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Integrity Tripower3

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INTEGRITY TriPower 3 Powered Mixing Console Operation Manual ___________________________________________________________________________ Biamp Systems, 14270 N.W. Science Park, Portland, Oregon 97229 (503) 641-7287 INTEGRITY TriPower 3 ___________________________________________________________________________                 ! " # ,         -    .   /  - 0  )/    1 2 0   *%+                  $ " %     ,  .           .        .       0            & " '  (  1     %8 1        0   .                    , 3,456,7         .     9     :;4, -             0  2 .          0  .             ) 3,456,7     - 0     0             *+ " **        *!     *#      *$         *%  .    < %/ 5     3,456,7         = ♦  . -     9  .     ♦           "     ♦ #/  1 2        ♦  -          ♦     "           ♦     >       ♦         ♦  "         - ♦                ♦ -     "        - ♦        - ♦        " - # ?     @ ♦   /        9    9 - # ♦ A$( .               ♦  )/    1 2 ?A9/*%  :   @ ♦  *%+   :;4,      ?    @ ♦  .   1         ♦ *++       0  0 " - # ♦ - .      .       ♦ %/ 5                              ☎ 1 ,             0     !""!#$ %&'() INPUT CHANNEL CONTROLS ___________________________________________________________________________ +15 --- 15 trim (1) (2)     !" ,  B4     .         A*% ?&    @ ;       0 >  ,    ?#@                    . (3) # $  %& !'  !"   . /*% ?   . @ ,   B4     .     :  ,    ?#@     > 0          .          high (4) ( !)" ,    .  $+    >            .  ;       0 >          ?*@              . mid * +%," (5) ,   >    1  1 2   ?,  @     C 1 2     .    0   .  A9/*%    >    1    . *+C2 low 41 2                0  -    .      (6)  -" ,   >    1  1 2        1 2         0   .  A9/*!    >    1       !C2 41 2                0  -    .      .  /" ,   >    1  1 2   ? @     B  1 2     .    0   .  A9/*%    >   aux 1  1     (+C2 (7) 0 12   " aux 2   (8) 41 2                0  -    .      *  ,   >  .   /         ?       1 2   ?$@?%@?&@   ;  ?*!@   %@     -      . 0    0 ) @ aux 3 *        ?        ;       0                 ** <     (9) pan (10) solo -  /            (11) (12) 2 INPUT CHANNEL CONTROLS ___________________________________________________________________________ +15 --- 15 trim (1) (2) (3) high (4) mid (5) low 34 12 # 5 12 (  '" (6) ,     >  .   /         - ! " - #  ?         %@ - ! " - #       1 2   ?$@?%@?&@0      ;  ?*!@  /                -       0     0  ?        ) @ ;       0                 ** <     "       0  - #           D:3,:6D       ?        *+@ aux 1 (7) 6 " ,               .    B  6  ?         %@           /   0    B    .     aux 2   0    6   .     (8)                 0  B  " 6   . 1         -   0        .            B  " 6  aux 3 (9) C  . 0      .     B  " 6    ,  0   -              .       B  " 6      6 ?     B          /    /    0       B    " .    6   @                 -   B  " 6  ?  @          pan          ? . -@ "       0              D3D       ?        *+@ (10)  & " solo (11)      0      /                  ?         %@     1 2   ?$@?%@?&@0      ;  ?*!@    ,  0          .             # !" , *++     >  .         B  " 6 0      /  -  (12)      0          - ;     .    C  . 0        0   ;           D+D   ?  @ 3 MASTER CONTROLS ___________________________________________________________________________ equalizer A +12 +12 phantom power (1) (16) 0 0 -12 -12 50 100 200 400 800 1.6k 3.2k 6.3k 12.5k equalizer B return 1 aux 1 +12 +12 (4) (2) (3) (17) aux 3 aux 2 (5) 0 0 -12 -12 return 2 50 100 200 400 800 1.6k 3.2k 6.3k 12.5k (6) aux 3 (7) Post Pre mono (10) stereo AUX 3 MONO LEFT RIGHT (8) (9) (11) (12) +12 9 6 3 0 3 6 9 12 15 +10 +9 +12 (13) +6 0 -3 power -6 (14) -10 -20 -60 4 meter L/R aux 3/mono L/R solo (15) headphones MASTER CONTROLS ___________________________________________________________________________  , )  /!" 6                   0      A$( .            ! " #              >  ?        '@                   .   ?  - 0  1      -               6      B  " 6              B    " .    6   @ 3  # ! 8 5 %, !'"    ,  *++      >  . .         B  , >    B4         " 6 0     ,  B  " 6 0                         B   .    >     *+,-./     ?        '@                B  " 6     /     0                     0      1   ) B  " 6        .        0           #( 12  5 12 #"  ,     >  . .          .   - ;       0              0  0  D+D   ?  @          -      ?        '@ - *     /                                         ) @ ( -!'"  ,   /  0    B4       .      B  " 6 0 - !     /    - # "   0            ?    ?*$@ ;       0                  ! <     A$     D+D    .      DA*!D          *. 1!  5 1! #"     0 )                0             ,     >  .         B  " 6      .  6        ?        * -! /," '@               6                0 12 ("    0  B  " 6        .    ,     >  .          . 6     - #       0     - # ,                     +9, '  " - #          .       C   0       ?  3 12 ( !"  @ , ,   >  . >   0      0 .           - #     - #       ?        '@ " - #       0      B  6   C         &++ :     *9$D    >  ,  C  . 0               ?     - #       *#@      41 2     #0    >      ?        '@ #/     D D   0                0            0 "          0  D+D   ?  @   C   ;          /               ?        ) @                C   , *++     >  . ,            D:3,:6D     ? .0 :1&;!  5 :1&;! "        *+@ 1 2  >   1    ?    @   ,  )/           0          4 -  !" 4  #+            *!   , *++     >  . .               ?            '@  1     D D ?   @         B  " 6                .         * " ! ;       0          0  0  D+D   ?  @   "   1                         0 "    41 2   ,            D3D 41 2                         41 2      * " - #     # ,            !0    >      ?      D:3,:6D     ?        *+ @   ,            >   '@ ,            D3D      ?        '@   ?        *+@ 6 -  !7 ' /,"    /  B  " 6      0        ,      . >   B 0 60 "           0  /  B  " 6        ,     .       B  " 6   >         B  " 5 CONNECTORS ___________________________________________________________________________  # + output 1 - input 1 ( EQ in A * MIXER OUTPUTS mono 12 L + mono bridge input 2 EQ out A aux 1 stereo mic tape - R line + output 2 - EQ in B aux 2 AMPLIFIERS + output 3 L input 3 - aux 3 EQ out B return 1 patch return 2 R 91 ("  -   , !/  *9$D   DD >   .         # 191  5 191 #"       * " !0   .     #          - #  41 2 0    >  ,  %/      . ,            D:3,:6D     ?           /  0    * " !         0   *+@  .  #++       ( : ?       #0                     = (@ :   * ?A@           /    : ! ?A@        . ?/@         41 2 0    . # < = ?A@E ,               0         <  " D3D     ?        *+@       , !/  *9$D   DD >   .    41 2  4F       3  0    * " !       0  .  *%+            $ :        D3D     ?                 0    >  ,         3     = : ?A@    *+@    . ?A@E : ?/@        . ?/@ 41 2 0             191 (" <   , %/    . #0        .     #                 0     1 " , !/  *9$D   >   .        