Transcript
GUITAR | microMODELER OV E R D RIVE FU Z Z D IS TORTION
USER’S GUIDE SA227
WELCOME Thank you for purchasing the Soundblox 2 OFD Guitar microModeler. The OFD packs a comprehensive collection of new and vintage overdrive, fuzz, and distortion tones into a single stage-ready stompbox perfect for guitarists of all genres. Each effect has been meticulously crafted to provide precise and responsive tones, from warm and chunky tube overdrive to over-the-top fuzz. The OFD Guitar microModeler is housed in a compact and extremely durable cast-aluminum casing. Its sturdy exterior and relay based buffered or true bypass switches are built to withstand endless gigging and rehearsal. Plus the compact 4.5 x 4.5 inch footprint easily finds a place on any sized pedalboard. The OFD also offers a multitude of forward thinking and useful design functions like preset morphing, easy-to-adjust internal noise gates, and external Hot Hand®, Expression Pedal, or MIDI control — step up to an entirely new stompbox experience. The Quick Start guide will help you with the basics. For more in-depth information about the OFD, move on to the following sections. Enjoy! -The Source Audio team
If possible, dispose of the device at a recycling center. Do not dispose of the device with the household waste. For full compliance with EN 61000-4-6 standard, input cable must be less than 3 meters in length.
2 | Welcome
OVERVIEW DIVERSE SOUND PALETTE Featuring 12 different overdrive, fuzz, and distortion tones. COMPACT DESIGN Compact, rugged, cast-aluminum housing. UNIVERSAL BYPASS Select either analog buffered or relay-based True Bypass. 2 USER PRESETS Easy to configure user presets, selectable via two footswitches. 3-BAND TONE CONTROL Extra-flexible TREBLE, MID, and BASS tone control. EXTERNAL CONTROL The SENSOR IN multi-purpose control input allows for preset morphing or knob-by-knob expression control via Source Audio’s own Hot Hand® Motion Sensor Ring, the Source Audio Dual Expression Pedal, or MIDI. ONBOARD NOISE GATE Easy-to-engage, three level noise gate. STATE-OF-THE-ART DSP Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters.
Overview | 3
QUICK START 1. POWER To power the unit, connect the included DC adapter power supply to the 9V DC jack on the back panel. Note: Using a non-Source Audio power supply could damage the unit. Please be very cautious when using a 3rd party supply. 2. GUITAR/AUDIO CONNECTIONS Using standard ¼" mono cables, connect your guitar to the GUITAR IN jack. Connect the pedal from the GUITAR OUT jack to your amp or other audio device.
GUITAR IN MULTIFUNCTION IN
GUITAR OUT MULTIFUNCTION OUT
9V DC
3. BRIEF KNOB, FOOTSWITCH, AND BUTTON DESCRIPTIONS (see Controls section for more details) • EFFECT KNOB (A): selects the type of distortion. • DRIVE (B): adjusts the amount of distortion applied to the signal.
4 | Quick Start
• VOICE (C): a gradual timbre adjustment affecting the overall character
of each distortion • TONE (D): cuts or boosts the selected TONE SHAPE (TREBLE, MID,
and BASS). • OUTPUT (E): adjusts the output level of the effect. • NOISE GATE BUTTON (F): selects the noise gate threshold level. Also
selects the External Control mode. • TONE SHAPE BUTTON (G): selects which frequency range will be
adjusted by the TONE knob. • FOOTSWITCHES (H): enable/disable presets. Press and hold to save
an edited preset. A
TS9000
DRIVE
BIG PI
EL RATON
POWER STAGE
B LOW (EXP)
F
MED (MIDI)
1
E
BENDER
SMOOTH TUBE
METAL
TUBE DRIVE
OCTAVE FUZZ GATED FUZZ
HIGH (HH)
NOISE GATE
OUTPUT
FUZZ FAÇADE
CRUNCH TUBE
TREBLE
G
MID BASS CUT
VOICE
TONE SHAPE
BOOST
TONE
2
(HOLD) FLAT
C
D
H
H
Quick Start | 5
CONNECTIONS GUITAR IN (A): Connect your guitar or other instrument here using a standard mono ¼" cable. GUITAR OUT (B): Connect this to your amp, pedal, or other audio device. MULTI-FUNCTION IN (C) (optional): The multi-function input is a flexible control input for use with external controllers. It can accept digital or analog signals, which allow the OFD to interface with the following accessories:
• SA110/SA115 Hot Hand Wireless Adapter • SA111 Hot Hand Wired Sensor • SA161 Source Audio Dual Expression Pedal • Source Audio Soundblox 2 MIDI Adapter
MULTI-FUNCTION OUT (D) (optional): Use a Source Audio daisy-chain cable to connect this jack to the sensor input of another Soundblox pedal providing simultaneous control of all your Source Audio pedals. 9V DC (E): Connect the included 9 Volt DC power supply here. Use of a non-Source Audio power supply may cause damage.
