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2488 24-track, 24-bit, 36-channel Digital Portastudio

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2488 24-track, 24-bit, 36-channel Digital PortaStudio with built-in CD-RW drive T wenty-four. Finally everyone can have access to the magic number of tracks that’s the professional industry standard! Twenty-five years after the first 4-track cassette tape Portastudio comes the incredible 2488. It’s by far the most affordable 24track recording and mixing workstation ever made for home studios — and the only model within three times its price range that can truly do 24 tracks of 24-bit 44.1kHz recording. Eight inputs can be simultaneously recorded into the XLR and W" inputs. Twenty physical faders control the mixdown channels; each channel has 3-band EQ and access to three built-in effects processors. A large internal hard disk gives the user ample space for multiple 24-track songs and virtual tracks for comping. Plus the 2488 has a USB 2.0 port for back-up via home computer. The 2488’s Standard MIDI player and General MIDI sound module provide an additional stereo sound source for fuller arrangements. Complete waveform editing including cut/copy/paste/loop gives the user DAW-like flexibility for building that next hit recording. And for the final mix, the built-in CD-RW drive can turn your 2-track master mixdown into a Red Book CD, or use it to back up the hard drive or import and export WAV files. ˘ Three aux sends on all channels except the effects return ˘ Loop effect provides reverb, delay, chorus and more on an aux send and return ˘ Assignable Guitar multi-effects processor for distortion, chorus, delay, flange and more ˘ Up to eight assignable dynamics processors for compression during recording or mixdown ˘ Dedicated Stereo Compressor on the stereo output ˘ Eight inputs: 4 XLR with phantom power double as W" mic/line inputs, plus four dedicated W" mic/line inputs ˘ Twenty 45mm faders including master fader ˘ LCD display for viewing meters and edit parameters ˘ CD-RW drive to record Red Book CDs, import/export WAV files and backup hard drive ˘ 64-voice General MIDI sound module ˘ Standard MIDI File player ˘ High-speed USB 2.0 jack connects to PC or Mac® for data backup and SMF/WAV file transfer ˘ 24-track / 24-bit recorder (44.1kHz) ˘ 36-channel mixer ˘ 3-band EQ on 24 channels, 8-inputs, tone generator and stereo bus with high and low sweepable shelving bands and full parametric mid band New for 2004 Winter NAMM US-2400 DAW Controller with 25 100mm motorized faders T he worlds most powerful sampler has just gotten better! The new GS3 comes in three paradigms Orchestra, Ensemble and Solo each perfectly fitted to compose for their performance product name. All of the GS3 versions have undergone a complete overhaul with a new GUI and the added functionality of ReWire, VST FX, and a new GigaPiano 2. The GS3.gig sample format has also experienced a ground up redesign with 24 bit/96kHz support, 128 dimension controllers, ability to embed surround convolution reverb and the addition of Intelligent MIDI rules. GigaStudio 3.0 is the world’s most advanced disk streaming, real time surround convolution, ReWired sampling solution this planet has ever experienced. ˘ Unlimited Polyphony – Instead of a maximum 160 voices, polyphony limits are limited only by the number of drives, drive speed, and processor speed your system has (Giga 3.o Orchestra) ˘ ReWire – GigaStudio 3.0 supports ReWire routing of audio streams into applications such as DAW software like Cubase™, Nuendo® and Sonar™. MIDI from the DAW is routed to GigaStudio. ReWire allows audio generated from GigaStudio to be sent into the DAW application where it automatically shows up on faders within the DAW’s mixer section. ˘ New DSP Station – The GigaStudio mixer section has expanded to 128 channels and an additional 32 channels of group faders and features an expanded processing section including a 4-band EQ and compressor on each channel GigaStudio 3.0 ˘ Quick Edit control – Parameters like tuning, envelopes, filters, attenuation, and sample offset are at your fingertips in real-time without having to go into the instrument editor ˘ GSIF 2.0 with Kernel Level MIDI and support for 8 channels of audio input amd 32 channels of output. Any of the DSP Station’s 128 channels can be made active to support input from an outside source; our revolutionary kernel-level audio