41 2  4F           0  .  *%+       $         *    :     D3D     ?        *+@              . ?A@E   . ?/@   # = : # ?A@ : # ?/@      " ! ,       .     ,            D:3,:6D  41 2       0            * " !     ?        *+@ 91  5 91 #" <  " ,  !/  *9$D   DD >   .         * " ! , !/  *9$D   DD >   .      * " !   41 2       - #0    4F >        ,                41 2 0            D:3,:6D     ?      >    *+@      /  0  *         0   !   /  ?        (@ ,          ?        *+@     D3D         - #0     41 2 0               <      1 " , !/  *9$D  *    41 2 0        * " !0       41 2                     #    * " !           3  0      D:3,:6D      .  ,              ?       *  !     41 2 0          .          0             0           # 6 >  4F          41 2 *+@   CONNECTORS ___________________________________________________________________________ 1! # 8 5 %," ( - > ,  !/  6   >   .       6   !   0     -  "    , !/  *9$D   >   .          ;  0         6   !           B  " 60   0  - #   6   *                 41 2      * " ! ,          0    . 0     ?          *!@                *+@ D3D     ?       .            0         41 2  2     0        3 0 ))))         4  #(  12 "  , !/  *9$D   >   .        - *   0       - 0   4  #(           )       0  ) *     /                   . 0    0  ? *  +           *! @ -" 12 #"  , !/  *9$D   >   .        - !   0       - ,  #/ GB6 >         0   /           - 0    . !       .            /                 3   0   !  ?A@0  #  ?/@0     *    ? @ ?       *#@    2      ?          *!@      .            > 0               .    -  12 (" , !/  *9$D   >   .     ?         %@ *+,-./ , .        - # ;  0       - #          0           #       0      1)      41 2     ,            D:3,:6D     ?        *+@ "       .     - #   0         41 2  ,  #/  *9$D   >         0    .  . 0    .    B .  .      0    0   ! 8 5 %," ,  !/  *9$D   >     0  2 0     0  - 0   .         B  " 6 ;  0 B  >   .               /  ?#/  @    ?!/  @  0  ,     0              0 ?A@0 6  ?/@0   .    ? @ ?                   ?   *#@       B  " 6           *+@ 9 8 5 %," ," ,  !/  6   >  ,  #/  *9$D   >   /4F9 /      0              .         B  " 6 ;  0  .     .               0  0 -  0     0   ,  B  " 6     /     0              0  1 2 0   0    ? @0             ?          *!@ 6        .    >     ,   ?@0   .    ? @   D D    1 0     .    0     0          ? 1!  8 5 %," ,  !/  *9$D   >        *#@   >          /   .       6   *   0             . 0    /         6   *           B  " 60   0  - #  6   *         ,    0         0        , " 6  ?A@   .             . 0    0    ? @        -      0   . 0   ?          *!@     0     !/  *9$D              B  6 > 0                 ;  1    B  " 6        *# @   ;   7 ?            POWER ___________________________________________________________________________ CAUTION: To prevent Electric Shock or Fire, Do not expose this appliance to rain or moisture. Do not remove End Panels. No User serviceable Parts inside. Refer servicing to qualified service personnel. For continued protection against risk of Fire, replace only with same type Fuse. SERIAL # (2) (3) USE ONLY WITH 250V FUSE 220  -  !% /,"   110 VAC 10 A SB Fuse 220 VAC 5 A SB Fuse 50/60 Hz 1000 Watts max (1) 1 & 2 Normal 1 & 2 Bridge    0      * " !  D  /  D    (  1' &9" , ;     (4) 110 MADE IN U.S.A.   .         .          0         /  0    * " !         0       . 0   /    .      .  #++  .           &@  ,        ( :     ?      0         D3D        ?        *+@     0       * " !  