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Speed, durability, perfection
Image: E-3 with optional accessories.
Turn extreme scenes into extremely good photographs.
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New horizons for creative photography. Perfection for discerning tastes – the new Olympus E-3 rises to every challenge, even under the toughest photographic conditions. Crafted to meet every need, the E-3 satisfies the highest demands of professional D-SLR photographers. Raising the bar in the areas of speed, image quality, Live View and reliability, the E-3 reveals worlds you’ve never seen before. Welcome to a land of exciting new creative possibilities for uncompromising and ambitious photography. Discover your world.
• Speed: world’s fastest* autofocus – never miss an opportunity. • Image quality: powerful built-in image stabilisation system – compensates against the effects of camera shake up to 5 EV steps.
D-SLR category, with the Olympus ZUIKO DIGITAL ED 12-60mm 1:2.8-4.0 SWD at 60mm – * Inas the of October 2007.
• Live View: HyperCrystal LCD can be adjusted in three directions for superior control of compositions – the benchmark for D-SLR cameras. • Reliability: magnesium alloy body offers exceptional strength and protection from dust, rain and snow – plus the most effective dust reduction system.
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Capture action in the blink of an eye.
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Preserve the moment before it passes. Ultra-fast autofocus system with 11 twin cross-type sensors. The E-3 boasts the world’s fastest* autofocus system. Based on a fully-biaxial high-speed 11-point AF system with both horizontal and vertical sensor lines, it accurately calculates optimal sharpness from a total of 44 different data points. In addition, pixel multiplication technologies ensure that
performance is boosted in low light (–2EV at ISO 100). Meanwhile, fast shutter speeds of up to 1/8000th sec. provide the ability to freeze action dead in its tracks. When every second counts, users can also stop the clock with shooting speeds of up to 5fps in full Megapixel mode (with 17 image RAW buffer in burst mode).
* As of October 2007
Hound’s tooth sensor layout
Actual focal point
Frequency
Focal point A Actual focal point
Output A Line A
Focal point A+B Subject image
Focal point B
Output A+B Line A+B
Output B Line B Subject image
The layout of the 11-point AF sensor system was determined by a statistical analysis of the position of primary subjects in thousands of photographs. Interviews with countless professional photographers were also conducted.
A half pitch-shifted dual sensing array enables more precise focusing than traditional systems are capable of.
A range of AF modes are available to suit the requirements of any situation. In Single AF mode, only one of the 11 focal points is selected. Group Area mode selects the three or four adjacent points. In All Points mode, sharpness is calculated on the basis of an evaluation of all 11 points.
SWD technology delivers the world’s fastest* autofocus. To facilitate fast autofocus speeds, the latest ZUIKO DIGITAL lenses come with new ultrasonic motors (Supersonic Wave Drive). In combination with an ultracompact encoder that monitors rotation to within 5μm, these lenses are smooth and extremely fast. Start, acceleration, calibration and stopping take place in fractions of a second to ensure that the E-3 delivers the world’s fastest* autofocus system. * In the D-SLR category, with the Olympus ZUIKO DIGITAL ED 12-60mm 1:2.8-4.0 SWD at 60mm – as of October 2007.
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SWD (Supersonic Wave Drive).
Viewfinder image in Single AF mode.
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1/8000th sec. high-speed shutter. 1/8000th sec. high shutter speed enables instant shooting, while X = 1/250th sec. is ideal for synchro photography. This high-speed shutter enables shooting at maximum aperture so that the superior optical quality of ZUIKO DIGITAL lenses can always be enjoyed to the fullest, even in bright sunlight. The design of the mirror box was also improved to reduce the time required for raising the mirror. This mechanism is now faster and shutter delay has been greatly reduced.
What’s more, the high-speed, high-precision mechanical shutter withstood a 150,000 continuous shot durability test.
Mirror box with integrated shutter.
Sequential shooting at five images per second. In combination with the improved TruePic III processor and a redesigned mirror mechanism, the high-speed Live MOS
sensor enables sequential shooting at up to five frames per second in full 10 Megapixel mode.
Complementary processors enhance performance. Special complementary processors are located inside the body where large volumes of data need to be processed. Three processors ensure fast data rates: the AF processor reads data from the AF sensor, the TruePic III processor takes care of image data, and the IS processor manages image stabilisation by counteracting camera movements.
High-speed data transfer for stress-free photography: the E-3 is also compatible with fast UDMA CompactFlash Cards.
Loss-less compression. Localisation
Coding
Adaptability prediction, prediction error reduction, etc.
Dynamic range prediction, Golomb-Rice coding, etc.
17MByte(@10MP)
Compressed data 11MB
Technology enabling the loss-less compression of RAW data by 1/3 reduces data transfer times without effecting image quality. This in turn improves the camera’s performance. 7
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Beauty is in the eye of the photographer.
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Uncompromising image quality.
Built-in image stabilisation – effective with all lenses. The image stabilisation system in the Olympus E-3 body. Frame (fixed)
SWD
Y-axis moving frame (image sensor unit)
SWD
X-axis moving frame
SSWF
The E-3 features a powerful built-in image stabilisation system to eliminate blur caused by camera movement. The system is capable of compensating against the effects of camera shake up to the equivalent of 5 EV steps. A gyro
Precise image stabilisation technology compensates for camera shake to ensure sharper images.
