Transcript
Index
INDEX 2 TRACK, 12, 31, 77 connecting, 36 -20 dB (Signal Present) LED, 71 75 Hz, 20, 68 ADAT, 31 normalling w. Groups, 55 assignment, 11, 20, 39 AUX 3(5) SOURCE Switch, 22, 70 Aux Return, 22, 41 LEVEL, 73 Aux Send/Return, 22 Aux Sends, 18, 22, 39 as cue mix, 16 connecting, 39 selecting, 41 Auxiliaries selecting 3/4 or 5/6, 22, 70 Auxiliary Masters, 75 Auxiliary Outputs, 80 balanced, 28, 33 Block Diagram, 92 Bouncing Tracks, 55 Connections, 33 Control Room, 23, 76 connecting amp, 37 in headphones, 73 level, 76 Source, 16, 76 cue mix, 12, 53 Direct Out, 14, 29, 47, 80 effects, 18, 39, 41 in control room monitors, 42 in MONITOR 1/2 mix, 43 recording to multitrack, 43, 48 returns. See Aux Return stereo or mono input, 40 ELCO, 35 EQ, 10, 20, 46 Equalizer section, 68 Fader, 72 cleaning/maintenance, 84 Group Master, 78 Master L/R, 77 FADER SOURCE, 14, 19, 52, 55 feedback, 47 FREQuency, 68 gain, 72 of Mic and Line inputs, 67 structure, 9, 45 with effects, 41
Studio 32 Reference Manual
Ground Loops, 27 grounding, 5, 26 Group Master, 78 Faders, 78 Group Outputs, 14, 20, 31, 48, 80 GRP 1/2 in channels, 72 in Stereo Aux Returns, 18, 41, 74 headphone, 73 Headphones, 16, 23, 32, 53, 73 amplifier, 37 HEADPHONES SOURCE, 53 headroom, 77 High EQ, 68 high-pass filter, 20 Impedance, 28, 88 Inputs, 33 Aux Return, 39 balanced, 36 Mic, 28 Insert, 30, 39, 44 Main L/R, 31, 80 L/R channel, 72 Stereo Aux Return, 18 L/R Master Fader, 78 LED Peak, 71 Solo, 72 Level Aux Return, 73 effects, 42 setting, 19, 45 Levels, 87 LINE IN, 19, 28 LINK TO L/R, 21, 51, 54, 75 Low EQ, 68 Main Inserts, 31 MAIN OUTS, 31 Master L/R FADER, 77 MASTER SECTION, 73 maximum level, 87 Meters, 24, 50, 77 MIC IN, 19, 28, 81 MIDI virtual tracks, 54 Midrange EQ, 68 mix minus, 80
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Index
mixdown, 12 Mixing, 11 example, 58 Group Faders as Subgroups, 61 mixdown, 57 PA, 61 stage monitor, 62 MON 1/2 in headphones, 73 in Stereo Aux Returns, 22, 73 monitor, 21 on channel faders, 52 TAPE IN, 51 MONITOR 1/2, 16, 21, 71 Master, 75 MONITOR 1/2 SOURCE, 19, 62, 70 monitor speakers, 23 MONO, 23 Control Room, 77 Group, 78 output for PA systems, 61 multitrack, 11, 14, 19, 34 MUTE, 71 noise, 27, 46 noise, 88 Outputs, 33 Aux Sends, 32 Group, 78 maximum, 35 overdubbing, 12, 51, 53 Overload, 71 PA systems, 61 Pan Channel, 71 Monitor, 16, 71 parametric EQ, 20, 68 Patchbay, 37 PEAK, 9 as MUTE indicator, 71 Channel, 71 PFL, 24 PHANTOM, 73, 81 PK, 9 in L/R meter, 77 post-fader, 39 Power, 26 Power cable, 5, 79 pre-fader, 20, 40, 76 Q, 20, 69 rack mounting, 25 rack rails, 25 recording, 11, 45, 47 Returns see STEREO AUX RETURNS, 73
Studio 32 User’s Manual
send/receive, 18 Setting Levels, 45 signal flow, 19, 92 SIP/PFL switch, 24 SOLO, 23, 24, 71 in Stereo Aux Return, 74 level, 76 SIP/PFL switch, 76 Solo in place, 24, 74 sound reinforcement, 61 source, 11 stage monitoring, 20, 62 Stereo Aux Return Input Jacks, 80 STEREO AUX RETURNS, 18, 22, 32, 39, 73 Subgrouping, 21, 61 TAPE IN, 16, 19, 21, 29, 34, 81 TO L/R switches, 48, 61, 78 tracking, 12 TRIM, 19, 67 adjusting using SOLO, 45 range, 81 TRS (tip-ring-sleeve) plug, 28 on Insert cable, 44 unbalanced line input, 28 tape in, 34 unity gain in Auxiliary Masters, 75 in Channel Faders, 72 in Group Faders, 78 in L/R master fader, 77 in MON 1/2 master level, 62 video, 65 XLR, 28, 35
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