D3  D    3    0    * " !   , ;                   ?     @ ,            ;     0      6              .       ?*+   **+H    %   !!+H   @     0          0  -   1  .  .  *%+        $ : ? ,          .     0         &@ ;   ?         *+ @ ,            .              @  ;     0              . !!+H   ?  H                .    0                  #  /! ! 9&"                    *+,-./            .  ,  /        /  ,          5        *                0 6 ) standard fuse alternate fuse USE ONLY WIT H 250V FUSE *  ? &% & ! /," D**+D       ,         .     **+/*!+H ;      .     !!+/!$+H0      D!!+D           %   ?          ;     @ 8 MODIFICATIONS ___________________________________________________________________________ "     1  .      ?- 0 > 0 " . @                         ?        1  .      D- *0 !D0 D- #0 $D0 D6IG D0  @ 6  - 0 3  0    0        -                      ,          .      0   6                     AUX 1 POST-FADER AUX 2 AUX 1 PRE-FADER J6 J6 POST POST PRE F PRE F J6 POST AUX 1, 2 PRE F W4 AUX 3 PRE F AUX 3, 4 POST W3 W4 J5 0 W4 W3 W3 0 AUX 2 & 3 PRE-FADER RACKMAX II INPUT PCB PAN AUX 2 & 3 POST-FADER 91 ,&' 12   12 # 5 (  '$! ! !$!"      - *         /     ,                ? 3:,4   @ -   ! " #        / 12   !$!"    0    - # .   0    .  >     DJ&D ?    @ :     K      /    0  . >   DJ&D    D:,D    ?     @    >     D64D    ?      @ ,        - *    /;       /;     12 # 5 (   '$!" :           0    - # .   0      > ?+   @   D$D ?    @ K     ?#%@     0  .  >    D$D       >   D#D    ?    @     ,          - !  - #    /;       /;     7                      1    ))))  1     8    9:  8 )()         )    ;             ) 4               )         1     )                     ) 9 APPLICATIONS ___________________________________________________________________________ +output 1 - input 1 EQ in A mono Factory Default MIXER OUTPUTS This is the way the system operates from the factory. The connections shown here are internal and do not require external cabling. The other applications show some of the ways that the system can be re-assigned. A System Diagram for each application is shown on page 11. The internal factory default assignments are as follows. Mains: Mono output from the mixer to EQ in A. EQ out A to amplifier Input 1. Amplifiers 1 & 2 are set for mono-bridge. Outputs 1 & 2 deliver 300 watts @ 8 ohms for mains. Monitors: Aux 3 output from the mixer to EQ in B. EQ out B to amplifier Input 3. Output 3 delivers 150 watts @ 4 ohms for monitors. L + mono bridge input 2 EQ out A aux 1 EQ in B aux 2 stereo - tape R +output 2 AMPLIFIERS +output 3 - L input 3 EQ out B aux 3 return 1 return 2 R Stereo with Monitor +output 1 - This application requires three 1/4" phone cables connected as shown. Mains: Left output from the mixer to EQ in A. EQ out A connects to amplifier Input 1 internally. Right output from the mixer to EQ in B. EQ out B connects to amplifier Input 3 internally. Amplifiers 1 & 2 are set for stereo (not bridged). Outputs 1 & 3 deliver 150 watts per side @ 4 ohms for stereo mains. Monitors: Aux 3 output from the mixer to amplifier Input 2. Output 2 delivers 150 watts @ 4 ohms for monitors. An outboard equalizer may be connected between Aux 3 output and amplifier Input 2 for monitor equalization. input 1 EQ in A mono MIXER OUTPUTS L + mono bridge input 2 EQ out A aux 1 stereo - tape R +output 2 - EQ in B aux 2 EQ out B aux 3 AMPLIFIERS +output 3 - input 3 L return 1 return 2 R +output 1 - input 1 EQ in A mono Bi-amplified Mains MIXER