July 08 - Nikon Singapore

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• ISSUE 19 F OCUS ISSUE 19 • JUL 08 MICA (P) 126/06/2008 A QUARTERLY NEWSLETTER FROM JULY 08 PHOTO: CHENG SHUN LING Q & A CONTEST QUICK GLANCE WHAT’S WITHIN 03 - 40 NEW RELEASES & PRODUCT INFO: - D700 - PC-E MICRO NIKKOR 45MM F/2.8D ED & PC-E MICRO NIKKOR 85MM F/2.8D - SB900 SPEEDLIGHT - CAPTURE NX 2 - CREATING MOVIE WITH D60 - COOLPIX P80 - COOLPIX S52 & 52c - LASER RANGEFINDERS - MY PICTURETOWN 41 - 47 D3 REVIEW BY SCOTT WOODWARD 48 - 61 D3 REVIEW BY ALEX SOH 62 - 74 PHOTOGRAPHY TIPS BY STEVEN YEE 76 - 77 PHOTOGRAPHY CONTEST 78 - 89 FEATURED PHOTOGRAPHERCHENG SHUN LING 90 - 93 EVENT - COOLPIX PHOTO HUNT OUTING - SCENES OF ARAB STREET 94 Q & A CONTEST 95 NPS ANNOCEMENT 96 UPCOMING EVENT & CONTACT US PG 01 W FEATURED PRODUCT - NIKON D700 RCP Welcome to Focus NIKON FX-FORMAT DIGITAL SLR — EXCEPTIONAL PERFORMANCE COMBINED WITH SUPERIOR MOBILITY AND FUNCTIONAL VERSATILITY TO PROVIDE SERIOUS PHOTOGRAPHERS WITH OUTSTANDING VALUE. Focus Newsletter was created just for you, our Nikon Customer, to keep you updated with Nikon's latest developments and products. J Each issue of FOCUS will be packed with information, valuable tips, insightful profiles and more. J We're here for you, and we look forward to building on a relationship that Nikon has developed with its customers over the years, and taking it to new heights! Tokyo — Nikon Corporation is pleased to announce the introduction of its newest FX-format digital SLR, the Nikon D700. J To obtain a copy of our newsletter every quarterly, kindly log in to www.nikon.com.sg/focus for free subscription. J S$4499 Editor : Brenda Ang Contributors : Max Sim Production : Wang Design Station Distributor : Nikon Singapore Pte Ltd The D700 features a D-SLR format first introduced with the Nikon D3. Highly praised for its outstanding features, the D3 established a new 80 Anson Road #10-01/02 Thank you and enjoy reading! Fuji Xerox Towers Singapore 079907 Tel: (65) 6559 3618 Fax: (65) 6559 3665 Co. Reg. No. : 199503875K Feedback Email : [email protected] Website Front Cover PG 02 : www.nikon.com.sg/focus By CHENG SHUN LING level of professional performance in terms of overall image quality, extraordinarily low noise, ISO sensitivity range, continuous high-speed shooting, color gradation, image crispness, durability, weather-resistant operation, system versatility and more. The new D700 incorporates an extensive array of features that boast a level of performance that is in many ways comparable to the D3. At the same time, it derives a wide range of benefits — including functionality, flexibility and operability — from the more agile D300, Nikon’s flagship DX-format D-SLR. The D700 has everything it takes to satisfy a broad spectrum of photographic needs. The 12.1megapixel FX-format CMOS sensor with a sensing area of 36.0 x 23.9 mm; a sensitivity range of ISO 200 to 6400; continuous shooting at up to 5 frames per second (and up to 8 fps with the optional Multi-Power Battery Pack MB-D10; Nikon’s exclusive 51-point AF system; Scene Recognition System for optimum autofocus, auto exposure and auto white balance detection — these are but a few of the advanced capabilities of the extraordinary new D700. PG 03 FEATURED PRODUCT - NIKON D700 MAJOR FEATURES Large image sensor, developed by Nikon; 12.1 effective megapixels The D700 employs an FX-format CMOS image sensor with an area of 36.0mm (h) x 23.9mm (v). It provides superior picture quality throughout a wide ISO sensitivity range, with advantages that include a large pixel size to ensure a higher signal-tonoise ratio and wide dynamic range, and improved circuit layout to efficiently increase the strength of the electrical signal from pixels. High-speed, 12- channel readout enables fast continuous shooting of high-resolution images at up to 8 frames per second (with Multi-Power FEATURED PRODUCT - NIKON D700 Battery Pack MBD10 and Rechargeable Li-ion Battery EN-EL4a/4 or eight AA-size batteries). Wide sensitivity range The D700 offers an extremely wide sensitivity range of ISO 200 to 6400. It delivers extraordinary image quality at low sensitivity settings, while also delivering outstandingly low-noise characteristics at ISO settings as high as 6400. Furthermore, sensitivity can be increased to HI 0.3, HI 0.5, HI 0.7, HI 1 (ISO 12,800 equivalent), HI 2 (ISO 25,600 equivalent), or decreased to Lo 1 (ISO 100 equivalent), Lo 0.7, Lo 0.5 and Lo 0.3, to expand shooting versatility. High-speed performance Features a startup time of approximately 0.12 second, and a shutter release time lag of only 40 ms* — both equivalent to the flagship Nikon D3. The continuous shooting speed is up to 5 frames per second with the included Rechargeable Liion Battery EN-EL3e, and up to 8 fps when using the optional Multi-Power Batter y Pack MB-D10 and Rechargeable Li-ion Battery EN-EL4a/4 or eight AA-size batteries. The Nikon D700 is also compliant with the next-generation high-speed UDMA CompactFlash cards, that will enable 35Mbyte recording speed. * Based on the new CIPA guideline established in August 2007. EXPEED image processing Nikon’s state-of-the-art EXPEED digital imageprocessing incorporates remarkable intelligence and technologies accumulated and optimized throughout our long history. It makes possible a diverse range of functions that ensure superior picture quality and high-speed image processing. Scene Recognition System Improvements to the exclusive 1,005pixel RGB light sensor have allowed information from the sensor to be utilized for auto exposure, auto white balance and autofocus. 