10.1 Megapixel Live MOS Sensor. The E-3 features a new high-speed 10.1 Megapixel Live MOS sensor. In combination with the superior optical performance of Four Thirds lenses, this sensor delivers high resolution images with rich tones and natural, vibrant colours.
Live MOS sensor spectrum character Relative sensitivity 1500
1250
1000
750
500
250
0 380
400
420
440
460
480
500
520
540
560
580
-250
Wave length (nm)
10
600
620
640
660
680
700
720
sensor that was developed as a component for the aerospace industry sends information about the tiniest vibrations to supersonic motors that compensate for the vibrations by counteracting their effects. This makes a tripod less important. Positioning the image stabiliser in the camera body rather than in the lens has a number of advantages: the image quality that can be achieved at this location avoids compromises caused by optical factors, lens design can be more compact, and the image stabilisation effect works for all Four Thirds lenses. This even applies to fisheye and extreme wide-angle lenses, and holds for all manufacturers participating in the standard.
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Improved image quality with the new TruePic III processor. This new generation image processor delivers noticeably better image quality. Colour reproduction, saturation and brightness have been enhanced, while picture sharpness is improved by advanced noise reduction and edge-to-edge optimisation. Processing speeds are also significantly faster.
Advanced Noise Filter III Technology
High-Speed Data Processing
Advanced Detail Reproduction Technology
Advanced Proper Gamma III Technology
Improved noise reduction enables accurate edge-to-edge reproduction.
Improved detail reproduction and colour correction of lines and edges.
Improved control of colour display and saturation even for pale colours.
Designed for digital: Near telecentric ZUIKO DIGITAL lenses. Truly superior image quality requires a high-performance lens with outstanding fine-grain reproduction capabilities. To achieve the most advanced standards in imaging, ZUIKO DIGITAL lenses are developed exclusively for use in digital SLR photography. They are also optimised for future
generations of high-performance imaging sensors. Outstanding imaging ability, versatility and compatibility with the Four Thirds System make ZUIKO DIGITAL lenses the new benchmark for digital photography – both now and in the future. The Top Pro lens series comprises an impressive selection of interchangeable lenses that are among the best in the world for professional applications. For example, it includes a zoom lens with an exceptional 1:2.0 aperture across the entire zooming range.
In contrast to lenses designed for 35mm photography (upper image), the near telecentric construction of lenses developed for the Four Thirds Standard (lower image) ensures that light always reaches the sensor at near perpendicular angles.
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Seize the moment for spontaneous compositions.
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Total flexibility – an adjustable LCD for shots from any angle. Large, bright, adjustable and informative: the HyperCrystal LCD. Adjustable both horizontally and vertically, the generous 6.4cm Live View LCD expands creative possibilities in all directions. With an impressive 230,000 pixels of resolution and a viewing angle of 176 degrees, this brilliant display is even visible in direct sunlight. Compositional flexibility is also second to none – by swivelling in all directions, the LCD facilitates shooting from any angle. This allows you to photograph subjects outside of your own field of vision which are not visible to the eye and were previously beyond reach. You can maintain control of the shot under any circumstances while maintaining eye contact. You can even shoot from overhead or very low to the ground.
The Live View LCD has a horizontal, vertical and diagonal viewing angle of 176 degrees. Even shots from side angles can easily be obtained without relinquishing full control of the image. The brightness of the display automatically adjusts to available light levels. The LCD provides 100% professional coverage and also plays a pivotal role in AF mode.
Get up close without any contortions: Live View enables extremely low-angle photographs without the need to use the viewfinder.
You don’t need a ladder to get the full picture: Live View makes it possible to shoot overhead while retaining full control over the shot.
The large Live View LCD on the back of the camera can be rotated and swivelled in any direction: up, down or to the side. When not in use, the LCD folds away for safe storage.
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All settings can be monitored on the display in real-time. All changes to exposure and white balance settings are displayed in real-time and stunning quality on the HyperCrystal LCD. The effects of Shadow Adjustment Technology can
also be monitored as it works to lighten dark areas in the foreground against bright backgrounds.
White balance:
Adjusting exposure:
Adjusting the colour temperature from 5300K to 3000K.
Adjusting the exposure one stop from ± 0.0 to +1.0.
Live View image display:
Golden Section.
Grid.
Scale.
Histogram.
A selection of grid patterns can be superimposed over the image to check guidelines, horizontals, proportions and more. Checking sharpness:
It is easy to check the focus in Macro mode – select an area of the image and magnify it 5x, 7x or 10x on the LCD.
Shadow Adjustment Technology:
The E-3 offers a selection of gradation settings. For example, with “Auto” selected, the image is divided into detailed regions and brightness is adjusted separately for each region. The effects that settings have on the image can be monitored in real-time on the LCD.
A sensor in the upper corner of the adjustable LCD measures available light and automatically modifies the brightness of the image on the LCD accordingly.
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Made for extreme conditions.
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Functionality and durability you can rely on. Large viewfinder with 100% viewing coverage. The optical pentaprism unit delivers professional coverage of 100% and a 1.15x magnification factor for precise viewing of shots. Its incredible resolution captures even the finest of details. The surface structure of the finder screen is comprised of octagonal microprisms that are arranged 20μm apart. This results in a brighter display, making manual focusing easier and Flash: Xenon tube Built-in flash units ensuring moiré-free images.
