Transcript
XENYX
Version 1.0
January 2006
ENGLISH
802
Specifications
XENYX 802
XENYX
Premium 8-Input 2-Bus Mixer with XENYX Mic Preamps and British EQs
802
s Premium ultra low-noise, high headroom analog mixer
s 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps s Neo-classic British 3-band EQs for warm and musical sound s 1 post fader FX send per channel for external FX devices s 1 stereo aux return for FX applications or as separate stereo input
s Main mix outputs plus separate control room, phones and stereo CD/tape outputs s CD/tape inputs assignable to main mix or control room/phones outputs s High-quality components and exceptionally rugged construction ensure long life s Conceived and designed by BEHRINGER Germany
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XENYX 802 SPECIFICATIONS Mono inputs Microphone inputs (XENYX Mic Preamp) Type XLR, electronically balanced, discrete input circuit Mic E.I.N. (20 Hz - 20 kHz) @ 0 W source resistance -134 dB / 135.7 dB A-weighted @ 50 W source resistance -131 dB / 133.3 dB A-weighted @ 150 W source resistance -129 dB / 130.5 dB A-weighted Frequency response
<10 Hz - 150 kHz (-1 dB), <10 Hz - 200 kHz (-3 dB)
Gain range Max. input level Impedance Signal-to-noise ratio
+10 to +60 dB +12 dBu @ +10 dB gain approx. 2.6 kW balanced 110 dB / 112 dB A-weighted (0 dBu In @ +22 dB gain)
Distortion (THD+N)
0.005% / 0.004% A-weighted
Line input Type
Gain range Max. input level
1/4" TRS connector electronically balanced approx. 20 kW balanced 10 kW unbalanced -10 to +40 dB +22 dBu @ 0 dB Gain
Fade-out attenuation 1 (Crosstalk attenuation) Main fader closed Channel muted Channel fader closed
90 dB 89.5 dB 89 dB
Impedance
Frequency response Microphone input to main out <10 Hz - 90 kHz <10 Hz - 160 kHz Stereo inputs Type
Main outputs Type Impedance Max. output level
1/4" TRS connector, unbalanced approx. 120 W unbal. +22 dBu
Control room outputs Type Impedance Max. output level
1/4" TS connector, unbal. approx. 120 W +22 dBu
Headphones output Type Max. output level
1/4" TRS connector, unbalanced +19 dBu / 150 W (+25 dBm)
Main mix system data 2 Noise Main mix @ -oo, Channel fader -oo Main mix @ 0 dB, Channel fader -oo Main Mix @ 0 dB, Channel fader @ 0 dB Power supply Power consumption Mains voltage USA/Canada U.K./Australia Europe Japan
-95 dB / -98 dB A-weighted -84 dB / -87 dB A-weighted
17 W 120 V~, 60 Hz, MXUL5 adapter 240 V~, 50 Hz, MXUK5 adapter 230 V~, 50 Hz, MXEU5 adapter 100 V~, 60 Hz, MXJP5 adapter
Dimensions Dimensions (H x W x D) Weight (net)
-106 dB / -109 dB A-weighted
1 5/6" / 1 1/2" (47 mm / 37 mm) x 7 2/5" (189 mm) x 8 2/3" (220 mm) approx. 1.00 kg (2.21 lbs)
Measuring conditions: +0 dB / -1 dB +0 dB / -3 dB
Impedance Max. input level
1/4" TRS connector, electronically balanced approx. 20 kW +22 dBu
EQ mono channels Low Mid High
80 Hz / ±15 dB 2.5 kHz / ±15 dB 12 kHz / ±15 dB
EQ stereo channels Low Mid High
80 Hz / ±15 dB 2.5 kHz / ±15 dB 12 kHz / ±15 dB
Aux send Type Impedance Max. output level
1/4" TS connector, unbalanced approx. 120 W +22 dBu
1:
1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.
2:
20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.
BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
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XENYX 802
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the trademark owners with BEHRINGER®. BEHRINGER® accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colours and specification may vary slightly from product. Products are sold through our authorised dealers only. Distributors and dealers are not agents of BEHRINGER® and have absolutely no authority to bind BEHRINGER® by any express or implied undertaking or representation. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a registered trademark. ALL RIGHTS RESERVED. © 2006 BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany. Tel. +49 2154 9206 0, Fax +49 2154 9206 4903
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Version 1.0
August 2005
ENGLISH
AUDIO FCA202 F-CONTROL
Technical Specifications
F-CONTROL AUDIO FCA202
F-CONTROL AUDIO
Ultra low-latency 2 In/2 Out 24-Bit/96 kHz FireWire® Audio Interface Ultra-flexible audio interface connects your instruments, mixer etc. with your computer for recording and playback
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High-resolution 24-bit/96 kHz converters for high-end audio quality
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Ultra low-latency drivers for Windows® XP and Mac OS® X included
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Stereo headphone output with dedicated level control
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Dual high-bandwidth FireWire® connectors for absolute flexibility
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Powered via FireWire® bus or included power adaptor for use with 4-pin FireWire® PCs
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Powerful DAW software included (Kristal, Audacity®)
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Power and FireWire® status LEDs on front panel
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Standard port for Kensington® security lock provided
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High-quality components and exceptionally rugged construction ensure long life
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Conceived and designed by BEHRINGER Germany
FCA202
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All Trademarks mentioned belong to their respective owners and are not affiliated with BEHRINGER®
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UNBAL IN Sockets Input impedance Max. input level
1/4" TS jacks, unbalanced ca. 24 kW 2 dBV
BAL / UNBAL OUT Sockets Output impedance Max. output level
1/4" TRS jacks, balanced ca. 1 kW 2 dBV
PHONES OUT Socket Output impedance Max. output level
1/4" TRS stereo jack ca. 50 W 4.5 dBu, 2x15 mW @ 32 W
FIREWIRE® 1+2 Socket
6-pin (IEEE1394)
LOCK Socket
Kensington® lock
DIGITAL PROCESSING Converter Sample rate
24-bit Multibit Delta-Sigma 44.1 kHz, 48.0 kHz, 96.0 kHz
SOFTWARE Drivers (Windows ®)
WDM KS, ASIO®, MME SPECIFICATIONS
ENGLISH
F-CONTROL AUDIO FCA202 SPECIFICATIONS
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F-CONTROL AUDIO FCA202 Driver (Mac OS® X) SYSTEM DATA Frequency response Harmonic distortion Crosstalk Signal to noise
CoreAudio® (integrated into OS® X) 10 Hz to 21 kHz, ± 1 dB @ 44.1 kHz sample rate 10 Hz to 45 kHz, ± 1 dB @ 96.0 kHz sample rate 0.01 % typ. @ -10 dBV, 1kHz -100 dB @ 0 dBV, 1 kHz 100 dB typ. @ 1 kHz, A-weighted
POWER SUPPLY FireWire® connection Mains connection Mains voltage USA/Canada U.K./Australia China Europe Japan Power consumption
120 V~, 60 240 V~, 50 220 V~, 50 230 V~, 50 100 V~, 50 < 10 W
DIMENSIONS/WEIGHT Dimensions (H x W x D) Weight
ca. 28 mm (1.10") x 155 mm (6.10") x 115 mm (4.53") ca. 0.4 kg
9-30 V , 200 mA max. External mains adapter, 12 V~, 200 mA Hz Hz Hz Hz - 60 Hz
BEHRINGER always takes great care to ensure the highest standard of quality. Any modifications which may be necessary will be made without prior notification. Technical data and appearance of the equipment can therefore differ from the details or illustrations shown.
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SPECIFICATIONS
FireWire® is a trademark of Apple Computer Inc. registered in the U.S. and other countries. Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the trademark owners with BEHRINGER®. BEHRINGER® accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colours and specification may vary slightly from product. Products are sold through our authorised dealers only. Distributors and dealers are not agents of BEHRINGER® and have absolutely no authority to bind BEHRINGER® by any express or implied undertaking or representation. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a registered trademark. ALL RIGHTS RESERVED. © 2005 BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany. Tel. +49 2154 9206 0, Fax +49 2154 9206 4903 5
ENGLISH
F-CONTROL AUDIO FCA202
Version 1.0 November 2003
ENGLISH
C-1 STUDIO CONDENSER MICROPHONE
User’s Manual
STUDIO CONDENSER MICROPHONE C-1
1. SAFETY PRECAUTIONS Detailed safety precautions: Please read all safety precautions and operating instructions before attempting to operate the unit. Keep all safety precautions and operating instructions for future reference. Water and moisture: Condenser microphones are extremely moisture-sensitive. Never use your microphone in close proximity to water (e.g. bath tubs, wash basins, sinks, washing machines, pools, etc.). Power supply: Always use the power supply specified in the operating instructions. Damage: Take care not to drop your microphone as this can lead to severe damage. BEHRINGER assumes no liability for any damage caused by the user. Service and care: After each use, wipe the microphone down with a soft cloth and place it back into its protective casing (included with the microphone). The small bag containing the moisture-absorbing crystals should remain in the casing to help keep your microphone dry. Caution: Never dismount the screen holding the capsule, as this can damage the microphone! Never try to modify the printed circuit board inside your C-1! This can lead to microphone damage that cannot be repaired. Any such attempt will void the warranty.
2. POWER SUPPLY Your condenser mic C-1 needs a phantom power supply (+36 to +52 V). If your C-1 is connected to a microphone preamp and supplied with phantom power, the LED on the microphone lights up. BEHRINGER assumes no liability for any damage caused by a defective phantom power supply. Always mute the sound reinforcement system before you switch on the phantom power supply.