3D-Tracking in AF, for example, achieved by using the Scene Recognition System, tracks subject position and automatically shifts the AF points used to match the subject’s movement within the frame. This system also contributes to higher accuracy of auto exposure and auto white balance detection. Picture Control System Nikon’s Picture Control System enables users, from novices to professionals, to create the pictures they envision by making specific selections and adjustments to image sharpening, tone compensation, brightness, tone and saturation. Even with different cameras, when the settings are the same, you get the same picture tone. Picture Control System offers four fundamental setting options — Standard, Neutral, Vivid and Monochrome — for easy customization of image parameters. Active D-Lighting Active D-Lighting lets photographers choose from various intensities — Auto, High, Normal, Low or OFF (Unchanged) — prior to shooting. Instead of employing the conventional compensation method of simply expanding dynamic range, localized tone control technology is utilized to ensure proper contrast and eliminate flat images with lost highlights and shadows. AF system with high-density 51-point AF The D700 incorporates a Multi-CAM 3 5 0 0 F X autofocus sensor module featuring 51 AF points. Fifteen crosstype sensors located in the center enable subject detection with lens apertures as small as f/5.6. The functioning of the AF points is linked to the Scene Recognition System, to deliver superior subject detection and focus tracking performance. Image taken at ISO 3200 (Wide sensitivity range) PG 04 PG 05 FEATURED PRODUCT - NIKON D700 A single AF point can be selected from the 51 or 11 focus points. In Dynamic-area AF mode, you can select from either 9, 21 or 51 AF areas. The 51-point option offers 3D-Tracking mode, which automatically shifts the focus point to match the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position when selecting AF points. Choose from two Live View modes Live View allows shooting while confirming the subject on the 3-inch, 920,000-dot color LCD monitor. In Handheld mode, which lets you recompose the frame prior to actual shooting, ordinary TTL phase-detection AF is activated, using all 51 AF points including 15 cross-type points. Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. It enables focal-plane contrast-detect AF on a desired point within a specific area. Remote view, focusing and shooting can also be controlled from a PC (via connection or wireless) using optional Nikon Camera Control Pro 2 software. DX cropping mode The Nikon D700 lets you select from either FX format (36 x 24) or DX format (24 x 16). At the default setting of [Auto DX crop], the camera will automatically select DX format when a DX NIKKOR lens is attached. High-definition, 3-inch VGA, TFT LCD monitor with wide viewing angle The ultrahigh-definition [920,000-dot VGA (640 x 480)], 3-inch LCD monitor with tempered glass provides a 170° viewing angle. The large monitor is remarkably effective when PG 06 02 FEATURED PRODUCT - NIKON D700 confirming the focus with enlarged playback images. The wide viewing angle enables easy recomposing of the frame in Hand-held mode with Live View. results. Compatible with the Nikon Creative Lighting System, the built-in flash controls up to two groups of remote units as a master/commander in Advanced Wireless Lighting. Viewfinder provides 95% frame coverage, 0.72x magnification in FX format The viewfinder features an eye-level pentaprism with high refraction index and provides 95% frame coverage with 0.72x magnification. Fifty-one AF points and a framing grid are superimposed on the finder screen. The eyepoint is 18 mm (at –0.1 m-1), and the diopter can be adjusted within a range of –3 to +1 m-1. Engineered durability Image Sensor Cleaning (Inser t picture) Vibrations at four different resonant frequencies remove dust from the optical low-pass filter in front of the image sensor. This function is automatically activated each time the camera is turned on and off, and can also be activated on demand by the photographer. Built-in flash with wireless commander function With a guide number of approximately 17/56 (m/ft., ISO 200, 20°C/68°F) and 24mm lens coverage, the highperformance built-in flash enables i-TTL flash control that evaluates flash exposure with greater precision for exceptional A magnesium alloy is used for the exterior cover, rear body and mirror box to reduce weight and provide r u g g e d d u r a b i l i t y. O-ring sealing where connections are made gives you valuable protection against dust and moisture. The shutter unit developed and manufactured by Nikon employs shutter blades made of a new material (a hybrid of carbon fiber and Kevlar). Tested on fully assembled cameras, the D700’s shutter unit has been proven through 150,000 cycles under demanding conditions. The selfdiagnostic shutter constantly monitors and maintains shutter precision. Multi-Power Batter y Pack MB-D10 (optional) The optional Multi-Power Battery Pack MB-D10, which uses one Rechargeable Li-ion Batter y ENEL4a/4/3e or eight AA-size batteries, is equipped with a shutter-release button, AF-ON button, multi selector, and main- and sub-command dials. When attached, it enables high-speed continuous shooting of 12.1-megapixel images at a rate of up to 8 fps*. When using EN-EL4a/4 or eight AA-size batteries. Exclusive Wireless Transmitter WT-4/4A (option) The WT-4/4A supports both wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates a thumbnail mode. A PC allows wireless connection of up to five cameras, for display of thumbnail images and downloading of selected images. Using Camera Control Pro 2 (option) and the Live View function, wireless remote view/control shooting is also possible. Fine tuning for AF The focal point in AF for the current CPU lenses can be fine-tuned and registered. A certain level of adjustment set for up to 12 lens types is applied when a lens of the same type is attached. When using a lens that has not been registered, the same level of adjustment can be applied. Improved Function button feature In addition to the exclusive Function button, this feature can be assigned to the Preview button and the AE/AF Lock button, for optimum flexibility. Furthermore, NEF copy recording together with JPEG image can be assigned to the Function button. HDMI output (High-Definition TV) suppor ted The Nikon D700 complies with HDMI (HighDefinition Multimedia Interface) Ver. 1.3a for the transfer of global-standard video and audio signals. A Type C mini connector is provided. PG 07 FEATURED PRODUCT - NIKON D700 FEATURED PRODUCT - PC Lens Info display Various shooting information is displayed on the LCD monitor, including shutter speed and aperture. Character color can be adjusted to match lighting conditions — black for light locations, white for dark locations. Auto switch mode can also be set. My Menu A variety of setting options can be customized under My Menu, then added to, deleted and reordered. Electronic Virtual Horizon Using a sensor incorporated in the body, the inclination of the camera is detected and displayed in the LCD monitor. When using Live View mode, you