C
D GUITAR IN
GUITAR OUT
MULTIFUNCTION IN
6 | Connections
E MULTIFUNCTION OUT
A
B
9V DC
CONTROLS: KNOBS EFFECT (A) (not labeled) The effect knob selects which overdrive, fuzz, or distortion type will be used. For information on the individual settings see the Effect Types section. A
TS9000
DRIVE
BIG PI
EL RATON
POWER STAGE
LOW (EXP) MED (MIDI)
NOISE GATE
1
BENDER
SMOOTH TUBE
METAL
TUBE DRIVE
OCTAVE FUZZ GATED FUZZ
HIGH (HH)
OUTPUT
FUZZ FAÇADE
CRUNCH TUBE
TREBLE MID BASS
CUT
VOICE
TONE SHAPE
BOOST
TONE
2
(HOLD) FLAT
Controls: Knobs | 7
DRIVE (B) The DRIVE knob adjusts the amount of gain applied to the signal. Dial down the drive for a cleaner, more articulate tone and crank it up for over-the-top doses of distortion. VOICE (C) The VOICE knob adjusts a midrange control located within the distortion section of processing. This knob has a very different impact on the overall character of the distortion than a simple EQ adjustment. Turn the knob to the left for a warmer, cleaner tone and to the right for a thicker, more cutting drive.
TS9000
DRIVE
BIG PI
EL RATON
POWER STAGE
B LOW (EXP) MED (MIDI)
NOISE GATE
1
C
8 | Controls: Knobs
D
BENDER
SMOOTH TUBE
METAL
TUBE DRIVE
OCTAVE FUZZ GATED FUZZ
HIGH (HH)
OUTPUT
FUZZ FAÇADE
CRUNCH TUBE
TREBLE
F
MID BASS CUT
VOICE
TONE SHAPE
BOOST
TONE
2
(HOLD) FLAT
E
OUTPUT (D) Adjusts the output level of the effect. This is useful for setting the level of the effect compared to the bypass signal. Note that because the effect compresses the signal, the dynamic range of the distorted signal will be less compared to the dry signal. This should be accounted for when setting levels. TONE (E) The TONE knob along with the TONE SHAPE control (F) will cut or boost the TREBLE, MID, or BASS frequencies, depending on which mode is selected. To flatten all three bands, press and hold the TONE SHAPE button (F) until all three LEDs blink two times. Flattening the TONE sets the knob positions of TREBLE, MID, and BASS to 12 o’clock. TREBLE
Press button to select option
MID BASS
TONE SHAPE (HOLD) FLAT
Note: Since the Soundblox 2 OFD microModeler preset values can differ from the physical knob positions, it can be useful to determine the positions of the preset knob values. To do this, start with the pedal in bypass and set all of the knobs to the full counter-clockwise position. Next, enable the preset and slowly turn each knob up, one at a time, until the preset indicator LED begins to blink rapidly. When this happens, the current position of the knob matches the saved value.
