiring diagrams and typed wire lists identifying every connection. Include electronic devices such as switches, transformers and terminal blocks. Indicate location of all components. Identify cables by types, colors and wire numbers. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 5 D. 1.07 4. Submit system plans showing all device locations. 5. Submit reflected ceiling plans showing distributed loudspeaker layouts with wattage tap settings, projection systems, cameras and other ceiling mounted devices. 6. Submit conduit riser diagrams showing connection of all devices along with types and quantities of cables to be used and cable identification tags. 7. Submit rack layouts indicating the proposed arrangement of mounted equipment including junction boxes and locations of conduit penetrations. 8. Submit fully dimensioned construction details of all panels, plates and other custom fabricated items or modifications (e.g. installation of audio/visual equipment in lecterns). Include complete parts lists and, as required, schematic diagrams. 9. Submit fully dimensioned construction details of all coordination items, such as panel or plate installation in casework or millwork. 10. Submit a schedule of finishes indicating proposed materials and color selections for all exposed items subject to Architect’s approval. 11. Submit samples of engraved labels, cable-marking system, faceplate etching/finishes and loudspeaker grilles. 12. Submit mounting and support details for distributed ceiling loudspeakers, video projectors and all other items mounted overhead, complete with parts lists and dimensions. Include a full plan view, front elevation and side elevation of each item, with corresponding support structure and mounting hardware. Verify load ratings of all hanging components including attachment hardware. A structural engineer registered in the State shall stamp details 13. Submit a list showing coordination of selected frequencies for all wireless transmitters. 14. Before final control system program installation, submit printed copies of all control system touch panel pages as well as an electronic copy of the pages as required by Part 2 of this Section. Acceptance Test Submittals: Prior to requesting the completion of the acceptance tests, submit Preliminary Test Report Information required in Part 3 of this Section. PROJECT CLOSE OUT A. GENERAL: 1. Furnish one initial set of Project Close Out Documents including but not limited to manuals, record drawings along with the results of all source quality control tests, and field quality control tests specified in Part 3 of DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 6 this Section, to the Design Consultant, for use during acceptance testing. B. 2. If ‘as installed’ documents are rejected, correct and resubmit in the manner specified. 3. One set of B size drawings showing the components and wiring in each individual rack shall be mounted in a plastic jacket to the rear door of the associated rack. 4. After approval of ‘as installed’ documents, submit four sets of record drawings each consisting of the following: a. One set of full size prints b. One set of reduced B size prints c. One set of manuals c. One electronic submittal on CD-ROM disk(s). 5. Furnish one initial set of product brochures to the Design Consultant for use during acceptance testing and equalization. At the time of contract closeout, submit four sets of the system Operation Manual and the Maintenance Data Manual. AS INSTALLED DRAWINGS 1. C. Maintain a full set of shop / submittal drawings at the project site, marked up to indicate actual locations, wattage tap settings and, in general, the true state of the installation. MANUALS 1. Neatly bind each manual with tabbed dividers between sections, include a title pages between sections, binder title covers and spines. 2. Manuals shall be presented in 3 inch thick, 3 ring – D style binders. 3. The Manuals shall be broken down into the following minimum sections: 4. Operations Manual a. Table of Contents b. Typed description of each system including key features and operational concepts (e.g. remote control features, switching or routing functions, patch points, mixing and linking capabilities). c. Setup diagrams and typed instructions for use in typical situations as directed by the Design Consultant. d. Small scale plans showing locations and circuit numbers for all system outlets and receptacles. e. Single-line block diagrams showing all major system components. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 7 5. D. f. One set of B size drawings showing the components and wiring in each individual rack. g. Manufacturer’s operation manuals for equipment intended for operation by system users (e.g. tape decks, VCRs, communication equipment). Maintenance Data Manual a. Table of Contents b. Company name, address, telephone number and contact name for system service or maintenance. c. Listing of all equipment and materials with names of manufacturers and model numbers or part numbers. d. Catalog data sheets displaying manufacturer’s names, addresses and telephone numbers. e. Product manufacturer’s warranties and a typed, one-year system warranty, explicitly covering all materials and labor. f. Manufacturer’s service manuals for all major equipment items. g. Test documentation showing results of source quality control tests, field quality control tests, acceptance testing and equalization. Document final settings for all non-user devices and controls after completion of acceptance testing and equalization, including raw and equalized house curves. Document the physical position of settings as well as input and output signal levels as required by Part 3 of this Section. h. Provide a recommended preventative maintenance schedule for reference to the applicable pages in the manufacturer’s maintenance manuals. Where the manufacturer provides inadequate information, develop and provide the information necessary for proper maintenance. SOFTWARE 1. A properly licensed working copy of any and all software required to operate or configure the systems specified herein, shall be a part of the system supplied, including all software, firmware and hardware required for configuration, adjustment, diagnosis and repair. 2. All software shall be fully documented, and that documentation included. 3. Software shall be included in its ‘installable’ state on industry standard, CD-ROM, or other appropriate format from the manufacturer. Where possible a single master CD-ROM should be provided. If files are too large, break segments into logical sections, CD-ROM disk images are unacceptable. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 8 4. E. 1.08 a. The source code is to be licensed to the Owner for this project; the contactor maintains the copyright of the source code. b. The Owner has the right to modify the source code. c. If the source code is modified the Owner takes full responsibly for the effects caused by the modification to the source code. Electronic Submittal: In addition to the above listed hard copy submittals, submit all files necessary to produce the above submittals as follows: 1. F. Where any elements of the software are based on, user modifiable source code, both the source code and the compiler shall be provided and documented as stated herein. Submit the following on CD-ROM media. a. Files use long windows names file structure. b. A Disk Master File List in text format shall be placed on the CDROM with a short description of files on that disk. 2. Drawings shall be in AutoCAD r2000 or later drawing (.DWG) format. Drawing Exchange File Format (.DXF) shall not be acceptable. All XREFs, fonts, and other drawing parts necessary to the drawings shall be included. 3. Documents and spreadsheets shall be in Microsoft Office 2000 format. 4. All files to be converted to searchable acrobat *.PDF files in addition to the native drawing, documents and spreadsheets formats. 