can choose to display the virtual horizon on the LCD, a feature ideal for landscape and architectural photography. You can also level the D700 while looking the viewfinder using the convenient analog scale. RCP S$3099 RCP S$2899 D700 Microsite For more in-depth information of Nikon D700, please visit D700 microsite. http://imaging.nikon.com/products/imaging/ lineup/d700/ NEW ADDITIONS TO PC-E NIKKOR SERIES LENSES WITH PERSPECTIVE CONTROL Tokyo — Nikon Corporation is pleased to announce the introduction of the two new PC-E NIKKOR Perspective Control lenses, with tilt/shift function, PG 08 RCP: S$2899 for digital and 35mm-fomat film SLRs — the PCE Micro NIKKOR 45mm f/2.8D ED and the PC-E Micro NIKKOR 85mm f/2.8D. Together with PG 09 FEATURED PRODUCT - PC lens FEATURED PRODUCT - PC lens • Electromagnetic diaphragm provides auto aperture control when used with D3, D700 and D300 digital SLR cameras • Wide tilt and shift range (tilt: ±8.5°; shift ±11.5mm) enables agile handheld tilt/shift photography — a handling characteristic that is virtually impossible with large-format view cameras Shift Tilt the PC-E NIKKOR 24mm f/3.5D ED, released in February 2008, the PC-E NIKKOR series now covers a range extending from 24mm wide-angle to medium telephoto 85mm. to be moved parallel to the image plane, so that subjects such as a tall building can be captured faithfully, without the upper part appearing to tilt backward and become thinner. The tilt mechanism changes the orthogonal relationship between the optical axis of the lens and the image plane, allowing you to control the focused area. In landscape photography, you can achieve a focus throughout the entire subject plane from near to distant. You can also achieve focus on a specific part of the subject for emphasis. The PC-E NIKKOR lens series features a tilt/shift mechanism that provides extraordinary control over the relationship between the optical axis of the lens and the image plane, thereby enabling Perspective Control. This function proves particularly valuable for specialized professional users such as architecture and product photographers. Incorporating an electromagnetic diaphragm, these lenses provide auto aperture control when used with D3, D700 and D300 digital SLR cameras for improved operability. Furthermore, Nano Crystal Coat effectively reduces ghosting and flare to provide sharper, more vivid images. This contributes to the superior optical performance of these lenses to realize the outstanding image quality for which NIKKOR interchangeable lenses are renowned. Note: “PC” in the lens name stands for Perspective Control. Perspective control with tilt/shift function All PC-E NIKKOR lens with Perspective Control capability incorporate a special tilt/shift mechanism. The shift mechanism enables the lens PG 10 In actual shooting situations, the shift and tilt mechanisms are used together to adjust perspective, distortion of the subject, and focus area. Note: These lenses can be used with the D3, D700 and D300 without any limitation; and can also be used with the following cameras, though some restrictions or limitations on functions exist: D2 series, D1 series, D200, D100, D80, D70 series, D60, D50, D40 series, F6, F5, F4 series, F100, F90X/N90s, F90 series/N90, F80 series /N80 series, F75 series /N75 series, F65series /N65 series, and PRONEA 600i/6i. • ±90° lens revolving capability, with stops at 30° and 60°, for versatile tilt/shift effects • Nine-blade rounded diaphragm for rounded, natural blur • High optical performance not only for tilt/shift photography but also for general shooting • Dust and moisture-resistant for reliable use even in harsh shooting situations Technical Specification for PC-E45mm f2.8 ED Focal length 45 mm Maximum aperture f/2.8 Minimum aperture f/32 Lens construction 9 elements in 8 groups (with one ED glass element and Nano Crystal Coat) Picture angle 51° (maximum 66° when fully shifted) Closest focus distance 0.253 m (0.83 ft.) MAJOR FEATURES • PC-E 45mm Micro, providing a standard angle of view Maximum reproduction ratio 1/2 No. of diaphragm blades 9 (rounded) Filter/attachment size 77 mm • PC-E 85mm Micro, offering a medium-telephoto angle of view and increased camera-to-subject working distance Diameter x length (Extension from lens mount) Approx. 82.5 x 112 mm/3.2 x 4.4 in. Weight Approx. 740 g/26.1 oz. Supplied accessories 77mm Snap-on Front Lens Cap LC-77, Rear Lens • Close-up shooting at up to 1/2x reproduction ratio • Nano Crystal Coat effectively reduces ghosting and flare Cap LF-1, Bayonet Hood HB-43, Flexible Lens Pouch CL-1120 • PC-E 45mm features an ED glass element, delivering high-resolution and even more vivid image quality PG 11 FEATURED PRODUCT - PC lens FEATURED PRODUCT - SB-900 SPEEDLIGHT Technical Specification for PC-E85mm f2.8 ED Focal length 85 mm Maximum aperture f/2.8 Minimum aperture f/32 Lens construction 6 elements in 5 groups (with Nano Crystal Coat) Picture angle 28° 30° (maximum 37°50° when fully shifted) Closest focus distance 0.39m (1.3 ft.) Maximum reproduction ratio 1/2 No. of diaphragm blades 9 (rounded) Filter/attachment size 77 mm Diameter x length (Extension from lens mount) Approx. 82.5 x 107 mm/3.3 x 4.2 in. Weight Approx. a635 g/22.4 oz. Supplied accessories 77mm Snap-on Front Lens Cap LC-77, Rear Lens Cap LF-1, Bayonet Hood HB-22, SB-900 SPEEDLIGHT RCP S$749 Flexible Lens Pouch CL-1120 ADVANCED, HIGH-PERFORMANCE SPEEDLIGHT FOR NIKON DSLR CAMERAS TOKYO - Nikon Corporation is pleased to announce the introduction of the Nikon Speedlight SB-900, a new external i-TTL flash unit with advanced features. The SB-900 offers a powerful guide number of 48/157.5 (ISO 200, meters/feet) and an incredible array of creative flash functions. The SB-900 is an ideal way to solve lighting challenges and extend Nikon D-SLR creativity. The SB-900 is a high-performance Speedlight developed as the successor to the hugely successful Nikon SB-800. Practical functionality was emphasized in designing the SB-900, especially evident when used with Nikon digital SLR cameras compatible with the Nikon Creative Lighting System. It provides a wide 17-200 mm auto zoom range (expanded from the SB-800’s 24-105mm), three illumination patterns, newly designed, PG 12 streamlined operation with a fullinformation LCD panel, and AF-Assist illumination compatible with newgeneration AF sensors. The SB-900 has an improved booster