D 55 Sd 44 S - Morrisons Public Address

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STAGE MICROPHONES Lead Vocals Live Sound Backing Vocals Instruments Morrison's Public Address [email protected] Phone: 0407442822 Perception live P3S P 5 /P 5 S • Rugged performance microphone designed for vocals • Rugged wire mesh cap with internal windscreen • Die-cast metal body • Complete with stand adapter and zip bag The P 3 S microphones are ideal for backing vocals, guitar, wind instruments and many other applications. Metal case and wire mesh grill for exceptional ruggedness. The P 5/P 5 S are dynamic handheld microphones for lead vocalists. The super cardioid polar pattern guarantees utmost gain before feedback and makes the voice cut through the mix more easily. Its heavy duty metal body will take some tough handling. This microphone is available with or without on/off switch. RRP: P 3 S $99 P5 $99 P 5 S $109 UNIT P3S P5/P5S • Impedance: 2,000 ohms 2,000 ohms • Polar pattern: cardioid supercardioid • Finish: Stage black Stage black • Frequency range: 40 to 20,000 Hz 40 to 20,000 Hz • Dimensions: 190 x 51 mm 190 x 51 mm • Sensitivity: 2.5 mV 2.5 mVv • Weight: 260 g 200 g • Max. SPL: 144 dB SPL 144 dB SPL • Standard accessories: Standard adapter, SA 45 Standard adapter, SA 45 ALSO AVAILABLE Vocals Karaoke D 44 S Vocals Karaoke D 55 S • Vocal/general-purpose microphone • Vocal/general-purpose microphone • On/off switch • Sturdy die-cast metal body • Rugged wire mesh cap with internal protective basket • On/off switch • 16 foot (5 m) cable w/mini jack and 1/4” adapter RRP: $69 • 16 foot (5 m) cable w/mini jack and 1/4” adapter RRP: $89 Stage Mics 3 STAGE MICROPHONES Vocals Recording Live sound D5 Vocals Recording Live Sound • Extremely rugged vocal/speech microphone D7 • Dynamic reference microphone • Hum compensation coil • Available with or without on/off switch • Patented AKG Laminated VarimotionTM diaphragm • Patented AKG Laminated Varimotion diaphragm • New acoustical design of inner windscreen • Spring steel wire-mesh grill for extreme ruggedness and reliable control of pops and wind noise • Precision metal dust filter • Innovative mic design based on professional user research • For smooth frequency response and maximum gain before feedback AKG`s new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage. The new Laminated VarimotionTM diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators. This leads to a quantum leap in audio performance under each surrounding conditions and sound volume. D 7 creates that subtle and opened sound in all frequency ranges condenser mics are famous for, but it also has the powerful resonance from a dynamic microphone. The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its frequency independent supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix. AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance. The integrated high-pass filter eliminates permanent all handling noises and the new acoustical designed inner windscreen makes you feel more secure in live use. The precision metal dust filter provides a consistent objection to the diaphragm. The dual shock mount eliminates any kind of mechanical noise for troublefree live use. The audience will hear nothing but the pristine sound of your voice! Available Versions D 5: for standard applications. D 5 S: with on/off switch. The original inner windscreen can be replaced with the extra windscreen supplied with the microphone, this offers a clear sound for a long time. Available versions: $199 $229 D 7: standard version D 7 S: version with on/off switch D 7 LTD: Glossy chrome finish $299 $349 $399 D 7/ D 7 S • Connector: • Polar pattern: supercardioid supercardioid • Bass cut filter: - 80 Hz, 6 dB/octave, always active • Frequency range: 70 to 20,000 Hz 70 to 20,000 Hz • Humbucking coil: - Integrated on capsule • Sensitivity: 2.6 mV/Pa (-52 dBV) 2.6 mV/Pa (-52 dBV) • Finish: matte grayish blue matte grayish blue • Max. SPL for 1%/3% THD: 147/156 dB SPL 147 / 156 dB SPL • Dimensions: L: 185.2mm D: 51mm L: 185.2mm; D: 51mm • Equivalent noise level (IEC 60268-4): 18 dB-A 18 dB-A • Net/shipping weight: 340g/ 655g 340g/ 655g • Impedance: ≤600 ohms ≤ 600 ohms • Standard accessories: Microphone bag, SA 51 Microphone bag, SA 61, replacement inner w/screen • Recommended load impedance: ≥2000 ohms ≥ 2000 ohms • UNIT D 5/ D 5 S ALSO AVAILABLE Beatboxing • Extremely rugged vocal/speech microphone Live applications • Patented AKG Laminated Varimotion diaphragm Lead vocals • Spring steel wire-mesh grill Sound/AV company • Optimized internal windscreen RRP: $229 4 Dynamic Vocal 3-pin XLR 3-pin XLR BBB D5 C5 Vocals Recording Live sound Recording Vocals Sound/AV company STAGE MICROPHONES C 535 EB Sound/AV company Drums • Condenser vocal microphone for onstage use • Classic vocal and instrument microphone • XLR connector module with 24-carat gold plated pins for optimized connectivity • Rugged metal body • 24-carat gold plated transducer case for optimum conductivity and resistance to corrosion and humidity • Perfect weight distribution ensures fatiguefree handling • Switchable bass cut/rolloff filter • Switchable preattenuation pad • Spring steel wire-mesh grill for extreme ruggedness incl. reliable control of pops and wind noise • Used by vocal legends such as Frank Sinatra and KD Lang • Internal elastic suspension • Innovative mic design based on professional user research RRP: $549 RRP: $279 This professional condenser vocal microphone will make your voice cut through the loudest mix – on any stage. Its cardioid polar pattern ensures m ­ aximum gain before feedback and has been optimized for use with in-ear monitor systems. The professional vocal/instrument microphone from AKG for stage and studio use, the C 535 EB provides the ultimate combination of excellent, highly detailed audio and exceptional ruggedness. Perfect weight distribution ensures fatigue-free handling – another asset for discriminating vocalists! Bass cut/rolloff filters and a switchable preattenuation pad let you match the frequency response and output level to the most diverse recording and onstage situations. The C 535 EB is one of the great, legendary microphones. The gold plated transducer case does not only give the microphone a ­sophisticated esthetic touch but also makes the transducer extremely resistant to corrosion and humidity. The result is superior audio performance. The design of the all new AKG C 5 reflects the latest results of AKG’s longstanding research with professional users optimizing handling and ease-of-use whilst providing outstanding premium audio performance. C 535 EB • Powering (IEC 61938): 9 to 52 V phantom power 9 to 52 V phantom power • Polar pattern: cardioid Cardioid • Current consumption: typ. 3 mA <2.5mA • Frequency range: 65 to 20,000 Hz 20 to 20,000 Hz • Connector: 3-pin XLR 3-pin XLR • Sensitivity: 4 mV/Pa (-48 dBV ) 7mV/Pa (-43dBV) • Finish: matte grayish blue matte black • Max. SPL for 1%/3% THD: 140/145 dB