5 Manufacturers’ service manuals provided by the Manufacturer to the Contractor or documents that are similarly, not otherwise available to the Contractor in electronic format shall be excluded from this requirement. 6. Provide all control system source files and compilers on the same CDROM media. This should include, but is not limited to, touch panel files, IR code files, DSP configuration files, web-based touch panel pages, or any other files or applications necessary to completely reinstall and configure all system components back to their operable state. Keys: Submit five sets of all keys required for access to and operation of the systems. GUARANTEES AND WARRANTIES A. Transfer all manufacturer and subcontractor’s warranties to the Owner at the completion of all Work. B. Guarantee all installation work to be free of faulty system-wide workmanship. Guarantee all new components purchased under this Contract and workmanship to be free from defects for a period of 12 months from the final date of acceptance, by the Owner, including solid-state devices. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 9 1.09 1.10 C. Guarantee the replacement of faulty materials and workmanship within 24 hours of notification at no cost to the Owner if failure occurs during warranty period. Provide loaner equipment as required to keep the system operational if the system cannot be repaired within 24 hours of notification. D. Register warranty in the Owner’s name for any product with a manufacturer’s warranty of more than one year. OWNER FURNISHED EQUIPMENT A. Certain equipment may be identified as Owner Furnished Equipment (OFE). This OFE may presently be part of the Owner’s systems or will be provided by the Owner, and will be delivered to the Contractor’s off-site construction facility, delivered to the Contractor’s on-site secured storage area or installed on site by others, as appropriate, for incorporation into the system. B. Clean and inspect the OFE, and notify the Owner in writing of damage or defect and the extent of repair and/or adjustment required to bring the OFE to original specification. Service OFE only as directed by the Owner under the arrangements of a separate contract. C. Incorporate into the system as if provided new, excepting warranty coverage. MAINTENANCE With the bid, submit an annually renewable service and maintenance proposal meeting the same conditions for service and repair as required for the initial one-year warranty. If accepted, the service and maintenance proposal shall commence upon conclusion of the one-year system warranty. PART 2 - PRODUCTS 2.01 2.02 GENERAL A. Components are to operate on a 110 to 120 volt, 60 Hz electrical supply. Rack mounted equipment is to be mounted in a standard EIA 19-inch wide rack. The components listed in the equipment schedule are the basis of the audiovisual system design and represent the minimum standards for each of the components. All of the properties of each component or system should be considered listed in full. B. Equipment, excepting the Owner Furnished Equipment (OFE), and materials shall be new. The latest version at time of delivery and shall conform to applicable UL, CSA, or ANSI provisions. Take care during installation to prevent scratches, dents, chips, etc.; equipment with significant or disfiguring cosmetic flaws will be rejected. CABLE A. General 1. Conductor jackets shall be color-coded to enable consistent polarity. 2. Use plenum rated cable where required by code. 3. Cables noted are referenced for minimum level of quality. 4. Acceptable Manufacturers: West Penn, Canare, Belden, Extron, Covid, Gepco, and Liberty. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 10 B. Audio Cables 1. Microphone: Shielded, stranded 20 AWG, twisted-pair cable (West Penn 292) 2. Line Level Cable: Shielded, stranded 20 AWG, twisted-pair cable (West Penn 292) 3. Program Loudspeaker Cable: Stranded, twisted-pair 12 AWG cable (West Penn 227) 4. Distributed Loudspeaker Cable: Stranded, twisted-pair 18 AWG cable (West Penn 224) 5. UHF Wireless Antenna Cable: 50 ohm, (RG-58) coaxial cable (RG-58) (Belden 8259) 6. Multi Pair Cinema Loudspeaker Cable, 12 conductors, 12 AWG Stranded (Belden 27119A) 7. Multi Pair Mixer Snake Cable, 20 Pair, 22 AWG Stranded with 16AWG Drain (Gepco GA61820GFC) C. Video Cables 1. Video Cable: 75 ohm RG 59 Digital Video co-axial cable (Extron RG59/HR-1) 2. High Resolution Mini Cable: Multiple 75-ohm co-axial cables in one jacket (Extron BNC-5 MINI HR) 3. High Resolution Cable: Multiple 75-ohm co-axial cables in one jacket (Extron SHR-5) 4. MATV Drop Cable: 75 ohm RG 6U co-axial cable (West Penn 256350) 5. MATV Trunk Cable: 75 ohm RG 11U co-axial cable (West Penn 25811) D. Data / Control Cables: 1. Control System Cable: 2 pair (18 AWG pair and 22 AWG pair) (Liberty 22/18-PSH/2C-P) 2. Data cable: 4 pair Category 6 stranded twisted pair cable. (Belden 7882A) 3. RS-485 cable Stranded Twisted Pair Shielded, 24 AWG cable. (Belden 9829) 4. RS-232 cable: 6 Pair, Stranded Twisted Pair Shielded, 24 AWG cable. (Belden 9839) 5. 5 pair, Stranded Twisted Pair Shielded, 24 AWG cable. (Belden 9807) 6. 9 pair, Stranded Twisted Pair Shielded, 24 AWG cable. (Belden 9809) 7. 12 pair, Stranded Twisted Pair Shielded, 24 AWG cable. (Belden 9812) 2.03 HARDWARE A. Jacks and Connectors 1. 2. 3. 4. 5. B. Provide panel mounted isolated ground jacks. Contacts are to be silver-plated, chromate dipped, phosphor bronze, or brass. Install connector and jacks per manufacturer's directions. Panel mounted jacks are to be recessed. Acceptable Manufacturers: Canare, Switchcraft, Neutrik, Amphenol, Pomona, Extron, or Liberty. Audiovisual System Face Plates: Provide metallic cover plates at all control, switching and jack locations. Etch and ink all system faceplates to indicate function, input/output number, etc. Minimum engraved letter height 1/8 inch. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 11 Coordinate finish with the Owner. Center lettering vertically OVER or horizontally to the right of the appropriate connector. Connector mounting shall allow sufficient finger clearance for connector insertion and removal without interference from adjacent connectors. 2.04 C. Electronic Component Face Plate Labels: Provide permanent labels as specified and shown on detail drawings. Engraved plastic labels fastened with epoxy are acceptable. Dymo type labels are not acceptable. D. Provide a neatly labeled floor plan with as-built locations of all audiovisual jacks. Locate floor plan in front cover of the equipment rack behind a clear Plexiglass cover. Minimum size of chart: 8-1/2 inches x 11 inches. E. Provide system functional description and operating procedures for each system configuration. Place behind clear Plexiglass near each of the equipment racks. Include basic operating procedures and troubleshooting steps. F. Provide a 1-rack unit panel with Consultant's name and web address and Contractor's name, address and phone number in the main equipment rack of each system. Panel shall state: Designed by "Consultant" Installed by "Contractor". RACK SYSTEMS A. All audiovisual racks on the project are to be welded and from one manufacturer. B. Racks are to be rated for the Uniform Building Code Seismic zone 4. C. Racks and rack accessories are to be black in color. D. Rackplates: All custom rack plates are to be fabricated from 16 Gauge Aluminum with flange returns. All rack blanks and vents are to have flanges. E. Racks are to have moveable rear rack rails, all rack rails are to be taped for 10/32 machine screws F. Install all rack mounted equipment with black oxide finish 10-32 square post security machine screws with black plastic cup washers protecting equipment panel. G. Racks are to have a modular top option with different knockouts and openings as required by the design documents. H. Front and rear vented locking doors are required for all racks not directly secured by casework or other architectural door system. I. Provide security covers on non-user operated equipment having front panel controls. Install covers at the conclusion of Acceptance Testing. Rack slides shall be provided for all equipment requiring access to side or top panels for routine adjustment or cleaning. J. Provide rack slides and mounts equal to those of the original manufacturer for the OFE requiring rack mounting. Where no same manufacturer mount is DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 12 available, Contractor shall supply custom mounts as manufactured by Middle Atlantic Products Inc. 2.05 RACK POWER A. Provide one or more switched power strips with a minimum of 20% spare capacity, divided among the following categories. 