Transcript
2014 / ' S P O U B H F 3 E / J Q P N P $ " t Q t G t w w w . l r b a g g s . c o m
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CIRCUIT INNOVATIONS
LYRIC ACOUSTIC
*OBTUVEJP ZPVXPVMEIBWFUPVTFBOFOUJSFSBDLPGHFBSUPBDIJFWFXIBUXFIBWFCVJMUJOUP-ZSJDTUJOZDJSDVJUCPBSE Our lead engineer, Tommy Linn, created several patent pending “black box” circuit innovations that unlock the potential PG UIF NJDSPQIPOF5IF öSTU UJHIUFOT UIF MPXFS GSFRVFODJFT GPS B QVODIJFS BUUBDL XJUI OBUVSBM EZOBNJDT5IF TFDPOE maintains the mic’s sweetness no matter how hard you play. The third innovation, not patent pending but useful, is BOBEKVTUBCMFiQSFTFODFwDPOUSPMUIBUEJBMTIJHIGSFRVFODZSFTQPOTFQFSGFDUMZGPSZPVSHVJUBS8SBQBMMPGUIJTJOBOBMM EJTDSFUF IJHIöEFMJUZNJDQSFBOEZPVIBWFBXPSMEDMBTTNJDSPQIPOFTZTUFNBTBO
MICROPHONE
integral part of your guitar anywhere you plug in.
FEATU R ES
BEYOND P I C KUP S. B E YO N D CO MPAR E .
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There’s no argument that a mic is the best way to capture the sound of an acoustic
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guitar, but until now, using a mic for most live performances has been an elusive
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guitar’s actual voice to a live audience for the most realistic and inspiring sound you will ever experience.
INT RO DU CING
Check out Lyric video and audio samples at: lrbaggs.com/lyric
LY R I C C LASS ICA L
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T R U•M IC TECH NO LO GY Our featherweight microphone, each high-graded for ideal response, mounts to the underside of the bridge plate with simple peel-&-stick adhesive to preserve the integrity of your instrument. The mic leverages the “pressure-zone” principle by positioning the capsule just 3mm from the surface of the top to hear the entire soundboard for even balance and tone. And the mic’s proximity to the top allows high gain before feedback. Unlike other attempts to use
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Check out Lyric Classical video and audio samples at: lrbaggs.com/lyric-classical
an internal mic, Lyric employs a proprietary capsule that rejects all “boxy” reflections within the guitar. This patent pending minor miracle enables the mic to act as if it were outside of the guitar delivering a clear and open studio mic’d sound. 1
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ACOUSTIC P RE A M P S
PA R A D I ™
RUL E T H E STAGE
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5- B A N D EQ / DIRECT B OX WFSTBUJMJUZ BOE SPDLTPMJE SFMJBCJMJUZ UIF 1BSB %* IBT CFDPNF BO indispensable staple for performing musicians around the world.
WHY GET A PREAMP?
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A preamp will bring your pickup to life by enhancing tone, boosting the signal and providing
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VENUE DI
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F E AT U RE S
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PREAMP/EQ & DIRECT BOX
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G I G PR O ™
FE ATU R E S
SINGLE CHANNEL BELT CLIP PREAMP
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belt clip preamp that eliminates the need for
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active electronics on your prized instrument.
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M I XPR O ™
FE ATU R E S
DUAL CHANNEL BELT CLIP PREAMP
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F E AT U R E S
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belt clip preamp that will allow you to perfectly
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blend two of just about any combination of
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need right at your side.