SPL 130/144 dB • Dimensions: L: 185.2mm; D: 51mm L: 184mm; D: 46mm • Equivalent noise level (IEC 60268-4): 25 dB-A 21 dB-A • Net/shipping weight: 345g / 660g 300g / 800g • Impedance: ≤200 ohms <200 ohms • Standard accessories: Microphone bag, SA 51, PB 1000 Microphone bag, SA 61 • Recommended load impedance: ≥2000 ohms >600 ohms • UNIT: C5 ALSO AVAILABLE Live sound • Extremely rugged instrument/vocal microphone Brass • Highly efficient windscreen Woodwinds • Frequency response optimized for intelligibility Drums • High performance Varimotion diaphragm (AKG patent) D 770 RRP: $149 Condenser/ Dynamic Vocal 5 STAGE MICROPHONES Live Sound Instruments Bass Instruments Perception live P2 • Dynamic microphone designed for low-pitched instruments • Powerful sound with extended bass range P 2 /P 4 • Handles highest sound pressure levels • Integrated stand adapter and (P 4) external bracket • Response tailored for neutral reproduction of instrument sounds • Rugged all-metal body withstands typical tough stage use • Humbucking coil rejects EMC noises RRP: P 2 $199 RRP: P 4 $149 P4 • Impedance: 2,000 ohms 2,000 ohms • Polar pattern: cardioid cardioid • Finish: Stage black Stage black • Frequency range: 20 to 16,000 Hz 60 to 18,000 Hz • Dimensions: 130 x 132 x 60 mm 110 x 79 x44 mm • Sensitivity:  2.3 mV 2.4 mV • Weight:  400/450 g 200/240 g • Max. SPL: 157 dB SPL 152 dB SPL • Standard accessories: black carrying case H 440, case • UNIT: Bass instruments Live sound Recording P2 D 112 Instruments Live sound RRP: $399 D 40 RRP: $199 • Large-diaphragm dynamic microphone for bass instruments • Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps • Extremely high SPL capability • Patented AKG Varimotion diaphragm technology • Classic microphone for stage and studio applications • Custom built capsule mounting • Spring steel wire-mesh cap • Rugged all-metal body withstands typical tough handling on stage The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc. Built-in windscreen, SA 60 stand adapter included. • UNIT D 112 The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use “with a smile”. The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease. An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps. D 40 • Polar pattern: cardioid cardioid • Recommended load impedance: ≥600 ohms ≥2,000 ohms • Frequency range: 20 to 17,000 Hz 75 to 20,000 Hz • Connector: 3-pin XLR 3-pin XLR 1.8 mV/Pa (-55 dBV) 4 mV/Pa (-48 dBV) • Finish: dark grey metallic enamel dark stage blue outside measurement range 144/156 dB SPL • Dimensions: length 104mm height (incl. stand adapter): 150 x 70 x 115mm • Sensitivity:  • Max. SPL for 0.5% THD: • Equivalent noise level (IEC 60268-4): 21 dB-A 18 dB-A • Signal/noise ratio (A-weighted): 73 dB - • Net/shipping weight:  380g/ 990g 245g/ 380g • Impedance: ≤210 ohms ≤200 ohms • Standard accessories: SA 60 H 440 6 Dynamic/Instrument 79mm max. dia.: 44mm STAGE MICROPHONES Live sound Sound/AV company C 516 ML Brass Drums Percussions C 518 C 519 Brass Drums Percussions Recording Woodwinds • Cardioid instrument microphone with miniature mounting bracket • Miniature cardioid condenser clamp-on microphone with shock mounted capsule • Miniature condenser clip-on microphone for wind instruments, drums, and percussions • High mechanical-noise attenuation • Ideal for miking drums and percussions • Miniature gooseneck for accurate microphone alignment • Including wireless direct adapter for easy use with AKG PT 40 and PT 450 • Including wireless direct adapter for easy use with AKG PT 40 and PT 450 • Including wireless direct adapter for easy use with AKG PT 40 and PT 450 • Detachable microphone cable • Detachable microphone cable • Detachable microphone cable • Ideal for miking up accordions and guitar, piano, keyboard, or organ amplifiers • Integrated gooseneck • Transducer shock mount for high mechanical-noise rejection • Continuously adjustable vise type clamp RRP: $299 Versions Versions C 518 M for external phantom powering C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering. $399 $299 C 519 M for external phantom powering C 519 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering. • Polar pattern: cardioid • Recommended load impedance: • Frequency range: 60 Hz to 20,000 Hz • Powering (IEC 61938): • Sensitivity: 5 mV/Pa (-46 dBV) • Max. SPL for 1%/3% THD: 130/132 dB SPL ≥2000 ohms 9 to 52 V phantom power or battery powering from B 29 L, or AKG bodypack transmitter • Current consumption: ≤ 2 mA • Equivalent noise level (IEC 60268-4): 31 dB-A • Connector: 3-pin mini XLR • Signal/noise ratio (A-weighted): 63 dB • Cable: 1.5 m (5 ft.) • Impedance: ≤200 ohms • Finish: matte black Cymbals and overhead Live sound C 430 Recording Strings Concert hall $399 $299 C 411 Sound/AV company Recording • Miniature condenser microphone for cymbal and overhead miking • Ultra-light vibration pickup • Phantom or battery powering options • Condenser transducer in sealed enclosure • Mounts securely on all commercial microphone stands • Cable with lockable mini XLR connector • Ideal for miking up acoustic guitars and other string instruments RRP: $299 C 430 C 411 / C 411 L cardioid figure-eight (vibration pickup) • Frequency range: 20 to 20,000 Hz 10 to 18,000 Hz • Sensitivity: 7 mV/Pa (-43 dBV) 2 mV/ms-2 (incl. MPA V L) • UNIT • Polar pattern: • Max. SPL for 1% /3% THD: 126/130 dB • Equivalent noise level • Powering: (IEC 61938) 9 to 52 V phantom power RRP: C 411 $249 C 411 L $189 ­9 to 52 V phantom power or battery powering from B 29 L or AKG bodypack transmitter • Current consumption: ≤2 mA ≤2 mA • Connector: 3-pin XLR 3-pin mini XLR 100 dB • Cable: - 1.5 m (5 ft.) - • Finish: matte black matte black • Dimensions: 19 dia. x 79 mm 27 x 14 x 9.5mm • Signal/noise ratio (A-weighted): 61 dB - • Net/shipping weight:  23g/ 192g 18g/ 150g • Impedance: ≤200 ohms unbalanced • Standard accessories: microphone bag, SA 60, W 32 adhesive compound, microphone bag (IEC 60268-4): 33 dB-A ≤200 ohms • Recommended load impedance: ≥2,000 ohms ≥1,000 ohms Condenser/Instrument 7 STAGE MICROPHONES GROOVE PACK Live/Tour Sound Package RRP: $599 RHYTHM PACK Live/Tour Sound Package RRP: $1,199 AKG’s Groove Pack is a start-up kit for drummers. AKG’s Rhythm Pack contains It contains 6 microphones from the new Perception live series: 1x D 112 1x P 2 bass microphone 2x C 430 for overheads 2x P 17* for overheads 3x D 40 for toms and snare 3x P 4 for toms and snare. all in a protective aluminium carrying case. This complete set comes in a protective aluminium carrying case. *P 17 is technically identical to P 170 and not available as a single unit. • • • • • • • • • • DRUMPACK (BIG) RRP: $2,499 Live/Tour Sound Package AKG‘s Drum Pack (Big) contains 1x D 112 2x C 1000 S 4x C 518 M all in a protective aluminium carrying case. 8 Drum Pack STAGE MICROPHONES C 555 L Head-worn microphone for lectern Handsfree use Aerobics C 520 Head-worn microphone Handsfree use Lead and backing vocals Speech • Head-worn microphone with continuously adjustable