circuit for highspeed recycle time. In addition, firmware can be uploaded via a Nikon digital SLR camera—a world’s first* for flash units, assuring that the SB-900 can accept technological advancements. The SB-900 serves as the new core for the Nikon Creative Lighting System when used in combination with current Nikon digital SLRs, and it supports Advanced Wireless Lighting as a master or a remote Speedlight, inviting photographers to explore the many creative possibilities. Additional new functions include 180 degrees of left or right head swivel, a special built-in overheat protection system and automatic filter detection PG 13 FEATURED PRODUCT - SB-900 SPEEDLIGHT for unprecedented white balance correction, even in fluorescent lighting conditions. FEATURED PRODUCT - SB-900 SPEEDLIGHT • Advanced Wireless Lighting and versatile functions for up to three remote groups of SB-900s or other compatible Speedlight controlled through the master SB-900 Speedlight SB-900 Specifications Electronic construction Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry Guide number (20°C/68°F) 34/111.5 (ISO 100, m/ft), 48/157.5 (ISO 200,m/ft) Illumination pattern Three illumination patterns: standard, even and centerweighted. The light distribution angle is automatically adjusted to the camera’s image area in both FX and DX formats Flash shooting distance range 0.6 m to 20 m (2 to 66 ft) (varies depending on camera image area setting, illumination pattern, ISO sensitivity, zoom position, and lens aperture) • Three illumination patterns (standard, centerweighted and even) are available to match each shooting environment Flash mode TTL, Auto Aperture flash, Non-TTL auto flash, Distance-priority manual flash, Manual flash, Repeating flash • Automatically detects Nikon FX and Nikon DX formats and selects suitable light distribution Other functions Test firing, monitor pre-flashes, AF-assist illuminator, and Modeling illuminator • Improved booster circuit for high-speed recycle time: Recycle time using four Multiple flash operation Advanced Wireless Lighting, SU-4 type wireless multiple flash • AA-size batteries is almost equal to the SB-800 with five AA-size batteries Compatible cameras All cameras compatible with Nikon Creative Lighting System (other cameras can be used but functionality is reduced) • New AF-Assist illumination covers a wide 20-105 mm focal range compatible with the new Multi-CAM3500 FX/DX AF sensor Flash exposure control set on the camera • Firmware update via Nikon D3 and D700 is possible (world’s first*) Camera’s sync modes: Slow-sync, Red-eye reduction in slow sync, Rear-curtain sync, Rear-curtain slow-sync. Shooting functions: Auto FP High-Speed sync, FV Lock flash. Bounce capability Flash head tilts down to -7° or up to 90° with click-stops at -7°, 0°, 45°, 60°, 75°, 90°. Flash head rotates horizontally 180° to the left and right with click-stops at 0°, 30°, 60°, 90°, 120°, 150°, 180° ON/OFF Press the Power ON-OFF switch to turn the SB-900 on or off. Standby function can be set. With the SB-900, users can enjoy all the benefits of the Nikon Creative Lighting System for both automation and comprehensive control, enabling endless lighting possibilities. *The world’s first flash unit with a user-applied firmware update function via a digital SLR camera as of July 1, 2008 (according to research conducted by NIKON CORPORATION). Nikon Speedlight SB-900 Major Features • Multi-step auto zoom covers wide 17-200mm zoom range (24-105mm°GSB-800) • Optional Water Guard WG-AS1 (for D3), WG-AS2 (for D300), and WG-AS3 (for D700) is useful for protecting the camera's hot shoe contact when theSB-900 is mounted on these Nikon digital SLR cameras *The world’s first flash unit firmware update function via a digital SLR camera as of July 1, 2008 (according to research conducted by NIKON CORPORATION). • Thermal Cut-out function limits the number of flashes to avoid deterioration of light emitting par ts caused by continuous flash firing • Automatically detects color filters (fluorescent or incandescent), enabling camera to control color temperature according to filter information from SB-900 • Improved switch panel for enhanced usability • Improved GUI using a large-size LCD dot panel Power source/min. recycle time/no. of flashes (at full output) With fresh batteries (These data may vary depending on battery condition) Two AA-size penlight batteries (1.5V or lower) of the following types: • Bounce capability: tilts up to 90º, down to -7º, rotates horizontally 180º to right and left PG 14 PG 15 FEATURED PRODUCT - SB-900 SPEEDLIGHT FEATURED PRODUCT - HWM D3 REVIEW Batteries Min. recycle time (approx.) Min. number of flashes/ interval between full flash output and ready light on* Alkaline-manganese (1.5V) Lithium (1.5V) Oxyride (1.5V) Ni-MH (2600 mAh) (rechargeable) (1.2V) 4.0 4.5 3.0 2.3 110/4.0-30 sec. 230/4.5-120 sec. 125/3.0-30 sec. 190/2.3-30 sec. sec. sec. sec. sec. * When firing the Speedlight at full output once every 30 seconds (120 seconds with lithium batteries.) Ready light The SB-900 is fully recycled: Rear ready-light lights up and front light blinks Insufficient light for correct exposure (in i-TTL, Auto Aperture flash, Non-TTL Auto flash, or Distance-priority manual flash operations): ready-lights and front lights blink after shooting Flash duration Approx. 1/880 sec. at full output Mounting foot lock lever Provides secure attachment of SB-900 to camera’s accessory shoe using locking plate and mount pin to prevent accidental detachment. Dimensions (WxHxD) Approx. 78.0 x146.0 x 118.5 mm (3.0 x 5.7 x 4.7 in.) Weight (without batteries) Approx. 