Transcript
TM
Instruction manual PV-DSP-1ACD.9.2 (Power Voice) Version with compressor expander function
3U PV-DSP-1ACD Version with Audio Matrix USB player DeEsser
Fully automatic digital automatic mixing amplifier with a power amplifier 200 Watt and free programmable PRESETS 1 and 2. Programmable priority position for conference modes, input audio matrix, optional cable remote control for remote shift of the presets. Remote LIVE control by MASTER USB interface. An exemplary complete equipment in the audio processing by DSP.-1A system. Programming software MWL-Control 1.1.1 Automatic system of the second generation with DIGITAL SIGNAL DELAY FIELD and automatic control of the inputs with BARRIER-GATE, GATE-OPEN and GAIN-CONTROL. Automatic amplifier, DeEsser with USB MP3 player.
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DIGITAL AUTOMATIC POWER MIXER with POWER AMPLIFIER 200W DSP-1A SYSTEM and COMPRESSOR EXPANDER
Made in EU
Phoenix Professional Audio GmbH Gewerbepark Conradty 12 D-83059 KOLBERMOOR Tel. 0049-(0)8031-30425-0 Fax. 0049-(0)8031-30425-25 www.phoenix-pa.com
[email protected] shop.phoenix-pa.com
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
DOC-010915
Instruction manual
TM
SAFETY INSTRUCTIONS Before start-up of the amplifier, we ask you to read the safety instructions carefully. Installation according to the following guidelines: 1 - Always put the amplifier onto a smooth and stable lower surface. 2 - Choose a dry surrounding and do not put any liquids onto the amplifier. 3 - Avoid the closeness to heat sources. 4 - Never open the housing of the amplifier, without pulling the mains plug out of the socket before. 5 - Only connect the device to 230 VAC/50Hz mains voltage. Do not block the ventilation slots! Let above, behind and under the device sufficient space for air circulation. ATTENTION! Be especially careful when dealing with dangerous mains voltage. With this voltage you can suffer a dangerous electric shock.
This device has left the factory in safety-related perfect condition. To maintain this condition and to ensure a save operation, the user has absolutely to consider the safety instructions and warning indications which are contained in this instruction manual. For damages caused by failure to observe these operating instructions, the guarantee will expire. For ensuing defects, the manufacturer accepts no liability. Before the first start-up, please check if there are any obvious transport damages. If you discover damages to the mains line or to the housing, please do not take the device into operation and contact your specialized dealer. The construction corresponds to the protective class I. The mains plug may only be connected to a mains outlet which voltage and frequency exactly matches with the type label of the device. Inappropriate voltages and sockets can lead to the destruction of the device and to mortal electric shocks. Always insert the mains plus at last. The mains plug has to be inserted without force. Pay attention to a firm seating of the mains plug. Do not let the mains line come into contact with other cables. Be careful when dealing with mains lines and -connections. Never touch these parts with clammy hands. Clammy hands can result in mortal electric shocks. Do not change, kink, mechnically load, pull or heat mains lines and do not bring them close to heat- or cold sources. Failure to do so may cause damages to the power line, fire or fatal electric shocks. The cable grommet or the coupling on the device may not be tensioned. Always a sufficient cable length to the device has to be present. Otherwise the cable can be damaged which can lead to mortal electric shocks. Pay attention that the mains line cannot be squeezed or damaged by sharp edges. Regularly check the device and the mains line for damages.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual
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SAFETY INSTRUCTIONS When using lines, it has to be ensured that the wire cross-section is approved for the needed power supply of the device. All warning indications for the mains line are also valid for possible extension lines. Disconnect the device when it is not used and before each cleaning. To do so, touch the mains plug on the grip and never pull the mains line, otherwise the cable and the plug can be damaged which can lead to mortal electric shocks. If plugs or device switches are unobtainable f.i. by installation, at the mains side an all-pole cutoff has to be carried out. If the mains plug or the device is dusty, it has to be taken out of operation, the electric circuit has to be interrupted all-pole and the device has to be cleaned with a dry cloth. Dust can reduce the isolation, which can lead to mortal electric shocks. Stronger dirts in and at the device may only be removed by an expert. Under no circumstances liquids of any kinds may enter sockets, plug connections or any device openings or device slots. If it is suspected, that - even minimal - liquids cound have entered the device, the device has immediately to be unplugged all-pole. This is also valid when the device has been exposed to high air humidity. Even if the device still seems to work, it has to be checked by an expert, if possibly isolations have been damaged by the liquid entry. Reduced isolations can cause mortal electric shocks. No foreign objects may get into the device. This is especially valid for metal parts. If even smallest metal parts like staples and paper clips or rougher metal swarfs get into the housing, the device has to be taken out of operation immediately and disconnected all-pole. Malfunctions and short circuits caused by metal parts can result in mortal injuries. The device and its supply lines have to be protected against lightning strikes. Only connect the device when it is switched off. Before the device is switched on, all faders and volume controls have to be set to zero or to minimum.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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SAFETY INSTRUCTIONS 1. Carefully read this manual. 2. Keep this manual well. 3. Consider all warnings. 4. Follow all instructions. 5. ATTENTION: to avoid fires and electric shocks, this system may not be exposed to rain or humidity. Do not use this device close to any waters. 6. Only clean it with a dry cloth. 7. Do not cover any ventilation openings. 8. Do not put it close to heat sources like radiators, hot air dampers, ovens or other devices (including amplifiers), which emit warmth. 9. Do not override the safety function of the inverse polarity protection or the safety plug. A plug with inverse polarity protection has two pins, and one of them is wider than the other (only for USA/Canada). A safety plug has two pins and one ground pole. When the included plug does not fit into your socket, the socket is obsolete and has to be replaced by an electrician. 10. Pass the power cable in a way, that nobody can step onto it and that it cannot be jammed. This is especially valid for plugs, sockets and the place where the cable comes out of the device. 11. Only use products and accessories specified by Phoenix Professional Audio GmbH. 12. Let maintenance operations only be carried out by qualified maintenance staff. The device has always to be maintained, when it has been damaged in any way, f.i. when the mains cable or the mains plug is damaged, if liquids have been spilled onto the device or objects have been fallen into it, if the device has been exposed to rain or humidity, if it does not work normally or if it has been fallen down.
EXPLANATION OF THE GRAPHIC SYMBOLS
The exclamation mark in a triangle shall advise the user of the existence of important operating- and maintenance instructions in this manual.
The symbol consisting of a flash with an arrowhead in a triangle shall advise the user of the existence of non-isolated, dangerous voltages within the housing, which can be strong enough to give an electric shock.