Controls: Knobs | 9
CONTROLS: BUTTONS NOISE GATE This control allows for quick adjustments to the noise gate threshold. Since distortion effects can have very high signal gain, the background noise and hum are also gained up and can become undesirably loud. Enabling the noise gate on the Soundblox 2 OFD microModeler will help silence the background noise when the guitar is not being played. There are four noise gate threshold levels: OFF (all LEDs off), LOW, MED, HIGH. LOW being the lowest threshold and least aggressive gate action, HIGH being the highest threshold with the most gating action Note: this button is also used to select and control the function of an external controller through the MULTI-FUNCTION input. See the External Control section. LOW (EXP)
Press button to select option
MED (MIDI)
NOISE GATE
10 | Controls: Buttons
HIGH (HH)
TONE SHAPE There are three selectable EQ shapes: TREBLE, MID, and BASS. This control works in conjunction with the TONE knob. Press the TONE SHAPE button to scroll through the three tone control options. The TONE knob will adjust the level of cut or boost for the selected frequency range. The three tone shapes can be set independently and will not affect each other. If you need to quickly set all of the three bands back to the default flat setting (the 12 o’clock knob position), simply press and hold the TONE SHAPE button for 2 seconds. The TREBLE, MID, and BASS LEDs will rapidly blink three times, indicating that they have been reset. FACTORY RESET Should you wish to perform a factory reset, unplug the power supply from the pedal, then press and hold the TONE SHAPE button while plugging the power supply back in. Continue holding the TONE SHAPE button until the 1 and 2 preset LEDs blink in succession — this will erase any saved presets. TREBLE
Press button to select option
MID BASS
TONE SHAPE (HOLD) FLAT
Controls: Buttons | 11
CONTROLS: FOOTSWITCHES There are two footswitches on the OFD. The left footswitch corresponds to preset 1 and the right footswitch corresponds to preset 2. Pressing either of the footswitches will engage its respective preset. Pressing the engaged footswitch will put the effect back into bypass mode and pressing the unengaged footswitch will change to the other preset without going into bypass. The illumination of the LEDs labeled “1” and “2” indicate which preset is currently enabled. While the effect is in bypass mode both LEDs remain off. When a preset is enabled and any sort of adjustment is made, the indicator LED for that preset will begin to blink, showing that the preset has been edited. After a preset has been edited, save it by pressing and holding either footswitch. The corresponding LED will blink quickly to indicate that the preset has been saved. Once changes are saved, the LED will illuminate continuously. An edited preset can be saved to either of the two preset locations. For example if preset 1 has been selected and edited, it can be saved to preset location 2 by pressing and holding the right footswitch. Note: Changes made to a preset will be lost if you go into bypass or switch to another preset without saving.
12 | Controls: Footswitches
EFFECT TYPES Here are some brief descriptions of the effects included in the Soundblox 2 OFD microModeler.
TS9000
BIG PI
EL RATON FUZZ FAÇADE
CRUNCH TUBE POWER STAGE
BENDER
SMOOTH TUBE
METAL
TUBE DRIVE
OCTAVE FUZZ GATED FUZZ
TUBE DRIVE TUBE DRIVE offers a vintage tube overdrive reminiscent of a Marshall Plexi. At lower drive levels this effect creates a punchy overdrive perfect for chunky rhythm tones. Crank the DRIVE knob for cutting lead tones. SMOOTH TUBE The SMOOTH TUBE overdrive offers a heavily saturated tone reminiscent of Mesa-Boogie® amplifiers. This aggressive approach to overdrive with its boosted highs and lows generates the thick, focused and heavily sustaining tone that inspired countless artists from Carlos Santana to Metallica. Effect Types | 13
POWER STAGE POWER STAGE provides a tone similar to the Fulltone OCD®. It’s a versatile effect that falls somewhere between tube overdrive and transistor distortion, rich with warm overtones and a thick, punchy grind. CRUNCH TUBE CRUNCH TUBE is an extra aggressive tube overdrive effect that boldly goes where no amp has gone before. If your current overdrive doesn’t have quite enough hair on it, reach for the CRUNCH TUBE. TS9000 Based on the Ibanez Tube Screamer®, the TS9000 supplies a go-to tone for rock and contemporary blues players alike. A subtle midrange bump provides a punchy and transparent overdrive that cuts through any mix. BIG PI Based on the Big Muff Pi®, BIG PI offers the extreme in guitar fuzz. Plenty of low-end and endless sustain creates a vintage “violin” like fuzz. EL RATON The EL RATON creates a classic and versatile distortion reminiscent of the ProCo Rat®. Dial in sparkling low-gain tones or intense distortion drenched lead tones. FUZZ FAÇADE The FUZZ FAÇADE generates a vintage fuzz inspired by the Dallas Arbiter Fuzz Face®. This highly transparent fuzz delivers that damaged speaker sound that has graced so many great records.
