Transcript
ARCH 390/790
Film and Architecture 12:00 – 1:15 M W AUP room 194 Prof Mark Keane by appointment
[email protected] Students will need to access a video camera (any format, the Media Center has two mini dv camcorders) or 16mm camera for assignments. The Media Center has (1) Adobe Premiere editing suite, and room 194 has (7) Adobe Premiere Pro editing suite. Mitchell 353 has both Final Cut Pro on their PC’s and MAC editing suites. Grading will be based on the following: 60% for student film, 10% for student presentation of film analysis, 10 % for attendance, 10% for 10 second SARUP piece, and 10 % for in camera edit piece, and five required production scheduled times met. For consideration of an “A” in the class, these must be met! In order to cover the material set for this semester's course, we are suggesting a series of films for you to preview on your own time. All films should be available on VHS or DVD. Assignment 1 Deconstructing Film 20% Select Film Present Informational Background Present Analysis Structure of Film - image, lighting, sound, montage, collage, space.... Architecture in Film - as set, as protagonist, as story, as vision…….. An Incomplete List for Assignment #1 .Please choose a film NOT in bold. Amelie, Jean Pierre Jeunet Baron von Munchausen, Gilliam Batman, Tim Burton Belly of the Architect, Greenaway The Apartment, Billy Wilder Apocalypse Now, Francis Ford Coppola Atlantic City, Louis Malle Berlin, Symphony of a City, Ruttman Bladerunner, Ridley Scott Blow-up, M Antonioni Blood of a Poet, Jean Cocteau Bliss, Ray Lawrence Blue Velvet, Lynch Brazil, Gilliam Cabinet of Dr. Caligari, Roger Weine Chinatown, Polanski Cinema Paradiso, Giuseppa Toratore Citizen Kane, Orson Welles Contempt, Godard Dark City, A Proyas Das Boot, Wolfgang Petterson Delicatessen, Jeane-Peirre Jeunet Dune, David Lynch The Draughtman's Contract, Greenaway Drowning By Numbers, Greenaway Fifth Element, Luc Bresson Gattaca, Andrew Niccol Hiroshima Mon Amour, Alan Resnais Hudsucker's Proxy, Coen Brothers Intervista, Fredrico Fellini
Just Imagine, Harvey Corbett Koyanisqatsi, Godfrey Reggio Last Year at Marrainbad, Resnais Like Water for Chocolate, Aron Alfonso Lost Highway, David Lynch Mad Max, George Miller The Magic Flute, Igmanr Bergman Mamma Roma, Pasolini Matrix, L. Wachowski Meeting Venus, Istvan Szabo Memento, Christopher Nolan Metropolis, Fritz Lang Mon Oncle, Jacques Tati Mr. Hulots' Holiday, Tati Naked City, Dassin Orlando, Sally Potter Pi, Darren Aronosfsky The Passenger, M Antonioni Pink Floyd's The Wall, Alan Parker Playtime, Jasques Tati Prosporo's Books, Peter Greenaway Portrait of a Lady, Jane Campion Potemkin, Sergei Eisenstein Punch Drunk Love The Purple Rose of Cairo, Woody Allen Rear Window, Alfred Hitchcock Run Lola Run, Tom Tykwer Safe, Todd Haynes Satyricon, Fellini Star Wars, George Lucas Stardust, Michael Apted 2001- A Space Odyssey, Stanley Kubrick The Cook, the Thief, His Wife and Her Lover, Peter Greenaway The Fountainhead, King Vidor The Last Emperor, Berbardo Bertolucci The Last Picture Show, Peter Bogdonavich The Last Temptation of Christ, Martin Scorsese The Tree, the Mayor and the Media, Rohmer The Wall, Alan Parker Things to Come, H G Welles Total Recall, Paul Verhderen Toy Story, John Lasseter Triumph of the Will, Riefenstahl The Truman Show, Peter Weir 12 Monkeys, Gilliam What Dreams May Come, Vincent Ward Wings of Desire, Wim Wenders
2. Constructing the Moving Image 60% Individuals or teams of two-three students will form to create pieces of moving images produced in Film, Video, Animation, or Computer Animation. All pieces must be converted to DVD for Film Showing on Dec 5th at Friday Afternoon Live in Room 170 AUP to an audience of Film and Architecture students. Recommended Readings Atlas of Emotion, Bruno Cinema and Architecture, Penz and Thomas Architecture and Film Architectural Design Profile No 112 Expanded Cinema, Gene Youngblood, 1970 Film Form: Essays in Film Theory, Eisenstein 1949 The Film Sense, Eisenstein 1942 How to Read a Film, James Monaco 1981 Architecture and Film, Lamster 2000 Sets in Motion, Affron and Affron 1995 Caligari’s Cabinet and other Grand Illusions 1976
9/2 9/4
Assignments
9/23
Introduction Topics/Issues lecture - Film Structure Student Pairing for Filmwork lecture - Film Structure Student Presentation of Initial Ideas Storyboard, and Time Schedule Student Presentation Setting - A Question of Architecture Student Presentation Student Storyboard Review Student Presentation Student Presentation
9/25 9/30 10/2 10/7 10/9 10/14 10/16 10/21 10/23 10/28 10/30 11/4 11/6 11/11 11/13 11/18 11/20 11/25 12/2 12/4
Raw Footage Raw Footage Raw Footage Raw Footage First Edits - The Rough-Cut Edit due First Edits First Edits First Edits Class animation project Class animation project Class animation project Class Animation project Editing Editing Editing Editing Final Cut due Final Cut due Final Cut due Final Cut due
12/5
Student Film Show Friday Afternoon Live 4:30 AUP Auditorium
9/9 9/11 9/16 9/18
In camera film In camera film Editing 10 second countdown Editing 10 second countdown Raw 1 Raw 2 Raw 3 Raw 4 First 1 First 2 First 3 First 4
Class Animation Due Tutorial Tutorial Tutorial Tutorial Final 1 Final 2 Final 3 Final 4