engine is now available for incoming MIDI streams ˘ Sample developers now have the ability to encode their instruments with acoustic space/reverb convolution and mic modeling using GigaPulse™ Pro included with GigaStudio Orchestra. That encoded N ow you can use your mouse for what it’s good at and use a control surface for what it’s good at: hands-on mixing with lots of real faders, knobs & buttons. The TASCAM US-2400 is the first DAW fader controller with enough faders to handle a typical recording session — and feel like a real mixing console — without lots of bank switching. The US-2400 features 24 touch-sensitive moving channel faders and a touch-sensitive motorized master fader, each with 10-bit resolution for precise level control. Each channel has dedicated select, solo and mute controls. Twenty-four rotary encoders are provided, selectable to control pan or up to 8 aux sends. Plus all 24 encoders can also be employed as one large channel strip for four-band EQ, aux and pan control. Each encoder has a ring of LEDs that can display the current setting or double as channel meters during recording and playback. A set of solid-feeling transport buttons are also provided, as well as a shuttle wheel and a joystick for surround panning. Compare it to any other controller on the market today (and the extra expanders you’d have to buy to get 24 motorized faders) and you’ll discover that the US-2400 gives you more for control for the money. ˘ VST plug-in hosting ˘ Intelligent MIDI – New controller rules including Expanded Legato, Alternation, Round Robin, and Random sample playback. ˘ 24-Bit/96kHz instrument support – GS3 allows creation and implementation of 24 bit/96kHz sample libraries with 192K hardware support ˘ Unlimited Instrument Stacking – Load as many ˘ Twenty-five touch sensitive 100mm moving faders, each with 10-bit resolution CD-X1700 instruments as you wish on a single midi channel. Control each of the stacked instruments parameters and even route each stacked instrument to its own audio channel. ˘ 24 encoders control pan, aux level or channel strip functions like EQ & Aux ˘ LED ring displays around encoders display parameters or channel meters ˘ Footswitch jack for punch-ins ˘ Fader bank switching and In/Out point buttons ˘ Assignable Function keys can be set to Autopunch, Record arming, Undo, etc. ˘ Solid-feeling transport controls ˘ Smooth Jog/Shuttle wheel ˘ Joystick for surround panning ˘ Mac OSX and Windows® XP compatible CD-X1700 CD-X1500 ˘ Seamless LOOP ˘ Seamless LOOP ˘ 3 hot start/cue points ˘ 3 hot start/cue points ˘ 10-Second sampler on each ˘ ±8, 16, 32, and 100% pitch ˘ ±8,16, 32, and 100% pitch ˘ Key Original (master tempo) controller side control ˘ 128 Dimensions for cross switches and crossfades ˘ Key Original (master tempo) on all tempo ranges ˘ Supports CD-R/RW discs TT-M1 CD Scratch Controller for DJ Turntables N o wonder TT-M1 stands for “turntable Magic.” It retrofits onto the edge of just about any standard DJ turntable to control the CD-X1500 and CD-X1700 CD players. The compact, durable TT-M1 requires no additional special audio hook-ups, no computer, and no special vinyl records — you may even scratch with your turntable’s slipmat if you like! Once fitted to your turntable (you can still use your tone arm), the new TT-M1 lets you use turntable controls such as start/stop, tempo slider, power on/off for winding down and winding up, and of course the turntable platter for scratching, pitch bending and back-spinning all to control CD audio. ˘ Retrofits to a wide variety of popular DJ turntables with no additional audio hook-ups, computer or coded vinyl ˘ Use DJ turntable platter and controls such as start/stop, tempo slider, power on/off to control CD audio ˘ Can also work without a turntable (Scratch on any flat surface!) ˘ Powered by TASCAM DJ CD player CO-DEVELOPED WITH ˘ Select, Solo and Mute keys ˘ Anti-shock memory ˘ Enhanced Capture To Wave (multi channel) – Now simultaneously record 8 audio streams Mackie® Control protocols CD-X1700 & CD-X1500 Dual-CD Players ˘ Real Time Surround Convolution content can be played back in any level of GigaStudio via GigaPulse™ SP. Up to seven channels of convolution is supported for surround applications. Resonant body modeling, added to mic modeling and reverb convolution takes sampled instruments to new heights of realism and represents the next major step in sampled instruments like GigaPiano 2. ˘ Fully-mapped control for any DAW that supports HUI™ or CD-X1500 A DJ with a spreadsheet? Strange but true. We created a chart of every competitive dual-CD player and then set out to beat ‘em with more features at lower prices. The result are the CD-X1500 and CD-X1700. All the necessary features a pro DJ expects such as seampless looping, key original (master temp) 3 hot start/cue points, relay play and anti-shock buffer. Plus a whole lot more. In addition to all CD-X1500 features, the top-of-the-line CD-X1700 also has a larger jogwheel, reverse playback, onboard multi-effects, Key Original (master tempo) in all tempo ranges up to 100%, and a dedicated 10 second sampler on each side of the controller. The CD-X1700 can also play back MP3 encoded CDs with pitch bending and tempo change. Both the CD-X1700 and CDX-1500 support our new TT-M1 scratch controller that allows you to control the CD audio with many popular DJ turntables. ˘ Supports playback of MP3 encoded discs ˘ TT-M1 “Turntable Magic” input ˘ Reverse playback ˘ Continuous play, single play, and up to 30 tracks program play ˘ Anti-shock memory control ˘ TT-M1 “Turntable Magic” input ˘ Continuous play, single play, and up to 30 tracks program play ˘ BPM count with TAP key ˘ Digital output ˘ Supports CD-R/RW discs ˘ Brake ˘ Scratch ˘ Filter effect ˘ Automatic BPM count with ˘ Auto cue ˘ Digital output ˘ Relay play TAP key ˘ Brake ˘ Scratch ˘ Multi DSP effects (filter, flange, echo) syncable to BPM ˘ Auto cue ˘ Fader Start ˘ Fader Start ˘ Compact 2U controller size 7733 Telegraph Road Sunny Montebello CA • 90640 • USA phone 323.726.0303 2004 Winter NAMM www.tascam.com * …because you’re an in-the-trenches audio professional and/or don’t get out much. ** with compatible DAW software. All specifications are subject to change without notice. Visit www.tascam.com for the most up-to-date information. All trademarks are property of their respective holders. © Copyright 2004 TASCAM. All Rights Reserved. #86012 ÿ Windows kernel level summing of unique driver types (ASIO or WDM & GSIF) to stereo output ÿ Adjustable zero latency direct monitoring ÿ Headphone output w/level ctl ÿ RCA analog line outputs with level control ÿ 2 W" line/guitar level inputs ÿ 2 W" inserts ÿ 2 XLR mic inputs with phantom power ÿ 16 MIDI channels (1 MIDI input and 1 MIDI output) ÿ USB-powered – use it any place you can lug your laptop ÿ 8 W" TRS inserts (useful for surround monitoring ÿ Guitar/Line level switch on Channel 8 ÿ 8 W" TRS balanced line outputs ÿ 8 W" TRS balanced line inputs ÿ 8 XLR mic inputs with phantom power ÿ 64 MIDI channels (4 MIDI in/4 MIDI out) ÿ 100mm touch-sensitive motorized faders. ÿ 96kHz operation on all analog I/O channels** ÿ Dedicated controls for pan, solo, mute and select functions, tactile control for 4-band parametric EQ ÿ Windows kernel level summing of unique driver types (ASIO or WDM & GSIF) to stereo output ÿ EXPANDABLE! FE-8 sidecar expands FW-1884 system up to 128 channel strips FireWire® Audio/ MIDI interface for the DM-24 A/V switcher, mixer, amplifier for presentation and PA systems 24-track, 24-bit, 36-channel digital Portastudio™ DAW controller with twenty-five 10-bit resolution 100mm moving faders IF-FW/DM AV-452 Dual-CD and MP3 player for professional DJs CDX-1700 CD scratch controller for DJ turntables Dual-CD player for professional DJs Portable CD vocal trainer with voice effects and voice cancelling Convolving reverberation and modeling VST plug-in for Windows® TT-M1 CDX-1500 for popular DAW programs including Logic™, Digital Perfomer™, Sonar™, Cubase™, Cool Edit Pro™, Pro Tools® and Nuendo™ ÿ 8-channel ADAT® Optical Digital I/O ÿ Footswitch jack ÿ Headphone jack with ÿ Jog/shuttle wheel level control and transport controls ÿ Word Clock in/out ÿ Mappable shortcut keys ÿ Stereo S/PDIF digital I/O ÿ 24-bit/96kHz A/D/D/A 2488 ÿ Dual FireWire ports US-2400 Now the world’s most powerful sampler is even more powerful 3.0 GigaStudio™ CD-VT1 GigaPulse™ TEN NEW PRODUCTS CO-DEVELOPED WITH FireWire® audio/MIDI interface and DAW controller with 100mm touch-sensitive moving faders FW-1884 Recent products you may not have seen*… GigaPulse™ VST Real time Convolving Reverb & Modeling Plug-in for Windows® CD-VT1 Portable CD Vocal Trainer W Portable USB audio/MIDI interface US-122 2004 Winter NAMM e’ve expanded our compact trainer series with a model that’s perfect for vocalists, keyboardists, horn and string players. The