ATTENTION: TO REDUCE THE RISK OF AN ELECTRIC SHOCK, DO NOT REMOVE THE COVER. USE QUALIFIED STAFF FOR ALL MAINTENANCE OPERATIONS.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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GENERAL POWER-VOICE PV-DSP-1ACD.9.2 Automatic power mixer with compressor expander function and power amplifier 200 Watt, especially developed for uses in difficult acoustic buildings (architectural acoustics). The PV-DSP-1ACD.9.2 is used in places, where most of the other devices bring no positive results or where a complete „rack“ with system components would have to be built up to achieve a reasonable acoustic result. The 8 universal inputs are shiftable by DIP switch between MIC. and LINE sensitivity. Each of the 8 universal inputs has shiftable phantom power and a HPF filter (100 Hz). The universal inputs are equipped with shiftable automatic microphone system (DSDF), DIGITAL SIGNAL DELAY FIELD system. The release of all recorded microphones is done automatically and is controlled and supervised by the prozessor system (DSDF). By the input matrix (DIP switch) „MAINSUM-1“ and „MAINSUM-2“ all 8 input channels can be allocated to the „MAINSUM-1“ outputs OUTPUT 0dB (POST/PRE-MASTER), 0dB OUTPUT and/or to the „MAINSUM-2“ output MIX-OUT. All settings of the matrix, the DSDF system, priority or conference programming are described in the further chapters. Besides this, the POWER VOICE DSP-1ACD.9.2 has the following inputs and functions: - Input audio matrix „MAINSUM-1“ and „MAINSUM-2“ - DeEsser with FULL, SPLIT, AIR functions - USB MP3 player - 8 x compressor expander - 8 inputs to XLR (MIC.-LINE by DIP-switch) - LINE input (LINE-9 IN) to Cinch - 8 x input GAIN control -15 input parametric EQ - 2 PRESETS - Digital NOISE GATE and LIMITER (software) - RS 485 REMOTE Interface for cable remote control, manual shift between the presets - 2 100V/speaker line outputs (1 controllable zone) - PRE-MASTER output before PEQ and MASTER (balanced to XLR) - POST-MASTER output DSP (balanced to XLR) - PRE-MASTER input (balanced to 3-poled jack) - Connection for cable remote control INPUT PANEL PRESET (RJ 45) - INFO OUT PRESET 2 (control with 2 x contact) for f.i. connection of additional speaker lines in PRESET 2 - Output RECORD for recording devices - System software MWL-CONTROL 1.1.1 All these setting possibilities provide an even more precise room equalization and best adaption to the room acoustics. Besides this, the mixing amplifiers have an additional speaker line with separate volume control and system SOFT-START for better speaker protection. The devices are suitable as desktop version as well as for 19“-installation.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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MAIN FEATURES - Short circuit protection - overheat control - open circuit protection - overload protection - Power amplifier 200 Watt power - RELAY CONTROL PANEL (activation at preset 2) - 100V, 70V, 50V, 8 Ohm and 4 Ohm speaker outputs - SOFT START to suppress switching noises - Balanced microphone inputs - DeEsser - USB MP3 player - Compressor expander system - Balanced LINE IN / LINE OUT in-/outputs - PRESETS selection switch - 2 WAY audio matrix - Output RECORD for recording devices - Phönix connections for speaker lines - Separate volume control for microphone, line inputs with 2-fold EQ - Countersunk 2-element graphic EQ at the front side per input - Feedback limiter „phase shifter“ or „adaptability automatic“ - Microphone automatic switch system with control LEDs - Audio signal limiter and NOISE-GATE (MASTER) - 15 x input parametric EQ with 20 Hz to 20.480 kHz @ -12dB/+12dB @ 0.05 oct - 3.00 oct - Delay per output to 85 mtr. - Separate speaker line with volume control. Zone 1 [200 W complete amplifier power] - Control software MWL-CONTROL 1.1.1 via USB interface.
FRONT SIDE OF THE AMPLIFIER
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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1. CONTROL LEDs AUTOMATIC SYSTEM Green LED indications light when the automatic mic.-system allows an input signal. If the input is not addressed, the green control LED remains dark and the input remains closed. Possibly please consider the DIP switch position. 2. CONTROL LEDs PEAK Red LED indications light when the input signal is too high and the input is overridden. In case of override please change GAINLEVEL or DIP-switch position (MIC.-LINE). 3. CHANNEL VOLUME CONTROLS 1 to 9 These controls (level slide controls) determine the volume of the inputs 1 to 9. Please consider the volume controls (limiters) in the display (settings 1-4 VOL, DSP) and the MASTER control or GAIN LEVEL potentiometer at the rear side. 4. LINE INPUT Line input (0 dB) with level slide control, LF and HF EQ control for f.i. CD player feed etc. (front input). 5. DeEsser (basics) If a transmission of the human voice is carried out, it is often necessary for aesthetic reasons, subsequently to raise or to drive the high frequency parts of the reproduction (approx. 2 kHz to 8 kHz) by means of an equalizer. Thereby the voice gets a more robust sound or more presence. Also with pure speech transmissions thus a voice appears more direct to the most listeners and attracts more attention with the same volume. A problem occurs when raising the high frequencies of a speech transmission as a result of that the voiceless sibilants (s, ss, ß, sch, z, tz) consist almost exclusively of such frequencies, they are reproduced disproportionally loud by amplifying these areas. Besides this, this effect is amplified by the often used compression of the speech signal, as these tones are indeed perceived as loud, but regarding the technical signal level they are low and can hardly be lowered by the compressor. Insofar a reproduction processed in this way sounds very unpleasant, as the sibilants are noticed disproportionally loud and very intrusive.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual
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DeEsser 5. (5.2) DeEsser (function FULL/automatic) The De-Esser located in the amplifier system in the system setting „FULL“ at first separates the lower from the problematic middle and upper frequencies automatically (in the frequency range 800 Hz to 8 kHz) and then compresses the last, whereby too loud sections are automatically lowered in the level (please consider the setting „ATTENUATION“ Poti-No. 5.3). Afterwards both signals are mixed together again. The result is a present and good sounding reproduction of the human voice without obtrusive sibilants (s, ss, ß, sch, z, tz). In system operation of the DeEsser „FULL“ the yellow control LED lights up. 5. (5.2) DeEsser (function SPLIT/ BAND manual) By pressing the button „DE-ESS BAND“ the DeEsser is activated in SPLIT modes, the green control LED lights up. With manual setting of the DeEsser the lower start frequency has to be set with potentiometers No. 5.5. Above this frequency the DeEsser is active. EXAMPLE: With poti No. 5.5 the start frequency is set to the value 3 kHz, that means the frequency band above 3 kHz is controlled by the DeEsser and the powerful, obtrusive sibilants (s, ss, ß, sch, z, tz) reduced for the set value (0 dB to -20 dB) with the potentiometer No. 5.3 (attenuation). IMPORTANT: To reach a better sound result above the 12 kHz frequencies, it is recommended always to work with active DeEsser and additional function „AIR“.
5.1 Operating mode control LED`s The green LED lights when the DeEsser is in „FULL“ mode, the yellow LED lights in operating mode „SPLIT“.
5.2 Selection switch „DE-ESS BAND“ (MODES: FULL/SPLIT)
5.1 5.2 5.3
By activating the selection switch between „FULL“ and „SPLIT“ (band) the favoured MODE TYPE can be switched.
5.3 ATTENUATION By turning the potentiometer the favoured attenuation of the (s, ss, ß, sch, z, tz) noises is adjusted. The set attenuation equally affects both MODE types „FULL“ and „SPLIT“. The range of the reduction is between 0 dB and -20 dB.
5.4 LED INDICATION (ATTENUATION)
5.4
5.5 5.6
The LED chain shows LIVE the current strength of the attenuation in the range of 0 dB (no attenuation, green LED lights) up to -20 dB (all LED´s light red).