AE units
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Pentaprism
Eye piece units
The large viewfinder facilitates the ability to work more comfortably.
Comparison: the 0.96x magnification of the E-1’s viewfinder.
The E-3 with 100% coverage and magnification of 1.15x.
Ergonomic design for intuitive handling. The E-3 fits your hand like a glove. All settings can be adjusted intuitively so you can apply your full concentration to your subject. Each and every function button can be reached in an instant. The E-3’s innovative operating philosophy provides an overview of functions on the LCD screen,
Main dial.
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Sub dial.
and makes sure that you always know exactly what you are doing with an additional display on the top of the body.
The main dial is located precisely where it is easiest to reach while taking photographs. This enables shutter speed, aperture and exposure settings to be adjusted with a quick turn of the dial without requiring an additional visual check. The sub dial is positioned so that it is within easy reach of the index finger. Together, these two dials provide maximum ease of use and support fast reflexes while taking photographs.
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The most effective dust protection system available safeguards against imperfections in images. It is almost impossible to prevent dust from getting inside a camera body while lenses are being changed. Yet just one particle of dust on a sensitive sensor surface can lead to serious adverse effects for image quality. Olympus’ Supersonic Wave Filter (SSWF) was the world’s first dust protection system. Thanks to continual improvements, it is still the most effective. Positioned in front of the sensor, the Supersonic Wave Filter removes dust at lightning speeds with the help of supersonic vibrations at more than 30,000Hz. This powerful technology functions at a molecular level where shaking motions and static charges are no longer effective.
Shutter units Optical Low-Pass Filter Live MOS sensor Quick return mirror SSWF
Optimised body construction enables the integration of Olympus’ steadfast dust protection system.
A drop of water fails to penetrate the dust protection system (laboratory test).
To ensure not a single image is damaged by dust particles, the system automatically activates every time the camera or its Live View function is switched on.
Solid magnesium body with all-round protection against dust and moisture. In order to be ready for any challenge at any time and under any conditions, the E-3’s body is constructed to be extremely robust as well as dust and water resistant. All important components including the built-in flash and LCD screen are sealed against the effects of sand, dust, rain and water drops. Made of a “thixomold” magnesium alloy, the body is exceptionally durable, solid and lightweight.
A wide selection of ZUIKO DIGITAL Pro and Top Pro lenses also includes models that are protected against water and dust. As with the E-3 itself, these lenses are sealed to protect the camera at all times.
Camera body and lens seals.
The camera body is made of a very strong magnesium alloy.
The position of various components inside
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A comprehensive suite of settings and functi o control and assurance for every shot. Two sensors for precise white balance. White balance is automatically calculated from data provided by a white balance sensor and the image sensor – the camera then automatically detects white in images and adjusts the colour balance accordingly. For optimal shooting in most common situations, eight different values ranging from 3000K to 7500K are available as white balance presets. In addition, a one-touch white balance function allows photographers to save up to four optimal white balance settings to suit conditions. Both settings can be adjusted to ±7 steps (1 step = 2 mired steps). The bracketing function is also especially helpful in difficult lighting conditions. It automatically shoots a series of three versions of an image with different colour temperatures at intervals of 2, 4 or 6 steps.
Colour spaces. AdobeRGB sRGB
0.6
0.4
0.2
0
0.2
0.4
0.6
Auto.
+6 steps (R).
ISO Settings.
y
0.8
–6 steps (R).
0.8
x
Even before shooting begins, the Olympus E-3 can determine the way that colours are managed in an image. The Colour Space function allows you to define the colour space of an image (Adobe RGB or sRGB) in advance, so that image files are optimised for use with devices such as printers, monitors and image editing software at a later date. It is also possible to preset RGB saturation (for all three channels), as well as saturation levels for single channels and skin tones.
In both automatic and manual modes, light sensitivity settings range from ISO 100 to ISO 3200 in 1/3 EV. Image artefacts at high ISO values are dramatically reduced by the new TruePic III processing engine. The parameters for automatic ISO settings can be individually set, while the bracketing function of the E-3 automatically shoots three frames at different ISO settings.
Noise reduction. This function reduces noise in the form of coloured pixels that can appear during long exposures. Noise reduction automatically reduces noise to produce clearer images. Two images are captured: one “normal” picture and one with the same exposure settings but a closed aperture. Noise is identified in the “dark” picture and then processed out of the entire image file.
Without Noise reduction.
Preselect from five image modes. Preselected and adjusted image tone parameters are available as five separate picture effect modes: Vivid, Natural, Muted, Portrait and Monotone. Values and settings for contrast, sharpness and saturation are able to be adjusted in five steps and can be saved as customised picture modes. The Monotone mode also offers a selection of filters and tone effects.
Filters:
Yellow.
Red.
Orange.
Green.
Sepia.
Blue.
Purple.
Picture tone filters:
Neutral.
Green.
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With Noise reduction.
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i ons provide maximum Metering.
Bracketing.
There are three options for light metering: ESP (Electro Selective Pattern), centre-weighted averaging metering, and spot metering. With digital ESP metering the camera measures light levels to calculate differences in 49 separate areas of the image. This takes various scene elements such as backlighting into consideration. Centre-weighted averaging metering performs average metering between the subject and background lighting, placing more emphasis on the subject at the centre. With spot metering, the camera measures a very small area around the centre of the subject. This area is defined by the spot metering area mark in the viewfinder, and comprises around 2% of the total image area. An additional highlight control function automatically corrects the exposure of light areas in the centre of the image against bright backgrounds, while shadow control performs the reverse function by improving dark objects in the centre of an image with dark background tones.