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2. POWER SUPPLY
STUDIO CONDENSER MICROPHONE C-1
3. DIRECTIVITY Your C-1 features a capsule with a cardioid pickup pattern and is ideal for recording individual instruments, vocals and speech. Cardioid pickup pattern means that the sound produced by sources located in front of the mic is strongly picked up. It is often used in recording situations, since this directivity pattern tones down the pickup of sounds located to the back of the microphone.
4. MICROPHONE INSTALLATION There is an adapter on your microphone that lets you mount it on mic stands with either metric (Europe) or imperial-gauge threads (North America). First dismantle the microphone from the stand mount adapter by detaching the fine-thread shoulder screw at the bottom end of the microphone. Fasten the adapter onto the microphone stand, place the microphone into it and tighten the screw again. Basically, the microphone in the stand mount adapter should stand upright and face the sound source at a right angle. The angle of the microphone to the sound source influences the sound of the recording; therefore, experiment with different positions until you achieve the desired sound. To this end, you can rotate the mic in the stand mount adapter by loosening the screw somewhat and tightening it again. If necessary, you can bend the microphone out of its vertical position by using the hinge on the microphone stand.
Please make sure to handle the microphone shaft with attention and care to avoid damaging the screw thread. In no situation should you ever apply excessive force.
Of course, you can detach the C-1 from the stand mount adapter and attach it to a commercially available suspension mount.
5. AUDIO CONNECTION Use a balanced XLR microphone cable with the following pin assignment: pin 1 = shielding; pin 2 = +; pin 3 = -. Since your C-1 features gold-plated contact points throughout, we recommend that you use only microphone cables with gold-plated connectors.
5. AUDIO CONNECTION
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STUDIO CONDENSER MICROPHONE C-1
6. LEVEL SETTING/ADJUSTING THE BASIC SOUND Adjust the gain control in the microphone channel of your mixing console so that the peak LED lights up only occasionally or never at all. The EQ controls in the microphone channel should be set to mid-travel position to start with. To get the sound you want, try changing the mic position relative to the sound source or even move the microphone around in the recording room of your studio. Adjusting the angle at which walls face the sound source can also be helpful. Only when the desired basic sound has been achieved, should you start to use equalizers and signal processors, if any at all (remember: less is often more!) Due to the extremely linear frequency response and the high sonic resolution of your C-1, there is no need for high-frequency “EQing” that can heavily influence the signal and unnecessarily increase the noise level. The C-1 provides that much-desired transparency which often gets lost during recording and mixing.
7. WARRANTY
Please find our current warranty terms on our web site under http://www.behringer.com or send us a request by e-mail (
[email protected]), fax (+49 2154 9206 4199), or telephone (+49 2154 9206 4166).
8. SPECIFICATIONS Transducer type: Polar pattern: Connection:
condenser, 16 mm cardioid gold-plated balanced XLR connector Open circuit sensitivity: -33 ± 2 dBV (0 dBV = 1 V/Pa) Frequency response: 40 Hz - 20 kHz Max. SPL (1% THD @ 1 kHz): 136 dB Nominal impedance: 100 Ω Load impedance: >1 kΩ Supply voltage: +36 - 52 V Supply current: 2.5 mA Dimensions: ∅ shaft: 54 mm, length: 169 mm Weight: approx. 0.45 kg
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8. SPECIFICATIONS
STUDIO CONDENSER MICROPHONE C-1
Polar pattern
Frequency response
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated. Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the trademark owners with BEHRINGER®. BEHRINGER® accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications depicted may vary slightly from product. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a registered trademark. ALL RIGHTS RESERVED. © 2003 BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany Tel. +49 2154 9206 0, Fax +49 2154 9206 4903
8. SPECIFICATIONS
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HIGH-PERFORMANCE STUDIO HEADPHONES
HPS3000
Version 1.0 February 2003
ENGLISH DEUTSCH
Technical Specifications
HIGH-PERFORMANCE STUDIO HEADPHONES HPS3000
HIGH-PERFORMANCE STUDIO HEADPHONES HPS3000 s
Ultra-wide frequency response
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High-definition bass and super-transparent highs
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Ultra-wide dynamic range
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High-efficiency cobalt capsule
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Single-sided cord with oxygen-free copper wires
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Optimized oval-shaped ear cups
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Ultra-rugged headband construction
SPECIFICATIONS Capsule diameter
40 mm
Frequency response
20 Hz - 20 kHz
Max. power handling
100 mW
Impedance
64 Ohm
Sensitivity
110 dB @ 1 kHz
Cord length
2.0 m
Connector
¼" TRS stereo jack
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated. The information contained in this publication is subject to change without notice. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER is a registered trademark. ALL RIGHTS RESERVED. © 2003 BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany Tel. +49 (0) 21 54 / 92 06-0, Fax +49 (0) 21 54 / 92 06-30
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