415 g (14.6 oz.) Suplied accessories Supplied accessories Speedlight Stand AS-21, Nikon Diffusion Dome SW-13H, Color Filter Set SJ-900, Color Filter Holder SZ-2, Soft Case SS-900 Optional accessories Color Filter Set SJ-3, Water Guard WGAS1/ WG-AS2/ WG-AS3, High-Performance Battery Pack SD-9, Wireless Slave Flash Controller SU-4, TTL Remote Cord SC-28/SC-29 PG 16 PG 17 FEATURED PRODUCT - HWM D3 REVIEW PG 18 FEATURED PRODUCT - HWM D3 REVIEW PG 19 FEATURED PRODUCT - HWM D3 REVIEW FEATURED PRODUCT - CAPTURE NX2 Upgrade Version S$159 FULL Version S$279 POWERFUL TOOLS FOR QUICK AND EASY PHOTO EDITING Tokyo — Nikon Corporation is pleased to announce the introduction of the new image-editing software, Capture NX 2. As an upgraded version of the proven Capture NX that was marketed in 2006, the Capture NX 2 is a "really powerful and easy-to-use software" for photographers who want to realize quick and comfortable image enhancements with intuitive operation. In addition to Color Control Point that has been highly evaluated, Selection Control Point is newly added, that enables users to apply enhancements such as Unsharp Mask and D-Lighting to a specific area, which are immediately viewable on your monitor. Using the Auto Retouch Brush, simply apply mouse strokes to clear away specks (caused by dust when an image is shot) that appear on the image. To fill the traced area, the most appropriate portion is detected and applied, to deliver the most natural image after use. Also, Workspaces based on assumed workflow and improved Edit List further enhance efficient operation and expanded expression. The Capture NX 2 is a software optimized for workflow of photographers who want to do high-quality image editing in a simple way. PG 20 MAJOR FEATURES Color Control Point make image editing easy Enhancements for hue, brightness and saturation are as easy as placing a Color Control Point on your image, then adjusting the length of the sliders. For example, Color Control Points are remarkably convenient for changing the color of flowers to better effect against green surrounding foliage or for changing the color of a blue sky without affecting the colors of foliage in the same picture. Selection Control Point This new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse. There is no need for precision selection or masks — the Selection Control Point recognizes the areas you want to modify. The enhancement effect can easily be adjusted, allowing you to apply your chosen effect as you would with intuitive masking to either the designated area or to the entire image except for that area. The Selection Control Point can be used with virtually any image enhancement tool, including D-Lighting, Brightness, Color, Focus, Correction, and Noise Reduction (U Point Technology developed by Nik Software, Inc. of the U.S.A. makes Control Points intuitive to operate). PG 21 FEATURED PRODUCT - CAPTURE NX2 FEATURED PRODUCT - CAPTURE NX2 Auto Retouch Brush To simply achieve more natural-looking results, Auto Retouch Brush lets you remove specks of dust photographed on an image using a mouse click and stroke to match the surrounding color and tones. This can also be used to remove facial blemishes, imperfections on flowers, or other unwanted objects within the frame. [Shadow Protection] and [Saturation] in a single window. To work at high efficiency, use [Quick Fix] to process multiple tasks and use image processing steps of each function to adjust details. Simultaneous opening of multiple settings You can open multiple image processing settings at the same time and make parallel process adjustments of multiple details. Shadow/Highlight Adjustments Using the slider at [Quick Fix], you can adjust shadowy areas by [Shadow Adjust] and highlighted areas by [Highlight Adjust]*. You can also make such adjustments numerically by directly typing a value from 0 to 100 into the textbox. Label/Rating support (XMP) Supports nine kinds of labeling and five levels of ratings according to XMP, a metadata industry standard. Compatible with ViewNX, Adobe Bridge, and Windows Vista. Capable of filter sorting by label and rating. * [Highlight Adjust] supports RAW images, JPEG and TIFF, but is most effective for RAW images because they store additional highlight information. Workspaces Four workspaces are provided — Browser, Metadata, Multi-Purpose and Edit — and your window composition can be easily switched among them. Workspaces can be saved with a palette layout, then reopened later. Various customizable shortcuts are also available. • Browser: Folder tree is displayed; thumbnail can be displayed at full screen • Metadata: Camera information and others are displayed instead of folder tree • Multi-Purpose: Thumbnail and edit list are simultaneously displayed; enough space is secured for editing while minimizing thumbnail space • Edit: Edit list is displayed while closing thumbnail display; maximum editing space is secured Quick Fix This is a combination of frequently used tools including [Level and Tone Cur ve], [Exposure Compensation], [Contrast], [Highlight Protection], PG 22 A VARIETY OF FUNCTIONS TO ACHIEVE YOUR DESIRED PHOTOGRAPHIC EXPRESSION Straighten: You can change the degree of image tilt by clicking the mouse on the center of the area that you want to rotate and draw a line by dragging the mouse in the direction you want the image to be rotated. You can also correct image tilt by drawing a line that will be the horizontal reference for the reoriented image. Black/White Control Points: Let you easily modify the contrast of an entire image by operating a slider. Neutral Control Points: Make it easy to quickly adjust balance, remove color cast, set up multiple points and adjust complicated areas. Red-Eye Control Points: You can manually correct red-eye in areas that you choose and further finetune colors that have been adjusted by Color Control Points. Selection Tools: Tools like Select Brush, Lasso, Polygon Select, and Selection Gradient allow application of a range of editing functions. Batch Processing: Pre-set editing information can be applied to all image data in a selected folder. 16-bit Image Compatible: 16-bit internal processing of all editing and adjustments maintains high image quality. Vignette Control*: Allows you to brighten up in a balanced way those dark corners of an image that result from insufficient light around the lens. Auto Color Aberration Control*: Reduces lateral chromatic aberration throughout an entire image, for high image quality. Distortion Control Function*: Reduces pincushion and barrel distortions, for distortion-free images. Noise Reduction: Color noise, edge noise, and color moiré reduction functions reduce noise in details without degrading image quality. Active D-Lighting (NEF only): Available only for NEF images taken using Active D-Lighting function. The shadowy area of the image, which was taken underexposed to prevent blow-out of the highlighted area, is brightened to achieve appropriate tonality levels throughout the image with natural contrast. D-Lighting: Corrects the tones of shadowy and dark backlit images. Features [High quality (HQ)] for superior quality and [High speed (HS)] for