5.5 FREQUENCY (start frequency) In the „DE-ESS BAND“ SPLIT mode the lower start frequency has to be adjusted. Referring to this, with potentiometers No. 5.5 you adjust the best suitable frequency, the attenuation of the sibilants by the DeEser is done above the set start frequency. IMPORTANT: In the mode „FULL“ the potentiometer „FREQUENCY“ has no function.
5.6 DeEsser AIR mode By pressing the button „AIR“, „modes AIR“ is activated and the green control LED lights up. Modes AIR has the effect that the frequency band above the 12 kHz is not affected by the DeEsser. To reach a better sound result above the 12 kHz frequencies, it is recommended always to work with active DeEsser and additional function „AIR“. “Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual MP3 player No. 6 1
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1. USB/SD This button is used for shifting between USB operation or SD card operation. A single medium, that means an USB stick (USB flash drive pen) or SD card is recognized „individually“ automatically by the system. IMPORTANT: The function is only given when simultaneously two storage mediums are located in the USB player.
2. REPEAT By short pressing the button REPEAT appears on the display „ONE“ and the current song is repeated. By pressing again appears on the display „ALL“ and all songs located on the USB stick are repeated. The function is switched off by holding the REPEAT button for approx. 3 seconds, then the device changes to normal PLAY MODE.
3. PREV & (-V) FUNCTIONS The button „PREV & (-V)“ has two separate functions: 1.- By short pressing the „PREV“ button it is switched to the previous song and automatically played. 2.- By pressing the button „PREV & (-V)“ for approx. 3 seconds, the volume of the MP3 player is decreased (-volume), on the display appears the current volume number (between 0 and 30).
4. NEXT & (+V) FUNCTIONS The button „NEXT & (+V) has two separate functions: 1.- By short pressing the „NEXT“ button it is switched to the next song and automatically played. 2.- By pressing the button „NEXT& (+V)“ for approx. 3 seconds, the volume of the MP3 player is increased (+volume), on the display appears the current volume number (between 0 and 30).
5. PLAY & II (Pause) FUNCTIONS By pressing the PLAY button, a song is started. Press the button while a song is played, the reproduction is stopped. „PAUSE function“: press the button again and the reproduction is started again.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual MP3 player No. 6 1
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6. IR REMOTE CONTROL INPUT Remote control infrared signal input. To guarantee a correct remote control function, the so-called „SIGHT CONTACT“ between the amplifier and the remote control shall be given.
7. SD CARD SLOT SD card slot
8. LC DISPLAY Information for the user for the operation of the MP3 player is indicated on the display.
8. USB SLOT USB slot for an USB stick (USB flash drive pen)
IMPORTANT: The MP3 player has no FILE management function; it is recommended to record compositions on the USB stick without FILE.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual REMOTE CONTROL OF THE MP3 PLAYER
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1. MODE SLOT selection switch, this is used for shifting between USB operation and SD card operation.
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2. ON- and OFF SWITCH
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After activating this switch the MP3 player can be switched ON and OFF.
3. PLAY & II (Pause) FUNCTIONS By pressing the PLAY button a song is started. Press the button while a song is played, the reproduction is stopped. „PAUSE“ function: press the button again and the reproduction is started again.
4. EQ The integrated MP3 player has 6 fix audio DSP, EQ presets. By repeated activation of the EQ button it is switched between the six presets. The current audio DSP preset is indicated on the display. Display indication of the MP3 player: E1 to E6.
5. KEYBOARD 0-9 Block keyboard for fast selection of the compositions.
6. RPT - REPEAT By short pressing the button REPEAT „ONE“ appears on the display and the current song is repeated. By pressing again „ALL“ appears on the display and all songs located on the USB stick are repeated. The function is switched off by holding the REPEAT button for approx. 3 seconds, then the device changes to normal PLAY MODE.
7. VOLBy pressing the button „VOL-“, the volume of the MP3 player is decreased (-volume), on the display appears the current volume number (between 0 and 30).
7.1. VOL+ By pressing the button „VOL+“, the volume of the MP3 player is increased (+volume), on the display appears the current volume number (between 0 and 30).
8. Ivv
wwI
By short pressing the „wwI“ button it is switched to the next song, by short pressing the „Ivv“ previous song and automatically played.
button it is switched to the
9. MUTE By pressing the MUTE button, the reproduction is interrupted, but the program resp. the current song is not stopped by the system, it continues in the system. By pressing the button again, the reproduction of the song is activated.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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10. RECORD OUTPUT Unbalanced connected (0 dB), is used for connection of recording devices. The signal which is available for recording, is the signal sum of the microphone- and sound carrier inputs before the tone (EQ) and MASTER volume control.
11. MASTER SECTION With this control the master volume can be adjusted, raised or driven. Please consider the digital volume control in the DSP audio (limiter) in the system display (settings MAIN VOLUME for PRESETS 1 and 2).
12. CONTROL LED`s, PROT and PWR OPERATING DISPLAY If the PROTECT control indication lights up without input signal, possibly there are system oscillations or other interferences. Separate the load and reduce the gain to zero. If the LED continues to light, possibly the amplifier has to be maintained.
13. MAINS ON-/OFF SWITCH WITH OPERATING DISPLAY After activation of this switch, the device is ready for use. Operating voltage 230 VAC/50-60 Hz.
14. 2-BAND EQ Separate LF and HF control of the individual microphone- or LINE inputs and MASTER SECTION. Please select the DIP switches between MIC. and LINE sensitivity at the rear side.
15. PRESET 1 and PRESET 2 switch with LED indication Manual shift of the presets 1 and 2, if a manual shift of the PRESETS shall be carried out, the current condition is indicated by the control LED PRESET 1 or PRESET 2 or on the display the „CLEAR TEXT“ PRESET name.
16. DISPLAY Multifunctional display, with menu navigation and indication for all settings guided in the system by the SETTING/ENTER button (manual local programming).
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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17. SETTINGS/PUSH/ENTER BUTTON To change into the programming mode, shortly press the button ENTER, the display changes over. By turning the PUSH/ENTER button you change between the programs. All settings are permanently saved and remain preserved even in case of interruption of the power supply. After the carried out programming and by pressing the button EXIT, in the display a standard indication with feedback limiter status indication and the clear text name of the presets is indicated.
18. EXIT BUTTON By pressing this button you get from the main program to the sub-program or back to the standard display indication.
19. USB INTERFACE Is used for connection to a PC and programming by the control software MWL-CONTROL.
20. LEVEL INDICATION The level indication lights up when the input signal exceeds -24 dB. If there is no indication, check the gain settings and increase the gain if necessary. Check the input connections and the audio source for signals. If the PROT LED lights or shows level indication +3 dB even no signal is indicated, check the input and output wiring.
21. SPEAKER ZONE 1 (SEPARATE SPEAKER LINE) Individual speaker lines for f.i. control speaker with 100V output and separate volume controls (step switch, maximum load is equal to the maximum amplifier gain). IMPORTANT: The first speaker zone „SPEAKER ZONE 1“ is connected with the internal amplifier power final stage (200 Watt).