14 | Effect Types
BENDER Based on the MK II Tone Bender®, the BENDER effect provides the thick, heavily saturated fuzz synonymous with Yardbirds era Beck or early Zeppelin era Page. Fat chords and maximum sustain lead tones characterize this timeless fuzz. METAL Our METAL distortion provides a heaping dose of the heavily saturated, “scooped” tone synonymous with the metal genre. Searing highs and thunderous lows reign in this hardline distortion. OCTAVE FUZZ The OCTAVE FUZZ is based on the original octave pedal, the Octavia®. This selection generates a soaring octave up effect along with some very nasty fuzz. Try turning down the tone knob on your guitar to really bring out the higher octave. GATED FUZZ The GATED FUZZ offers a thick, fuzz-heavy tone with a unique attack and decay. An internal high threshold noise gate combined with an intense “Velcro” like fuzz give this effect its abrupt attack and sputtering decay. Don’t worry, your amp isn’t about to explode — that’s how the GATED FUZZ was designed to sound.
Effect Types | 15
EXTERNAL CONTROL One of the Core Features of the Soundblox 2 line of effects is the MULTIFUNCTION Input. The MULTI-FUNCTION input is an intelligent control input that accepts both digital and analog control signals. It replaces the SENSOR input on previous Soundblox pedals. The MULTI-FUNCTION input connects to wired or wireless Hot Hand accessories, the Source Audio Dual Expression Pedal, or a future Source Audio MIDI interface that will enable full MIDI I/O access to the pedal. Selecting an external control input: Press and hold the TONE SHAPE button, then quickly press the NOISE GATE button — the LOW/(EXP) LED will turn from green to red. This will change the function of the NOISE GATE button. Now press the NOISE GATE button again to select between the control options. The options are indicated in white text below the gate level labels. There are four possible settings: LOW (EXP)
Press button to select option
MED (MIDI)
NOISE GATE
HIGH (HH)
• OFF (no LEDs on): External control is disabled in this mode • EXP: Expression Pedal mode. Select EXP to enable use with
the SA161 Source Audio Dual Expression Pedal. By default, the expression pedal will control the Morph (see the Morphing section for details). The Expression Pedal can also be assigned 16 | External Control
to control any individual knob parameter.
• MIDI: MIDI control mode. Select this mode to enable MIDI I/O
• HH: Hot Hand mode. Select HH to enable Hot Hand control.
through the Soundblox 2 MIDI Interface By default, Hot Hand will be assigned to control the morph parameter. Hot Hand can also be also be assigned to control any individual knob parameter. Press the NOISE GATE button again while holding the TONE SHAPE button to resume normal Noise Gate adjustments. CONTROL ASSIGN By default, all external control units (Hot Hand, Expression Pedal, or MIDI) are mapped to control the morphing function, but it may be desirable to assign external control to an individual knob parameter. To assign control to a knob: 1. E nsure that you are in external control edit mode (NOISE GATE LEDs are red) 2. S elect the desired external control option: EXP for expression pedal, HH for Hot Hand, or MIDI. 3. P ress and hold the NOISE GATE button until the red LED begins to blink slowly. 4. S elect the knob to which you would like to assign external control and turn it to the desired low position. 5. P ress the NOISE GATE button again; the LED will start blinking rapidly. 6. Set the assigned knob to your desired high position. 7. Press the NOISE GATE button one more time to complete the assignment. The LED will blink three times, indicating the process is complete. To return to the default Morph control, set the external control to OFF. Press and hold the NOISE GATE button again until all three LEDs blink External Control | 17
rapidly. Note: Different control assignments can be used for each preset. Don’t forget to save your settings! MORPHING The MULTI-FUNCTION control input can be used to morph between the two presets. For example, if preset 1 is saved as a low gain TUBE DRIVE and preset 2 is saved as a high gain BIG PI tone you can transform from Preset 1 to Preset 2 by rocking a Source Audio Expression Pedal from heel to toe (this process can also be performed with Hot Hand or a MIDI control device). As you morph between the presets, the two footswitch LEDs will change brightness depending on where you are in the transition. It’s worth mentioning that the morphing function is not a cross fade between two sounds, but rather a gradual shift between each preset’s individual parameters. So the middle of the expression pedal range is truly an “in-between” sound. Some obvious applications are morphing from clean to distorted sounds, low drive settings to high drive settings, changes in volume, or between dramatically different sounds. The expression pedal can be effectively inverted depending on which preset is initially enabled. Keep in mind that adjusting knobs while using the expression pedal will only control the originally selected preset, independent of the expression pedal position. Also, while tweaking presets to get the desired pair of sounds for morphing, don’t forget to save before switching to the other preset.