CD-VT1 includes vocal effects, voice pitch change and vocal/solo instrument removal so you can practice along with most recordings. for more efficient use of CPU resources ˘ 2D mic/source placement: Selection grid chooses an impulse taken from an unlimited number of positions. ˘ Acoustic Space window displays sound source location or a dimensional drawing of the space ˘ Cascade combines two impulses and create a new reverb ˘ Sim Stereo turns a mono input into a stereo output E ven the most “realistic” conventional reverb generators are just a series of synthetic, digital delays looped together. Convolution offers a better way to produce reverb by using an actual recording of a room, much like samplers use a guitar or a drum set recording to create realistic instrument sounds. TASCAM’s new GigaPulse™ VST is a real-time convolution reverb plug-in for Windows®. It generates the most lifelike room impulses ever by using recordings made in real acoustic spaces. Plus it includes the tools to convert your own sampled rooms to GigaPulse format. quality — so realistic that instruments, samples and vocals come to life. Even if you thought you’d heard it all when it comes to reverb plug-ins, you haven’t until you’ve experienced GigaPulse VST. ˘ Acoustic space modeling via exclusive convolving algorithms ˘ Perfect for capturing room characteristics during remote recordings ˘ Create new impulses from your own recordings or load impulses recorded from high-end reverb processors ˘ Tail Model fine tunes the decay of the reverb impulse ˘ Change the Perspective to model the effect of moving a mic closer to the source, while maintaining imaging and proper phase alignment ˘ Apply mic modeling from a selection of vintage microphones to the environment or use it alone ˘ Impulse libraries will be available from TASCAM or download numerous freeware impulses from the internet IF-FW/DM FireWire®Audio / MIDI Interface ˘ Dual FireWire® 400 ports Our patent-pending, breakthrough technology also incorporates additive and subtractive convolution with mic modeling , selectable room position and tail model processing to the convolution engine for unparalleled finetuning of reverb parameters. ˘ Two mic inputs for duets ˘ Vocal effects like reverb and echo ˘ Voice Changer shifts vocals one octave up or down ˘ Voice Cancel eliminates the vocal from CD playback ˘ Slow Speed Audition changes the speed of playback without changing the key ˘ Change the pitch of playback or change pitch and speed simultaneously ˘ Looping function with seam- less start and end points ˘ Cue function returns to the last place playback was started CD-GT1 Guitar Trainer D esigned for use in meeting rooms, conference centers, board rooms, churches and other presentation venues, the AV-452 incorporates a mic mixer, A/V receiver, infrared controller and digital amplifier in one affordable, compact unit. The user interface is simple and intuitive, allowing anyone to operate it with no special training. For integrators, the AV-452 has advanced features that can be customized and hidden from view. Visit the TASCAM Contractor web site for complete specifications on the AV-452 switcher/mixer/amp. ˘ Headphone jack for practicing and Line out for recording your performance CD-BT1 Bass Trainer AV-452 Presentation Mixer/Amplifier ˘ 4 mic channels with phantom power ˘ MIDI In and Out ˘ Compatible with the DM-24 Digital Mixer W CO-DEVELOPED ith a single FireWire connection the new IF-FW/DM gives the DM-24 up to twenty-four inputs and twenty-four outputs when connected to a digital audio But the real revolution is GigaPulse VST’s reverb workstation. MIDI ports are provided for transmitting control and timing data between the DAW and the DM-24 over the FireWire connection. ˘ Up to 5 components connect to A/V channel ˘ 3-band EQ per channel or LEDs, making construction of custom remote panels easy. For example, you can create a lectern panel with A/V switching/status, Mic 1 Mute and Room Volume control up/down. ˘ AV-452 learns IR codes for projector input switching ˘ Includes RC-452 learning ˘ 100Hz HPF and insert universal IR remote available on mic group ˘ RS-232/422/485 serial ports ˘ 100W/side (@8Ω) stereo digital amplifier built-in ˘ Motorized room volume knob ˘ Relay control port allows direct connection of buttons ˘ Separate mono switches for line & speaker outputs ˘ EMG building alarm detection ˘ Constant voltage paging input ˘ Meeting record output