OUTPUTS This application requires three 1/4" phone cables and a cross-over*. Mains: Mono output from the mixer connects to EQ in A internally. EQ out A to cross-over* input. Low-frequency output from the cross-over* to amplifier Input 1. Amplifiers 1 & 2 are set for mono-bridge. Outputs 1 & 2 deliver 300 watts @ 8 ohms for low-frequencies. High-frequency output from the cross-over* to amplifier Input 3. Output 3 delivers 150 watts @ 4 ohms for high-frequencies. Monitors: Aux 3 output from the mixer connects to EQ in B internally. EQ out B may be connected to an outboard amplifier for monitors. L + mono bridge input 2 EQ out A aux 1 stereo - tape R +output 2 AMPLIFIERS +output 3 - * input 3 EQ in B aux 2 EQ out B aux 3 L return 1 return 2 R Mains/Monitors/Zone +output 1 - This application requires one 1/4" phone cable connected as shown. Mains: Mono output from the mixer connects to EQ in A internally. EQ out A connects to amplifier Input 1 internally. Amplifiers 1 & 2 are set for stereo (not bridged). Output 1 delivers 150 watts @ 4 ohms for mains. Monitors: Aux 3 output from the mixer connects to EQ in B internally. EQ out B connects to amplifier Input 3 internally. Output 3 delivers 150 watts @ 4 ohms for monitors. Zone: Aux 2 output from mixer to amplifier Input 2. Output 2 delivers 150 watts @ 4 ohms for the zone output. An outboard equalizer may be connected between Aux 2 output and amplifier Input 2 for zone equalization. +output 1 - input 1 EQ in A mono + mono bridge input 2 EQ out A aux 1 stereo - tape R +output 2 - EQ in B aux 2 AMPLIFIERS +output 3 - input 3 L EQ out B aux 3 return 1 return 2 R EQ in A mono MIXER OUTPUTS L + mono bridge input 2 EQ out A aux 1 EQ in B aux 2 stereo - tape R +output 2 AMPLIFIERS +output 3 - input 3 L EQ out B aux 3 return 1 return 2 R Center Cluster with Side Fills MIXER OUTPUTS L input 1 This application requires three 1/4" phone cables connected as shown. Mains: Left output from the mixer to EQ in A. EQ out A connects to amplifier Input 1 internally. Amplifiers 1 & 2 are set for stereo (not bridged). Output 1 delivers 150 watts @ 4 ohms for the left side fill. Right mixer output to EQ in B. EQ out B connects to amplifier Input 3 internally. Output 3 delivers 150 watts @ 4 ohms for the right side fill. Mono output from the mixer to amplifier Input 2. Output 2 delivers 150 watts @ 4 ohms for the center cluster. An outboard equalizer may be connected between Mono output and amplifier Input 2 for center cluster equalization. Monitors: Aux 2 and Aux 3 may be connected to outboard equalizers and amplifiers for monitors. 10 APPLICATIONS ___________________________________________________________________________ Monitors Mains INTEGRITY TriPower Left Main Monitors monitor equalizer Right Main INTEGRITY TriPower Main Highs Monitors Monitors INTEGRITY TriPower monitor amplifier zone equalizer INTEGRITY TriPower main cross-over Main Lows Mains Zone Left Monitors monitor amplifier monitor equalizer Center INTEGRITY TriPower 11 center equalizer Right INSTALLATION DIAGRAM ___________________________________________________________________________ + output 1 - input 1 EQ in A MIXER OUTPUTS mono 12 L + mono bridge input 2 EQ out A aux 1 stereo - mic tape R line + output 2 - EQ in B aux 2 AMPLIFIERS + output 3 - L input 3 EQ out B aux 3 return 1 return 2 R Effects Playback Deck Monitor Speakers Record Deck Auxiliary Sound System Microphone Signal Processing Main Speakers Electronic Keyboard 12 patch 11 CABLES ___________________________________________________________________________ B T S A T R S C T S , @&" ,       ,969 . *9$D          ,9 . *9$D   ? 