behind-the-neck headband • Head-worn microphone with continuously adjustable behind-the-neck headband • Moisture shield • External shock mount for high mechanical-noise rejection • Optimum audio and intelligibility even at high ambient noise levels • Miniature gooseneck for precise positioning near the user’s mouth • Microphone arm provides choice of left or right-hand use • Microphone arm provides choice of left or right-hand use RRP: $249 Versions C 520 for external phantom powering C 520 L for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering. $399 $349 C 520 / C 520 L • Current consumption: ≤ 2 mA • Polar pattern: cardioid cardioid • Connector: 3-pin mini XLR C 520: 3-pin male XLR; C 520 L: 3-pin • Frequency range: 80 to 20,000 Hz 60 to 20,000 Hz • Sensitivity: 35 mV/Pa (-29 dBV) 5 mV/Pa (-46 dBV) • Cable: 1.5 m (5 ft.) C 520: 3m; C 520 L: 1.5m • Max. SPL for 1%/3% THD: 126/130 dB SPL 130/132 dB SPL • Finish: matte black matte black • Equivalent noise level (IEC 60268-4): 22 dB-A 31 dB-A • Dimensions: length: 195mm; length: 195mm • Signal/noise ratio (A-weighted): 72 dB 63 dB • Impedance: ≤200 ohms ≤200 ohms • Net/shipping weight: • Recommended load impedance: ≥2000 ohms ≥2000 ohms • Standard accessories: • Powering (IEC 61938): 9 to 52 V phantom power or battery powering from B 29 L, or AKG bodypack • UNIT C 555 L ≤2 mA mini XLR max. diameter: 134mm 26g/ 260g - C 520: 26g/ 380g/ C 520 L: 26g/ 260g W 44 transmitter Theater, Lectern Recording Broadcast HC 577 L Speech Head-worn microphone Sports/Aerobics • Head-worn microphone with continuously adjustable behind-theneck headband and microphone arm • Ergonomically optimized behind-the-neck headband • Excellent comfort • Moisture shield • Insensitive to moisture, perspiration, and salts • External shock mount for high mechanical-noise rejection • Dual-diaphragm transducer for cable noise suppression C 544 L • Shock mounted mic to suppress cable and mechanical noise • Compatible with all standard wireless systems • Special moisture shield makes it difficult for moisture and makeup to penetrate into the microphone • Microphone arm provides choice of left or right-hand use RRP: $999 RRP: $249 C 544 L • Powering (IEC 61938): 1.5 to 12 V 9 to 52 V phantom power • Polar pattern: omnidirectional Cardioid • Current consumption: ≤0.6 mA <2 mA • Frequency range: 20 Hz to 20 kHz 20 to 20,000 Hz • Connector: 3-pin mini XLR 3-pin mini XLR • Sensitivity: 8 mV/Pa (-42 dBV) 40mV/Pa (-28dBV) • Cable: 1.5 m (5 ft.) - • Max. SPL for 1% THD: 133 dB 126/130 dB • Finish: flesh tone matte black • Equivalent noise level (IEC 60268-4): 26 dB-A 22 dB-A • Dimensions: 205 mm (8.1 in.), max. diameter: 145 mm (5.7 in.) D: 130mm • Signal/noise ratio (A-weighted): 68 dB - • Net/shipping weight: 28 g (0.99 oz.) / 150 g (5,3 oz.) 30g / 200g • Impedance: ≤3.5 kohms <200 ohms • Standard accessories: PB 77, W 77 B, moisture shield Moisture shield, W 444 • Recommended load impedance: ≥10 kohms >2000 ohms • UNIT: HC 577 L Headworn Mics 9 STAGE MICROPHONES CK 99 L Houses of worship Lectern Tour guide C 417 Clip-on microphone for lectern (handsfree use) TV, motion picture, video production Houses of worship • Extremely light, inconspicuous lavalier microphone • Excellent audio quality across the full bandwith • Inconspicuous clip-on ­microphone RRP: C 417 C 417 L • Natural, airy sound • High ambient noise rejection $249 $199 RRP: $149 • UNIT: CK 99 L C 417 / C 417 L • Polar pattern: cardioid omnidirectional • Frequency range: 15 to 18,000 Hz 20 to 20,000 Hz • Current consumption: ≤2 mA ≤2mA • Sensitivity: 8.8 mV/Pa (-41 dBV) 17 mV/Pa (-35 dBV) • Connector: 3-pin mini XLR C 417 PP: 3-pin XLR, C 417 L: 3-pin mini XLR • Max. SPL for 1%/3% THD: 118 dB 118/126 dB • Cable: 1.6 m (5 ft. 4 in.) C 417 PP: 3 m (10 ft.), C 417 L: 1.5 m (5 ft.) • Equivalent noise level (IEC 60268-4): 34 dB-A 34 dB-A • Finish: matte black matte black • Signal/noise ratio (A-weighted): 60 dB 60 dB • Dimensions: dia.: 8 x 23 mm 7.5 dia. x 15 mm • Impedance: ≤200 ohms ≤200 ohms • Net/shipping weight: 2.5/115 g C 417 PP: 68/220 g C 417 L: 8/160 g • Recommended load impedance: ≥2,000 ohms ≥1,000 ohms • Standard accessories: Clip, W 55 H 40/1, H 41, microphone bag, W 407 1.5 to 10 VDC or 9 to 52 V • Powering (IEC 61938): 9 to 52 V phantom power or battery powering phantom power using MPA V L from B 29 L or AKG bodypack transmitter CK 77 WR Clip-on microphone for lectern (handsfree use) Houses of worship Recording Theater, onstage miking • Excellent tool for recording and broadcast applications • Resistant to moisture, perspiration, and salts • Dual-diaphragm transducer for suppression of cable noise • Superior sound, compatible to all popular wireless transmitters Extremely small omnidirectional lavalier microphone. The patented dualdiaphragm capsule has been designed specifically to protect the transducer from moisture and perspiration. The capsule uses two vertical diaphragms mounted back to back and connected out of phase to cancel out mechanical and cable noise, etc. Available versions: C 577 WR black, with phantom adapter CK 77 WR L black, with mini-XLR connector CK 77 WR L/P flesh-tone, with mini-XLR connector RRP: $699 RRP: $599 RRP: $599 • Polar pattern: omnidirectional • Frequency range: 20 to 20,000 Hz • Powering (IEC 61938): CK 77 WR: 1.5 to 12 V; C 577 WR: 9 to 52 V to DIN/IEC • Sensitivity: 8 mV/Pa –42 dBV) • Current consumption: ≤0,6 mA • Max. SPL for 1% THD: 133 dB SPL • Connector: CK 77 WR: 3 -pin mini XLR “L”, C 577 WR: 3-pin • Equivalent noise level (IEC 60268-4): 26 dB-A XLR • Signal/noise ratio (A-weighted): 68 dB • Cable: • Impedance: CK 77 WR (C 577 WR) (≤3,500 (≤400) ohms) • Finish: various matte colors • Recommended load impedance: CK 77 WR (C 577 WR) (≥10,000 (≥2.000) ohms) • Dimensions: 5.5 dia. x 14 mm (0.2 dia. x 0.55 in.) 10 Lapel Mics 1.5 m (5 ft.) The Perception Series RECORDING MICS First-rate audio for everyone from up-and-coming musicians to ­seasoned pros Studio recording Broadcast Live sound • Professional condenser microphones • Solid, roadworthy construction • Designed and engineered in Vienna, Austria • Outstanding price-performance ratio AKG’s PERCEPTION microphones have built a strong following among ­musicians and ­engineers, proving to be among the best high-value true c­ ondenser microphones on the market today. Building on this reputation, AKG created four PERCEPTION models providing superb audio quality and performance at a competitive price. The AKG Perception Series includes the Perception 120, Perception 170, Perception 220, Perception 420 and also the new Perception 820 Tube – each ­offering a switchable 20 dB attenuation pad and a low cut switch for an even wider range of miking capabilities including vocals, acoustic ­instruments, classical music, electric guitar amps and drums across multiple ­ market applications of studio recording, live sound and broadcast. The Perception line offers AKG’s signature “up-front” sound quality captured in a rugged ­precision-tooled zinc/aluminum alloy body with a dent-resistant stainless steel grille screens. The Perception 820 Tube delivers real tube sound quality. It is not only the flagship model of the Perception Series but also raises the bar in its class of affordable tube microphones. The entire PERCEPTION line has been designed and engineered by AKG in Vienna, Austria. The microphones are manufactured in China under strict quality ­control by AKG. The result is unique, innovative Austrian technology and exceptional build quality at a uniquely ­reasonable price. 