superior processing speed. LCH Editor: Individual palettes for brightness, color brightness, saturation and hue let you intuitively create the tone color as you like. Image Dust Off (NEF only): Effectively reduces dust photographed on an image. Fisheye Image Transformer: Converts images taken with diagonal fisheye lenses, such as AF DX Fisheye-Nikkor 10.5mm f/2.8G ED and AF Fisheye-Nikkor 16mm f/2.8D, as if they were captured by an ultra-wide angle lens. Color Booster Function: Lets you control saturation of an entire image. You can also make adjustments without affecting skin color. Color Management: Apply the profile of your unique color management workflow and convert current profile, and use soft proof function to p r e v i e w p r i n t e r o u t p u t o n y o u r m o n i t o r. Highlighted/Shadowy Display: Indicates highlighted area resulting from backlit or shadowy area due to insufficient flash. Lets you determine at a glance where adjustment should be made, for significant improvement in work efficiency. Picture Control Compatibility (NEF only): You can apply Picture Control to an image or adjust imagecreation factors. The Picture Control Utility (included) allows you to save adjustments under Custom Picture Control and use the adjusted settings with compatible cameras or software via memory card. The adjusted settings can also be applied to RAW data (NEF) taken by Nikon D-SLRs that do not support Picture Control. *Can be applied to images captured by Nikon SLR cameras with a D/G type lens.   Free download of "Nik Color Efex Pro 2.0 for Capture NX 2" updata that is compatible with Capture NX 2 Nik Software, Inc will start free download service of the "Nik Color Efex Pro 2.0 for Capture NX" updata to be used with "Capture NX 2". Nik Color Efex Pro 2.0 for Capture NX adds versatile filter works to image-editing functions of Capture NX 2. Registered customers of Nik Color Efex Pro 2.0 PG 23 FEATURED PRODUCT - CAPTURE NX2 can download the free update from Nik Software, Inc.'s website* (expected to be available on June 2008). [Lineup of Nik Color Efex Pro 2.0 filters] Nik Color Efex Pro 2.0 for Capture NX provides three editions — Standard Edition featuring 19 frequently used filters, Select Edition featuring 45 filters to meet the requirements of professionals and advanced amateurs, and Complete Edition featuring 75 filters to realize any filter effect that professional photographers demand. Used with Capture NX 2, Nik Color Efex Pro 2.0 for Capture NX offers various filter works to expands the joy of digital image editing and helps create your works significantly.   EXAMPLES OF IMAGE ENHANCEMENTS Color Control Points make image editing easy Enhancements for hue, brightness and saturation are as simple as placing a Color Control Point on your image, then adjusting the length of the sliders. For example, Color Control Points are remarkably convenient for changing the color of flowers to better effect against green surrounding foliage. Four Color Control Points Before After Four Color Points were used to adjust color and brightness of various elements independently within the frame. FEATURED PRODUCT - CAPTURE NX2 To simply achieve more natural-looking results, Auto Retouch Brush lets you remove dust spots on an image using a mouse click and stroke to match the surrounding color and tones. This can also be used to remove facial blemishes, imperfections on flowers, or other unwanted objects within the frame. Specifications and equipment are subject to change Two Color Control Points Before After D-Lighting brightens the shadowy areas, and Selection Control Point applies only to the bright subjects and their surroundings seen through the opening between foliage and water. Before After Tone Curve adjusts the brightness and contrst, and Selection Control Point applies the effect only to the man and his surroundings. Selection Control Point This new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse. There is no need for precision selection or masks — the Selection Control Point recognizes the areas you want to modify. The enhancement effect can easily be adjusted, allowing you to apply your chosen effect as you would with intuitive masking. without any notice or obligation on the part of the manufacturer. May 2008 More more information visit www.capturenx.com for more information and free trial download. ©2008 NIKON CORPORATION Auto Retouch Brush Before PG 24 After Two Color Control Points were used to enhance color and brightness of flower petals and the background. Original images Naturaltrace Finishusing brush tool Simply PG 25 FEATURED PRODUCT -CREATE MOVIE WITH D60 FEATURED PRODUCT -CREATE MOVIE WITH D60 frame rate of 15fps. The resultant movie format is. AVI(Audio Video Interleave) Tips: A normal movie that you normally view is either 25fps or 30fps. Therefore the smoothness of the resultant video depending on the motion in the frame and number of frames used to animate the motion. Now we will demonstrate how to create a movie using the Stop Motion function of the D60. The equipment required is stated below: EQUIPMENT CHECK LIST • Nikon D60 CREATE MOVIE WITH NIKON D60 You may think that capturing of Video on a Digital SLR is impossible, partly you are right. To-date it is still not possible to capture video with directly on a Digital SLR due to technological constraint. However with appropriate feature implemented, Nikon is one step closer to “create” video from a Digital SLR. We call this function, Stop Motion Movie. What is Stop Motion Movie? Ever seen Claymation or the famous Wallace and Gromit or Nightmare Before Christmas? • Backdrop – If you wish to create a more professional result. You can use a plain background or a scenery poster or anything that deem fit. • Lighting – Although you may be able to use flash to create the frames, it will be better to use ambience lighting for more natural output, placing your setup near a window is a good idea. Frame Size • 640x480 • 320x240 • 160x120 Frame Rate • 15fps • 10fps • 6fps • 3fps STEP 3: GETTING READY YOUR D60 To make your shooting smooth, mount your D60 on a stable platform or a tripod. Zoom your lens to fill up the frame so those unwanted subjects are not in the view. The D60 is capable of string up to 100 frames into movie. To have a smoother motion, move your subject at small steps. After completing your series of shots, proceed to the next