The camera automatically shoots between three and five pictures at different exposure values for each frame. You can decide which picture you prefer later. The images can be adjusted in steps of 1/3, 1/2 or 1 EV, and bracketing settings can be changed at the touch of a button or via the menu. This feature is available in all exposure modes (P, A, S or M).
Data storage.
Professional AEL/AFL control.
Images can be saved in the following formats: RAW, RAW and JPEG formats simultaneously, as well as a range of JPEG compression rates. The new RAW format enables higher and loss-less compression rates. Two card slots are available for CompactFlash cards (Types I and II), Microdrives and xD-Picture Cards. The camera also boasts high-speed USB 2.0.
Under normal conditions the exposure (AE) and focus (AF) settings are retained from the moment the shutter button is depressed half way until the shutter is actually released. These settings can also be saved using the AEL/AFL button (AE Lock and AF Lock).
Bracketing example:
–1/3 EV
±0
+1/3 EV
Super Control Panel. The large swivel LCD on the back of the camera functions both as a viewfinder and a Live View display. As a Super Control Panel, it enables the simultaneous display and adjustment of image settings. It can be used to preview single images with or without superimposed image information such as a histogram. This function is activated with the INFO button. Display of images and changes to settings are performed via the menu. The brightness of the display automatically adjusts to suit available light conditions. • • • • • • • • • • • • •
Shutter Speed Aperture Value Exposure Mode Exposure Correction Flash intensity control AE Lock Noise Reduction Auto Bracket AF Illuminator On/Off Colour Space Flash Mode ISO Speed Drive Mode
• • • • • • • •
White Balance Mode Picture Mode Metering Mode Focus Mode Image adjustment Date and time File Name Number of storable still pictures • Record Mode • Card Indicator • Battery Check
250 F5.6 +2.0 HP RC
FP BKT AEL
IS 1
WB AUTO ISO
AUTO LN
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View of the menu display on the LCD.
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The Tatsuno Philosophy. The quality of an image is determined by the quality of the lens used to produce it. The development of lenses which meet the stringent optical requirements of digital SLR photography is a particular conceptual challenge. Not only must communication with the camera body and processor be mastered, but technologies key to the subsequent processing of images must also be considered – all the way to the printer. Due to the strict standards that Olympus set for its ZUIKO DIGITAL lenses, there was never any doubt that the development and manufacture of these vital components would take place in-house. Since the days of Olympus’ OM series of analogue SLR cameras, the Tatsuno facility in the
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mountainous, high-tech Kami-ina region of Japan’s Nagano prefecture has assumed this responsibility. This is where Olympus’ esteemed specialists practice their fine technical and craft skills while sharing their experience, knowledge and passion for the field of imaging. In an atmosphere of utmost concentration, the latest automated production facilities exist alongside traditional work stations where individual pieces are hand-crafted, inspected and polished. This principle forms the foundation of Olympus’ renowned reputation in the field of optics and guides all future developments.
Tatsuno Factory.
Cleanroom.
Lens surface coating.
Lens polishing.
Lens polishing.
Lens corner coating.
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A future-proof system you can depend on. The Olympus E-3 is based on the Four Thirds System – an open standard that ensures inter-compatibility between manufacturers. This allows the bodies and lenses of various brands to be mixed and matched in any number of combinations. The Four Thirds System was specifically developed for the unique requirements of digital photography. This entails achieving the highest image quality possible by ensuring a direct optical path to the image sensor, intelligent communication between the camera body and lens, light-
ness and compactness, and cost-effective, future-proof design. In addition, the type, size and mount of the lens has been standardised, and distances between the lens mount, image plane and last lens element were precisely defined. The standard also prescribes the exact size of the image circle, with the lens mount being approximately twice the size of the diagonal of the sensor. This allows for the construction of bright, near telecentric lenses that achieve outstanding image quality.
The new ZUIKO DIGITAL SWD lenses join an already-extensive range.
Top Pro Lenses
ZUIKO DIGITAL ED 7-14mm 1:4.0
ZUIKO DIGITAL ED 14-35mm 1:2.0 SWD
ZUIKO DIGITAL ED 35-100mm 1:2.0
ZUIKO DIGITAL ED 90-250mm 1:2.8
ZUIKO DIGITAL ED 150mm 1:2.0
ZUIKO DIGITAL ED 300mm 1:2.8
(14-28mm)*
(28-70mm)*
(70-200mm)*
(180-500mm)*
(300mm)*
(600mm)*
Pro Lenses
ZUIKO DIGITAL 11-22mm 1:2.8-3.5
ZUIKO DIGITAL ED 12-60mm 1:2.8-4.0 SWD
ZUIKO DIGITAL 14-54mm 1:2.8-3.5
ZUIKO DIGITAL ED 50-200mm 1:2.8-3.5 SWD
ZUIKO DIGITAL ED 8mm Fisheye 1:3.5
ZUIKO DIGITAL ED 50mm Macro 1:2.0
(22-44mm)*
(24-120mm)*
(28-108mm)*
(100-400mm)*
(16mm)*
(100mm)*
Standard Lenses
ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6
ZUIKO DIGITAL 17.5-45mm 1:3.5-5.6**
ZUIKO DIGITAL ED 18-180mm 1:3.5-6.3
ZUIKO DIGITAL ED 40-150mm 1:4.0-5.6
ZUIKO DIGITAL ED 70-300mm 1:4.0-5.6
ZUIKO DIGITAL 35mm Macro 1:3.5
(28-84mm)*
(35-90mm)*
(36-360mm)*
(80-300mm)*
(140-600mm)*
(70mm)*
* Equivalent to a 35mm camera. ** Only available in special kit.