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual CONNECTIONS OF THE AMPLIFIER 11
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1. 230VAC INPUT BUSH IEC socket for connection to the 230VAC mains supply with glass fuse.
2. RJ-45 REMOTE CONTROL INPUT Remote control input (control panel), optional device. Is used for manual remote selection of the presets 1 and 2.
3. RELAY CONTROL PANEL (INFO OUT PRESET-2) Floating contacts with automatic shift by the preset-2 position. Is used for override of an additional speaker line in preset-2 selection, like f.i. for programming of the amplifier for the Sunday mass, Christmas„church is full“ in PRESET-2 program sequence.
4. MIX OUT (audio matrix output MAINSUM-2) The MIX-OUT output is designed balanced with signal routing for input 9 (LINE, CD) and all inputs 1 to 8, which are allocated by programmer No. 3 (MAINSUM-2) and programmer No. 2 (MAINSUM-1) inputs. Besides this, the position of the programmer No. 4 affects the output MIX-OUT like follows: OUT2 PRE/POST GATE (switch No. 1@programmer No. 4) Position (above) OFF, all input channels allocated by the programmer-3 (MAINSUM-2) are standard routed after automatic system and MASTER slide control. POST-GATE position. Position (below) ON, all input channels allocated by the programmer No. 3 (MAINSUM-2) are routed before the automatic system and MASTER slide control. PRE-GATE position.
5. LINE OUT (POST MASTER OUT/ MAINSUM.1) Transformer-balanced linear (after EQ and Master) output LINE (0 dB).
6. LINE OUT (PRE MASTER OUT) Transformer-balanced linear (before EQ and Master) output LINE (0 dB).
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7. GROUND LIFT (SEPARATE PER OUTPUT) Typical uses in mass hum loops, with multiple grounded audio connections, especially when two so-called LINE-LINE devices are coupled together with audio line.
8. LINE OUT (PRE MASTER OUT) Transformer-balanced linear (before EQ and Master) output LINE 0 dB.
9. LINE IN (PRE MASTER) Linear (before EQ and Master) balanced input to Jack bush (LINE level, 0 dB).
10. LINE CD IN-9 Unbalanced RCA connection (LINE level, +0 dB). The connections are unbalanced connected and are suitable for stereo sound carrier, L+R are internally interconnected via an OP 1/1. The volume- and LF/HF control is done at the front side with front slide control or LF/HF with spindle trimmers countersunk in the front plate.
11. SPEAKER OUTPUTS The 100V speakers are connected to the clamp 100V and COM pin. Low-ohmed speakers with an impedance of 8 or 4 Ohm are connected to the clamps 8 Ohm or 4 Ohm and COM. Attention: Only either 100V speakers OR low-ohmed speakers can be connected - simultaneous use is not possible.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual CONNECTIONS OF THE AMPLIFIER
The illustration No. 1 shows the speaker output clamp with zone-OUT-1.
Speaker output ZONE 1 is supplied from the internal power final stage. The output is 100V with the maximum power of 200 Watt. Drawing: YELLOW=100V, BLACK=COM. A direct speaker output is supplied from the first, internal power final stage. The output is 100V with the maximum power of 200 Watt. Drawing: BLUE=100V, BLACK=COM. Please consider that the ZONE-1 output and the direct speaker output are supplied from the same power final stage. The connected LOAD in the ZONE 1 and to the direct output shall totally not exceed more than 200 Watt.
Attention: To the direct speaker output only either 100V speakers OR low-ohmed speakers can be connected - the simultaneous use is not possible and leads to system shutdown or can lead to the destruction of the power final stage.
Useful information For the speaker zone extension a speaker zone control panel type: SW-6 is available for you. By the outputs „coupling“ of the amplifier PV-DSP-1A(C)D.XX (COM, 4/8 Ohm, 50V, 70V and 100V) with inputs of the SW-6 the setup of additional 6 speaker zones with ON/OFF switch and separate volume control is possible.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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Instruction manual SPEAKER OUTPUTS
Church front sound internal AMP1 equalization 1
Church exterior sound AMP1 equalization 1 Automatic activation with preset No. 2.
Gallery sound ZONE 1 by AMP-1 with separate volume control.
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Instruction manual CONNECTIONS OF THE AMPLIFIER
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12. CONTROLLABLE SPEAKER OUTPUT The controllable output No. 12 is coupled with the internal final stage. The maximum load is 200 Watt/100 Volt. ATTENTION: Please consider that the ZONE-1 output and the direct speaker output are supplied from the same power final stage. The connected LOAD in the ZONE-1 and to the direct output shall totally not exceed more than 200 Watt.
13. AUDIO INPUTS 1 to 8 At the device´s rear side there are 8 x XLR audio input bushs (No. 15). The inputs are constructed balanced +2, -3, 1- shielding (see drawing). For each input the input sensitivity (GAIN) can be adjusted at the rear side. The input volume is adjusted at the device´s front side with separate slide control and 2-element EQ. ATTENTION: All microphone inputs have a shiftable phantom power (phantom) +48VDC (DIN/IEC norm). If unbalanced, dynamic microphones shall be connected to the audio inputs, a coupling condenser has to be added or the phantom power has to be switched off.
Balanced inputs: isolate the wire lines for 6 mm and connect them as shown with the clamps. Tighten the screws firmly.
Unbalanced inputs: isolate the wire lines for 6 mm and connect them as shown with the clamps. The middle pin has to be connected with the shielding pin as shown. Tighten the screws firmly.
1 GND 2 +IN 3 -IN
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Instruction manual CONNECTIONS OF THE AMPLIFIER 11
1
2
3
12
13
4
5
7
8
9
14 15
10
14. GAIN CONTROL Each input channel has an independent gain control. DIP switch (position: MIC) ON-position: -40 dB/-15 dB, DIP switch (position: LINE) OFF-position: -15 dB/+5 dB.
15. DIP-SWITCH (MIC. LINE / PHANTOM POWER / FILTER HPF-100 Hz) Each input channel has a DIP switch, thus the following conditions can be selected: DIP-1 (ON): Input is supplied with 24VDC phantom voltage for condenser microphones. DIP-1 (OFF): Phantom voltage is deactivated. DIP-2 (ON): Input is set to the microphone input sensitivity. DIP-2 (OFF): Input is set to the LINE input sensitivity. DIP-3 (ON): Input low cut filter (100 Hz) to remove low frequencies, interferences and phase shift is activated. DIP-3 (OFF): the highpass filter (low cut filter, 100 Hz) is deactivated.
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Instruction manual SETTINGS IN AUTOMATIC/MAINSUM-1 AND MAINSUM-2 Programmer-2 MAINSUM-1 Programmer-1 AUTOMATIC ON/OFF
Programmer-3 MAINSUM-2
Programmer-4
Programmer-5 PRIORITY & CONFERENCE
TIME AUTOMATIC JUSTIFICATION
SENSITIVITY LINE/CD JUSTIFICATION ATTACK AUTOMATIC JUSTIFICATION
DESCRIPTION PROGRAMMER 2 (MAINSUM 1) DIP-MATRIX With the PROGRAMMER-2 switch block the individual channels 1 to 8 can be allocated to the internal amplifier final stage for the reproduction of the speakers connected to the amplifier [MAINSUM-1]. The carried out setting by the PROGRAMMER-2 affects the output No. 5 (OUTPUT POST-MASTER). In the factory setting all eight inputs are routed by PROGRAMMER-2 to the internal amplifier.