step. STEP 4: ACCESSING THE STOP-MOTION MOVIE FUNCTION If you are going to make a major production which you will be viewing on the TV Screen, you may wish to the highest resolution so that details are maintained when you show it on the big screen. On the Frame Rate, choose a higher frame rate will result in smooth playback but if your frame is insufficient, the video created will be relatively short. For example, if I have shot 60 images to be converted to a movie and choosing a frame rate of 15fps will result in a movie of only 4 seconds. STEP 6: CHOOSING THE FIRST AND LAST FRAME After you have chosen your frame size and frame rate, choose Create Movie. You will be allowed to choose the very first frame of your movie. • Tripod – Tripod is useful to fit your D60 on a fix X and Y Axis so that you can concentrate on your animating of your subject without worrying on the positioning of the camera. In short, Stop Motion allows the user to string individual frames into animation. STEP 1: PLAN YOUR STORYBOARD Think yourself as a director. Visualized how you want your subject to interact or move across the screen. The Stop Motion Function is located under the Incamera retouch menu. The Stop Motion allows the user to string unlimited frames (within the same memor y card) regardless of resolution. User will have the option to choose the resolution of the video as well as the frame rate. The maximum resolution is 640x480 and up to a STEP 2: GET READY YOUR PROPS AND LIGHTING Lighting: As your D60 is your “video camera”, therefore it will be utilizing the ambience lighting for the exposure of every shot. So try to keep the exposure the same. The best bet is to use natural sunlight for even lighting. PG 26 Props : Get ready your props such as background and supporting “actor and actress” like miniature trees and house. If the additional props is not going to be shift around, you may wish to use some sticky tape to put them in position. The Stop-motion movie function is located under the RETOUCH MENU. To access RETOUCH MENU, press the MENU Button and navigate to the menu group denoted by a paint brush as shown below. Stroll down the list of menu item and select Stopmotion movie. STEP 5: SETUP YOUR MOVIE PROFILE Before you shout “ACTION”, you will have to choose the movie resolution and frame rate of your movie. Choosing First Frame of the movie Choosing Last Frame of the movie After selecting the Starting Image, pressed OK and you will be allow to choose the End Image of the movie. STEP 7: EDIT OR SAVE THE MOVIE After you have chosen the End Image, you can choose to EDIT or SAVE your result. PG 27 FEATURED PRODUCT -CREATE MOVIE WITH D60 FEATURED PRODUCT - NIKON COOLPIX P80 EDIT MOVIE The EDIT function allows you to make changes to the Starting image, Middle Image and End I m a g e . I f Starting image is chosen, it will allow you to choose a new Starting image. Similarly for End image. If Middle image is chosen, it allows you to select or unselect images between the Starting image and End image. (As shown below) SAVE MOVIE The S AV E allows you to save the result to an AVI movie file which can be play back o n a n y m e d i a p l a y e r. PREVIEW will allow the user to view the result before saving. If you find the speed is too fast, you can consider changing the frame rate. FRAMERATE will allow you to alter the framerate thus affecting the movie duration as will as the speed of playing back. EDIT will bring to the EDIT Menu which allows you to change the Starting image, Middle image and End image. END RESULT The created movie is in AVI(Audio Video Interleave) format that can be play by any media player. You can even upload your video to Youtube or PG 28 any other video sharing side and share with your friend all over the world. Tips: You can create interesting stop motion movie by using continuous shooting mode to capture some action like a basketball player. You can also creating trailing effect of a moving subject by going to slow shutter speed like 1/15 sec. PACKING PHOTOGRAPHIC PERFORMANCE, INTUITIVE OPERATION, ADVANCED FUNCTION, AND THE REACH OF 18X OPTICAL ZOOM INTO A FINELY-CRAFTED COMPACT BODY Built on a custom application of Nikon's innovative EXPEED digital image processing concept and incorporating the precision optics of a NIKKOR lens, the At 27mm (Wide) COOLPIX P80 offers advanced features for advanced performance. and a new digital image processing engine that faithfully reproduces fine details and subtle tones. The COOLPIX P80 also delivers a quick response, as well as maintaining image quality and clarity when taking advantage of extended light sensitivity settings as high as ISO 6400*2. In addition, this model also benefits from the clarity, precision and broad range of an 18x Zoom-NIKKOR lens that covers focal A t 4 8 6 m m ( Te l e ) lengths from 27486mm (35mm format equivalent). The new model offers outstanding imaging quality with 10.1 effective megapixels of sharp resolution Sensor shift VR (Vibration Reduction) image stabilization adds extra reassurance for sharper, Tokyo — Nikon Corporation is pleased to announce the introduction of the COOLPIX P80, a new high-performance compact camera model designed for photography enthusiasts. PG 29 FEATURED PRODUCT - NIKON COOLPIX P80 FEATURED PRODUCT - NIKON COOLPIX P80 clearer images. The COOLPIX P80 is a versatile photographic tool that is able to handle a wide variety of shooting styles. Features include a wellproportioned and highly functional body design with a rubberised grip and a thumb rest for added stability. The black leather-tone finish pays tribute to the COOLPIX P80’s roots as a quality Nikon camera. Intuitively placed controls are designed to simplify and streamline camera operation. Dedicated Command and Mode dials can be operated using one hand, providing easy access to shooting controls and exposure mode settings (including four advanced exposure modes) that offer photographers of any skill greater shooting control. And with new Sport Continuous Mode, users can shoot as many as 30 consecutive pictures at 13 fps*3. shutter speed and aperture for optimal exposure. Shutterpriority Auto [S] lets the user select shutter speed while the camera sets the optimal aperture. Aperture-priority Auto [A] offers 10-step manual control over the aperture setting to let the user decide depth of field. And Manual [M] exposure mode provides full control over both