Dcr 960 Dvcpro50 Digital Studio Vcr Dcr 960

Transcript

DCR 960 DVCPRO50 Digital Studio VCR The DCR  Digital Studio VCR has :: component video picture quality and
channel digital audio for high
end broadcasting and production With features like variable slow
motion playback at
 to  times normal speed it is ideal for live and taped sporting events An optional SDTI board enables loss
free high
speed transfer of both DVCPRO and DVCPRO images at twice the speed It is switchable between the DVCPRO and DVCPRO and / formats and it can play tapes based on DV
formats A high performance digital VCR with everything you need in a studio master The digital studio master VCR for high-end broadcasting and production Features ■ Variable Digital Slow
Motion playback from
x (reverse) to x normal speed ■ High
speed transfer (DVCPRO and DVCPRO) at x normal speed with optional SDTI interface board ■ Playback of DV and DVCAM tape ■ Fast and positive responding editing VCR mechanism ■ Digital audio in jog shuttle and slow
motion modes ■ Switchable between DVCPRO and DVCPRO format recording and playback ■ Switchable NTSC () and PAL () recording and playback ■ Complete editing functions with built
in editor Master quality The DCR  provides :: digital component video picture quality and
channel digital audio meet high
end broadcasting and production requirements Featuring a  : compression ratio picture degradation is minimal during both compression and decompression so the :: images retain their superior quality All four high
quality kHz/
bit digital audio channels each have a level meter that provides a continuous display of recording or playback level A linear cue audio track and digital audio replay adds extra convenience when searching for edit points Note that only two digital audio channels are available in DVCPRO mode The DCR  is outstanding for live sports relays and sports program production thanks to features such as variable slow
motion playback in both DVCPRO and DVCPRO modes Variable slow and fast motion playback delivers superior picture quality in the range from –x (reverse) to x (forward) normal speed Speed can be set for optimum creative results DV play back operates in the range –x to x Switchable DVCPRO50 and DVCPRO recording To provide the versatility needed in a master studio VCR the DCR  is fully switchable between the DVCPRO and DVCPRO formats for recording Using DVCPRO it can record up to  minutes onto a compact / ” cassette tape while in DVCPRO mode this is doubled to  minutes Note that when recording in the DVCPRO format onto a DVCPRO tape the recording time will be half that indicated on the cassette In playback the DCR  automatically detects which format the tape was recorded in and switches accordingly The  and  modes are selectable at the front sub panel Records and plays back in 525 or 625 The DCR  can record or play back the  line video signals used in the PAL broadcast system and the  line video signals used in NTSC broadcast systems It is fully equipped with digital (SDI) input and output and analog component/composite output in  and  Reliability The DCR  upholds the DVCPRO reputation for extremely high reliability and top
class VCR performance The tape handling mechanism is designed for gentle yet positive tape movement ensuring long
term dependability for both the tape cassette and the tape transport This also speeds up response during editing Linear editing with to-the-frame precision The use of intra
frame compression in both DVCPRO and DVCPRO modes enables tape
to
tape editing with to
the
frame precision There's no picture degradation in the edit points The full range of editing functions in DVCPRO and DVCPRO modes include assemble and insert editing functions as well as preview review and trim functions Using the RS
A control interface single
event editing and audio split are possible with industry standard edit controllers High-speed search The shuttle search in forward and reverse operates at up to  times normal speed in both DVCPRO and DVCPRO modes The shuttle function includes Jog mode Easy set-up with on-screen display Master interface DV playback capability The DCR  also plays back DV/DVCAM formats tapes It plays standard DV tapes just as they are and can play Mini
DV tapes using an adaptor (although it cannot record on Mini
DV cassettes even with the cassette adaptor) Note that it cannot play back Mini
DV cassette tapes recorded in LP mode or long
time Mini
DV cassette tapes (SP mode  minutes/LP mode  minutes) A number of initial settings can be changed easily using a convenient on
screen display The display combines a simple straightforward control sub
panel with a host of functions Digital interfaces The DCR  is equipped with SDI (Serial Digital Interface) allowing input and output of  and  digital component signals An optional SDTI (Serial Data Transport Interface) board allows the DCR  to transfer compressed data at x normal speed This gives you high