18 | External Control
MIDI CONTROL The Soundblox 2 OFD microModeler can be controlled via general MIDI messages. In order to use the MIDI functionality, the unit requires a Source Audio Soundblox 2 MIDI Adapter. Please check www.sourceaudio. net for availability. The adapter connects to the MULTI-FUNCTION input and provides standard MIDI IN and OUT 5-pin DIN connectors. Using Soundblox 2 pedals with MIDI greatly extends the functionality of the units. Having MIDI I/O allows for remote automation, external controllers, firmware updates and more. If you have more than one Soundblox 2 pedal, only one MIDI Adapter is necessary — the Soundblox 2 MIDI adapter will simultaneously control multiple Soundblox 2 pedals. For information on using your Soundblox 2 with MIDI and for MIDI mappings, please visit our website at www.sourceaudio.net.
External Control | 19
USE WITH HOT HAND® All Soundblox pedals are compatible with our Hot Hand accessories. Hot Hand units consist of a ring-mounted accelerometer that translates motion into a control signal that can be applied to effect parameters. On the OFD, connect Hot Hand to the Multi-Function input. Select the HH mode as the external control option. This will take the input signals from Hot Hand and use them to control either the Morphing function or the assigned knob parameter (See Control Assign Section). The Soundblox 2 OFD microModeler can also be calibrated to change the midpoint of the Hot Hand control range — for instructions, follow the calibration procedure below. Note that Calibration is only used for Hot Hand mode and calibration is NOT required before use. To perform a calibration: 1. S elect a preset by pressing a footswitch. 2. E nable Hot Hand control by selecting HH mode from the external controls (See External Control section). 3. P ress and hold the NOISE GATE button until the HH red LED begins to blink slowly (this is the same as the control assign procedure). 4. Put the Hot Hand sensor into the desired calibration position. 5. Press the footswitch for the currently selected preset. 6. The HH LED will blink when the calibration is complete. If you have trouble with calibration and need to get back to the default setting, place the sensor on a flat, level surface with the blue LED facing down and run the calibration procedure again.
20 | Use with Hot Hand
UNIVERSAL BYPASS™ Most effect pedals offer either true or buffered bypass. Soundblox 2 pedals offer Universal Bypass, which allows you to select between the two. We recommend choosing between the OFD’s active analog (a.k.a. buffered bypass) and relay-based true bypass (a.k.a. true bypass) based on your pedalboard’s signal chain (Ideally, the first pedal in a signal chain would be a buffered input followed by true bypass in the rest of the signal chain). By default, the OFD is set to relay-based true bypass. To switch the pedal to buffered bypass, press and hold the right footswitch while powering up the pedal. Continue to hold the footswitch until the corresponding LED blinks three times. The pedal is now in buffered bypass. To switch back to true bypass, replicate this process with the left footswitch. Both bypass methods have clear advantages. Buffered bypass provides consistent input impedance, so if the input instrument is susceptibl to variations in input impedance (like a guitar pickup), there won’t be a noticeable change in tone. True bypass has the benefit of providing a dedicated hardwire bypass signal path. However, hardwire connections require mechanically complex 3PDT (3-pole, double throw) switches, which are not design to accommodate audio level signals. The OFD microModeler offers a solution to this problem with its special relaybased true bypass, which is a far superior design for audio level signals.
Universal Bypass | 21
SPECIFICATIONS Dimensions • L: 4.5 inches • W: 4.5 inches • H: 2.25 inches (including knobs) Weight • 1.00 lbs Power •1 40mA @ 9V DC (max 180mA with Hot Hand Wireless Adapter) • Negative tip power jack
Audio Performance • Maximum input level: 2.0 Vrms (+6 dBV) • Input impedance: 1 MOhm • Output impedance: 1 kOhm • 115dB DNR audio path • 24-bit audio conversion • 56-bit digital data path • Universal Bypass™ (buffered or relaybased true bypass)
TROUBLESHOOTING Noise: Power Source
Ensure that the proper power supply is being used.
Near noise source
Move pedal away from power supplies and other equipment.
Other equipment
Remove other effects from signal chain, see if noise persists.
Bad cables
Swap out audio cables.
Hot Hand doesn’t work: Low power
Ensure that the proper power supply is being used.
Not calibrated properly
Calibrate the Hot Hand — see page 20.
Not connected properly
Check Hot Hand connections.
22 | Specifications
Unit appears dead/no LEDs lit: Wrong power supply
Use correct power supply as defined on page 4.