11 RECORDING MICS Vocals Instruments Perception 120 Perception 120USB Home recording Podcasting • Plug-and-Play (no installation, no drivers, no reboot required) • General-purpose cardioid recording microphone • Support Windows 7, Windows XP, Windows Vista and Mac OS • Extended frequency response • Convincing sound quality and low noise • Roadworthy construction • Integrated high-quality Analogue-to-Digital Converter (24bit, 128x oversampling) • Switchable 20 dB preattenuation pad • Two-third-inch condenser capsule with a low-mass diaphragm delivers sonic details • Switchable bass cut filter • Designed and engineered by AKG in Vienna, Austria • Switchable bass-cut filter reduces mechanical vibration and wind noise • Switchable attenuation pad for close-up miking and loud instruments • Blue LEDs indicate operation • Integrated pop filter avoids plosives effectively • Tripod table stand, swivel mount and USB cable included • • • Designed and engineered in Vienna, Austria RRP: $169 RRP: $249 • • • • Capsule: 2/3” Diaphragm True Condenser • Capsule: 2/3” Diaphragm True Condenser • • Polar pattern: cardioid • Polar pattern: cardioid • • Frequency range: 20 to 20,000 Hz • Frequency range: 20 to 20,000 Hz • • Sensitivity: 22 mV/Pa (-33 dBV) • Preattenuation pad: 0 dB, -20 dB • • Max. SPL for 0.5% THD: 130/150 dB (0/-20 dB) • Bass cut filter: 6 dB/octave at 120 Hz • • Equivalent noise level (IEC 60268-4): 22 dB-A • USB Support: USB 1.1, USB 2.0 • Signal/noise ratio (A-weighted): 72 dB • Sampling Rates: 44.1 and 48 kHz • Preattenuation pad: 0 dB, -20 dB • Analog-to-Digital-Convertor: Built-in high-quality 24-bit ADC • Bass cut filter: 12 dB/octave at 300 Hz • Oversampling: 128x • Impedance: <200 ohms • Supported operating systems: Windows XP, Vista, 7, Mac OS • Recommended load impedance: ≥1,000 ohms • Powering: Provided by USB connection • Powering (IEC 61938): 48 V phantom power • Connector:  Mini-USB • Current consumption: <3 mA • Finish:  Matte grayish blue • Connector:  3-pin XLR • Dimensions:  53 dia. x 165 mm (2.1 dia. x 6.5 in.) • Finish:  metallic blue • Dimensions:  53 dia. x 165 mm (2.1 dia. x 6.5 in.) • Net/Shipping weight:  525 g (18.5 oz.)/955 g (33.7 oz.) • Standard accessories:  stand adapter • Net/Shipping weight:  460 g (18.5 oz.)/1050 g (37.0 oz.) • Standard accessories:  Tripod table stand, swivel mount and USB cable included Perception 170 Drums and percussions Acoustic instruments Ensemble recording • Capsule: 0.5 inch diaphragm, externally polarized condenser A/B and X/Y stereo miking • Polar pattern: cardioid Perfect for live and studio use • Frequency range: 20 to 20,000 Hz • Sensitivity: 12 mV/Pa (-38 dBV) • Max. SPL for 0.5% THD: 135 / 155 dB SPL (0 / -20 dB) • Professional small-diaphragm, true condenser cardioid microphone • Equivalent noise level (IEC 60268-4): < 21 dB-A • Signal/noise ratio (A-weighted) 73 dB • Switchable 20 dB preattenuation pad • Preattenuation pad: 0 dB, -20 dB • Impedance: ≤200 ohms • Heavy-duty, roadworthy, all-metal construction • AKG sound quality • Designed and engineered by AKG in Vienna, Austria RRP: $169 12 Perception Series • Recommended load impedance: ≥1,000 ohms • Powering (IEC 61938): 48 V phantom power • Current consumption: ≤2 mA • Connector: 3-pin XLR-type (pin #2 hot) • Finish: metallic blue • Dimensions: 22 dia. X 160 mm/0.09 x 6.3 in. • Net/Shipping weight: 130 g (4.6 oz.)/455 g (16 oz.) • Standard accessories: stand adapter Vocals Drums and percussions Perception 220 Orchestra and Ensemble recording A/B, X/Y, and M/S stereo recording Acoustic instruments Ambience recording Guitar and bass amps Grand piano, woodwinds, brass RECORDING MICS Perception 420 Percussions • One-inch large-diaphragm, true condenser ­cardioid transducer • Back-to-back multi-pattern transducer • True condenser technology • Rugged all-metal body • High sensitivity and 155 dB maximum SPL capability • Roadworthy construction • Switchable 20 dB preattenuation pad • Switchable 20 dB preattenuation pad • Switchable bass cut filter • Switchable bass cut filter • Legendary AKG sound quality • Legendary, pristine AKG sound quality • Designed and engineered by AKG in Vienna, Austria • Complete with spider-type shock mount and aluminum carrying case RRP: $299 RRP: $399 Perception 420 • UNIT Perception 220 • Capsule: Dual-capsule,1-inch large-diaphragm, true 1” Large Diaphragm • UNIT Perception 220 / Perception 420 • Impedance: <200 ohms True Condenser condenser pressure-gradient microphone • Recommended load impedance: ≥1,000 ohms • Polar pattern: cardioid Cardioid, omnidirectional, figure-eight • Powering (IEC 61938): 48 V phantom power • Frequency range: 20 to 20,000 Hz 20 to 20,000 Hz • Current consumption: <2 mA • Sensitivity: 18 mV/Pa (-35 dBV) 28 mV/Pa (-31 dBV) • Connector: 3-pin XLR • Max. SPL for 0.5% THD: 135 dB/155 dB (0/-20 dB) 135/155 dB SPL (0/-20 dB) • Finish: metallic blue/nickel grille • Equivalent noise level (IEC 60268-4): 16 dB-A 16 dB-A • Dimensions: 53 dia. x 160mm, Perception 420: 53 dia. x 160mm • Signal/noise ratio (A-weighted): 78 dB 78 dB • Net/Shipping weight: 525g/ 1,970g • Preattenuation pad: 0 dB, -20 dB 0 dB, -20 dB • Standard accessories: metal case, spider suspension • Bass cut filter: 12 dB/octave at 300 Hz 12 dB/octave, 300 Hz Professional studio recording Lead vocals Lead instruments Guitar and bass amps Brass • An ECC 83 dual-triode tube circuitry emphasizes even-order harmonics for rich, smooth and three-dimensional sound • T he elegant remote control unit allows selection of 9 different pickup patterns from omnidirectional to cardioid to figure 8 Perception 8 20 Tube • The switchable bass cut filter (80 Hz, 12 dB/ oct) reduces unwanted rumble or footfall noise • A 20 dB allenuation pad enables for high SPL applications up to 155 dB • A ground lift switch prevents unwanted hum if necessary • Designed and engineered in Vienna, Austria RRP: $999 r • Type 1-inch dual-diaphragm, true condenser pressuregradient • Polar pattern: omnidirectional, cardioid, figure eight plus six intermediate patterns (selectable on Remote Control Unit) • Dimensions: 53 dia. x 212 mm high (2 x 8.3 in.) • Net/shipping weight: 870 g/5.4 kg / 1.9/11.9 lbs. • Remote Control Unit: Audio/control input: • Frequency range: 20 to 20,000 Hz • Sensitivity: 20 mV/Pa (-34 dBV ±3 dB) Audio output: standard 3-pin male XLR connector, • Max. SPL for 0.5 % THD: 135/155 dB SPL (0/-20 dB) balanced, pin 2 hot dedicated 7-pin female XLR connector • Equivalent