1. Provide constant power outlets for all equipment that require it. This includes VCRs, system controllers and all other devices that lose clock function, memory, programming, or internal battery voltage if left unpowered. 2. The remaining outlets are to provide switched power operated by the control system relay contacts. Switched outlets are to be operated as two groups. a. b. c. 2.06 The first is to provide power for low-level electronic devices The second for high level (power amplifier) electronics. The system is to be free of measurable power transient noise when powering on or off. CONTROL SYSTEM PROGRAMMING A. Contractor shall provide all touch screen and control system programming to make a fully functional and working system. System functional requirements shall be as described in these documents. Provide the Owner with 3 screen layout samples for aesthetics. Owner shall determine which layout will be used. Provide to the Consultant all screen designs for functional review during the construction submittal process. Changes will also be made during system check out. Budget for 16 hours of touch screen and system-programming changes during the system check out. B. Touch Panel Layout Requirements The following are the minimum number of pages or pop up pages for the project: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. C. Sleep page Power on page Power off page Power off confirmation page Main page One page for each device controlled Help page with Owner furnished contact information Maintenance page (hidden and password protected) Warning icon on main page when projector lamp reaches 75% of rated life. Auto Shutdown page Program Requirements The following is the minimum functionality for the project program: 1. Volume up, down and mute for all loudspeaker zones DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 13 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 2.07 Projection screen up, down and stop. Transport functions on all devices, play, stop, pause, fast forward, reverse, skip forward, skip back, rewind. Additional DVD / LD / CD controls as required allowing the user to select a specific scene and play the scene. (menu, up, down, left, right, enter, etc. as required) Projector source select, on/off and image mute. Selection of sources via system switcher. Audio break away when required by system switcher. Projector power on macro when valid input is selected and projector is not on. Projection screen down, macro when valid input is selected and screen is not down. Auto power down macro if a control panel button has not been pressed in 2 hours. Auto power down macro at midnight. Interrogate and report to the rooms touch panel when the projector lamp reaches 75% of rated life. This should automatically reset when the lamp is changed. For audio and teleconference units, provide full dialing including flash * and # commands, volume up and down, mute, hold, far end control, speed dial number programming. AUDIO DSP (Digital Signal Processing) PROGRAMMING A. The Contractor shall provide all Audio DSP programming and adjustments for the project. B. Audio DSP box shall be configured and programmed to provide routing, equalization, loudspeaker protection limiting, volume control and delay. C. The values in the audio DSP box shall be set to allow the performance requirements outlined in this document to be met. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 14 2.08 1. 2. PatchBay Layout Provide 48/96-point battum patch bays Patch point configuration changed by rotary switch from front panel. < - - > Normalled Patch Bay Connection PATCH BAY 1 Signal WB-1 - Mic 01 WB-1 - Mic 02 WB-1 - Mic 03 WB-2 - Mic 04 WB-2 - Mic 05 WB-2 - Mic 06 WB-3 - Mic 07 WB-3 - Mic 08 WB-3 - Mic 09 WB-4 - Mic 10 WB-4 - Mic 11 WB-4 - Mic 12 WB-5 - Mic 13 WB-5 - Mic 14 WB-5 - Mic 15 WB-5 - Mic 16 WB-5 - Mic 17 WB-5 - Mic 18 WB-5 - Mic 19 WB-5 - Mic 20 WB-6 - Mic 21 WB-6 - Mic 22 WB-6 - Mic 23 WB-7 - Mic 24 WB-7 - Mic 25 WB-7 - Mic 26 WB-8 - Mic 27 WB-8 - Mic 28 WB-8 - Mic 29 SMP - Mic 30 SMP - Mic 31 SMP - Mic 32 FB-1 - Mic 33 FB-1 - Mic 34 FB-2 - Mic 35 FB-2 - Mic 36 FB-3 - Mic 37 FB-3 - Mic 38 Wireless Mic 1 - Mic 1 W Wireless Mic 2 - Mic 2 W Wireless Mic 3 - Mic 3 W Wireless Mic 4 - Mic 4 W CD Player L - Line 1 CD Player R - Line 2 Audio From Video L - Line L Audio From Video R - Line R Audio From Video L - Line L Audio From Video R - Line R Location A-01 A-02 A-03 A-04 A-05 A-06 A-07 A-08 A-09 A-10 A-11 A-12 A-13 A-14 A-15 A-16 A-17 A-18 A-19 A-20 A-21 A-22 A-23 A-24 A-25 A-26 A-27 A-28 A-29 A-30 A-31 A-32 A-33 A-34 A-35 A-36 A-37 A-38 A-39 A-40 A-41 A-42 A-43 A-44 A-45 A-46 A-47 A-48 Location B-01 B-02 B-03 B-04 B-05 B-06 B-07 B-08 B-09 B-10 B-11 B-12 B-13 B-14 B-15 B-16 B-17 B-18 B-19 B-20 B-21 B-22 B-23 B-24 B-25 B-26 B-27 B-28 B-29 B-30 B-31 B-32 B-33 B-34 B-35 B-36 B-37 B-38 B-39 B-40 B-41 B-42 B-43 B-44 B-45 B-46 B-47 B-48 DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Signal Mixer Input 1 Mixer Input 2 Mixer Input 3 Mixer Input 4 Mixer Input 5 Mixer Input 6 Mixer Input 7 Mixer Input 8 Mixer Input 9 Mixer Input 10 Mixer Input 11 Mixer Input 12 Mixer Input 13 Mixer Input 14 Mixer Input 15 Mixer Input 16 Mixer Input 17 Mixer Input 18 Mixer Input 19 Mixer Input 20 Mixer Input 21 Mixer Input 22 Mixer Input 23 Mixer Input 24 Mixer Input 25 Mixer Input 26 Mixer Input 27 Mixer Input 28 Mixer Input 29 Mixer Input 30 Mixer Input 31 Mixer Input 32 Effect 1 Effect 2 Effect 3 Effect 4 Effect 5 Effect 6 Effect 7 Effect 8 Audiovisual Systems 11030 - 15 Signal Mixer Output 1 Mixer Output 2 Mixer Output 3 Mixer Output 4 Mixer Output 5 Mixer Output 6 Mixer Output 7 Mixer Output 8 Mixer Output 9 Mixer Output 10 Mixer Output 11 Mixer Output 12 Mixer Output 13 Mixer Output 14 Mixer Output 15 Mixer Output 16 Dolby Out L Dolby Out C Dolby Out F Dolby Out L Surround Dolby Out R Surround Dolby Out Sub Shure 810 Out SMP CD Player - CD L SMP CD Player - CD R FB-4 - Mic 39 FB-4 - Mic 40 Video Audio L Video Audio R RGB Audio L RGB Audio R Left Projector Audio L Left Projector Audio R Right Projector Audio L Right Projector Audio R Film Projector Optical 1 Film Projector Optical 2 Location A-01 A-02 A-03 A-04 A-05 A-06 A-07 A-08 A-09 A-10 A-11 A-12 A-13 A-14 A-15 A-16 A-17 A-18 A-19 A-20 A-21 A-22 A-23 A-24 A-25 A-26 A-27 A-28 A-29 A-30 A-31 A-32 A-33 A-34 A-35 A-36 A-37 A-38 A-39 A-40 A-41 A-42 A-43 A-44 A-45 A-46 A-47 A-48 PATCH BAY 2 Location <--> A-01 <--> A-02 <--> A-03 <--> A-04 <--> A-05 <--> A-06 <--> A-07 <--> A-08 <--> A-09 <--> A-10 <--> A-11 <--> A-12 <--> A-13 <--> A-14 <--> A-15 <--> A-16 <--> A-17 <--> A-18 <--> A-19 <--> A-20 <--> A-21 <--> A-22 <--> A-23 A-24 A-25 A-26 A-27 A-28 A-29 A-30 A-31 A-32 A-33 A-34 A-35 A-36 A-37 A-38 A-39 A-40 <--> A-41 <--> A-42 <--> A-43 <--> A-44 <--> A-45 <--> A-46 <--> A-47 <--> A-48 DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Signal Nion Input 1 Nion Input 2 Nion Input 3 Nion Input 4 Nion Input 5 Nion Input 6 Nion Input 7 Nion Input 8 Nion Input 9 Nion Input 10 Nion Input 11 Nion Input 12 Nion Input 13 Nion Input 14 Nion Input 15 Nion Input 16 Nion Input 17 Nion