Useful information Programmer 2, (DIP-MATRIX) settings based upon the input channel No. 1 (MIC.-LINE 1) input. Setting No. 1 (mute) The signal fed at input 1 is muted. Please consider the following settings (illustrations below). Programmer 2
Programmer 3
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TM
Instruction manual SETTINGS IN AUTOMATIC/MAINSUM-1 AND MAINSUM-2 Explanation of the function:
The signal of the input 1 is excluded by (programmer 1), separated from the internal amplifier final stage and not switched further to the output MIX-OUT by (programmer 3). Thus the signal is muted. The function allows a deactivation of the inputs of the system against an unauthorized use of the inputs.
Useful information Factory setting: groups and functions in AUTOMATIC, MAINSUM 1 and MAINSUM 2. PROGRAMMER 1
PROGRAMMER 2
PROGRAMMER 3
Explanation of the function: In the PROGRAMMER-1 all input channels 1 to 8 are connected with digital AUTOMATIC SYSTEM. All inputs (MIC.-LINE) 1 to 8 are allocated to the MAINSUM 1 in [PROGRAMMER-2]. The input 8 is allocated by the DIP switch position in PROGRAMMER 2 to the MAINSUM 1 and in PROGRAMMER-3 to the MAINSUM 2 (MIX-OUT) (f.i. connection subwoofer). The input 9 (LINE-IN) is always allocated to the MAINSUM 1 and MAINSUM 2 and is not subject to the automatic function.
DESCRIPTION PROGRAMMER-3 (MAINSUM 2) DIP-MATRIX With the PROGRAMMER-3 switch block individual channels 1 to 8 can be allocated to the MAINSUM-2, that means the selected channels are allocated to the [MAINSUM-2] and reproduced at the output MIX-OUT. No reproduction by the connected speakers and audio outputs. Programmer-2 MAINSUM-1 Programmer-1 AUTOMATIC ON/OFF
Programmer-3 MAINSUM-2
Programmer-4
Programmer-5 PRIORITY & CONFERENCE “Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
TIME AUTOMATIC JUSTIFICATION
SENSITIVITY LINE/CD JUSTIFICATION ATTACK AUTOMATIC JUSTIFICATION
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Instruction manual SETTINGS IN AUTOMATIC/MAINSUM-1 AND MAINSUM-2 Useful information
System setting of the groups MAINSUM 1 and MAINSUM 2 for speech and music reproduction (system with active woofer and Digivoice system, BEAM STEERING systems).
K2-20REG Altar room sound equalization by internal amplifier DSP system. Feedback control by FBS.
MEX-1-XX Serie+MPL-2 The microphone signal is transferred by all speaker systems without woofer. Better speech intelligibility. K4-40F Gallery sound DSP-OUT-2 equalization by additional amplifier f.i. WM-200DT.
Music source Transmission by all speaker systems and woofer. Better music reproduction.
DAS-1000 Active SUB bass DSP Reproduction of the music signal without microphone signal (speech). Better speech intelligibility.
PROGRAMMER 1
Digivoice.110B.8DSP BEAM STEERING system Main sound f.i. nave. Equalization by internal DSP system in the Digivoice.
PROGRAMMER 2
PROGRAMMER 3
In this DIP-PROGRAMMER position, signals which are fed to input 8 and LINE-IN, are transferred to all speaker systems. Microphone signals, however, are only transferred to all speaker systems except DAS-1000 (SUBBASS). The input No. 8 has been excluded from the automatic function by the PROGRAMMER 1.
21. “Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
Instruction manual
TM
SETTINGS IN AUTOMATIC SYSTEM (DSDF) DESCRIPTION PROGRAMMER 1 (AUTOMATIC ON/OFF) The PV-DSP-1ACD.9.2 (third generation) has a digital automatic (DSDF), DIGITAL SIGNAL DELAY FIELD system, that means an automatic connection of the recorded microphones with automatic control of the input with BARRIER-GATE, GATE-OPEN and GAIN-CONTROL and compressor expander system. The system (DSDF) is based upon the measurement of the stronger wanted signal by the temporal signal delay (SIGNAL DELAY TIME) principle. IMPORTANT: All DIP switches are located in the interior of the amplifier. For the hardware configuration please open the small cover which is located in the upper part of the amplifier´s cover. With the PROGRAMMER-1 switch block the automatic function of the mixer per input channel 1 to 8 can be activated (pos. OFF, not tilted) or deactivated (pos. ON, tilted below), when f.i. the input is used as LINE input and shall be taken into operation without automatic. In the front side of the amplifier all channels excluded from the automatic system are shown by the green LED (IMPORTANT: and each according to the setting in PROGRAMMER-4 the last recorded channel).
The illustration shows programmer No. 1 with position of the DIP switches „ALL INPUTS“ are managed by the automatic system [OFF-position of the DIP switch].
The illustration shows programmer No. 1 with position of the DIP switch „ALL INPUTS“ are excluded from the automatic system. The selective choice of the inputs for AUTOMATIC ON/OFF is of course possible [ON-position of the DIP switch].
Useful information: With programmer No. 1 the automatic function of the mixer can be adjusted activated (position OFF) or deactivated (position ON). If f.i. channel 1 programmer-1 @ switch 1) shall be used as LINE input, it is senseful to deactivate the automatic function of the mixer there, f.i. to reach a better recording quality in RECORDING. Upon delivery of the amplifier all input channels are defined as automatic, the programmer-1 switches are in position OFF. IMPORTANT: If the amplifier in conference mode or the priorities shall be set or used, the corresponding channels have to be set by programmer 1 to [OFF] (upper DIP position, AUTOMATIC ACTIVE).
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SETTINGS IN AUTOMATIC SYSTEM (DSDF)
Sound source f.i. chorister
Active inputs Not active inputs
The justification of the automatic system is located in the interior of the device, please dismantle the upper small cover. By turning the corresponding trimmers, the parameter for TIME / ATTACK can be changed in the automatic. AUTOMATIC TIME JUSTIFICATION The time [GATE-OPEN-TIME] of the active microphones is changed. AUTOMATIC ATTACK JUSTIFICATION The reaction speed or [BARRIER-GATE-GATE-OPEN] of the internal automatic shift to the input signal or the sensitivity is adapted.
