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Calibration Factors And Time-and-Distance Guidelines For Use of Theatrical Haze Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Prepared for: CITC Everett, Washington Prepared by: ENVIRON International Corporation Westford, Massachusetts Date: September 2014 Project Number: 08-18338B Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Contents Page 1  Introduction 2  2  2.1  2.2  2.3  2.4  Testing Methodology Sampling Equipment and Materials Aerosol Monitor Calibration Procedure Laboratory Analysis Time-and-Distance Monitoring Procedure 4  4  4  5  5  3  3.1  3.2  3.3  Results and Discussion Aerosol Monitor Calibration Use of Calibration Factors Time-and-Distance Guidelines 7  7  7  9  4  References 12  List of Tables Table 1: Summary of Calibration Factors Table 2: Summary of Time-and-Distance Guidelines for Haze Generation – AquaMax with Organic Haze Fluid Table 3: Summary of Time-and-Distance Guidelines for Haze Generation – HazeMax with Water Vapor Haze Fluid List of Figures Figure 1: Configuration for calibration factor procedure, consisting of the tripod assemblies with sampling pumps, OVS tubes for sampling glycols, and aerosol monitors. Figure 2: Monitoring configuration consisting of tripod mounted aerosol monitors situated at various intervals from the haze machine. Figure 3: Calibration curve for Organic Haze Fluid in the AquaMax Figure 4: Calibration curve for Water Vapor Haze Fluid in the HazeMax List of Appendices Appendix A: Safety Data Sheets Appendix B: Machine-Specific Fog Testing Summaries 0818338B i ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment 1 AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Introduction In 1997-99, at the request of Actors’ Equity Association (AEA) and the League of American Theaters and Producers (LATP) and with the support of the Equity-League Pension and Health Trust Funds, investigators from the Mount Sinai School of Medicine (Mt. Sinai) and ENVIRON International Corporation (ENVIRON) conducted a study to evaluate whether the use of smoke, fog, haze, and pyrotechnics special effects in theatrical musical productions is associated with a negative health impact in actors. This effort was initiated in response to ongoing concerns by actors that the use of these theatrical effects may have an impact on their health. The results of this study were presented in the report Health Effects Evaluation of Theatrical Smoke, Haze, and Pyrotechnics (Mt. Sinai and ENVIRON 2000). The results of the Mt. Sinai/ENVIRON study indicate that there are certain health effects associated with actors exposed to elevated or peak levels of glycol smoke/fog and mineral oil. However, as long as peak exposures are avoided, actors’ health, vocal abilities, and careers should not be harmed. Pyrotechnics as used on Broadway at the time of the study did not have an observable effect on actors’ health. Mt. Sinai and ENVIRON recommended the following peak guidance levels with respect to glycols and mineral oil:  The use of glycols should be such that an actor’s exposure does not exceed 40 milligrams per cubic meter (mg/m3).  Mineral oil should be used in a manner such that an actor’s exposure does not exceed a peak concentration of 25 mg/m3.  For chronic exposures to mineral oil, the existing standards established for oil mists (5 mg/m3 as an eight-hour time-weighted average) should also be protective for actors in theatrical productions. Comparable guidance levels were developed for glycerol in a subsequent study (ENVIRON 2001b):  Glycerol should be used in a manner such that an actor’s exposure does not exceed a peak concentration of 50 mg/m3.  For chronic exposures to glycerol, the existing standards established for glycerin mists (10 mg/m3 as an eight-hour TWA) should also be protective for actors in theatrical productions. To ensure that peak smoke, fog, and haze levels are below these guidelines, one option available to productions is to conduct show-specific testing at their theatres using an aerosol monitor. In order to conduct this testing, calibration data must be developed for each equipment/fluid combination. These calibration data are necessary to convert the readings of the aerosol monitor to glycol, mineral oil, or glycerol concentrations. A compilation of calibration factors approved for use in evaluating compliance with the peak guidance levels is provided on the Actors Equity web site (http://www.actorsequity.org/library/library.asp?cat=33). 