Input 18 Nion Input 19 Nion Input 20 Nion Input 21 Nion Input 22 Nion Input 23 Nion Input 24 Dolby Non Sync 1 Right Dolby Non Sync 1 Left Dolby Non Sync 2 Right Dolby Non Sync 2 Left Dolby Projector 1 L Dolby Projector 1 R Dolby Projector 2 L Dolby Projector 2 R Dolby Optical In 1 Dolby Optical In 2 Audiovisual Systems 11030 - 16 Signal Nion Output 1 Nion Output 2 Nion Output 3 Nion Output 4 Nion Output 5 Nion Output 6 Nion Output 7 Nion Output 8 Nion Output 9 Nion Output 10 Nion Output 11 Nion Output 12 Nion Output 13 Nion Output 14 Nion Output 15 Nion Output 16 Nion Output 17 Nion Output 18 Nion Output 19 Nion Output 20 Nion Output 21 Nion Output 22 Nion Output 23 Nion Output 24 Nion Output 25 Nion Output 26 Nion Output 27 Nion Output 28 Nion Output 29 Nion Output 30 Nion Output 31 Nion Output 32 IC -1 - Catwalk IC -2 - Catwalk IC -3 - Catwalk IC -4 - Catwalk IC -5 - Catwalk IC -6 - Catwalk Location A-01 A-02 A-03 A-04 A-05 A-06 A-07 A-08 A-09 A-10 A-11 A-12 A-13 A-14 A-15 A-16 A-17 A-18 A-19 A-20 A-21 A-22 A-23 A-24 A-25 A-26 A-27 A-28 A-29 A-30 A-31 A-32 A-33 A-34 A-35 A-36 A-37 A-38 A-39 A-40 A-41 A-42 A-43 A-44 A-45 A-46 A-47 A-48 PATCH BAY 3 Location <--> A-01 <--> A-02 <--> A-03 <--> A-04 <--> A-05 <--> A-06 <--> A-07 <--> A-08 <--> A-09 <--> A-10 <--> A-11 <--> A-12 <--> A-13 <--> A-14 <--> A-15 <--> A-16 <--> A-17 <--> A-18 <--> A-19 <--> A-20 <--> A-21 <--> A-22 <--> A-23 <--> A-24 A-25 A-26 A-27 A-28 A-29 A-30 A-31 A-32 A-33 A-34 A-35 A-36 A-37 A-38 A-39 A-40 A-41 A-42 A-43 A-44 A-45 A-46 A-47 A-48 Signal Left HF Left LF Left Sub Right HF Right LF Right Sub Center High Center Low Cinema Left LF Cinema Left HF Cinema Center LF Cinema Center HF Cinema Right LF Cinema Right HF Left Surround Right Surround FOH BOH Booth Left Booth Center Booth Right Control Overhead ADA Classroom Nion Input 25 Nion Input 26 Nion Input 27 Nion Input 28 Nion Input 29 Nion Input 30 Nion Input 31 Nion Input 32 WB-1 - Return WB-2 - Return WB-3 - Return WB-4 - Return WB-5 - Return WB-6 - Return WB-7 - Return WB-8 - Return SMP - Return 3. Coordinate other normalled contentions for the mixing console prior to wiring. Submit work sheet to the Owner 6 weeks prior to wiring patch bays. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 17 2.09 Film Projection System A. The Contractor shall provide a turnkey design build installation of the 16/35 mm film projection system. B. Major equipment components are outlined in the equipment schedule C. Coordinate power plug and receptacle for each projector/lamp house D. Coordinate the exhaust air system for the lamp house. E. Suggested Vendor – Harrah's Theatre Equipment, 25613 Dollar Street, Unit 1S Hayward CA, 94544 Ph: 510-881-4989 DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 18 PART 3 - EXECUTION 3.01 GENERAL The following is required for acceptance of the audiovisual system by the Owner: A. B. C. D. E. F. G. 3.02 Install complete and functioning audiovisual system. Label equipment and cables corresponding to functional diagram. Conduct adjustments and preliminary testing. Report results of preliminary testing along with system documentation. Participate in acceptance test and deliver final system and documentation. Conduct any adjustments or re-testing required to meet the performance specifications. Provide training to an individual(s) designated by the Owner/Architect/Consultant. AUDIOVISUAL OPERATIONAL REQUIREMENTS Care shall be taken to eliminate electro-magnetic radio frequency and electro-static interference; the system shall be free of audible hum, rattles, buzzing sounds, distortion and visible hum bars or distortion. 3.03 OWNER PERSONNEL TRAINING A. As part of Work of this Section, provide a total of 16 hours of on-the-job training for personnel, designated by the Owner for instruction, in the proper operation and maintenance of the systems. This training shall take place after the installation is operational but before the acceptance testing, in (two) four hour blocks. Provide the additional eight hours of training in a minimum of two-hour blocks during the first year after the system has been accepted. These training sessions are at the request of the owner. B. 3.04 Provide one initial set of manuals for the system as described in this specification at the time of training for review and comment by the owner’s personnel. PERFORMANCE SPECIFICATIONS A. The sound pressure level spectrum from the program speaker system, in each 1/3 octave band shall be +3 dB (side to side) from 100 Hz to 12 kHz with 3 dB per octave roll off above 12 kHz and below 100 Hz. Total acoustical harmonic distortion shall not exceed 2% at sound levels of 90 dBC (1 kHz reference tone) at 4 feet above finish floor in the middle of the room. B. The sound pressure level spectrum from the distributed speaker system, in each 1/3 octave band shall be +3 dB from 125 Hz to 10 kHz with 6 dB per octave roll off above 10 kHz and below 125 Hz. Total acoustical harmonic distortion shall not exceed 2% at sound levels of 85 dBC (1 kHz reference tone) at 4 feet above finish floor in the middle of the room. C. The gain structure for all audio system components (mixer input to amplifier output) shall be adjusted to achieve the highest signal-to-noise ratio, 75 dB from 50 Hz to 15 kHz minimum. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 19 D. The audio frequency response of the electronics system with equalizers bypassed shall vary less than +1 dB from 50 Hz to 12 kHz. E. The electronic system audio distortion shall be less than 0.5% at 1 kHz at the equipment's rated input signal level. F. Video System Requirements shall conform to RS-170A standards, as applicable. 1. Burst frequency shall be 3.579545 MHz +/- Hz. 2. Horizontal scanning frequency shall be 2/455 times the burst frequency. 3. Vertical scanning frequency shall be 2/525 times the horizontal scanning frequency. 4. Start of color fields one and three is defined by a whole line between the first equalizing pulse and the preceding horizontal sync pulse. Start of color fields two and four defined by half a line between the first equalizing pulse and the preceding horizontal sync pulse. Color field one is that field with positive going zero crossings of reference subcarrier nominally coincident with 50% amplitude point of the leading edges of even numbered horizontal sync pulses. 5. The zero crossings of reference subcarrier shall be nominally coincident with 50% point of the leading edges of all horizontal sync pulses. The tolerance on this coincidence is + 45 degrees of reference subcarrier. 6. All rise times and fall times, unless otherwise specified, are to be 0.140 microsecond + 0.02 microsecond measured from ten to ninety percent amplitude points. All pulse widths, except blanking, are measured at fifty percent amplitude point. 7. Overshoot on all pulses during sync and blanking (vertical and horizontal) shall not exceed two IRE units. Any other extraneous signals during blanking intervals shall not exceed two IRE units measured over a bandwidth of 6 MHz. 8. Burst envelope rise time is 0.30 microsecond measured between the ten and ninety percent amplitude points. 9. The start of burst is defined by the zero crossing (positive or negative slope) that precedes the first half cycle of subcarrier that is 50% or greater of the burst amplitude. 10. The end of burst is defined by zero crossing (positive or negative slope) that follows the last half cycle of subcarrier that is 50% or greater of the burst amplitude. 11. Monochrome signals shall be in accordance with this drawing except that burst is omitted, and fields three and four are identical to fields one and two respectively. 12. Reference subcarrier is a continuous signal, which has the same instantaneous phase as burst. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 20 3.05 13. Program operating level white is 100 IRE, +/- 0, -2 IRE. 14. Program operating level black is 7.5 IRE, +/-2.5 IRE. 15. Program operating level sync is 40 IRE, +/- 2 IRE. 16. Program operating level burst is 40 IRE, +/-2 IRE. 17. Burst pedestal not to exceed +/- 2 IRE. 18. Ratio of area of vertical equalizing pulse to sync pulse shall be within 45 to 50 percent. G. High Resolution Video Frequency Response: The high resolution video frequency response for the Data and Graphic systems shall be at least +2.0 dB 3.0 dB, 100 Hz to 100 MHz. H. Image size and clarity: Mount the video projector as indicated on the drawings and project the image onto the projection screen. Projected images shall be of maximum width and maximum height, centered on screen. Image tests shall utilize standard AMI test slides and similar video media to establish any image sizes on the screen. I. Control functions: Demonstrate that each of the controlled devices may be controlled either at the individual device or through the use of the remote control system and that all individual devices and combinations of devices may be utilized in the logical and common formats and that all systems are in proper working order. J. RF System taps are to be adjusted to provide 5 dBmV at all drops. CONTRACTOR'S TESTING AND ADJUSTMENTS A. Furnish all equipment and personnel to conduct these tests in accordance with the performance specification requirements. B. All timing and gain measurements shall be made while the operator controls of the device under test are set in the center-of-travel, in bypass, nulled out or at the manufacturers detent position. Any adjustments should be made by modification of cable length or internal adjustments. C. Audio Testing 1. Before connecting high impedance (distributed) loudspeaker lines to the power amplifiers, measure and record the impedance curves of all loudspeaker circuits, using a sweep test or impedance bridge for at least six frequencies from 125 Hz through 8,000 Hz. 2. Before connecting low impedance (8-Ohm) loudspeaker lines to the power amplifiers, measure and record the impedance of all loudspeaker circuits, Report the DC resistance reading. 3. Test all low-level audio cables and connections for continuity and ground faults and correct polarity. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 21 D. 4. Apply a sine-wave sweep signal to each loudspeaker system, sweeping from 50 Hz to 5,000 Hz at a sound pressure level, which is 10 dB below the loudspeakers rated electrical input power. Listen for rattles or objectionable noise and correct if apparent. 5. Check for proper polarity of loudspeakers by applying music program or pink noise to each system and walking through the transition areas of coverage from one loudspeaker to the next. Transition should be smooth with no apparent shifting of source, back and forth from one loudspeaker to the next. 6. Coverage Uniformity: Scan the areas served by the system and record sound pressure level in 1/3-octave bands. Perform any necessary adjustments to loudspeaker orientations as required to achieve the specified uniformity. 7. Adjust all system gain controls, both physical and virtual in software, for optimum signal-to-noise ratio. After all adjustments required to meet the performance Specification requirements are made, measure and report the resulting system electrical signal-to-noise ratio at the amplifier outputs from 20-20 kHz in 1/3 octave bands referenced to the voltage required to achieve 85 dBC in the center of the room (1 kHz reference tone) at 4-feet above finish floor. 8. Measure the sound pressure level using a calibrated type 1 precision sound level meter as defined by ANSI S1.4. Measure using the slow time Constant. Report the "raw house curve" with the equalizer controls set to "0." Adjust all gain controls and equalizers to provide the 1/3octave band sound levels specified. Video Testing 1. Verify and document performance of all video cables and connections by injecting full SMPTE color bars and a multiburst signal. Monitor performance on a calibrated waveform monitor. Confirm that all signal paths maintain a full 140 IRE signal and that frequency response is flat across a 6 Mhz band-range. Continuity tests will not be acceptable. 2. Check all paths and outlets for appropriate compliance with the Performance Standards. Measure levels at all termination points. Compare actual values to design calculations and investigate any difference. Rectify or justify these discrepancies to the satisfaction of the Owner. In all cases, the more stringent of any referenced standard shall apply. a. Video timing and phasing shall be achieved using the fewest delay lines, delay distribution amplifiers and other delay devices possible. At all times, match cable lengths between like paths to minimize timing errors. To the maximum extent possible, utilize precisely cut cables to achieve correct timing and phasing. b. Verify performance of all video connecting cables, as specified herein. Continuity tests are not acceptable. Passive paths shall DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 22 be tested by sweep or multiburst signals. Replace any defective cable without claim prior to continuing tests. c. E. 3.06 System Timing: All video signals shall be in time as specified above, without readjustment of source phasing, delay lines, delay distribution amplifiers, or equalizers for the downstream equipment. 3. Although some delay units (active or passive) may be shown on the video functional block drawing to achieve the required video timing, the Contractor shall be responsible for providing all such units that may be required to meet these performance specifications. In all cases, minimize the number of delay lines. Keep cable lengths equal to achieve timing. 4. All signal paths from primary-source (video) equipment to the final distribution amplifier shall demonstrate unity gain of 1-volt peak to peak (140 IRE +2 IRE). This measurement shall be made with the SGE blanking processor and the final processing amplifier both set to bypass. Projection System Testing 1. Use standard test charts to provide uniform alignment and focus across the field of the image. 2. Light Levels: measure and report the ANSI Light Levels on the projected image as measured from the center of the room. 3. Flicker and Strobing: document any changes in level of the light source or projection system. 4. Setup video projector geometry for all popular VGA and Macintosh display modes and other specific scan modes as directed by the Owner. F. Controls: Adjust all controls to achieve the specified performance. Provide shaft-locks or covers for all level controls, as appropriate to prevent unauthorized gain changes. All control knobs; sliders, etc should be marked to show their final settings so they may be reset to the correct settings in the event they are adjusted in the future. G. Wireless Systems: Ensure that all wireless systems operate on different frequencies from each other and from any other transmitters in the area. H. Report: Prepare a letter/report documenting the results of these tests and readings. Include final equalizer and gain settings for review by the Design Consultant. ACCEPTANCE TESTS A. Provide a STATEMENT OF COMPLETION, certifying that the system is installed and is ready for acceptance testing by the Design Consultant. B. Schedule a time for the Design Consultant to perform system acceptance testing and adjustment with at least 14 days advance notice. DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 23 C. Qualification for Acceptance: Subsequent to completing preliminary testing, Contractor shall furnish the Owner/Design Consultant with copies of As Built documentation as required in this Specification. D. Furnish a technician who is familiar with the system to assist the Design Consultant during the acceptance testing and equalization for the duration it takes to complete the adjustments (regular time or overtime as required). A minimum of 24 hours as required to complete the adjustments. E. Acceptance Test: The Owner and Design Consultant shall be present during the acceptance testing and require the assistance and cooperation of the Contractor. 