Programmer-4
Programmer-5 PRIORITY & CONFERENCE
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
TIME AUTOMATIC JUSTIFICATION
SENSITIVITY LINE/CD JUSTIFICATION ATTACK AUTOMATIC JUSTIFICATION
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Instruction manual SETTINGS IN AUTOMATIC/MAINSUM-1 AND MAINSUM-2
Programmer-4
Programmer-5 PRIORITY & CONFERENCE
SENSITIVITY LINE/CD JUSTIFICATION
TIME AUTOMATIC JUSTIFICATION
ATTACK AUTOMATIC JUSTIFICATION
DESCRIPTION PROGRAMMER-4 Standard switch position upon delivery: Switch No. 1 „OUT2 PRE/POST GATE“ and switch No. 2 „AUTO/MANUAL“ in the position OFF. Switch No. 3 ATTENUATION and switch No. 4 programmer in the position ON. OUT2 PRE/POST GATE (switch No. 1@ PROGRAMMER-4) Position (above) OFF, all input channels allocated by the DIP-2 (MAINSUM-2) are standard routed after automatic system and input slide control. POST-GATE position. Position (below) ON, all input channels allocated by the DIP-2 (MAINSUM-2) are routed before the automatic system and input slide control. PRE-GATE position. AUTO/MANUAL (switch No. 2@ PROGRAMMER-4) In the position (above) OFF (M.AUTO) the mixer is programmed to AUTOMATIC function. In the position (below) ON (MANUAL) the AUTOMATIC function is switched off, the mixer works as conventional STANDARD MIXER, without automatic FUNCTION. ATTENUATION (switch No. 3@ PROGRAMMER-4) With switch No. 3 in the DIP-4 the not active audio inputs can acoustically be attenuated: Pos. OFF (above) -15 dB attenuation, Pos. ON (below) 100 % attenuation. LAST MIC (switch No. 4@ PROGRAMMER) Pos. OFF (above) The recorded microphone or the input turns on and remains active until another microphone or input is recorded or activated. Pos. ON (below) The recorded microphone or the input turns on. After finishing the announcement, the microphone or the input is switched off and remains in deactivated condition until it is not addressed. IMPORTANT: If you want to use the priority functions of the mixer (programming „conference system“), the LAST MIC. function (switch No. 4@DIP-4) has to be shifted into the position ON.
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SETTINGS FOR CONFERENCE & PRIORITY SYSTEM
Programmer-4
Programmer-5 PRIORITY & CONFERENCE
TIME AUTOMATIC JUSTIFICATION
SENSITIVITY LINE/CD JUSTIFICATION ATTACK AUTOMATIC JUSTIFICATION
DESCRIPTION PROGRAMMER-5 IMPORTANT: All DIP switches (PROGRAMMER) are located in the interior of the amplifier. For the hardware configuration please open the small cover which is located in the upper part of the amplifier´s cover. IMPORTANT: If the mixer shall be used as a„CONFERENCE SYSTEM“ with priority levels, the input used for the„conference“, PROGRAMMER-1 switch (X), has to be in position OFF. IMPORTANT: If you want to use the priority functions of the mixer (conference system), the LAST MIC. function PROGRAMMER-4 switch No. 4 has to be shifted into the position ON.
The priority shown in the illustration below affects the microphone inputs 1 and 2, that means microphone 1 has priority over the microphones No. 2 to 8. Microphone 2 has a priority function over the microphones No. 3 to 8. In this configuration priority functions of the 1st chairman and the 2nd chairman against the microphones 3 to 8, or the 1st chairman over the 2nd chairman and the microphone inputs 3 to 8 are effective. OFF ON
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Instruction manual SETTINGS FOR CONFERENCE & PRIORITY SYSTEM
The configuration shown in the drawing shows the automatic priority allocation of the MIC-1 to MIC-3 inputs, of course the automatic priority allocation for all microphone inputs can be configured. In this PROGRAMMER-5 switch position the first recorded microphone keeps priority until it is recorded. All other microphones set in the configuration remain muted. This function provides a conference order, that means the speaker cannot be interrupted as long as he speaks.
digital recorder/protocol
Table base MS-3-XX with TALK button Speaker
Speaker
Speaker
Speaker
Speaker
Speaker
1st chairman
2nd chairman
JUSTIFICATION OF THE SENSITIVITY OF THE INPUT LINE-IN By the internal trimmer the sensitivity of the input No. 9 LINEIN can be adapted to the favoured level. The justification affects the front- and the rear side RCA input No. 9. Programmer-4
Programmer-5 PRIORITY & CONFERENCE
TIME AUTOMATIC JUSTIFICATION
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SENSITIVITY LINE/CD JUSTIFICATION ATTACK AUTOMATIC JUSTIFICATION
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SETTINGS FOR COMPRESSOR/EXPANDER FUNCTION Each input channel 1 to 8 of the PV-DSP-1ACD.9.2 is equipped with a compressor expander system. The control possibilities for the compressor and the expander are located below the upper small cover of the amplifier. By turning the corresponding trimmers, the settings for compressor or expander per input channel can be carried out.
1
2
3
1.- Expander justification 2.- ON/OFF switch 3.- Compressor justification
1.- EXPANDER FUNCTION: An audio expander interferes into the dynamic of an audio signal and effects, opposite to the audio compressor, that the signal compressed at the beginning of a transmission link is accordingly extended again in its dynamic. 2.- ON/OFF switch With the input channel switch „ON/OFF“ the compressor expander control can be activated or shifted to bypass. 3.- COMPRESSOR FUNCTION: An audio compressor belongs according to its type to the control amplifiers. It interferes into the dynamic of an audio signal and compresses it. The dynamic is the level difference between the loudest and the quietest point of an audio signal. The microphone signal (speech) is compressed to „SMOOTH“ the dynamic course totally and thus to make quiet passages more intelligible (because louder), without loud passages can affect too loud or unpleasant.
Useful information: The compressor system is most suitable for microphone signal decrease of the different lectors, by the compression of the signal strong, powerful voices are equalized with voices which have low energy.
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL All DSP functions and settings which can be carried out with the button SETTING/ENTER, can also be carried out by the system software MWL-Control. The advantage of software programming is the produced „PMWL FILE“, this contains all DSP settings (project data), which will later be a big advantage for possible service purposes. Installation- and operating instructions: The software you get after delivery by sending your contact data via mail. After that the program MWL-Control or the file MWL-1.1.1 can be installed on the PC. After the installation the program is started automatically. After the USB connection between PV-DSP-1ACD.XX system and the PC, the computer indicates a new device in the system. To allow the data transfer, the correct COM interface (is indicated in the device manager) has to be adjusted in the program. To be able to establish a connection with the amplifier, in the panel „SETTINGS“ the option „CONNECTION“ has to be selected. The program scans the existing COM ports and indicates the connected devices. Port COM number is shown.
In the software appears a WINDOW with the indication: FOUND MWL „ MWL has been found at port COM“ (XX). Please confirm by pressing the „OK“ button. The connection between PC and amplifier system is finished. IMPORTANT: If during connection setup the following indication appears:„COULDN´T CONNECT TO MWL DEVICE ON PORT COM (XX)“ manually select a new COM PORT No. from the shown COM PORT connections of the WINDOWS DEVICE MANAGER and try it again.
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL SOFTWARE RANGE „FILE“ OPEN: a project saved on the hard disk is opened SAVE: a project is saved on the hard disk SAVE AS: save a project under a new file name EXIT: finish project and leave software.
CONNECT COM Afer the connection between PC and system amplifier is set up, in the software main window the button CONNECT COM XX shall light green.
SAVED TO MWL To transfer the changed settings to the PV-DSP1AD.XX, please press the button „SAVE TO MWL“. The files are now saved in the PV-DSP-1AD.XX, DSP processor.
PASSWORD You can select between DISABLE (without password protection) and ENABLE (all settings are protected by password).