0818338B 2 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid ENVIRON was retained by CITC to develop calibration factors and time-and-distance guidelines for the following equipment-fluid combinations:  AquaMax with Organic Haze Fluid (glycerol)  HazeMax with Water Vapor Haze Fluid (glycerol) AquaMax 0818338B HazeMax 3 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment 2 2.1 AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Testing Methodology Sampling Equipment and Materials Monitoring of short-term concentrations was performed using portable real-time aerosol monitors (personal DataRAM Model PDR-1000) manufactured by Monitoring Instruments for the Environment, Inc. (MIE). The PDR-1000 is a high sensitivity (i.e., photometric) monitor that uses a light scattering sensing chamber to measure the concentration of airborne particulate matter (liquid or solid), providing a direct and continuous readout as well as electronic logging of the data. The PDR-1000 aerosol monitors as obtained are calibrated to Arizona road dust over a measurement range of 0.001 to 400 mg/m3. In order to be utilized to measure short-term glycerol concentrations, the monitors were first calibrated for the smoke or haze machines and fluids being used where possible. Calibration of the aerosol monitors was conducted by collecting simultaneous measurements with a series of sampling pumps and PDR-1000 aerosol monitors, mounted on tripods. Calibration results for the AquaMax with Organic Haze Fluid were not available at the time of time-and-distance testing, therefore a default value was used for sampling and the calibration factor was later applied to the results. Calibration factors for the HazeMax with Water Vapor Haze Fluid were modified from their original values after time-anddistance testing took place, therefore updated calibration factors were later applied to the results. For developing the calibration factors, Gilian BDX-II and Gilian GilAir 3 sampling pumps were used to draw air through collection media. The fluid tested was all glyercol based; therefore, air samples were collected on 37 mm 2-piece cassettes containing tared 5µm polyvinyl chloride (PVC) filters. The sampling method is based on NIOSH Method 0500.This calibration sampling was conducted in conjunction with operating the PDR-1000 aerosol monitor. The testing was performed at a rented laboratory space in Groton, Massachusetts and a warehouse space in Columbia, Tennessee. 2.2 Aerosol Monitor Calibration Procedure A series of tripod assemblies was used for calibrating the aerosol monitors, each consisting of a sampling pump, flexible tubing, sampling media (cassettes), and an aerosol monitor. The height of the tripod was approximately five feet, corresponding with the breathing zone of a typical actor. The room ventilation fans were turned off during each run; no major movement occurred in the testing room during each run that would affect haze dispersion. a. The sampling pumps were calibrated to 2 liters per minute (LPM) using a BIOS DryCal or BIOS Defender 510 pump calibrator. The aerosol monitor was zeroed, the data logging function of the aerosol monitor was turned on, and the data logging time for the aerosol monitors were synchronized. b. The haze machines were positioned on a table to allow a release of haze at a height of four to five feet. The tripods were placed at various distances from the smoke machine release nozzle to achieve a range of exposure concentrations. 