6   @               ,   , 0 6   , 0   .    .  "  ? @          > 0 ,      ? @  ,      ?@             .   .     C   > 0 ,    B    ,    6  2 2 1 1 3 & > @&" ,        GB6          GB6            !   ! ?A@0  #   # ?/@0   *   * ? @           K               . ;          1 0           ,969 . *9$D             0     !  , ?A@0  #  6 ?/@0   *   . ? @ T T S S R R & 7*A ,  @&" ,       ,969 .             ,  , ?A@0 6  6 ?/@0   .   . ? @ K             .       B  ;          1 0            GB6           0    ,   ! ?A@0 6   # ?/@0   .   * ? @ @& 7*A ,  @&"  . ? @ T T S S ,       ,9 .             ,  , ?A@   .  K             .       B    6   * B  " 6 0           - 0  1 2 0     ,            -         > 0   . 0               ;          1 0            6             ?      @ 6                      0         .     6   ! 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eft 15 Right RTN 2 (Tape In) Left Right RTN 1 line input 10K ohms mic input 2K ohms +48V z-match -15 dB RF trap phantom power phtm pwr Phantom Power Rtn 1 Level fader aux 3 (monitor) Rtn 2 Level aux 3 (monitor) +15 dBu signal detect -15 dBu EQ low mid high 100 Hz 2 KHz 10 KHz +8 dB to +48 dB trim +10 pre post patch in/out +48V Left Right Aux 1 Aux 2 Aux 3 Solo solo (monitor) aux 3 aux 2 aux 1 pan BUSSES Pre Post Right Fader Left Fader Mono/aux3 L/R Aux 3 Fader Mono Fader Aux 2 Level Aux 1 Level Solo L/R Meter Select Headphone Level -14dB -14dB Aux 3 Output Mono Output Aux 2 Output Aux 1 Output EQ B Input EQ A Input Headphone Output Right Main Output Right Tape Output Left Tape Output Left Main Output Led Meters EQ B EQ A EQ B Output EQ A Output Amp 3 Input Amp 2 Input Amp 1 Input INTEGRITY TriPower Block Diagram Bridge [-] + Amp 3 -- Output + Amp 2 -- Output + Amp 1 -- Output BLOCK DIAGRAM ___________________________________________________________________________ WARRANTY ___________________________________________________________________________ BIAMP IS PLEASED TO EXTEND THE FOLLOWING 5-YEAR LIMITED WARRANTY TO THE ORIGINAL PURCHASER OF THE PROFESSIONAL SOUND EQUIPMENT DESCRIBED IN THIS OWNER'S MANUAL.    -                         %     % 746           4B0  CBB 3:, 3 37 4H43, 4 BB4 ;:6         2     540 3BK35 B:, 6:;,0 B: :; K40       6:46,7 343,B0 540 :6 3JK67 :34FK43,B ,: 5::BB0 :,C46 4:3: B: :; 37 :6, * ,            4G64B7     0  *+       0  BB          :,C46 6:H4 :,C46 46:3 46;:634 !   .         1   .        0     C46430 BB,7 ,: :;  B K6C46 635 ,C4 :K, :; 6:K,0 :6 4G4,  :6 37 K4 :6 3BK35 BB,7 ;:6 345B5434 :6 ,6, BB,7 3 ,:6,   0    0   .    0  .     .              &  663,4           2    . ,               2   .     ,C 663,7 4G64B7 :; B 6,KB6 K6:4  C4643              CBB 4GBKH4 4;4,H4 # ,     H:4      3 4 6:K, :; B4 3 BB :,C46 B4  663,4 ;,34 ;:6  ,C4 6444 4, ;:6,C ,C4 6444 B4K :6 BB 46C3,B,7                    4G644 K6C46< ,C ,C4 :B4 644, 543,0 ,: 3 37 4B:7440 ,6K,:60 3 4B46 :;  64 3:,      .     E       K,C:6L4   >         0  0  I4 ,:3B 663,4 335 :3    0   0           :635B70 ,:3B ,,443, KC     2         E   4B46   : 3:, :3,,K,4 663,4 7            < ,: :;7 ,C H46,443, :6 663,7 :6 ,: 646443,,:3    ' $ ,              0  0   0   .     3                        -        .      Thank you for purchasing BIAMP... AMERICAN SOUND CRAFTSMANSHIP Biamp Systems 14270 N.W. Science Park Portland, Oregon 97229 (503) 641-7287 585.0034.00