speed loss
free data transfer without the quality shortfall that occurs from decompression and recompression The DCR  can playback at x normal speed in both DVCPRO and DVCPRO modes This allows the transfer of data to other peripheral at twice normal speed AES/EBU digital audio in/out on all four channels are standard GENERAL Power requirement DCR N AC V /
  to Hz DCR P AC 
 V /
  to Hz Power consumption   Watts (full operation) Operating temperature o C to o C ( o F to  o F) Operating humidity  to  (non dew) Weight  kg (  lbs) Dimensions (WxHxD)  x  x  mm ( x  x  inch) Recording track Digital video /  switchable Digital audio channels (DVCPRO)  channels (DVCPRO) Time code Subcode Area Cue track  longitudinal track CTL  longitudinal track Recording format DVCPRO/DVCPRO switchable Tape speed   mm/s (DVCPRO)   mm/s (DVCPRO) Rec./ Play time Max  minutes (DVCPRO) Tape / ” metal particle FF/REW time About min with  min tape Search speed /
x (in colour) Digital slow-motion
x to x (DVCPRO/ DVCPRO)
x to x (DV) Editing accuracy /
 frame (Time code) Tape timer accuracy /
 frame (continuous CTL) Servo lock time Within  sec (Colour framing/standby on) VIDEO Analog input/output and remote The unit delivers output video signals in either  format or  formats Four optional boards are available for analog video input A
channel analog audio input/output is standard The DCR  also comes with RS
A (
pin) RS
 C (
pin) and parallel (
pin) remote interfaces Easy to install and carry around With its compact U size the DCR  fits into a 
inch rack using the optional rack mount adaptor for easy installation both in the studio and in OB vans Sampling frequency Y
channel  MHz PB/PR
channels MHz (DVCPRO)  MHz (DVCPRO) Quantization bits Error correction Reed
Solomon product code Y/C delay  nsec or less K factor  or less Compression method DCTAdaptive quantization VLC Compression ratio  : (DVCPRO) : (DVCPRO) Bit rate Mbit/ s (DVCPRO) Mbit/s (DVCPRO) 525 bandwidth Digital in/Component out Y
channel Hz to MHz (/
dB) PB/PR
channels Hz to MHz (/
dB) 625 bandwidth Y
channel Hz to MHz (/
dB) PB/PR
channels Hz to MHz (/
dB) S/N ratio  dB or more K factor  or less Y/PB/PR delay  nsec or less 525 bandwidth Component in/ Component out with optional interface board Y
channel Hz to MHz (/
dB) PB/PR
channels Hz to MHz (/
dB) S/N ratio dB or more K factor  or less Y/C delay  nsec or less 625 bandwidth Y
channel Hz to MHz (/
dB) Mhz (–dB) PB/PR
channels Hz to MHz (/
dB) Mhz (–dB) S/N ratio dB or more K factor  or less Y/C delay  nsec or less Composite in/ Composite out with optional interface board 525 bandwidth Y
channel Hz to MHz (/
dB) Mhz (
dB) K factor  or less Y/C delay nsec or less 625 bandwidth Y
channel Hz to MHz (/
dB) Mhz (– dB) K factor  or less Y/C delay  nsec or less SDI BNC x Vp
p  Ω (SMPTE  M
C) SDTI (option) BNC x with AJ
YAC  (SDI in serves as SDTI in too) Vp
p  Ω (SMPTE M) Analog component (option) BNC x (Y/PB/ PR) Y
channel Vp
p  Ω  PB/PR
channels /Vp
p switchable  Ω ( colour bar  set up)  PB/PR
channels Vp
p  Ω( colour bar) Analog composite (option) BNC x (loop
through)  Ω On/ Off Reference BNC x (loop
through) Vp
p  Ω On/Off Video output SDI BNC x (SDI : S uper on/off)  Vp
p  Ω (SMPTE  M
C) SDTI (option) BNC x with AJ
YAC  (SDI
out serves as SDTI
out too) Vp
p  Ω (SMPTE M/ M) Analog component BNC x (Y/PB/ PR) Y
channel Vp
p  Ω  PB/PR
channels /Vp
p switchable  Ω ( colour bar  set up)  PB/PR
channels Vp
p  Ω ( colour bar) Analog composite BNC x (Video : Super on/off) Vp
p  Ω Video adjustment range Composite video in +/
dB Video gain +/
dB Chroma gain +/
dB Chroma phase +/
o Hue +/
o Setup +/
mV (eq  IRE) Sync phase +/
µs SC phase +/
 o AUDIO Sampling frequency kHz ( sync with video) Quantization  bits Frequency response Hz to kHz (/
dB) Dynamic range More than  dB (kHz emphasis off A
weighted) Distortion Less than  (kHz) Cross-talk Less than – dB (kHz between any two channels) Wow & flutter Below Measurable Limit Headroom dB () /  dB () Emphasis T µs T µs (On/Off) Cue track Hz to kHz (/
dB) Audio input Analog (CH1/2/3/4) XLR
x  / /
dBu switchable  Ω/high impedance switchable Digital (CH1/2, 3/4) XLR
x (AES/EBU) Cue track XLR
x  / /
/
dBu switchable  Ω/high impedance switchable Audio output Analog (CH1/2/3/4) XLR
x  / /
dBu switchable low impedance Digital (CH1/2, 3/4) XLR
x (AES/EBU) SDI BNC x  Ω (SMPTE  M
C/M) Cue track XLR
x  / /
dBu switchable low impedance Monitor XLR
x  / /
dBu switchable low impedance Headphone M variable level control Ω Others Time code in XLR
x  to Vp
p Time code out XLR
x Vp
p RS-422A in D
sub
pin RS
A I/F RS-422A out D
sub
pin RS
A I/F RS-232C D
sub 
pin RS
 C I/F Parallel in/out D
sub 
pin Encoder remote D
sub 
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