0818338B 4 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid c. The sampling pumps were turned on, followed by the haze machines, allowing sustained fog generation to occur. After a period of approximately two and four minutes, the machines and pumps were simultaneously turned off. d. The cassettes were capped and labeled to identify the type of haze machine and glycerol fluid, sampling location, and other sampling specifics. e. Various fans were used between runs to clear residual aerosols from the testing area air by room ventilation. Figure 1. Configuration for calibration factor procedure, consisting of the tripod assemblies with sampling pumps, OVS tubes for sampling glycols, and aerosol monitors. The collection media and bulk fluid samples, along with appropriate field blanks, were submitted for analysis to Analytics Laboratory of Richmond, Virginia, an American Industrial Hygiene Association (AIHA) accredited laboratory. 2.3 Laboratory Analysis All sample analyses were conducted by using validated analytical methodologies, as described in the ENVIRON Air Sampling Protocol (ENVIRON 2001a). Samples were analyzed gravimetrically for glycerols using NIOSH Method 0500. A limit of quantification (LOQ) of 10 micrograms per sample was used. 2.4 Time-and-Distance Monitoring Procedure To measure the levels of glycerol present at different distances from the release point, a series of five tripods equipped with aerosol monitors positioned at a typical actor’s breathing level (approx. 4ft above ground) were used. Each haze machine was turned on for durations ranging 0818338B 5 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid from 5 to 120 seconds, allowing sustained haze generation to occur, and then turned off. The aerosol monitors collected logged data on the haze levels as the concentrations gradually dissipated. Figure 2. Monitoring configuration consisting of tripod mounted aerosol monitors situated at various intervals from the fog machine. 0818338B 6 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment 3 3.1 AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Results and Discussion Aerosol Monitor Calibration Total glycerol concentrations were calculated from the analytical data for the AquaMax with Organic Haze Fluid and the HazeMax with Water Vapor Haze Fluid. To develop a calibration curve for the glycerol fluid, the average aerosol monitor readings during the period of time in which air was drawn through the cassettes for each air sample were calculated and plotted against the total glycerol concentration data. The glycerol calibration curves for the two equipment-fluid combination tested are shown in Figures 3 and 4. First order regression curve is also shown on this figure. The calibration factors, calculated from the slope of the regression, are summarized in Table 1. Table 1: Summary of Calibration Factors Manufacturer Machine Fluid Fluid Type Calibration Factor CITC AquaMax Organic Haze Fluid Glycerol 1.36 CITC HazeMax Water Vapor Haze Fluid Glycerol 1.87 3.2 Use of Calibration Factors The real-time aerosol monitor readings can be converted to glycol concentrations using the appropriate calibration factor for the fluid, as follows: CONC  C  PDR where: CONC = air concentration of total glycerols, mg/m3 C = aerosol monitor calibration factor (mg/m3)/ (mg/m3 aerosol) PDR = aerosol monitor reading, mg/m3 aerosol For example, an uncalibrated reading of 100 mg/m3 on the aerosol monitor would correspond to a glycerol concentration of 136 mg/m3 for the AquaMax/Organic Haze Fluid combination. These calculated concentrations can then be compared with the peak guidance levels. The peak guidance level for glycerols of 50 mg/m3 would correspond to an uncalibrated aerosol monitor reading of 36.8 mg/m3 for the AquaMax/Organic Haze Fluid combination. 0818338B 7 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Aquamax/Organic Haze Fluid 450 Total Glycerol Concentration (mg/m3) (Laboratory Analyzed) 400 350 300 250 200 150 100 50 0 0 50 100 150 200 250 300 350 Average PDR Concentration (mg/m3) Figure 3. Calibration curve for Organic Haze Fluid in the AquaMax. Calibration factor, based on slope of curve, is 1.36 (mg/m3 glycerol)/ (mg/m3 aerosol). 0818338B 8 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Hazemax/Water Vapour Haze Fluid 700 Total Glycerol Concentration (mg/m3) (Laboratory Analyzed) 600 500 400 300 200 100 0 0 50 100 150 200 250 300 Average PDR Concentration (mg/m3) Figure 4. Calibration curve for Water Vapor Haze Fluid in the HazeMax. Calibration factor, based on slope of curve, is 1.87 (mg/m3 glycerol)/ (mg/m3 aerosol). 