1. Each major component shall be demonstrated to function. 2. Measurements: Electrical, optical and acoustical measurements may be performed at the discretion of the Owner and/or their representatives. The Design Consultant will supply acoustical measuring equipment. Such measurements may include sound pressure levels, uniformity of coverage, distortion, or other pertinent characteristics. Contractor shall provide equipment for performing any necessary electrical test or adjustments. 3. Viewing and listening tests may include subjective tests by observers at any location in the facility. 4. Operating tests may include use of any individual or combination of systems provided and from any control location. 5. Each cable may be inspected for proper termination. 6. Under the direction of the Design Consultant, adjust signal levels and loudspeaker aiming, as required, to achieve the uniform sound distribution required by this Specification. F. Such tests may be performed on any piece of equipment or system. If any test shows the equipment or system is defective or does not comply with the Specifications, Contractor shall perform any remedies, at their expense, and pay the subsequent expenses of any re-testing required. G. Contractor shall provide a final report, which will document the final equipment settings and adjusted levels and values. H. If the system does not meet criteria or if additional trips to the JOB SITE for testing or adjustment are required, the Contractor shall reimburse the Owner for all expenses and professional time encountered by the Design Consultant/Architect. PART 4 - MAJOR EQUIPMENT 4.01 EQUIPMENT LIST A. Group I Equipment Review information provided by the base building contactor. Coordinate these items with group II work provide any parts needed to provide a compete and DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 24 working system, including conduit, cable race / pathways, power not provided by the base building contractor. B. Group II Equipment GROUP II EQUIPMENT QTY Description Manufacturer Model Notes Audio Components 3 Volume Control Atlas SWT-8A 2 Volume Control Atlas AT-35AP With PS24-20 PSU 1 Volume Control Atlas AT-35AP Back of House 1 Intercom - Main Station Clear Com MS-702 3 Clear Com KB-701 1 Intercom – Dressing Rooms/Green room Intercom - Portable Clear Com CS-702 1 Intercom - Stage SM Station Clear Com RM-702 1 Intercom - Power Supply Clear Com PS-702 1 Clear-Com HB-702 Clear-Com KB-701 15 Intercom - Wall Station – Sound Booth Intercom - Wall Station - Box Office Intercom - Headset, Single Muff 13 Intercom - Beltpack, one channel Clear-Com RS601 2 Intercom - Beltpack, two channel Clear-Com RS602 1 Intercom - Handset Clear-Com HS6 15 Intercom – Wallplate Clear-Com WP-2 Catwalk 8 Loudspeaker - Main L/R EAW KF730 4 Subwoofer EAW SB730 TA Master Quote 05055 - VPAC Contact PCM Marketing 3 Loudspeaker - Center EAW KF730 3 Main Loudspeaker Rigging EAW Lot 3 Cinema Loudspeaker System JBL 3632-T 3 Booth LCR Loudspeakers Tannoy I6AW 3 Cinema Loudspeaker Amplifier Crown Dsi 2000 1 Main Subwoofer Amplifier Crown CTs 3000 1 Main L/R LF Amplifier Crown CTs 3000 1 Main L/R MF/HF Amplifier Crown CTs 3000 1 Main Center MF/LF Amplifier Crown CTs 1200 1 Clear-Com CC95 1 Surround Loudspeakers Amplifier Crown CTs 8200 1 House Power Amplifier CTs 8200 Crown Back of House Full Rigging to fly LCR Clusters With wall mount 1 Assisted Listening Transmitter Listen LT-800 With Rack kit 10 Assisted Listening Receiver Listen LR-500 With Earbuds 1 Charging Case Listen LA-325 1 CD/MP3 Player - Booth Marantz DN-C615 1 CD/MP3 Player - SMP Marantz DN-C615 1 Audio DSP Network Switch HP ProCurve 2512 2 Audio DSP Peavey Neon N6 System 4 Audio DSP Input Card Peavey NIO-8i 4 Audio DSP Output Card Peavey NIO-8o DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Cobra Net Compatible Audiovisual Systems 11030 - 25 1 Feedback Processor Sabine FBX2400 2 Microphone - Lavalier Shure UR1/WL84A 2 Microphone - Handheld Shure UR2/SM58 1 Microphone - Antenna Combiner Shure U845A 2 Shure UR4D 2 Dual Receiver Microphone System Microphone - Active Antenna Shure UA870 1 Automatic Microphone Mixer Shure SCM-810 10 Loudspeaker - Surround Tannoy IW6 1 Mixing Console - Digital Yamaha MC7L -32 2 Mixing Console - Input Snake Whirlwind 20 foot Multipin to XLR 1 Mixing Console - Output Snake Whirlwind 20 foot Multipin to XLR 2 Mixing Patch Panel Whirlwind 4 foot Multipin 1 Mixing Patch Panel Whirlwind 4 foot Multipin 20 pair W6IRP to XLRM 20 foot 16 pair W5IRP to XLRF 20 foot 20 pair W6IRP on each end - 4 foot 16 pair W5IRP on each end - 4 foot Video Components 1 Projector Christie HD6K 1 Projector Lens Christie 104-114101-01 1 Projector Mount Christie 104-100001 1 Projector Mount extension Christie 104-101001 1 Spare Lamp Christie 003-120117-01 1 Matrix Switcher - RGB EXTRON Crosspoint 450 Plus 128HVA 1 Matrix Switcher - Video EXTRON MAV Plus 128A 1 JVC SR-DVM700US 1 DV/DVD/VHS Tape Recorder/Player RF Modulator Blondertougue FA3M-50-860-IF 1 RF Splitter Blondertougue SCV-8 2 Dual Video Display Delvcam DELV-2LCD-YXLRM 1 Microphone Preamplifier RDL RU-MLA2 1 Room Microphone Shure A89SM 2 Camera Sony BRC-300 1 Camera Power Supply Sony Rack mount power supply 1 Camera Controller Sony RM-BR300 2.6-4.1:1 HD Zoom with additional pipe as required With MAP Rack Mount Kit with power supply and rack up kit With Shock Mount Kit With custom mounting plate Green Room 1 LCD Mount - Dress Room Chief FTR 1 20 Inch Flat Panel LCD TV/HD Monitor Samsung, Sharp, LG Black, 720p, Tuner, with computer input Dressing Rooms 2 LCD Mount - Green Room Chief FTR 2 20 Inch Flat Panel LCD TV/HD Monitor Samsung, Sharp, LG Black, 720p, Tuner, with computer input 1 Flat Panel Mount - Lobby Chief PST-U 1 42 inch Flat Panel LCD TV/HD Monitor Samsung, Sharp, LG Black, 720p, Tuner, with computer input Lobby DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 26 Control Components 1 Networked Control System CPU 1 Rack Mounted Control System IO Crestron Box E-Control Software Crestron 1 1 Crestron PRO2 / C2ENET-2 ST-IO E-Control 1 Rack Mounted Touch Panel SMP Rack Mounted Touch Panel - AV Rack Wall Touch Panel – Lectern (Mount in podium) Tilt Touch Panel - Mix Position (Shared with Control Position) Intercom Control Plate Custom 1 Control Network Switch HP ProCurve 2512 1 Control Accessories Crestron Lot 35/16mm Projector Kinoton 0010 452 400520 Operating panel Kinoton 0040 140 001200 Lamp House Kinoton 0222 411 160123 Rectifier Kinoton 0040 070 003041 4 Lens Holder Kinoton 8990 240 290090 2 Reverse Running Kit Kinoton 3000 463 000100 2 Gate Modification – 35mm Kinoton 3000 693 020000 2 Conversion Kit – Variable Speed Kinoton 0040 220 000370 2 Conversion Kit – 2 digit speed Kinoton 3000 216 00200 2 3 Blade Shutter Kinoton 1000 515 0470100 2 Water Cool Gate Kinoton 8990 242 121150 2 1.85 Lens Schneider Lens Super Cinelux Lens 2 1.33 Lens Schneider Lens Super Cinelux Lens 76 foot throw 2 2.30 Lens Schneider Lens Super Cinelux Lens 76 foot throw 2 2x WA Lens Schneider Lens Cinelux Anamorphic Lens 76 foot throw 2 1.33 Lens (16mm) Schneider Lens Cinelux Lens 76 foot throw 4 600 Meter Take Up Reel Kinoton 1 Cinema Processor Dolby CP650 Elmo HV-5100XG 1 1 1 Crestron TPS-12L / RMK-12L Crestron TPS-12L / RMK-12L Crestron TPS-12B Crestron TPS-12B TA Master Quote 05055 - VPAC TA Master Quote 05055 - VPAC TA Master Quote 05055 - VPAC TA Master Quote 05055 - VPAC TA Master Quote 05055 - VPAC TA Master Quote 05055 - VPAC TA Master Quote 05055 - VPAC Control position CrestNet Compatible TA Master Quote 05055 - VPAC Cinema Projection System 2 To Include Red LED Optical/Dolby Analog and Digital Sound reader 76 foot throw Lectern Equipment 1 Document Camera, VGA Digital 1 Document