PRESETS DESCRIPTION PRESET 1 and 2 In the menu„PRESETS“ the two PRESETS configurations can be carried out, saved and accessed. Button P1-->P2: here all settings PRESETS-1 can be copied to the PRESETS-2. Button P2-->P1: here all settings PRESETS-2 can be copied to the PRESETS-1. In the small, left window the PRESETS 1 and PRESETS 2 can be renamed.
RESTORE DEFAULTS / DEFAULT SETTINGS
Reset PRESETS to factory settings. All settings and information are hereby deleted!
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL SOFTWARE PROGRAMMING „VOLUME“ In the range „MAIN-VOLUME“ the maximum volume is adjusted digitally. By shifting the analogue input sensitivity slide controls (at the device´s front side) the mixer outputs are only affected to the maximum volume of the values set by the DSP volume controls. For the input sensitivity at the rear side per input analogue GAIN LEVELS are available.
SOFTWARE PROGRAMMING „DELAY“ signal delay Range „DELAY“ can be configured, indications in „m“/“cm“ (distance) or in „ms“ (time delay) can be set. TIP: a minimum signal delay has a positive effect to feedback suppression. A signal delay allows a correct sound by delaying the acoustic signals in a way, that also with speakers or amplifier systems located far from each other no echo formation happens. Useful information: Please select the favoured „PRESET“. Two PRESET configurations can be carried out for all programming processes.
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL SOFTWARE RANGE „NOISE GATE“ „Threshold“ The noise gate cuts signals under a determined, definable (-90 dB to -24 dB) level. Signals above this level, however, are passed through unprocessed. A typical use is the suppression of noise with low level. Thus the controllable threshold (threshold setting) is adjusted directly above the interference level. Possibly existing noise is hereby suppressed, as soon as the master volume of the input signal falls below the threshold setting. If the master volume is above the TH-setting, indeed also the interferences are passed through, but covered by stronger wanted signals.
SOFTWARE PROGRAMMING „FEEDBACK SUPPRESSOR“ feedback limiter In the menu „FEEDBACK SUPPRESSOR“ (feedback limiter) an automatic feedback suppressor (adaptability) or a digital phase shift can be allocated to an output. MODES: (adaptability) Feedback reduction: for an ultrafast automatic feedback suppression ten precise notch filters are available, which automatically find and reduce the feedbacks. MODES: (Phase shift) The frequency for the phase shift of the shifter can be Useful information: determined using „Frequency“. Please select the favoured „PRESET“. Two PRESET configurations can be carried out for all programming processes. FREQUENCY, setting of the shifter frequency: - 1.7 Hz - 2.0 Hz - 3.0 Hz
Useful information: At first you should reduce the parasitic feedback frequencies with the parametric EQ for a favoured value (dB) narrowband (OCT.). Produce a feedback by increasing the microphone sensitivity. Measure the occuring frequency and correct it again with the parametric EQ. After the signal-„correction“ the automatic feedback limiter (adaptability) or the digital SHIFTER can be activated.
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL SOFTWARE PROGRAMMING „Threshold“- „ATTACK TIME“ In the menu LIMITER you determine by threshold setting (-30 dB to +6 dB) the transition level, above which the effect of the limiter 1 starts. By level increase you let the limiter start later. In the menu LIMITER 1 you determine by ATTACK TIME the reaction speed of the internal shift to the input signal. SLOW - longer ATTACK time MIDDLE - middle ATTACK time FAST - fast ATTACK time. The longer the ATTACK time (SLOW position) is selected, the later the effect of the limiter starts. With longer ATTACK times, the limiter more affects the average signal level and no more to fast and high peak levels. This causes a softer limiter effect and keeps the dynamic of the signal widely, however, cannot avoid temporary overrides due to fast signal peaks. Useful information: Longer attack times with percussive signals let the dynamic tone inset „PICK“ pass, without regulating the level down. A„KICK DRUM“ also keeps its„PUNCH“ with longer attack times“. Also for RECORDING or final mixing a little bit longer attack times will be preferred. To protect speakers from too high peak levels in PAapplications, however, short attack times are recommendable (FAST-setting).
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL SOFTWARE PROGRAMMING „EQUALIZER“ Via mouse click onto the EQUALIZER window you get into the submenu „PEQ“. There all audio settings for the parametric EQ of the input range can be carried out. All changes are graphically indicated in the monitor window as trajectory curve. Setting of the amplification (-12 dB to +12 dB) PEAKING EQ, filter or EQ selection. The following filters are available: 1. PEAKING EQ 2. LoSh6 3. LoSh12 4. HiSh6 5. HiSh12 Setting of the octave (edge inclination) (0,05 to 3,0 oct.) Setting of the frequencies (20 Hz to 21,2 kHz) Useful information: A parametric equalizer PEAKING EQ allows the raising or driving of free selectable frequencies with the possibility to determine the width of effect (Q-factor) of the EQ by yourself. Thus it differs from LoSh6/12 and HiSh6/12 filters, which (with fix Q-factor) can control a determined frequency range. Please consider the display indication.
Useful information: Please select the favoured „PRESET“. Two PRESET configurations can be carried out for all programming processes. “Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
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PROGRAMMING WITH FIRM-SOFTWARE MWL-CONTROL SAVING DEVICE SETTINGS IN THE SYSTEM AMPLIFIER
After each parameter change in the AUDIO DSP the BUTTON „SAVE TO MWL“ lights up RED. SAVED TO MWL To transfer the changed settings to the PV-DSP1AD.XX, please press the button „SAVE TO MWL“. The files are now saved in the PV-DSP-1AD.XX, DSP processor and the BUTTON changes the basic colour to GREEN. The changes are only now saved in the amplifier system.
SOFTWARE RANGE „FILE“ OPEN: a project saved on the hard disk is opened SAVE: a project is saved on the hard disk SAVE AS: save a project under a new file name EXIT: finish project and leave the software.
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Instruction manual PROGRAMMING BY THE SETTINGS/ENTER BUTTON Indication display ENTER
ENTER
GAIN
EXIT
ENTER DELAY
EXIT
EXIT
ENTER
ENTER
EQ
EXIT
EXIT
ENTER
ENTER
FBS
EXIT
EXIT
ENTER
ENTER
LIMITER
EXIT
EXIT ENTER
ENTER
NOISE GATE
EXIT ENTER
EXIT ENTER
PRESET
EXIT
0dB
EXIT
ENTER
EXIT
In the range: 0-500 ms (m)/(cm)/(ms)
DELAY 0 ms
EQ 1
15-element parametric EQ -12dB/+12dB; 0,05-3oct, 20Hz - 20kHz and PEQ filter LoSh6/LoSh12-HiSh6/HiSh12
PEAK
9k50 1.5 0,0
Digital automatic feedback limiter or digital shifter 1,7/2/3 Hz and ON/OFF
ADAPTIVE SHIFTER
Limiter reaction speed: slow, middle, fast (+6dB to -40dB)
LIMITER slow/normal/fast
Noise gate activation: -96dB to -30dB
NOISE GATE -80dB
PRESET Name/Default/Copy
DEFAULT for 1-2
COPY
Name for 1-2 PRESET NAME „clear text“
Default Load for 1-2
PRESET-COPY Copy: P2-P1?
Default Load for 1-2
PRESET-COPY Copy: P1-P2?