3.3 Time-and-Distance Guidelines ENVIRON developed Time-and-Distance Guidelines for two different fan speeds at settings ranging from 25% to 75%. According to the manufacturer, the 100% setting is only intended for purging. For various distances from the cue release point, Tables 2 and 3 provide the average time (in seconds) after the end of the cue release after which the glycerol concentrations will have fallen below the guidance levels. Thus, in order to prevent peak exposures to actors, the blocking and choreography should be arranged such that actors are not situated within a particular distance from the front of the fog release point until the amount of time listed in Tables 2 and 3 has elapsed following the end of the cue. For example, if a production is using the Aquamax with Organic Haze Fluid operating at 75% fog output and a fan setting of 3 with 10second cue duration, an actor should not be situated within five feet from the front of the cue release point until at least 10 seconds following the end of the cue release. 0818338B 9 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid It should be reiterated that the Time-and-Distance Guidelines provided in Tables 2 and 3 are intended to allow a production to use the AquaMax and HazeMax without conducting monitoring. However, these Guidelines may not be appropriate for all productions. Tables 2 and 3 are based on the AquaMax and HazeMax being positioned approximately three above the ground, and being operated to achieve 5 to 120 seconds of continuous fog generation. Productions may want to use different configurations for positioning the machine (e.g., different heights), provide on-stage ventilation, or generate fog for a shorter or longer period of time. In addition, many productions may have other stage-specific conditions (e.g., on-stage activities and props that enhance dispersion) that would allow actors to be present in areas that are restricted under these Guidelines but which, in fact, do not exceed the guidance levels. In those cases, production-specific monitoring would be recommended to determine whether peak exposure may occur. TABLE 2 Summary of Time-and-Distance Guidelines for Fog Generation AquaMax with Organic Haze Fluid Time (in sec) After Which Air Concentrations Are Below Guidance Release Duration Level (50 mg/m3) (secs) Machine Setting 5 ft 10 ft 15 ft 20 ft 25 ft 5 10 0 0 0 0 Fan 3 75% 10 10 0 0 0 0 Fan 3 75% 30 10 0 0 0 0 Fan 3 75% 60 10 0 0 0 0 Fan 3 75% 120 30 0 0 0 0 Fan 3 75% 0818338B 5 10 30 60 120 Fan 3 Fan 3 Fan 3 Fan 3 Fan 3 50% 50% 50% 50% 50% 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 30 60 120 Fan 3 Fan 3 Fan 3 Fan 3 Fan 3 25% 25% 25% 25% 25% 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 30 60 120 Fan 1 Fan 1 Fan 1 Fan 1 Fan 1 75% 75% 75% 75% 75% 0 0 0 10 25 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 30 60 120 Fan 1 Fan 1 Fan 1 Fan 1 Fan 1 50% 50% 50% 50% 50% 0 10 10 10 10 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 Fan 1 25% 0 0 0 0 0 10 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid TABLE 2 Summary of Time-and-Distance Guidelines for Fog Generation AquaMax with Organic Haze Fluid Time (in sec) After Which Air Concentrations Are Below Guidance Release Duration Level (50 mg/m3) (secs) Machine Setting 5 ft 10 ft 15 ft 20 ft 25 ft 10 0 0 0 0 0 Fan 1 25% 30 5 0 0 0 0 Fan 1 25% 60 5 0 0 0 0 Fan 1 25% 120 5 0 0 0 0 Fan 1 25% TABLE 3 Summary of Time-and-Distance Guidelines for Fog Generation HazeMax with Water Vapor Haze Fluid Time (in sec) After Which Air Concentrations Are Below Guidance Release Level (50 mg/m3) Duration (secs) Machine Setting 5 ft 10 ft 15 ft 20 ft 25 ft 5 30 0 0 0 0 75% 10 30 10 0 0 0 75% 30 60 50 30 0 0 75% 60 60 50 30 0 0 75% 120 70 50 30 0 0 75% 5 10 30 60 120 0818338B 50% 50% 50% 50% 50% 20 20 60 60 70 11 0 0 50 50 50 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment 4 AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid References ENVIRON International Corporation (ENVIRON). 