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Flash technology for the ultimate in flexibility and convenience. Olympus’ new RC Data Transfer System enables wireless communication between the camera and special external flash units such as the new FL-50R and FL-36R. No separate commander unit is required because all functions are triggered and controlled directly from the E-3’s integrated flash. Depending on what lighting setup you require, up to three separate flash groups can be controlled directly from the camera at one time. Settings and adjustments can be controlled from the Super Control Panel on the LCD. Now it’s simple and convenient to experiment with various lighting options without having to worry about cable clutter.
Lighting Group B
10m 60°
5m 120°
10m Lighting Group A
Lighting Group C
120° Built-in flash
Three flash groups can be individually programmed.
Wireless TTL FL-50R flash unit. The FL-50R electronic flash unit was specially developed for use in digital photography and utilises RC Data Transfer Technology. Boasting multiple adjustment modes, highspeed synchronisation and a large selection of accessories, this flash unit is the ideal complement to the Olympus E-3. It has a very powerful GN50 at a focal length of 42mm (equivalent to 85mm on a 35mm camera; ISO 100), and GN28 at a focal length of 12mm (equivalent to 24mm on a 35mm camera; ISO 100). • The reflector can be tilted and swivelled. • The Olympus E-3 enables flash synchronisation at all shutter speeds – 1/8000th sec. in FP mode.
spond to the focal length of the lens when zooming. • In addition to manual settings, fast recycle intervals of as little as 1.3 seconds are possible (in combination with an external power source). • The FLBA-1 bounce adapter can be mounted on the flash head to diffuse shadows, while the FLRA-1 reflector adapter softens the effects of bounce lighting. The FL-50R comes with both items, as well as the FLST-1 flash stand.
• Flash coverage is automatically adjusted in several steps to corre-
FLBA-1 bounce adapter.
FLRA-1 reflector adapter.
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FLST-1 flash stand.
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Wireless TTL FL-36R flash unit. A compact electronic flash unit with RC Data Transfer System for use in digital photography. With GN36 at a focal length of 42mm and GN28 at a focal length of 12mm, its technical specifications and capabilities are otherwise
equivalent to the FL-50R. Comes with the FLST-1 flash stand. FLRA-1 reflector adapter is available as an optional accessory.
Perfect lighting for professional assignments. The professional macro flash system affords E-3 photographers greater flexibility and creative control. It includes a ring flash unit, a twin flash set, an adapter ring and a flash control unit. The macro system is specially designed for Olympus’ Four Thirds-based digital SLR system. Each unit is available separately and includes a macro flash controller unit that is mounted on the E-3’s hot shoe. STF-22
Enhanced lighting effects: the same macro image with frontal flash (left), and backlit with an additional flash from behind (right).
SRF-11
In addition to lenses and flash components, the Olympus E-System also includes a wide range of accessories: batteries, chargers, camera bags, remote controls and more.
Software for the entire workflow. The E-3 comes with Olympus Master software to manage important functions and tasks such as downloading, viewing, evaluating, archiving and printing. Available as an optional extra, the new Olympus Studio 2.1 is perfectly suited to the requirements of professional photographers.
example, a single edit can be quickly and easily applied to all of the photographs from a particular shoot. It is also possible to correct distortions while simultaneously eliminating artefacts.
Operating the camera from a computer.
Numerous settings and direct control via the monitor enable the best results to be obtained from a group of shots so that they can be saved in TIFF or JPEG format. Once defined, a setting can be saved and applied to all images in a series via batch editing mode.
If the camera is connected to a computer (PC or Mac), it is able to be operated via the computer’s keyboard. This allows photos to be saved directly onto the hard drive and viewed on the computer’s monitor.
Virtual light box. The virtual lightbox functions the same way as a normal light box used for checking film. This allows multiple images to be viewed simultaneously on a computer. Images can then be selected, grouped and edited.
RAW data format.
Image editing. An image editing mode includes countless key features such as levels and gamma correction. In batch mode, for 25
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Handy, compact and ergonomically designed. Lens lock pin
White balance sensor
Shutter button
Self-timer / Remote control lamp / Remote control receiver
Sub dial Lens attachment mark
Lens release button Mount Preview button
Mirror
Portrait format shutter button
The HLD-4 power grip extends battery life so there’s no need to worry about going into overtime. It also features a second shutter release to facilitate ease of use while working in portrait format.