noise level (IEC 60268-4): Polar pattern selector: 9-position detented rotary switch 16 dB-A Bass cut filter switch: 2-position toggle switch • Signal/noise ratio (A-weighted): 78 dB Preattenuation switch: 2-position toggle switch • Preattenuation pad: -20 dB (switchable on Remote Control Unit) Power voltage: 210-240 VAC or 110-120 VAC, selectable • Bass cut filter: 12 dB/Oktave, 80 Hz (switchable on Remote Control Unit) • Impedance: ≤200 ohms Primary fuse: 125 mA / 250 V slow-blow • Standard accessories: Sound Tool Case, Mic/power cord EU/UK/US, • Optional accessories: PF 80, ST 305 • Recommended load impedance: ≥1.000 ohms • Current consumption: via Remote Control Unit • Connector: dedicated 7-pin male XLR • Finish: Metallic Blue spider suspension Perception Series 13 RECORDING MICS Recording Percussions C 451 B C 214 Professional studio recording Lead vocals Lectern Lead instruments Drums Ensemble recording Professional stage miking • Identical acoustics to the legendary C 451 EB + CK1 • AKG’s legendary 1” edge-terminated large diaphragm sound • Accurate, ruler-flat on-axis response with life-like transient response • Outstanding dynamic range (up to 156 dB SPL, ultra-low noise) • Transformerless output circuit delivers wide dynamic range and loss-free low-end response • Roadworthy design • Integrated suspension to reduce mechanical noise • Switchable 20 dB attenuation pad and low cut switch • Separate 3-position pre-attenuation pad and bass roll-off switch • Rugged double mesh grill for high RF immunity but unaffected acoustics • Also available as factory-matched stereo pairs complete with accessories and metal “Sound Tools Case” • All-metal die-cast body with shock- and scratchresistant finish • Spider-type shock mount H 85 included • Metal carrying case included • Designed, engineered and built in Vienna, Austria RRP: C 451 B C 451 BST $799 $1,499 RRP: C 214 C 214 ST Responding to growing demand, AKG has recreated the sonic performance of the legendary C 451 EB + CK 1 combination in a modern new microphone. The new C 451 B has dramatically improved specifications and reliability. The new non-modular microphone has an extremely light diaphragm for insensitivity to handling noise, and still retains the incredible transient response of the original. The nickel-plated, all-metal chassis is attractive and provides excellent protection from RF interference and the rigors of handling. The C 451 B transformerless output section ensures it is an excellent tool for capturing transient-rich signals such as drums, percussion and acoustic guitar. $699 $1,399 AKG’s industry-leading C 414 microphones are already a permanent fixture in the world’s biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented BackPlate Technology which results in an outstanding performance close to the famous C 414 B-XLS. Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as loud brass instruments and guitar amps, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch—all in an elegant but rugged package. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The ­circuitry in the C 214 provides maximum SPL capability with minimum noise and the goldplated XLR-type output connector offers loss-free signals. The C 214 comes complete with a robust metal carrying case, windscreen, and spider-type suspension mount included. Available also as a computer matched stereo pair. Available also as a computer matched stereo pair. C 451 B C 214 • Recommended load impedance: ≥1,000 ohms ≥1,000 ohm cardioid cardioid • Powering (IEC 61938): 9 to 52 V phantom power 12 to 52 V 20 to 20,000 Hz 20 to 20,000 Hz • Current consumption: ≤2 mA ≤2 mA 9 mV/Pa (-41 dBV) 20 mV/Pa • Dynamic Range: - 123/143 dB (0/-20 dB) (A-weighted) 135/145/155 dB (0/-10/-20 dB) 136 / 156 dB SPL • Connector: 3-pin XLR 3-pin XLR • Finish: satin nickel plated matte grayish blue 18 dB-A 13 dB-A • Dimensions: 19 dia. x 160 mm 160 x 56 mm (6.3 x 2.2 in.) • Signal/noise ratio (A-weighted): 76 dB 81 dB • Net/shipping weight: 125 g /760 g 280 g (9.9 oz.) / 1450 g (3.2 lbs.) • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable 0/-20 dB, switchable • Standard accessories: H 85 Shock Mount, W 214 Windscreen, SA 60, Sound Tool Case, • Bass cut filter: 160 Hz, 6 dB/Octave, flat, 12 dB/octave at 75 or 150Hz, • UNIT • Polar pattern: • Frequency range: • Sensitivity: • Max. SPL for 0.5% THD: • Equivalent noise level (IEC 60268-4): selectable switchable • Impedance: ≤200 ohms 14 ≤200 ohms Pro Studio • Optional accessories: W 90 Metal Carrying Case H 85, Sound Tool Case, W 214 B 18, H 30, H 50, H 85, H 300, PF 80, ST 305, W 32 B 18 PF 80, SA 61, ST 305 C 414 XLS Professional Studio Recording Choir Miking Professional Stage Miking RECORDING MICS C 414 XL II Lead Vocals Lead Instruments Choir Miking Drum Overhead Miking Drum Overhead Miking Classic Music Recording Classic Music Recording • AKG C 414 – A legend since 1971 • AKG C 414 – A legend since 1971 • Nine selectable pickup patterns enable to choose the perfect setting for every application • Nine selectable pickup patterns enable to choose the perfect setting for every application • Lock Mode: all controls can be disabled easily for trouble-free use • Lock Mode: all controls can be disabled easily for trouble-free use • Peak Hold LED even detects shortest overload peaks • Peak Hold LED even detects shortest overload peaks • Incredible Dynamic Range of 152 dB • Incredible Dynamic Range of 152 dB • Three switchable different bass cut filters and three pre-attenuation levels • Three switchable different bass cut filters and three pre-attenuation levels • Leading-edge technology and stateof-the-art components ensure shortest signal path and extra protection against moisture • Leading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture • Designed, engineered and built in Vienna, Austria • Designed, engineered and built in Vienna, Austria Stereo Set – selected with AKG’s sophisticated matching method. RRP: C 414 XLS $1,499 C 414 XLSST $3,299 For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers. The new models C 414 XLS and C 414 XL II offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks. The C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model. Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components. Stereo Set – selected with AKG’s sophisticated matching method. RRP: C 414 XL II $1,499 C 414 XL II ST $3,299 The C 414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also wellknown for distant miking applications like classic music recording or drum ambience miking. The XL II version differs from the XLS version in one major respect – the capsule. Both, the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones. The new models C 414 XLS and C 414 XL II offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks. The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount. • UNIT C 414 XLS / C 414 XL II • Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz • Polar pattern: omnidirectional, wide cardioid, cardioid, hypercardioid, • Electrical impedance: ≤200 ohms figure eight and 4 intermediate Settings • Recommended load impedance: ≥2,200 ohms • Frequency range: 20 to 20,000 Hz (see frequency response traces) • Powering (IEC 61938): 48 V phantom powe • Sensitivity: 23 mV/Pa (-33 dBV) ± 0.5 dB • Current consumption: approximately 4.5 mA • Max. SPL for 0.5% THD: 200/400/800/1600 Pa = 140/146/152/158 dB • Connector: 3-pin XLR to IEC (0/-6/-12/-18 dB) • Finish: dark grey/silver (C 414 XLS) /gold (C 414 XL II) • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) • Equivalent noise level (IEC 60268-4): • Net weight: 300 g (10.6 oz.) • Signal/noise ratio (A-weighted): 88 dB • Standard accessories: H 85, PF 80, Soundtool Case, W 414 • Preattenuation pad: • Optional accessories: H 50, ST 305 6 dB-A (0 dB preattenuation) -6 dB, -12 dB, -18 dB, switchable Pro Studio 15 RECORDING MICS Recording Live sound TV, motion picture, video production C 1000 S C 3000 Guitar and bass amps Lead instruments Lead vocals Professional stage miking ENG/EFP (Outdoor) Professional studio recording • Known as “the Swiss Army mic” for its incredible flexibility • Diaphragm with patented Edge-Terminated BackPlate Technology • Battery status LED for accurate monitoring of battery life • Proven performance for more than 15 years for both studio and stage • Can be powered by internal 9-V battery or by phantom power • Switchable attenuation pad enables for high SPL up to 150 dB • Switchable low cut filter (500 Hz, 6 dB/octave) eliminates proximity effect • Included PPC 1000 allows the microphone to be switched from cardioid to hypercardioid pickup • Comes complete with H 85 spider-type shock mount and metal carrying case • Included PB 1000 presence boost adapter adds high-end brilliance to sound • Comes in metal “sound tools” carrying case RRP: $299 RRP: $449 The versatility of the C 1000 S makes it extremely popular and it’s ideally suited for all kinds of recording and live sound applications. If phantom power isn’t available, this mic can be powered by a standard 9 V battery, making it perfect for ENG or location recording. With its new battery monitoring electronics, the C 1000 S now features an LED warning light that warns when battery life falls below 45 minutes. The pickup pattern can be quickly switched from cardioid to hypercardioid simply by attaching the PPC 1000 polar pattern converter provided to the microphone capsule. The PB 1000 Presence Boost Adapter supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving speech clarity and adding definition to instrument sounds. Since its introduction in 1993 our C 3000 has become a standard for a wide range of both studio and onstage applications. The new redesigned C 3000 is a cost-effective and aesthetically pleasing product update which maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKG’s new Corporate Design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a musthave. The new C 3000 features a cardioid pickup pattern, a 20 Hz to 20 kHz frequency response, low noise electronics, high SPL capability and an internal shock mount, which drastically reduces handling noise from mic stands or cables. The switchable 10 dB preattenuation pad increases the SPL capability by 10 dB and accommodates loud instruments like brass instruments or guitar amplifiers with ease. The switchable firstorder 500 Hz low frequency filter eliminates the proximity effect for close-miking. • UNIT C 1000 S • Polar pattern: cardioid, hypercardioid cardioid • Recommended load impedance: ≥2,000 ohms (with PPC 1000 mounted) • Powering (IEC 61938): C 3000 • Impedance: ≤200 ohms ≤200 ohms ≥1,000 ohms 9 to 52 V phantom power 9 to 52 V phantom power • Frequency range: 50 to 20,000 Hz 20 to 20,000 Hz • Sensitivity: 6 mV/Pa (-44 dBV) 25 mV/Pa (-32 dBV) • Current consumption: approx. 2 mA ≤2 mA 137 dB 140/150 dB • Connector: 3-pin XLR 3-pin XLR • Finish: matte silver enamel matte grayish blue 21 dB-A 14 dB-A • Dimensions: 34 dia. x 220 mm 19 dia. x 160 mm : max. 53 mm , length: 162 mm • Signal/noise ratio (A-weighted): 73 dB 80 dB • Net/shipping weight: 320 g/ 650g 320 g (11.3 oz.)/950 g (2.1 lbs.) • Preattenuation pad: - 10 dB, switchable • Standard accessories: Sound Tool Case, H 85 PB 1000, PPC 1000, SA 63, - 6 dB/octave below 500 Hz • Max. SPL for 1% THD: • Equivalent noise level (IEC 60268-4): • Bass cut filter: 16 Pro Studio or internal 9 V battery Sound Tool Case, W 1000 WIRELESS SYSTEMS PERCEPTION WIRELESS • 8 hours operation on a single AA battery (10 hours rechargeable) • Selection of 8 channels, 30MHz bandwidth VOCAL SET • Compatible with all AKG micro mics • Choice of hand held, lapel, headset or guitar cable PW 45 HT The Perception Wireless Vocal system delivers brilliant sound and is surprisingly easy to use. The SR 45 receiver provides professional XLR and ¼” jack outputs. The audio level and squelch threshold are adjustable on the receiver. The handheld transmitter features a spring-steel wire mesh front grill to protect the dynamic transducer from the hardships of onstage use. Its cardioid polar pattern ensures maximum gain before feedback and makes your voice cut through any mix. The system includes an SR 45 receiver, HT 45 handheld transmitter, universal power supply with US/UK/EU adapter, SA 45 stand adapter, and one AA size dry battery. RRP: $399 INSTRUMENTAL SET PW 45 PTG RRP: $399 The Perception Wireless Instrumental system is ideal for an exceptionally wide range of applications, comprising an SR 45 receiver and PT 45 pocket transmitter. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand. The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼” jack plug and mini XLR connector, and one AA size dry battery. SPORTS SET PW 45 PTH The Perception Wireless Sports system with its comfortable C 544 L and ultralightweight PT 45 bodypack transmitter ensures maximum user mobility for all handsfree applications. The new C 544 L headworn microphone comes with four moisture shields protecting the transducer from perspiration while you practice your favorite sport. The C 544 L uses the proven transducer of the C 555 L and is quick and easy to put on and replace. The system comprises an SR 45 receiver, PT 45 bodypack transmitter, universal power supply with US/UK/EU adapter, C 544 L headworn microphone, and one AA size battery. RRP: $499 PRESENTER SET PW 45 PTL RRP: $449 The sound of your voice perfectly reproduced by the Perception Wireless Presenter system: the inconspicuous CK 99 lavalier microphone clips on quickly and easily, and provides optimum intelligibility for theater performances, presentations, or talk shows. Requiring little attention, it allows you to focus 100% on your presentation. The package contains an SR 45 receiver, PT 45 bodypack transmitter, universal power supply with US/UK/EU adapter, CK 99 lavalier microphone, and one AA size dry battery. PW 45 HT PW 45 PT 8 fixed • Frequency selectivity: 8 fixed • Audio bandwith: 40 Hz to 20 kHz 40 Hz to 20 kHz • Signal/noise ratio: >105dB(A) >105dB(A) • RF Output: 10 mW 10 mW • Audio outputs: Balanced XLR and unbalanced ¼” jack Balanced XLR and unbalanced ¼” jack • Battery life: 8 hours (2200 mAh) 8 hours (2200 mAh) • Dimensions: 229 x 53 mm 229 x 53 mm • Net weight (exc. of batteries): 200 x 44 x 150 mm 200 x 44 x 150 mm 360g / 60g • Package 360g / 214g PERCEPTION WIRELESS 17 WIRELESS SYSTEMS WMS 40 MINI • HDAP (High Definition Audio Performance) • 30 hours off a single AA battery • Easy Plug & Play operation • SR 40 Mini shows LED status information (ON/OFF, RF OK and AF clip) VOCAL SET WMS 40 MINI HT All WMS 40 MINI vocal and instrumental systems share the same brilliant sound and ease of use. Unique HDAP (High Definition Audio Performance) technology ensures the best possible, realistic sound at any time. The rugged handheld transmitter offers a metal microphone grille and an ON/OFF/MUTE switch, with a dynamic microphone capsule that features a cardioid polar pattern. RRP: $199 INSTRUMENTAL SET WMS 40 MINI PTG RRP: $199 The convenient PT 40 Mini body pack is the smallest and lightest transmitter in its class. It features the robust mini XLR connector and is fully compatible with all AKG MicroMics and. All transmitters operate for 30 hours off a single AA size battery, saving frequent battery replacements, making the WMS 40 Mini the perfect economic solution. GUITAR BUG WMS 40 GB FLEXX RRP: $399 The GB40 Flexx guitarbug is probably the easiest way to turn a guitar, bass, or portable keyboard into a wireless instrument. In addition, the GB40 Flexx is so small that it is almost invisible and won’t be in your way while playing. WMS 40 MINI HT WMS 40 MINI PT WMS 40 GB FLEXX 1 fixed 1 fixed 3 fixed • Frequency selectivity: • Audio bandwith: 40 Hz to 20 kHz 40 Hz to 20 kHz 65 Hz to 20 kHz • Signal/noise ratio: 110 dB(A) 110 dB(A) 110dB(A) • RF Output: - - 10mW Balanced ¼” jack Balanced ¼” jack Balanced XLR and • Audio outputs: unbalanced ¼” jack • Battery life: 30h (2200 mAh) 30h (2200 mAh) 230 x 52.5 mm • Dimensions: 60 x 75.5 x 30 mm 70 x 20 x 28 mm • Net weight (exc. of batteries): 133 x 43 x 132 mm 200 x 190 x 44 mm 30h (2200 mAh) 133 x 43 x 132 mm 581g / 195g 581g / 60g 665g / 28g • Package: 18 WMS 40 MINI Conference WIRELESS SYSTEMS WMS 450 Houses of worship Highly flexible wireless system, easy to use and expandable for the most sophisticated applications. Live sound Musical, opera • Diversity receiver with all-metal case • Up to 12 channels can be used simultaneously in each frequency band • Auto Setup and Rehearsal functions for quick and easy setup • Quick infrared transmission of all frequency and setup data to the transmitter • Programmable warning functions using two-colour display backlighting to indicate critical operating conditions The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same frequency band and even large systems will work smoothly in environments hostile to RF transmission. Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality remote antennas, the WMS 450 enables you to set up highly complex wireless systems. In Auto Setup mode, the receiver will scan the available bands, find an interference-free channel, and transmit the related frequency data to the assigned transmitter via infrared. This technique reduces the time it takes to set up a multichannel system to a few minutes. A Rehearsal function, a programmable display clearly indicating all important system parameters, two-colour display backlighting warning the user of critical conditions from a distance, and a transmitter battery status display on the receiver enhance reliability and add to ease of use. CU 400 charger • Plug-in charging • Two universal charging slots • Charging time <2 hours • Status LEDs • Compatible with WMS40/450 RRP: $499 SETS WMS 450 HTD WMS 450 HTC WMS 450 Vocal Set D 5 WMS 450 Vocal Set C 5 WMS 450 Guitar Set  • 1 HT 450 handheld transmitter with C 5 microphone element, 1 SR 450 receiver • 1 stand adapter, 1 AA size battery, 2 antennas, rack mounting kit, power supply • 1 HT 450 handheld transmitter with D 5 microphone element, 1 SR 450 receiver • 1 stand adapter, 1 AA size battery, 2 antennas, rack mounting kit, power supply RRP: $699 • 1 PT 450 bodypack transmitter 1 SR 450 receiver 1 MKG L cable, 2 antennas, • 1 belt clip, 1 AA size battery, 2 antennas, rack mounting kit, power supply $649 $799 SR 450 • Bandwith: 30 MHz WMS 450 PTH WMS 450 PTG WMS 450 PTL WMS 450 Headworn Set WMS 450 Presenter Set • 1 PT 450 bodypack transmitter 1 SR 450 receiver 1 C 555 L head-worn microphone • 1 belt clip, 1 AA size battery, 2 antennas, rack mounting kit, power supply • 1 PT 450 bodypack transmitter 1 SR 450 receiver 1 C 407 L lavalier microphone • 1 belt clip, 1 AA size battery, 2 antennas, rack mounting kit, power supply $799 HT 450 $799 PT 450 30 MHz 30 MHz • Bandwith: • Modulation: FM • Modulation: FM FM • Audio bandwidth: 35 to 20,000 Hz • Audio bandwidth: 35 to 20,000 Hz 35 to 20,000 Hz • THD at 1 kHz: <0.3% typ. • THD: <0.7% typ. at rated deviation/1 kHz <0.7% typ. at rated deviation/1 kHz • Signal-to-noise: >120 dB(A) typ. >120 dB(A) typ. • S/N Ratio (A-weighted) • Audio outputs: balanced XLR and unbalanced TS 1/4” jack, balanced level switchable to -30 or 0 dBm • Dimensions: approx. 200 x 44 x 190 mm • Weight: 972 g (2.2 lbs.) • Standard accessories: 2 antennas, power supply, rack mounting kit • RF output: 50mW (ERP) 50mW (ERP) 1.5 V AA size dry battery: 6 hours typ.; 1.2 V 1.5 V AA size dry battery: 6 hours • Battery life: NiMH, 2100 mAh AA size rechargeable battery: typ.; 1.2 V NiMH, 2,100 mAh AA size rechargeable battery: 8 hours typ. • Dimensions: 236.9 x 51.1 mm max. dia. 8 60 x 73.5 x 30 mm • Weight: 240 g 90 g • Standard accessories: 1 AA size dry battery, stand adapter 1 AA size battery, belt clip external mute switch WMS 450 19 HEADPHONES K 44 Project studios Home recording • Closed back circumaural headphones Monitoring Noisy environment K 77 Home recording Musical instruments Monitoring K 99 • Closed back circumaural headphones • Semi-open hi-fi stereo headphones • Excellent comfort • Low weight for excellent comfort • Skin compatible leatherette ear pads Entry-level, value-priced, closed-back headphones that deliver AKG’s quality sound to budget-conscious users. Cost-effective and comfortable, these closedback headphones deliver solid bass and clean highs. RRP: $59 • Excellent price/performance These semi-open hi-fi headphones deliver an airy open-ness from high-performance 40mm drivers. RRP: $79 RRP: $99 • Type: closed-back, dynamic headphones closed-back, dynamic headphones semi-open, dynamic headphones • Sensitivity: 115 dB/V 115 dB/V 112 dB/V • Audio Bandwidth: 18 to 20,000 Hz 18 to 20,000 Hz 18 to 22,000 Hz • Rated Impedance: 32 ohms 32 ohms 32 ohms • Cable: 3m single-sided (99,9% oxygen-free) 2.5m single-sided (99,9% oxygen-free) 3 m single-sided (99,9% oxygen-free) • Stereo Adapter: Stereo mini connector with convertible jack plug (1/8”*20 to 1/4”) Stereo mini connector with convertible jack plug (1/8” to 