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A N T HE M
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TRU•MIC TECHNOLOGY
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BRING YOUR STUDIO SOUND TO THE STAGE 'PSEFDBEFTBDPVTUJDHVJUBSJTUTIBWFESFBNFEPGCSJOHJOHTUVEJPTPVOEUPBOZMJWF performance. After 30 years of effort, we achieved this dream and have done what
endpin preamp format. A mic level trim control insures perfect balance for every JOTUBMMBUJPO5IFQSFBNQIBTPVSGBNPVTBMMEJTDSFUFTUVEJPRVBMJUZDJSDVJUSZ BOEJTPVUöUUFEXJUIBOFBTZUPVTFTPVOEIPMFNPVOUFEWPMVNFDPOUSPM
OPPUIFSQJDLVQNBOVGBDUVSFSIBTCFFODBQBCMFPGoDPNCJOJOHTUVEJPNJDGJEFMJUZ with the freedom of a pickup. i*IBWFPOMZESFBNFEUIBUTPNFEBZUFDIOPMPHZXPVMEBMMPXUIJTRVBMJUZPGTPVOE outside the walls of my recording studio.” – Louis Drapp / Recording Engineer
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top, delivering unprecedented feedback resistance. An Element undersaddle pickup is used to augment only
F E AT U RE S
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undersaddle pickups. Hear all of the detail, warmth and personality of your guitar as only a real mic is capable of, XJUIPVUBIJOUPGRVBDLPSIPOL “Just what you expect from a very good mic. Everything else simply vanishes beyond the horizon in comparison.” – Laurie Williams / Luthier
A NT H E M ™
5
STAG E P R O A N T H E M ™ The Stagepro Anthem is a side-mounted system that offers battery access and a
The Anthem has all the essential tools in one complete system. The
full chromatic tuner that is hidden beneath the control panel to maintain a clean,
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phase, and multi-segment battery check. Blend between the mic augmented
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complete with a 536t.*$ and Element undersaddle pickup.
F E AT U R E S
F E AT U RE S
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6
M AG NET I C P I C KUPS
M1 SERIES 5IF.JTGPSQMBZFSTXIPMPWFCJHBDPVTUJDUPOFXJUIIJHIGFFECBDLSFTJTUBODFPO
M80
™
MORE BODY MORE SOUL
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M1 ™ AWBJMBCMFJOBDPNQMFUFMZQBTTJWFEFTJHO UIF.QSPWJEFTQSPGFTTJPOBMamplification in minutes. Adjustable pole pieces give you perfect string-to-string balance for EJGGFSFOU UZQFT PG TUSJOHT BOE HBVHFT " CVJMUJO HPME QMBUFE w KBDL NBLFT SFNPWJOH UIF QJDLVQ B TOBQ GPS XIFO ZPV BSF JO UIF TUVEJP 5IF . JODMVEFT B strapjack and 10’ cable for absolutely no modifications to your prized acoustic.
M AG N E T I C P I C KU P W I T H F U L L R A N G E 3 D BODY SEN SI T I V I TY
M1 ACTIVE ™ 5IF . "DUJWFT QMVHQMBZ EFTJHO IBT built-in electronics with audiophile
The soul of your guitar is in the body - from the tone woods that it’s made of
circuitry for that sweet and pure acoustic sound we are known for. The internal
to the fine details in the way it was put together. A typical magnetic pickup
electronics boost the pickup’s output
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for a full and direct signal to any
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acoustic amplifier or P.A. system,
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eliminating the need for any
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external preamps. The addition
side and neck resonances in all three dimensions. Tap on the
of a built-in volume control
body and you’ll swear that there’s a full range mic inside of the
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access for any performance.
up installs in minutes and faithfully captures more of your guitar’s acoustic soul than any single pickup ever created.
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Multi-segment battery check
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Volume control
Active/passive operation
Adjustable pole pieces
Battery life: 1,000 + hrs
Volume control
David Gilmour playing the M1 Active Photo credit: Anna Wloch
UN D E R SA DDL E P I C KUP
BRID G E PLATE PICKU P
EL EME N T ™
iBE A M ™
ADVANCED UNDERSADDLE PICKUP MIRRORS THE SOUNDBOARD’S MOVEMENT
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weightless film sensors, each suspended across a slot near the ends of the pickup. As the guitar top vibrates, the slots open and close, flexing the sensors like the diaphragms in a stereo mic. The film sensors effortlessly trace the guitar’s most subtle nuance or thunderous whomp without compression, distortion or a hint of “piezo
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removes most of its influence on the acoustic properties, creates an intimate coupling between the sensor and guitar for the
sensors is the iBeam’s “cardioid” like response pattern.