Portrait format sub dial
External flash connector Eyecup
Viewfinder
Remote cable connector AEL / AFL button Protect button
Dioptre adjustment dial Main dial
Eyepiece shutter lever LCD monitor (Super Control Panel)
Playback button
USB connector
Arrow pad
Video OUT jack
OK button DC IN jack Card cover lock
Erase button
Connector cover Card access lamp
INFO button (Information display)
IS button (Image Stabilisation) Portrait format AF and FN button Portrait format main dial MENU button
Power switch Live View button Hot shoe
Flash mode / Flash intensity control
WB button (White balance)
Exposure compensation button
Strap eyelet
Card cover
Sequential shooting / Self-timer / Remote control button AF mode
LIGHT button
26
Built-in flash
ISO button
Card slot
Control panel
Eject button
304865_E-3_Catalogue_EN.qxd:E3 RZ
23.11.2007
7:46 Uhr
Seite 27
Specifications Model Type Body material Lens mount Image Sensor Type Effective pixels Filter array Aspect ratio & area Full resolution Engine Type Filter Dust reduction filter IR cut filter LPF filter LCD LCD type Monitor size Pixel number Brightness adjustment Viewfinder Viewfinder type Field of view Magnification Depth of field preview Eye point Dioptre adjustment Focusing screen Mirror Eye piece shutter Live View Information
Image Stabiliser Type Modes Effective Compensation Range Focusing System Method Focus areas AF illuminator AF lock Focus tracking Manual focus
Olympus E-3 Magnesium alloy body. Four Thirds type. 4/3-type High-Speed Live MOS sensor. 10.1 Megapixels. Primary colour filter (RGB). 4:3 / 17.3 x 13.0mm. 11.8 Megapixels. TruePic III. Supersonic Wave Filter. Hybrid type. Fixed type. Multi-angle HyperCrystal LCD (semi-transmissive TFT colour LCD). 6.4cm / 2.5’’. 230,000 pixels. 15 steps. Eye-level single lens reflex. Approx. 100%. Approx. 1.15x with a 50mm lens set to infinity at –1 dioptres. Yes, Preview button. 20mm. Yes, –3.0 – +1.0 dioptre / built-in type. Interchangeable type. Quick return mirror. Built-in type. 100% field of view, Exposure adjustment preview, White balance adjustment preview, Gradation auto preview, Gridline displayable, 5x/7x/10x magnification possible, MF/S-AF, AF frame display, AF point display, Shooting information, Histogram. Sensor shift. Two-dimensional or one-dimensional activation. Up to 5 EV steps. TTL phase difference detection system. 11points / fully biaxial, automatic and manual selection. Yes, Built-in flash (external flash available). Yes, Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised). Yes, Available in continuous AF mode. Yes, Available by rotating focus ring, available for setting manual focus operation in AF mode (customised). Single AF, Single AF + MF, Continuous AF, Continuous AF + MF. –2 – 19EV (ISO 100).
Focus modes Detection range Light Metering Method TTL open aperture light metering. Zones 49, Multi-pattern Sensing System. Detection range 1 – 20 (50mm, 1:2, ISO 100). Exposure modes Auto, Programme automatic, Aperture priority, Shutter priority, Manual. Exposure System Exposure compensation +/– 5EV / 1, 1/2, 1/3 steps. Exposure bracketing 3 / 5 frames / +/– 1/3, 2/3, 1EV steps. ISO bracketing 3 frames / 1/3, 1/2, 1EV steps. Sensitivity Auto In 1/3 and 1 EV ISO steps. Manual ISO 100 – 3200 in 1/3 and 1 EV ISO steps. Shutter Shutter type Computerised focal-plane shutter. Shutter release Soft Touch Electromagnetic. Self timer 12s / 2s. Anti Shock Yes, Release delay: 1 – 30s. Shutter Speeds Shutter speed range 1/8000 – 60s (in 1/3, 1/2, 1 EV steps). Bulb mode Up to 30 minutes (selectable longest time in the menu, default: 8 minutes). White Balance AUTO WB system Hybrid detection system with High-Speed Live MOS sensor and dedicated external sensor. Manual White balance (One-Touch) Yes. Selectable steps in Kelvin 7 steps (3000 – 7500K). White balance adjustment Yes +/– 7 in each R-B / G-M axis (in Auto WB and preset WB mode). Custom WB 1 setting can be registered at Kelvin temperature (2000 K – 14000 K). One-touch white balance 4 custom settings can be registered. White balance bracketing 3 frames / +/– 2, 4, 6 mired steps. Internal Flash Guide number 13. Flash compensation +/– 3 EV / 1/3 EV steps. Modes AUTO, Red-eye reduction, Slow synchronisation, Slow synchronisation 2nd curtain, Fill-in, Slow synchronisation with red-eye reduction, Off, Bracketing.