Camera, 5" Color LCD Elmo LM5011c 1 Document Camera, LCD Stand Elmo MS-201 1 Computer, Instructor Apple OFE 1 DV/DVD/VHS Tape Recorder/Player Laserdisc Player JVC SR-DVM700US Pioneer CLD-V5000 1 1 System Switcher EXTRON System 7SC Switcher 1 System Controller Crestron CP2E DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 VGA, 850,000 pixel high resolution, 20 frames per second 5" LCD Monitor, power supply and Stand 5" LCD Monitor removable Stand With MAP Rack Mount Kit With MAP Rack Mount Kit Set to slave mode Audiovisual Systems 11030 - 27 1 Goose Neck Microphone Shure MX418/S with shock mount and 25 foot cord Elmo HV-5100XG VGA, 850,000 pixel high resolution, 20 frames per second 5" LCD Monitor, power supply and Stand 5" LCD Monitor removable Stand With MAP Rack Mount Kit With MAP Rack Mount Kit Cinema Lectern Equipment 1 Document Camera, VGA Digital 1 Document Camera, 5" Color LCD Elmo LM5011c 1 Document Camera, LCD Stand Elmo MS-201 1 JVC SR-DVM700US 1 DV/DVD/VHS Tape Recorder/Player Laserdisc Player Pioneer CLD-V5000 1 EQ ART HD231 1 Muliti Format VHS Samsung SV-5000W 1 System Switcher EXTRON System 7SC Switcher 1 Equipment Rack Middle Atlantic PRK-2726 MDK 1 Power Strip Middle Atlantic PDT - 1015C - NS 2 Drawer Middle Atlantic 4RU Drawer 1 Video Shelf Middle Atlantic VSA-1626 With MAP Rack Mount Kit Hardware 1 Lectern DWI Furniture DM500 Series, 42" DeAnza VPAC 1 Lectern DWI Furniture DM500 Series, 32" DeAnza VPAC 2 Equipment Rack - Large Middle Atlantic 1 Equipment Rack - Stage Manger Middle Atlantic SR-40-22 (OFE) 1 Equipment Rack - Source BRK16 1 Equipment Rack - SM -Power Middle Atlantic Strip Equipment Rack - Large - Power Middle Atlantic Strip Equipment Rack - Large - Top Middle Atlantic 2 2 2 1 Equipment Rack - Large - Power Strip Equipment Rack - Large - Power Control Equipment Rack - Source - Power Strip Rack Accessories 1 Loudspeaker Patchbay 1 1 Middle Atlantic Mahogany Brown, Access doors front side, Pocket doors on rear side, CPU space and divider, 19" Rack rails. Keyboard Drawer, Right side (from back), Visual Presenter Drawer, Left side Pull out shelf, Top has Monitor cut out, Control Panel, Clock and Timer, LittleLite Mahogany Brown, Top has Control Panel, Clock and Timer, LittleLite, Pull out drawer, Adjustable shelf with rear rack rails WR-44-32 PD-1415C (OFE) PCR-2X320 Switched MW-4QFT-FC Middle Atlantic PDT-2X1020 Middle Atlantic USC-6R Middle Atlantic PD-815SC Middle Atlantic Drawers, Rack Blanks, Security Screws, Etc Middle Atlantic UNI-1C with 16 Neutrik NCJ9FI-S DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Always On Audiovisual Systems 11030 - 28 2 Console Patch Panel 4 Console Patch 84 Pin Connector Whirlwind Whirlwind W6CRP Custom 3 RU Input connectors 2 Console Patch 48 Pin Connector Whirlwind W5CRP Output connectors 6 Whirlwind W5W6AK 1 Console Patch - Right angle adapter Wall Plate 1 - 4 Gang RCI Custom TA 6.1 Detail 5 1 Wall Plate 2 - 4 Gang RCI Custom TA 6.1 Detail 5 1 Wall Plate 3 - 4 Gang RCI Custom TA 6.1 Detail 5 1 Wall Plate 4 - 4 Gang RCI Custom TA 6.1 Detail 5 1 Wall Plate 5 - 18 x18 Plate RCI Custom TA 6.2 Detail 10 1 Wall Plate 6 - 4 Gang RCI Custom TA 6.1 Detail 5 1 Wall Plate 7 - 4 Gang RCI Custom TA 6.1 Detail 5 1 Wall Plate 8 - 4 Gang RCI Custom TA 6.1 Detail 5 1 SMP 2 RU RACK PLATE EXTRON AAP302 BLACK 60-633-02 1 VGA Line Driver EXTRON Extender AAP 70-174-12 1 Video Line Driver EXTRON CVEQ1 AAP 70-146-12 1 Intercom Plate EXTRON Two XLR M Solder Cups 70-103-17 1 Microphone Plate EXTRON Two XLR F Solder Cups 70-103-14 1 Microphone / Return Plate EXTRON One XLR F One XLRQ 70-103- CUSTOM 3 BLANKS EXTRON Double Blank 70-090-12 1 Floor Box 1 EXTRON AAP 106 Black 60-531-02 2 VGA Line Driver EXTRON Extender AAP 70-174-12 2 Video Line Driver EXTRON CVEQ1 AAP 70-146-12 1 Microphone Plate EXTRON Two XLR F Solder Cups 70-103-14 1 Control Port EXTRON One XLR4F 70-103-12 1 Floor Box 2 EXTRON AAP 106 Black 60-531-02 1 VGA Line Driver EXTRON Extender AAP 70-174-12 1 Video Line Driver EXTRON CVEQ1 AAP 70-146-12 1 Microphone Plate EXTRON Two XLR F Solder Cups 70-103-14 1 Control Port EXTRON One XLR4F 70-103-12 2 BLANKS EXTRON Double Blank 70-090-12 1 Floor Box 3 EXTRON AAP 106 Black 60-531-02 1 VGA Line Driver EXTRON Extender AAP 70-174-12 1 Video Line Driver EXTRON CVEQ1 AAP 70-146-12 1 Microphone Plate EXTRON Two XLR F Solder Cups 70-103-14 1 Control Port EXTRON One XLR4F 70-103-12 2 BLANKS EXTRON Double Blank 70-090-12 1 Floor Box 4 EXTRON AAP 106 Black 60-531-02 2 VGA Line Driver EXTRON Extender AAP 70-174-12 2 Video Line Driver EXTRON CVEQ1 AAP 70-146-12 1 Microphone Plate EXTRON Two XLR F Solder Cups 70-103-14 1 Control Port EXTRON One XLR4F 70-103-12 1 Floor Box 5 Whirlwind Custom 6 Gang Plate 1 Floor Box 5 Whirlwind Custom 3 Gang Plate (2) W6CRP - 84 pin chassis (1) W5CRP - 48 pin chassis 3 Audio Patchbay Switchcraft TT-EZN-H-20-P-ICD-B 36 Audio Patchcords Switchcraft 36 Inch 24 Audio Patchcords Switchcraft 48 Inch lot Cable lot Misc Hardware DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 29 lot Mounting Devices lot Other Major Items - Provided Itemize List DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 30 4.02 PRICING A. Provide Unit Cost for each item listed above. B. Provide a list of other equipment and hardware required for a complete and finished installation. C. Provide Total Line Cost for each item listed above based on quantity. D. Provide the following line item and unit costs: 1. Total Equipment Cost 2. Engineering a. Lump Sum b. Hourly Rate 3. Shop Labor a. Lump Sum b. Hourly Rate 4. Field Labor a. Lump Sum b. Hourly Rate 5. Training 6. Manuals 7. Shipping 8. Taxes 9. Overhead 10. Profit 11. Total Installed Cost END OF SECTION DeAnza College - Visual and Performance Arts Center Bid Number #1092-209 9184.11 Group II Coordination 8-1-08 Audiovisual Systems 11030 - 31 AUGUST 22, 2006 16mm/35mm Projectors FP-38E Electronic Drive 16/35 mm Film Projector The FP-38E is the highest quality 16/35 projector available. The electronic sprocket drive of the FP-38E projector is precisely designed to optimize picture steadiness, focus, contrast and light transmission for both formats. Changing formats is quick and easy. Features: l l l l l l l l l l l Electronic intermittent Unprecedented picture steadiness Excellent focus, contrast and light efficiency Proven Kinoton reliability – no one approaches our experience with electronic projectors Continuous electronic framing Built-in changeover "No routine maintenance" design Built-in film break switch Remote control of all functions 2 or 3 lens manual and automatic turrets with aperture changers LED reverse-scan optical and Dolby Digital 35mm soundheads FP-38E in 16mm mode, shown with: 1-2 kW Lamphouse Single Lens Holder The Kinoton FP38E cinema projector combines its elegant film handling mechanism with an electronic drive system featuring over twelve years of studioproven reliability. DESCRIPTION The FP-38E is the cinema version of Kinoton's FP-38ECII 35/16-mm studio projector. The "EC" has been used in the critical arena of studios and post-production facilities around the world for over twelve years. In the studio environment the EC runs forward, then reverse, over and over again at speeds up to 400 frames per second, sometimes 24 hours a day. The EC handles this with ease, therefore the FP-38E, utilizing most of the same components, has no difficulty in the cinema. The FP-38E is designed for cinema projection of 16mm and 35mm at 24 and 25 frames per second. It is used with a directly attached Kinoton lamphouse of from 1,000 to 7,000 watts. Red LED 35mm optical soundheads are standard, a Dolby basement reader can be added. Many, many other options are available. IMAGE QUALITY A better quality image can be projected because the time each frame is stationary in the gate is longer (greater dwell time due to faster pull-down). Each frame is held in its final, most stable position longer which