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pre-tested in a guitar for output and balance.
admitting the rich tone-producing vibrations. 8FJHIJOHMFTTUIBOP[ UIFJ#FBNXJMMOPUBMUFSUIF guitar’s natural acoustics, has natural string balance and
EL EME N T VTC ™
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VOLUME, TONE, COMPRESSION OUR PREMIER USP SYSTEM of mastering rooms worldwide to unlock the
iBEAM ACTIVE SYSTEM ™
warmth and natural dynamics of recorded
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preamp leverages this studio elixir with a proprietary analog compressor that operates below 400 Hz. The compressor is
9
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tuned to reflect the actual dynamics of the acoustic guitar, creating in
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live performance, the superior warmth and natural balance of tone
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The iBeam Active is also great for direct studio or home recording.
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great alternative to studio microphones.
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ELEMENT AC T I V E SYST E M ™
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Our original Element Active System features impressive body
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sensitivity, warmth and articulation in a streamlined design. The
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system includes a prewired Element pickup, all-discrete circuitry
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and a soundhole-mounted volume control for easy access.
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M IX I NG SYST E MS
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FI V E .O ™
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UKULELE SYSTEM
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and natural dynamics.
the iBeam and Element, and low cut for the iBeam, a dialed-in sound is available for any acoustic guitar.
The system combines a custom version of our award winning Element undersaddle QJDLVQ XJUI B 7 NJOJBUVSF
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preamp
and
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endpin
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volume control. The entire system weighs MFTT UIBO POF 7
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battery and tucks away neatly inside the small instrument for a non-invasive Installed view
iMix preamp
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D UAL S OURC E ™
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5IF %VBM 4PVSDF 4ZTUFN JT B NJOJBUVSF JOUFSOBMMZ NPVOUFE NJDSPQIPOFQJDLVQ mixing system that seamlessly combines our patented Element undersaddle pickup XJUI B IJHI RVBMJUZ '&5 DPOEFOTFS NJDSPQIPOF 5IF VMUSBRVJFU QSFBNQ NPVOUT non-destructively inside of the instrument and features all-discrete audiophile DJSDVJUSZGPSPVSTJHOBUVSFRVBMJUZTPVOE5IFQSFBNQDPOUSPMTIBWFBNQMFGMFYJCJMJUZ to fine tune the response of your individual guitar.
FEATURES
been waiting for.
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F E AT U RE S
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microphone
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Installed view
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Dual Source mic
Dual Source preamp
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M A N D O L IN / VI O L I N RAD I U S M AND OL I N ™ 5IF3BEJVT.BOEPMJOQJDLVQJTBIJUFDIDPOUBDUTFOTPSUIBUJOTUBMMTJONJOVUFT*UJT a passive accelerometer-based pickup that emulates the sound of a mic without the instability associated with microphones. At the heart of the pickup is a highly flexible beam with a .004” thin film sensor, similar to mic diaphragm NBUFSJBM BUUBDIFE UP JUT TVSGBDF 5IF CFBN JT IFME JO FRVJMJCSJVN BOE EBNQFE CZ BOPUIFS -3 #BHHT JOOPWBUJPOPQQPTJOH /FPEZNJVN NBHOFUT5IF 3BEJVT. DBO CF NPVOUFE UP UIF PVUTJEF TVSGBDF PG UIF
CLASSICS LB6 S E R I E S The LB6, with its great presence and warmth, continues to be the pickup of choice GPS QSPGFTTJPOBM NVTJDJBOT MJLF +BNFT5BZMPS 7JODF (JMM BOE 1IJM ,FBHHZ 4JY JOEJWJEVBM vibration sensors are cast right into the pickup base and epoxy bonded to the micarta saddle to insure optimum sound transfer. And its built-in feedback canceling design makes it ideal for high-SPL performance situations. SPACING OPTIONS (E to E): -#w -#9w -#w
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X- BRIDGE Add versatility and acoustic sound to your electric guitar. This drop-in replacement tremolo bridge for Strat-style guitars has a miniature acoustic transducer in each saddle. SPACING OPTIONS (E to E): U.S. Standard: 2 1/16” , Vintage: 2 1/8” , Fixed Bridge: 2 1/16”
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T- B R I D G E 5IBU HSFBU #BHHT BDPVTUJD UPOF JT BMTP BWBJMBCMF JO B 5VOF0.BUJD TUZMF CSJEHF &BDI individual saddle contains its own miniature high-output acoustic pickup. Available in chrome, gold or black.
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FEATURES
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