External Flash Control X-sync speed 1/250s / 1/8000 s. Type TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL. Intensity +/– 2EV / 1, 1/2, 1/3 steps. Wireless flash control from the camera body Compatible external flash FL-50R, FL-36R. Control method Triggered and controlled by built-in flash light. Modes TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual. Number of channels 4 channels. Group setting 3 groups. Sequence Shooting Sequential shooting mode (high speed) 5fps / 17 frames RAW buffer. Image Processing Colour space sRGB / AdobeRGB. TruePic III Yes. Sharpness + Contrast 5 levels. Saturation 5 levels. Contrast 5 levels. Black & White filter Yellow, Orange, Red, Green. Black & White toning Yellow, Orange, Red, Green in Black & White and Sepia mode. Gradation 4. Recording Formats RAW 12 bit. RAW & JPEG Yes. JPEG Yes. JPEG compression 1/2.7, 1/4, 1/8, 1/12 SHQ, 1/2.7, 1/4, 1/8, 1/12 HQ, 1/2.7, 1/4, 1/8, 1/12 SQ. Image Size RAW 3648 x 2736 compressed / 11MB / frame. JPEG-Large 3648 x 2736 Super Fine (compression: 1/2.7) / 6.8MB / frame. 3648 x 2736 Fine (compression: 1/4) / 4.7MB / frame. 3648 x 2736 Normal (compression: 1/8) / 2.2MB / frame. 3648 x 2736 Basic (compression: 1/12) / 1.5MB / frame. JPEG-Middle 3200 x 2400 Super Fine (compression: 1/2.7) / 5.3MB / frame. 3200 x 2400 Fine (compression: 1/4) / 3.7MB / frame. 3200 x 2400 Normal (compression: 1/8) / 1.7MB / frame. 3200 x 2400 Basic (compression: 1/12) / 1.1MB / frame. 2560 x 1920 Super Fine (compression: 1/2.7) / 3.6MB / frame. 2560 x 1920 Fine (compression: 1/4) / 2.2MB / frame. 2560 x 1920 Normal (compression: 1/8) / 1.1MB / frame. 2560 x 1920 Basic (compression: 1/12) / 0.7MB / frame. JPEG-Small 1600 x 1200 Super Fine (compression: 1/2.7) / 1.3MB / frame. 1600 x 1200 Fine (compression: 1/4) / 0.8MB / frame. 1600 x 1200 Normal (compression: 1/8) / 0.5MB / frame. 1600 x 1200 Basic (compression: 1/12) / 0.3MB / frame. 1280 x 960 Super Fine (compression: 1/2.7) / 0.8MB / frame. 1280 x 960 Fine (compression: 1/4) / 0.5MB / frame. 1280 x 960 Normal (compression: 1/8) / 0.3MB / frame. 1280 x 960 Basic (compression: 1/12) / 0.2MB / frame. 1024 x 768 Super Fine (compression: 1/2.7) / 0.5MB / frame. 1024 x 768 Fine (compression: 1/4) / 0.4MB / frame. 1024 x 768 Normal (compression: 1/8) / 0.2MB / frame. 1024 x 768 Basic (compression: 1/12) / 0.1MB / frame. 640 x 480 Super Fine (compression: 1/2.7) / 0.2MB / frame. 640 x 480 Fine (compression: 1/4) / 0.2MB / frame. 640 x 480 Normal (compression: 1/8) / 0.1MB / frame. 640 x 480 Basic (compression: 1/12) / 0.1MB / frame. Customisation Options Fn Button Off, One-touch WB, Test picture, Preview, Live View, AF home setting, MF, Record format, Exposure mode, My Mode, Underwater modes. Custom preset options 2. My Mode 2 settings storable. Power Supply Battery BLM-1 Li-Ion battery (included). Battery life Approx. 610 shots with BLM-1 under CIPA testing standard (optical viewfinder). Sleep mode Available (1, 3, 5, 10 min., off). Interface Media Dual slot for CompactFlash card (Type I and II), Microdrive and xD-picture card. USB 2.0 (Hi-Speed), Video out, Infrared, DC input, Synchro socket. Environment Temperature 0 – 40°C operating temperature, –20 – 60°C storage temperature. Humidity 30 – 90% operation humidity, 10 – 90% storage humidity. Size Dimensions (W x H x D) 142.5 x 116.5 x 74.5mm (without protrusions). Weight 810g (body only). Box contents BLM-1 (Lithium-Ion battery for E-1 / E-300 / E-330 / E-500 / E-510), BCM-2 (Battery Charger for BLM-1), USB Cable, Video Cable, Shoulder Strap, Operating Instructions, Guarantee, BC-1 Body Cap, Olympus Master 2.0 (Software CD-ROM Olympus Master).
Specifications and design are subject to change without notice. Battery life varies greatly according to type of batteries used and the conditions of use. Above information is based on Olympus standard testing procedure.
27
HV-1 High Voltage Pack BN-1 Ni-MH Battery Pack
FLRA-1 Flash Reflector Adapter (incl. with FL-50R)
Tele Converter
AC-2 AC Adapter
FLST-1 Flash Stand (incl. with FL-50R and FL-36R)
EC-14*/EC-20*
EX-25* Extension Tube
Compatible with
ZUIKO DIGITAL ED 70–300 mm 1:4.0–5.6 Super Telephoto Zoom
Twin Flash with FR-1
Ring Flash with FR-1
STF-22 Twin Flash Set (incl. FC-1/ TF-22)
TF-22 Twin Flash
FR-1 Flash Adapter Ring for 35/50 mm Macro
RF-11 Ring Flash
Tele Converter
Tele Converter
EC-14/EC-20*
EX-25
with FR-1
RM-1 Remote Control
Remote control
AABH-1 BCM-2 Li-Ion Battery Battery Holder (incl. Charger with HLD-4)
HLD-4 Power Battery Holder (for 2x BLM-1)
with FR-1
Twin Flash
Ring Flash
RM-CB1 Remote Cable
ME-1 Magnifyer Eyecup
VA-1 Angle Finder
Eyecups
DE-P3 Eyecup Diopter +3
EP-5 Eyecup (incl. with E-410/E-510)
E-System Bag
DE-N3 Eyecup Diopter –3
EP-6 Eyecup
E-System Pro Backpack
E-System Bag Compact
FS-3*** Focusing Screen
EP-7 Eyecup (incl. with E-3)
MF-1 OM Adapter
EX-25 Extension Tube
ZUIKO DIGITAL 2.0x Tele Converter EC-20
ZUIKO DIGITAL 1.4x Tele Converter EC-14
Adapter
Specifications and appearances are subject to change without any notice or obligation on the part of the manufacturer.