2001a. Evaluation of short-term exposures to theatrical smoke and haze: Air sampling protocol. Prepared for Equity-League Pension and Health Trust Funds. May 14. ENVIRON International Corporation (ENVIRON). 2001b. Theatrical Haze and Fog Testing for Mamma Mia!, Winter Garden Theatre. Prepared for Mamma Mia! Broadway and Nina Lannan Associates. November 12. ENVIRON International Corporation (ENVIRON). 2002. Calibration Factors for Monitoring Theatrical Smoke and Haze. Prepared for Entertainment Services and Technology Association. November 11. Mount Sinai School of Medicine and ENVIRON International Corporation (Mt. Sinai and ENVIRON). 2000. Health effects evaluation of theatrical smoke, haze, and pyrotechnics. Prepared for Equity-League Pension and Health Trust Funds. June 6. 0818338B 12 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Appendix A: Safety Data Sheets 0818338B 13 ENVIRON Calibration Factors and Time-and-Distance Guidelines For Use of Theatrical Fog Equipment AquaMax with Organic Haze Fluid HazeMax with Water Vapor Haze Fluid Appendix B: Machine-Specific Fog Testing Summaries 0818338B 14 ENVIRON Theatrical Fog Testing       Calibration Factor and Time-and-Distance Guidelines CITC AquaMax with Organic Haze Fluid Prepared for CITC by ENVIRON International Corporation ENVIRON developed calibration factors and Timeand-Distance guidelines for the use of CITC Organic Haze fluid in a CITC AquaMax haze generator. Organic Haze is a glycerol-based fog fluid. Calibration factors were developed to allow a Thermo Scientific PDR-1000 aerosol monitor to be used to measure concentrations glycerols in the air after being released from the AquaMax. The measured concentrations should be compared against the peak exposure guidance level for glycerols, which is 50 mg/m3. The calibration curve for glycerols is shown below: Total Glycerol Concentration (mg/m3) (Laboratory Analyzed) Aquamax/Organic Haze Fluid 450 400 350 300 250 200 150 100 50 0 0 50 100 150 200 250 300 350 Average PDR Concentration (mg/m3) Figure 1. Calibration curve for CITC AquaMax with Organic Haze Fluid, based on glycerol laboratory data. Calibration factor, based on slope of curve, is 1.36 (mg/m3 glycerol) / (mg/m3 aerosol). Summary of Calibration Factor Manufacturer Machine Fluid Fluid Type Calibration Factor CITC AquaMax Organic Haze Fluid Glycerol 1.36 CITC   1 ENVIRON Theatrical Fog Testing       Time and Distance Guidelines. For various distances from the cue release point, the following table provides the average time (in seconds) after the end of the cue release after which the glycol concentrations will have fallen below the guidance levels. Thus, in order to prevent peak exposures to actors, the blocking and choreography should be arranged such that actors are not situated within a particular distance from the front of the fog release point until the amount of time listed in this table has elapsed following the end of the cue. For example, if a production is using the Aquamax with Organic Haze Fluid operating at 75% fog output and a fan setting of 3 with 10-second cue duration, an actor should not be situated within five feet from the front of the cue release point until at least 10 seconds following the end of the cue release. 3 Release Duration (secs) 5 Time (in sec) After Which Air Concentrations Are Below Guidance Level (50 mg/m ) Machine Setting 5 ft 10 ft 15 ft 20 ft 25 ft Fan 3 Fan 3 75% 75% 10 0 0 0 0 10 10 0 0 0 0 30 Fan 3 75% 10 0 0 0 0 0 0 0 0 60 Fan 3 75% 10 120 Fan 3 75% 30 0 0 0 0 50% 50% 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 Fan 3 Fan 3 30 Fan 3 50% 0 60 Fan 3 50% 0 0 0 0 120 Fan 3 50% 0 0 0 0 0 0 0 0 0 5 10 Fan 3 Fan 3 25% 25% 0 0 0 0 0 0 30 Fan 3 25% 0 0 0 0 0 60 Fan 3 25% 0 0 0 0 0 0 0 0 0 120 Fan 3 25% 0 5 Fan 1 75% 0 0 0 0 0 10 Fan 1 75% 0 0 0 0 0 0 0 0 0 30 Fan 1 75% 0 60 Fan 1 75% 10 0 0 0 0 120 Fan 1 75% 25 0 0 0 0 0 0 0 0 0 5 10 Fan 1 Fan 1 50% 50% 10 0 0 0 0 30 Fan 1 50% 10 0 0 0 0 60 Fan 1 50% 10 0 0 0 0 50% 10 0 0 0 0 25% 25% 0 0 0 0 10 Fan 1 Fan 1 0 0 0 0 0 0 30 Fan 1 25% 5 0 0 0 0 25% 5 0 0 0 0 25% 5 0 0 0 0 120 5 60 120 Fan 1 Fan 1 Fan 1 It should be reiterated that the Time-and-Distance Guidelines provided above are intended to allow a production to use