PRESET SELECT
In the range: -30dB to +6dB
GAIN
Default Overwrite? 1-2 ENTER EXIT
ENTER
OPTIONS
EXIT
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PASSWORD XXX
ENTER EXIT
PASSWORD ON/OFF
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PROGRAMMING BY THE SETTINGS/ENTER BUTTON PROGRAMMING WITH SETTINGS/ENTER BUTTON All DSP system functions and changes, which can be carried out with the software MWL-Control, can also be carried out with the button SETTING/ENTER. The advantage of the software programming is the „PMWL FILE“ produced by the PC, this contains all DSP settings (project data), which later will be a big advantage for possible service purposes. By pressing the PUSH/ENTER button the first programming mode „GAIN“ is indicated, by pressing the PUSH/ENTER button again the further submenu (BANG MENU) in the range (GAIN) is shown. All further settings refer to the DSP range selected by you. The currently processed GUI-POINT flashes. Please turn the PUSH/ENTER button left or right to adjust the favoured raising or driving of the parameter and press the EXIT button (1x), the change is saved. By pressing the EXIT button again, you leave the first PROGRAM MENU of the GUI (window metaphor). The next PROGRAM MAIN MENU is shown in the display, continue like described above or press the EXIT button (1x) to leave the programming mode, the set parameters are saved ( „SAVING“). Standard display indication is shown.
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Instruction manual ROOM EQUALIZATION (BASICS)
Thank you very much for deciding for the Automatic POWER-VOICE PV-DSP-1ACD.9.2 from Phoenix Professional Audio GmbH. To be able to use it correctly and to use all technical possibilities which offers the Automatic mixing amplifier PV-DSP-1ACD.9.2, after the installation you have to carry out a room adaption or room equalization. To realize a room measurement, you need a measuring device. Minimum is here the NiniLink (Acoustilyzer) from Neutrik or a professional measuring software like f.i. MLSSA. For a practical measurement the measuring microphone has to be positioned exactly at the place, where later the audience will be located (f.i. for church sound in the middle of the church). By recording of „PINK NOISE“ to the Power Voice amplifier you measure with the measuring microphone the amplitude frequency response.
Nr.1
If the calculated frequency response does not have the aspired course, with room adaption filters (EQ) a correction by raising and driving the frequency spectrum in determined areas is carried out.
ist Wert
Sol Wert
Repeat the measuring- and correction process until a linearity arises (see drawing No. 2).
Nr.2
In big halls or in bigger distance from the signal sources (f.i. speakers) a drop in treble occurs. For reverberant rooms it is senseful, additionally to concentrate to the equalization of low frequencies up to 100 - 500 Hz. In this frequency range there is the biggest reverberation effect. It has been shown that it is senseful to be careful with the equalization. Hereby always the efficiency of the speaker and the amplifier should be considered.
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TM
Instruction manual ROOM EQUALIZATION (BASICS)
Equalization for positive feedback suppression
Microphone
Speaker
Pre-amplifier
Power amplifier
The positive feedback between microphone and speaker produces the so-called feedback, which always starts with the frequency where the transmission curve shows the strongest maximum. This can be attenuated by the automatic feedback limiter which is integrated in the MIXER like follows: At first you should reduce the parasitic frequency with the parametric EQ for a favoured value (dB) narrowband (OCT.). Then produce a feedback by raising the microphone sensitivity. Measure the occuring frequency and correct it with the parametric EQ.
The green curve shows the recommended reproduction curve for speech amplification systems. The Automatic mixing amplifier PV-DSP-1ACD.9.2 (POWER VOICE) serie has 15 parametric input EQ. Thus even acoustically difficult rooms can be equalized very well and the microphone sensitivity can be raised without parasitic feedback.
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
38.
TM
Instruction manual SPECIFICATIONS Specifications
PV-DSP-1ACD.9.2 (200W sine)
Speaker outputs, groundless:
100 V - 70 V - 50 V - 8 and 4 Ohm, 1 x separate 100V output „SPK-ZONE-LEVEL“ with 6 level control
Automatic system:
DIGITAL SIGNAL DELAY FIELD with BARRIER-GATE, GATE-OPEN, GAIN-CONTROL system
DSP version:
DSP1 system
Frequency response:
40 Hz to 22.000 Hz @-3dB
Unweighted signal-to-noise ratio:
-90 dB to -24 dB@ NOISE GATE/ ON software setting
Harmonic distortion:
< 0,1 %
Equalization parametric-EQ @ input:
15 x 20 Hz - 20 kHz, (+/- 12 dB) @ 0.05 oct - 3.00 oct
Equalization parametric-EQ @ output:
no
Feedback limiter:
Automatic feedback suppressor in the range 20 Hz to 20 kHz or digital frequency shifter (shift 1,7 Hz, 2 Hz, 3 Hz.)
Tone control inputs:
LOW 100 Hz, HIGH 10 kHz, (+/- 12 dB)
DSP outputs/audio matrix:
MIX-OUT with MAINSUM-2 output, POST MASTER, PRE-MASTER
Inputs:
8 x Mic. line (-40 dB to -15 db), 1.6 kΩ or LINE (-15 dB to +5 dB), 10 kΩ. 1 Line CH-9
Line outputs (process DSP):
no
LIMITER:
Limiter (-24 dB to +6 dB)
DSP signal matrix:
MIX-OUT
Audio switch matrix:
MIX OUT [MAINSUM-1, MAINSUM-2]
GAIN control:
digital in the DSP core
Delay:
shiftable in the range of 0,0 to 170 mtr. (499,92 ms)
SUB filter:
no
PEQ filter/input PEQ:
PEAKING, LoSH 6 dB, LoSH 12 dB, HiSh 6 dB,HiSh 12 dB
PEQ filter/output PEQ:
no
PRESETS:
2 PRESETS with clear text
PRESETS:
no
Conference configuration/priority:
yes, priority for all 8 input channels free programmable by DIP programmer
ANALOG/DIGITAL GAIN system:
for all MIC-LINE inputs, analogue at the rear side, digital in the device configurator
Phantom power:
24 VDC, shiftable to each input (channels 1 to 8), DIP-1.
Input low cut filter:
shiftable to each input (channels 1 to 8), DIP-3.
Input sensitivity LINE & MIC.:
shiftable to each input (channels 1 to 8), DIP-2.
LC display:
multifunctional graphic display
Audio expander compressor:
shiftable to each input (channels 1 to 8 with bypass. Only „C“-versions)
USB interface:
USB MASTER interface
PRESETS interface:
no
230V/DC mains LINK:
no
Programming software:
MWL-CONTROL 1.0b for DSP-1 systems
Power supply:
230V/AC@ 50/60 Hz
Protective circuits:
Power-on delay, current limiting, abnormal temperature protection, limiter
Dimensions/temperature range:
19“- width, 483 mm (W) x 135 mm- 3 U (H) x 340 mm (D), in the range -5oC to +40oC
Weight:
approx. 12 kg
Colour:
graphite
335 mm
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
443 mm
39.
Instruction manual
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
TM
40.
Instruction manual
“Copyright 2015, Phoenix Professional Audio GmbH, www.phoenix-pa.com“ Phoenix logo is registered at the German Patent- and Trademark Office (TM) All brands are property of their respective owners.
TM
41.