AC-1 Power Supply
LBH-1 Li-Ion Battery Holder (for 3x CR123A, with HLD-4 only)
E-System Bags
Tele Converter
EC-14/EC-20 Drop-in Filter Set included
Tele Converter
TF-22
EX-25* Extension Tube
EC-14/EC-20
EX-25* Extension Tube
Compatible with
ZUIKO DIGITAL ED 300 mm 1:2.8 Fix Focal Lens
Tele Converter
Compatible with
ZUIKO DIGITAL ED 150 mm 1:2.0 Fix Focal Lens
Tele Converter
EC-14/EC-20
Compatible with
EX-25* Extension Tube
EC-14/EC-20
RF-11
Extension Tube
BLM-1 Li-Ion Battery Pack E-510
BCM-1 Quick Li-Ion Battery Charger
Twin Flash
TF-22
Compatible with
ZUIKO DIGITAL ED 50 mm 1:2.0 Macro Lens
Ring Flash
RF-11
Tele Converter
EC-14/EC-20
Compatible with
EX-25* Extension Tube
Tele Converter
only at 60 –100 mm
EC-14/EC-20**
EX-25*
ZUIKO DIGITAL ED 90 –250 mm 1:2.8 Telephoto Zoom
Tele Converter
ZUIKO DIGITAL ED 35–100 mm 1:2.0 Telephoto Zoom
Compatible with
EC-14/EC-20
Compatible with
Tele Converter
ZUIKO DIGITAL ED 14–35 mm 1:2.0 SWD Standard Zoom
EC-14/EC-20*
ZUIKO DIGITAL ED 7–14 mm 1:4.0 Wide Zoom
Top Pro Lens
Extension Tube
Compatible with
ZUIKO DIGITAL ED 50–200 mm 1:2.8–3.5 SWD Telephoto Zoom
only at 60 mm
Extension Tube
EX-25*
Compatible with
ZUIKO DIGITAL ED 12–60 mm 1:2.8–3.5 SWD Standard Zoom
Power Supply
EC-14/EC-20*
Compatible with
ZUIKO DIGITAL ED 8 mm 1:3.5 Fisheye Lens
Twin Flash
Ring Flash
(incl. HV-1/ BN-1/AC-2)
FC-1 Macro Flash Controller
(incl. FC-1 / RF-11)
SRF-11 Ring Flash Set
TF-22
∞ – 25 mm
Tele Converter
EC-14**/EC-20*
RF-11
Extension Tube
EX-25*
Compatible with
ZUIKO DIGITAL 35 mm 1:3.5 Macro Lens
TF-22
RF-11
Tele Converter
EC-14/EC-20**
Compatible with
EX-25* only at 54 mm
Extension Tube
SHV-1 Flash High Voltage Set
*Only with MF ** AF possible when using center frame *** Exchange only via Olympus Service Station
FP-1 Flash Power Grip (incl. FL-CB02) for FL-50R/ RF-11/TF-22
Printed in Germany - OIME - Id.No. E0465057 - Hab - 11/2007 - EN
OLYMPUS IMAGING EUROPA GMBH www.olympus-europa.com
Camera is shown with optional accessories.
FL-CB02 Flash Cable
FL-20 Flash
FLBA-1 Flash Bounce Adapter (incl. with FL-50R)
FL-36R Wireless Flash
Twin Flash with adapter ring 62 mm to 67 mm/72 mm
Tele Converter
EC-14*/EC-20*
TF-22 Twin Flash
ZUIKO DIGITAL 14–54 mm 1:2.8–3.5 Standard Zoom
Tele Converter
EC-14/EC-20**
Compatible with
ZUIKO DIGITAL 11–22 mm 1:2.8–3.5 Wide Zoom
Pro Lens
7:46 Uhr
FL-50R Wireless Flash
FL-CB05 Flash Cable
EX-25* Extension Tube
Tele Converter
Compatible with
ZUIKO DIGITAL ED 40 –150 mm 1:4.0–5.6 Telephoto Zoom
with adapter ring 52 mm bis 67 mm/72 mm
Twin Flash
EC-14*/EC-20*
TF-22
only at 50 –180 mm
Extension Tube
EX-25*
Compatible with
ZUIKO DIGITAL ED 18–180 mm 1:3.5–6.3 Super Zoom (10x)
Tele Converter
EC-14*/EC-20*
TF-22
only at 28 – 45 mm
Tele Converter
only at 25 – 42 mm
EX-25* Extension Tube
EC-14*/EC-20*
EX-25*
Compatible with
(only available in special kit)
ZUIKO DIGITAL 17.5–45 mm 1:3.5–5.6 Standard Zoom
Extension Tube
Compatible with
ZUIKO DIGITAL ED 14-42 mm 1:3.5-5.6 Standard Zoom
Standard Lens
23.11.2007
Flash
Digital SLR Camera
304865_E-3_Catalogue_EN.qxd:E3 RZ Seite 28