contributes to apparent focus. Additionally, the low mass, no wear nature of the electronic intermittent drive system reduces the instability artifacts caused by pull-down overshoot/rebound and friction induced mechanical wear. ROUTINE MAINTENANCE There is none! Unlike all other cinema projectors there is no oil-filled intermittent movement to require critical periodic lubricant level checks and endless unpleasant and oft-neglected cleanings and refills. Also, there are no pumps, screens, gaskets, oil cans, drip pans and so forth to cause problems and act as dirt magnets. SERVICE Gone is the complex, filthy task of changing the movement. The intermittent motor assembly is unplugged and removed, and a replacement installed. Similarly, the shutter runs on its own small motor making replacement a breeze. In fact, most of the common problem areas found on mechanical projectors are simply absent and a large number of those remaining can be remedied by the projectionist simply changing modules. The savings in service visits and downtime can be substantial. TECHNICAL PHILOSOPHY Those who have been around this business a while can remember when the mono sound equipment in a single theater took a four hour monthly service call to maintain. Many manual tasks and mechanical adjustments that once consumed enormous amounts of time have been obviated by electronics. Perhaps the only equipment in the cinema not to undergo a significant change in design is the projector. While some will resist this change, one only has to compare today's standards of reliability, lack of required maintenance and quality in sound systems with those of forty years ago, when most of today's projection designs originated, to glimpse the potential for progress. But this desire to advance is tempered by the understanding of our customers' need for reliability, thus our use of only well-proven technology. Concept and Design More than 12 years ago, Kinoton succeeded in developing a high speed projector for studio applications. Instead of the Maltese cross, the sprocket is driven by an electronically controlled servomotor. These versatile and heavy-duty projectors are in continuous operation at leading studios around the world. Only based on that know-how and experience can projectors which meet the highest standards be produced: the Kinoton E -series. The FP 38 E projector is a 2format projector, available in 2 versions: 1) 35-mm and 16-mm 2) 35-mm, 16-mm and Super 16. The FP-38ES and FP-38EQ projectors featuring shuttle (fast forward and rewind through the gate) mode are a superb tool for film production, film laboratories, film archives and for special venues, such as exhibitions, trade fairs and special events. The FP-38ECII dubbing projector featuring very high speed shuttle (400 fps through the gate fast forward and rewind ) mode is the finest machine available for rerecording, ADR, Digital Intermediate work and similar uses in professional film production. For 16-mm only use the FP38E can be ordered without the 35-mm soundhead. The film mechanism, the reel drives, the sound reproducers and the electrical and electronic units are mounted in a column with adjustable feet, providing a variable projection angle of ± 10 º. Mechanical components as well as control units are easily and quickly accessible and - in the rare event of failure - simply replaced. The projectors are delivered from the factory pre-wired and tested thus cutting down on installation time and expenses. The FP 38 E provides quick and simple changes between 35-mm to 16-mm. Remote control panels for the projector are available upon FP-38E in 35mm mode, shown with: 1-2 kW Lamphouse 35mm Red LED Optical/Dolby Digital Sound Reader Single 35mm cue detector Single Lens Holder request. Picture Quality With today's larger screens and shorter projection distances picture quality and steadiness is pushed to the limits, even when using precision Maltese crosses. The electronic projectors of the E-series now set new standards and astonishing improvements in the projected image. The digital drive is designed for permanent control of the vertical picture jump. The extremely high resolution of the digital measuring system and the long dwell time resulting from rapid pull-down, visibly improves picture steadiness, focus and contrast. Drive Method A digitally controlled polyphase servomotor incorporating rare earth magnets has been specially designed for the intermittent drive. A constantly active position control compensates for mechanical jump and thus ensures precise centering of the picture. A software application allows service personnel to easily compensate for the mechanical tolerances inherent in all projectors, thus allowing the projector to produce no jump at all. More E-Drive info. By replacing the mechanical intermittent movement with an electronically controlled servomotor, the FP-38 E is designed for instant switching from projection mode to continuous running. The sprocket is equipped with 64 teeth (32 on each side) for 35-mm and 16 teeth for 16mm. For 35-mm film 16 teeth and for 16-mm film 4 teeth are engaged in perforation at all times, permitting precise pull down and accurately guiding the film-even split film or film with damaged perforations. The feed and take up sprockets are driven by a frequency controlled synchronous motor. Spool Shafts and Friction As always, perfection is reflected in every detail. Each projector is available with different reel shafts and take-up mechanisms. Electronic take-ups reel shafts are each driven by their own motor. The microprocessor control insures constant film tension on all film formats and reel sizes. The winding direction can be reversed. If no film is threaded or in the event of a film break, the take-ups will stop automatically. Sound Reproduction The Kinoton Reverse Scan Sound Device is designed to read all 35mm optical sound formats and DOLBY digital sound. Operating in reverse scan mode, damage in the emulsion layer will have very little influence on sound quality. The film is easy to thread. Scanning the sound signals via high output red LEDs, reading the optical sound track via a sensor with a narrow slit and reproducing the signals via sophisticated components leads to impressive results in all frequency ranges on both analog and digital sound. The 16-mm sound reader is designed to read optical and magnetic sound. The design reduces sound flutter to minimum levels and thus provides excellent 16mm sound reproduction. Damping rollers prevent film damage during shuttle mode. Digital delay allows the sound reader to be positioned above the gate to eliminate the compromises required by two co-located soundheads. 16 mm Composite Optical / Magnetic Sound Reader Popular Options: l l l l l l l l l l l l l l l l l l Quick-change preset focus lens holder. Lens holders for 70.6 or 101 mm lenses. Manual lens turret for 2 or 3 70.6 mm lenses Automatic lens turret for 2 or 3 70.6 mm lenses with aperture changer Remote focusing Kinoton reverse scan sound device for 35-mm analog sound Kinoton reverse scan sound device for 35-mm analog sound and DOLBY -digital sound Sound reader brackets for DOLBY, DTS and SONY digital and film cleaners Short column version. Top and/or bottom shortened column available CCA3 Automation System Matrix Automation System EMK1 Automation System Remote control of all projector functions Mechanical frictions with 5/16” shafts for 35 -mm reels up to 2,000 ft (600 m) Mechanical frictions with 5/16” shafts for 35 -mm reels up to 6,500 ft (2,000 m) Mechanical frictions with 1/2” shafts for 35-mm reels up to 13,000 ft (4,000 m) Electronic frictions with 5/16" shafts for35-mm reels up to 2,000 ft (600 m) Electronic frictions with 5/16” shafts for 35 -mm reels up to 6,500 ft (2,000 m) Electronic frictions with 1/2” shafts for 35-mm reels up to 13,000 ft (4,000 m) Copyright © 2006, Kinoton America Distribution, Inc. Legal