Input plug not connected
Ensure that input cable is connected to the GUITAR input.
Corroded input cable plug Check input cable plug for corrosion on sleeve, swap out cable if necessary.
LIMITED WARRANTY Source Audio, LLC (hereinafter “Source Audio”) warrants that your new Source Audio Soundblox 2 OFD Guitar microModeler, when purchased at an authorized Source Audio dealer in the United States of America (“USA”), shall be free from defects in materials and workmanship under normal use for a period of two (2) years from the date of purchase by the original purchaser. This Limited Warranty does not extend to the batteries which are purchased as is. Please contact your dealer for information on warranty and service outside of the USA. Under this Limited Warranty, Source Audio’s sole obligation and the purchaser’s sole remedy shall be repair, replacement, or upgrade, at Source Audio’s sole discretion, of any product that, if properly used and maintained, proves to be defective upon inspection by Source Audio. Source Audio reserves the right to update any unit returned for repair and to change or to improve the design of the product at any time without notice. Source Audio reserves the right to use reconditioned parts and assemblies as warranty replacements for authorized repairs. Any product repaired, replaced, or upgraded pursuant to this Limited Warranty will be warranted for the remainder of the original warranty period. This Limited Warranty is extended to the original retail purchaser. This Limited Warranty can be transferred to anyone who may subsequently purchase this product provided that such transfer is made within the applicable warranty period and Source Audio is provided with all of the following information: (i) all warranty registration information (as set forth on the registration card) for the new owner, (ii) proof of the transfer, within thirty (30) days of the transfer, and (iii) a photocopy of the original sales receipt. Warranty coverage shall be determined by Source Audio in its sole discretion. This is your sole warranty. Source Audio does not authorize any third party, including any dealer or sales representative, to assume any liability on behalf of Source Audio or to make any warranty on behalf of Source Audio. Warranty | 23
WARRANTY INFORMATION
Source Audio may, at its option, require proof of the original purchase date in the form of a dated copy of original authorized dealer’s invoice or sales receipt. Service and repairs of Source Audio products are to be performed only at the Source Audio factory or a Source Audio authorized service center. Prior to service or repair under this Limited Warranty, the purchaser must request from Source Audio a return authorization, which is available at: Source Audio LLC 120 Cummings Park, Woburn, MA 01801 (781) 932-8080 or at www.sourceaudio.net. Unauthorized service, repair, or modification will void this Limited Warranty. DISCLAIMER AND LIMITATION OF WARRANTY DO NOT OPEN THE EFFECTS PEDAL UNDER ANY CIRCUMSTANCE. THIS WILL VOID THE WARRANTY. THE FOREGOING LIMITED WARRANTY IS THE ONLY WARRANTY GIVEN BY SOURCE AUDIO AND IS IN LIEU OF ALL OTHER WARRANTIES. ALL IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR ANY PARTICULAR PURPOSE, EXCEEDING THE SPECIFIC PROVISIONS OF THIS LIMITED WARRANTY ARE HEREBY DISCLAIMED AND EXCLUDED FROM THIS LIMITED WARRANTY. UPON EXPIRATION OF THE APPLICABLE EXPRESS WARRANTY PERIOD, SOURCE AUDIO SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF ANY KIND, EXPRESS OR IMPLIED. SOURCE AUDIO SHALL IN NO EVENT BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES SUFFERED BY THE PURCHASER OR ANY THIRD PARTY, INCLUDING WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS OR BUSINESS OR DAMAGES RESULTING FROM USE OR PERFORMANCE OF THE PRODUCT, WHETHER IN CONTRACT OR IN TORT. SOURCE AUDIO SHALL NOT BE LIABLE FOR ANY EXPENSES, CLAIMS OR SUITS ARISING OUT OF OR RELATING TO ANY OF THE FOREGOING. Some
states do not allow the exclusion or limitation of implied warranties so some of the above limitations and exclusions may not apply to you. This Limited Warranty gives you specific legal rights, and you may also have other rights, which vary, from state to state. This Limited Warranty only applies to products sold and used in the USA. Source Audio shall not be liable for damages or loss resulting from the negligent or intentional acts of the shipper or its contracted affiliates. You should contact the shipper for proper claims procedures in the event of damage or loss resulting from shipment.
© SOURCE AUDIO LLC 120 CUMMINGS PARK, WOBURN, MA 01801 SOURCEAUDIO.NET