1/4”) Stereo mini connector with convertible jack plug (1/8” to 1/4”) 190g /400g 210g/400g • Net/shipping weight: 190g /400g Project Studios Home recording K 121 S Project Studios Home recording K 240 S • 55 ohms impedance, plug-in cable • 55 ohms impedance • Self-adjusting headband for optimum fit • Self-adjusting headband for optimum fit • Single cable for ease of use • Single cable for ease of use • Semi-open, circumaural design • Semi-open, supra-aual design The legend returns! Used in recording studios around the world, the K240S is known for faithful reproduction and robust build quality. The entry point to AKG’s professional portfolio, these headphones are rugged, comfortable and sound great. RRP: $149 RRP: $199 • Type: Dynamic / Supraaural, semi-open • Type: dynamic / circumaural, semi-open • Audio Bandwidth: 18 to 22,500 Hz • Sensitivity: 15 Hz to 25kHz • Efficiency: 101 dB SPL/V • Audio Bandwidth: 104 dB(V) • Max. input power: 200mW • Max. Input Power: 200 mW • Rated Impedance: 55 ohms • Rated Impedance: 55 ohms • Cable:  3m • Cable:  3m • Stereo Adapter: 3,5/6,3 mm, (1/8” to 1/4“) • Connector: 3.5mm/6.5mm ( 1/8”/ 1/4”) screw • Net/shipping weight: • Stereo Adapter: thread • Net/shipping weight: 240g 20 335g/ 555g Headphones o 1/4”) Studio K 141 MK II Studio K 240 MK II • Professional hi-fi stereo studio headphones • Professional hi-fi stereo studio headphones • Undistorted sound even at high volume levels • Self-adjusting headband for optimum fit • Leatherette and velvet ear pads • Semi-open, circumaural design • Semi-open supraaural earphones • Patented Varimotion speakers • Patented Varimotion speakers • Single-sided, detachable 3m cable and 5m coiled cable • Single-sided, detachable 3m cable and 5m coiled cable Premium on-ear, open-back headphones supplied with two cables (straight and curly) and two sets of ear-pads (leatherette and velour) • Leatherette and velvet ear pads K240MkII: Building on the legendary K240S, the K240MkII is an updated version that features subtle grey/black styling and comes with two cables (straight and curly) and two sets of earpads (leatherette and velour). RRP: $299 RRP: $229 • Type: semi-open, dynamic headphones • Sensitivity: 91 dB/mW, 104 dB/V (K 141 MK II), 101 dB/mW, 114 dB/V • Audio Bandwidth: 15 to 25,000 Hz (K 141 MK II), 18 to 24,000 Hz HEADPHONES 3 m single-sided, 5 m coiled cable (99,9% oxygen-free); plug-in • Cables: cable on headphones (mini-XLR connector) • Connector: gold plated stereo mini jack • Max. Input Power: 200 mW • Stereo Adapter: gold plated 1/8” to 1/4” screw-on adapter • Rated Impedance: 55 ohms • Net/shipping weight: 240g /550g (K 240 MK II), 225g /550g (K 141 MK II) • Earpads: • Standard accessories: velvet earpads, 5 m coiled cable, 3 m single-sided cable Studio leatherette, velvet K 171 MK II • Professional hi-fi stereo studio headphones • For broadcast and DJ use • Leatherette and velvet ear pads • High ambient noise attenuation • Rugged construction for tough handling Studio K 271 MK II • Professional circumaural hi-fi stereo studio headphones • For onstage and studio use • Leatherette and velvet ear pads • High noise attenuation • Automute feature mutes headphones when they are taken off • Patented Varimotion speakers • Single-sided, detachable 3 m cable and 5 m coiled cable • Patented Varimotion speakers • Single-sided, detachable 3 m cable and 5 m coiled cable These closed-back, on-ear headphones deliver solid bass and minimise bleed to the microphone in a studio. Supplied with two cables (straight and curly) and two sets of ear-pads (leatherette and velour). RRP: $249 The ultimate studio performer! K271MkII’s closed back maximises isolation from the outside world and minimises leakage. The built-in microswitch turns off the sound when you take them off your head, making these ideal for professional use in recording and broadcast applications. Like all the MkII headphones, these come with two cables (straight and curly) and two sets of ear-pads (leatherette and velour). RRP: $349 • Type: closed-back, dynamic headphones • Sensitivity: 94 dB/mW, 107 dB/V (K 171 MK II) 91 dB/mW, 104 dB/V (K 271 MK II) • Cables: • Audio Bandwidth: 18 to 26,000 Hz (K 171 MK II), 16 to 28,000 Hz (K 271 MK II) • Max. Input Power: 200 mW • Connector: • Rated Impedance: 55 ohms • Stereo Adapter: gold plated 1/8” to 1/4” screw-on adapter • Earpads: leatherette, velvet • Net/shipping weight: 200g/ 500g (K 171 MK II), 240g/ 550g (K 271 MK II) • Standard accessories: velvet earpads, 5 m coiled cable, 3 m single-sided, 5 m coiled cable (99,9% oxygen-free); plug-in cable on headphones (mini-XLR connector) gold plated stereo mini jack 3 m single-sided cable Headphones Headphones 21 HEADPHONES K 702 Monitoring Mastering Mixing • Flat wire voice coil • Patented VarimotionTM two-layer diaphragm • “3D Form” ear pads for perfect fit • Individually tested and numbered The K 702 are the new reference for open-back dynamic AKG headphones. They combine an extremely accurate response with yet unseen agility and ­spaciousness. RRP: $549 • Type: open-back, dynamic headphones • Cable:  • Sensitivity: 105 dB/V • Connector: gold plated stereo jack plug 6.3 mm (1/4“) • Audio Bandwidth: 10 to 39,800 Hz • Stereo Adapter:  gold plated convertible jack plug 3.5/6.3 mm (1/4“ to 1/8“) • Max. Input Power: 200 mW • Net/shipping weight: 235g/ 850g • Rated Impedance: 62 ohms DJ HEADPHONES DJ use K 81 DJ 3m single-sided (99,9% oxygen-free) K 181 DJ Professional DJ use Small clubs and parties • Semi-professional DJ headphones • Professional DJ headphones • Closed-back design • Stereo/mono selector • High sound pressure level • High sound pressure level • 3D-Axis folding mechanism • Professional 3D-Axis folding mechanism Great sound for small venues. Semiprofessional DJs too need dependable equipment. The K 81 DJ fit the bill perfectly. Their closed-back earphones, for instance, provide optimum isolation from ambient noise. The K 181 DJ is the ultimate tool for professional DJs – high performance closed-back headphones with the best possible sound, and maximum SPL that should be exceptionally rugged and easy to bend or fold into any listening position. RRP: $99 RRP: $299 • Type: closed-back, dynamic headphones • Type: closed-back, dynamic headphones • Sensitivity: 115 dB/V • Sensitivity: 120 dB/V • Audio Bandwidth: 16 to 24,000 Hz • Audio Bandwidth: 5 to 30,000 Hz • Max. Input Power: 2,000 mW • Max. Input Power: 3,500 mW • Rated Impedance: 32 ohms • Rated Impedance: 42 ohms • Cable:  2.5m single-sided (99,9% oxygen-free); plug-in • Cable: 1.8 m single-sided (99,9% oxygen-free); plug-in cable • Connector: cable on headphones (mini-XLR connector) on headphones (mini-XLR connector) gold plated stereo mini jack • Connector: • Stereo Adapter: gold plated 1/8“ to 1/4“ screw-on adapter • Stereo Adapter: gold plated 1/8“ to 1/4“ screw-on adapter • Net/shipping weight: 150g/ 343g • Net/shipping weight: 280g/ 597g • Optional accessories: coiled cable 22 Headphones gold plated stereo mini jack