the tested equipment and fluid combinations without conducting monitoring. However, these Guidelines may not be appropriate for all productions. Productions may want to use different configurations for positioning the machine (e.g., different heights), provide on-stage ventilation, or generate fog for a shorter or longer period of time. In addition, many productions may have other stagespecific conditions (e.g., on-stage activities and props that enhance dispersion) that would allow actors to be present in areas that are restricted under these Guidelines but which, in fact, do not exceed the guidance levels. In those cases, production-specific monitoring would be recommended to evaluate whether peak exposure may occur. CITC   2 ENVIRON Theatrical Fog Testing       Calibration Factor and Time-and-Distance Guidelines CITC HazeMax with Water Vapor Haze Fluid Prepared for CITC by ENVIRON International Corporation ENVIRON developed calibration factors and Timeand-Distance guidelines for the use of CITC Water Vapor Haze fluid in a CITC HazeMax haze generator. Water Vapor Haze is a glycerol-based fog fluid. Calibration factors were developed to allow a Thermo Scientific PDR-1000 aerosol monitor to be used to measure concentrations glycerols in the air after being released from the HazeMax. The measured concentrations should be compared against the peak exposure guidance level for glycerols, which is 50 mg/m3. The calibration curve for glycerols is shown below: Total Glycerol Concentration (mg/m3) (Laboratory Analyzed) Hazemax/Water Vapour Haze  Fluid 700 600 500 400 300 200 100 0 0 50 100 150 200 250 300 Average PDR Concentration (mg/m3) Figure 1. Calibration curve for CITC HazeMax with Water Vapor Haze Fluid, based on glycerol laboratory data. Calibration factor, based on slope of curve, is 1.87 (mg/m3 glycerol) / (mg/m3 aerosol). CITC   1 ENVIRON Theatrical Fog Testing       Summary of Calibration Factor Manufacturer Machine Fluid Fluid Type Calibration Factor CITC HazeMax Water Vapor Haze Fluid Glycerol 1.87 Time and Distance Guidelines. For various distances from the cue release point, the following table provides the average time (in seconds) after the end of the cue release after which the glycol concentrations will have fallen below the guidance levels. Thus, in order to prevent peak exposures to actors, the blocking and choreography should be arranged such that actors are not situated within a particular distance from the front of the fog release point until the amount of time listed in this table has elapsed following the end of the cue. For example, if a production is using the HazeMax/Water Vapor Haze combination at 75% output with 30-second cue duration, an actor should not be situated within five to 15 feet from the front of the cue release point until at least 30 seconds following the end of the cue release. Summary of Time-and-Distance Guidelines for Fog Generation HazeMax with Water Vapor Haze Fluid Time (in sec) After Which Air Concentrations Are Below Guidance Release Level (50 mg/m3) Duration (secs) Machine Setting 5 ft 10 ft 15 ft 20 ft 25 ft 5 30 0 0 0 0 75% 10 30 10 0 0 0 75% 30 60 50 30 0 0 75% 60 60 50 30 0 0 75% 120 70 50 30 0 0 75% 5 10 30 60 120 50% 50% 50% 50% 50% 20 20 60 60 70 0 0 50 50 50 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 It should be reiterated that the Time-and-Distance Guidelines provided above are intended to allow a production to use the tested equipment and fluid combinations without conducting monitoring. However, these Guidelines may not be appropriate for all productions. Productions may want to use different configurations for positioning the machine (e.g., different heights), provide on-stage ventilation, or generate fog for a shorter or longer period of time. In addition, many productions may have other stagespecific conditions (e.g., on-stage activities and props that enhance dispersion) that would allow actors to be present in areas that are restricted under these Guidelines but which, in fact, do not exceed the guidance levels. In those cases, production-specific monitoring would be recommended to evaluate whether peak exposure may occur. CITC   2 ENVIRON