the shutter speed and aperture settings. Sport Continuous Mode High-speed continuous shooting settings help keep users capture action scenes, shooting up to 30 consecutive pictures* at 13 fps in Sport Continuous Mode. In addition, you can choose to shoot at 6 fps or at 4 fps. VR image stabilisation for sharper results Compensating for the effects of camera shake to realise sharper results image sensor shift VR (Vibration Reduction) image stabilisation allows users to capture special moments without worrying about slight hand movements. This is particularly helpful when taking advantage of the 18x zoom lens' super-telephoto focal lengths, or when shooting in lower lighting conditions. A new electronic viewfinder enables accurate composition while providing important information under all lighting conditions. ISO 6400 capability provides extended shooting range Light sensitivity range up to ISO 6400* with manual control, along with auto control (ISO 64-800) and High ISO (ISO 641600) settings, creates new opportunities to take sharper, more natural-looking photos in lower light conditions, or to capture fast-moving subjects with outstanding clarity. Fixed range auto is also available, allowing you to limit sensitivity from ISO 64 to 100, 200 or 400. Large 2.7-inch LCD monitor and electronic viewfinder In addition to its high quality 2.7-inch LCD monitor with anti-reflection, 230kdots of high resolution and wide viewing angle, the P80 features the versatility of an electronic viewfinder that offers greater compositional freedom and accuracy under all l i g h t i n g conditions. *1 Among competing models equipped with 18x zoom as of April 10, 2008 (according to research conducted by NIKON CORPORATION). *2 ISO 3200 and 6400 are available only for image sizes of 3M (2048 x 1536) or smaller. *3 Feature available only for image sizes of 3M (2048 x 1536) or smaller. NIKON COOLPIX P80 FEATURE HIGHLIGHTS Exposure modes that offer greater shooting control Four exposure modes accessed via the Mode dial provide greater control over camera operation. Programmed Auto [P] mode automatically selects PG 30 *Feature available only for image sizes of 3M (2048 x 1536) or smaller. Nikon COOLPIX P80 other features • Three Unique Nikon Image Innovations Improved Face-priority AF, In-Camera Red-Eye Fix, D-Lighting • 15 handy scene modes for optimized shooting in various settings • Optimize image (including monochrome filter effect) • Distortion control corrects for barrel distortion • Macro shooting from as close as 1 cm (0.4 in.) • Five movie modes with sound, plus time-lapse movie mode • Time zone function for easy setting of multiple locations • SDHC card compatibility • Approx. 50 MB of internal memory • USB connectivity *ISO 3200 and 6400 are available only for image sizes of 3M (2048 x 1536) or smaller. PG 31 FEATURED PRODUCT - NIKON COOLPIX S52/S52c FEATURED PRODUCT - NIKON COOLPIX S52/S52c COOLPIX S52 | SGD$449 • COOLPIX S52c | SGD$499 Tokyo – Nikon Corporation is pleased to announce the introduction of the COOLPIX S52c and S52 compact consumer cameras, adding to its current Spring / Summer line up. Both the COOLPIX S52c and S52 cameras offer high-quality wave-surface design and a range of creative features that allow users to develop their photographic skills. Built on a custom application of Nikon's innovative EXPEED digital image processing concept and incorporating the precision optics of a NIKKOR lens, the COOLPIX S52c and S52 are engineered to realise optimum performance and maximum image quality. A powerful 9.0 effective megapixel image capability ensures sharp resolution for outstanding photos. Equipped with a high-performance digital image processing engine and a built-in “right-angle” optical lens shift VR (Vibration Reduction) 3x Zoom-NIKKOR lens, these new models produce images bursting with sharp detail and vivid colour. For even more image clarity, high sensitivity up to ISO 3200 allows for increased flexibility when shooting fast moving subjects or in low light conditions. PG 32 Experience the fun and freedom of built-in Wi-Fi support (COOLPIX S52c only) and my Picturetown*1, Nikon’s exclusive image storage and sharing site. Upload, categorise and share photos directly from the camera to my Picturetown and explore the potential of “anytime, anywhere” access. The my Picturetown service offers the Picture Bank function for easy storage as well as Picture Mail, which automatically sends an email notification to your friends. The COOLPIX S52c and S52 allow users to compose and view shots with ease, thanks to their 3.0-inch LCD monitors, which displays bright and large images. Users can also explore the Pictmotion function and take the enjoyment of sharing one step further by creatively combining movies and photos with music and alternative visual styles. In addition to these advanced features, the COOLPIX S52c and S52 exude elegance with their wave-surface designs. Featuring smooth curves and a metallic finish with colour clear coating for an attractive luster, the COOLPIX S52c and S52 seamlessly combine high-performance and sleek design.   NIKON COOLPIX S52c/S52 FEATURE HIGHLIGHTS   Optical lens shift VR image stabilisation The COOLPIX S52c and S52 both feature an especially compact built-in “right-angle” optical VR 3x Zoom-NIKKOR lens. Offering a 38-114mm range (35mm format equivalent), it not only delivers great compositional freedom, but also overcomes the effects of camera shake to produce clearer, sharper images. ISO 3200 capability for extended shooting range Extended light sensitivity of up to ISO 3200 allows users to capture fast moving subjects or shots in lower lighting conditions with impressive clarity. Also available is AUTO ISO control, which automatically selects the optimal sensitivity for the shot across a range between ISO 100 and 800 and up to ISO 2000 in High-Sensitivity mode. viewing, even out in daylight. The monitor features 230k-dots of high resolution, a wide vertical and horizontal viewing angle of 170 degrees, anti-reflection coating implementing sophisticated finishing technology and an acrylic panel that prevents scratches and fingerprints. Pictmotion Pictmotion lets users select their favorite images and movies, then combine them with their choice of music ( from 5 pre-installed or a further 10 downloadable tracks) and visual styles to create an entertaining audiovisual show for enjoyment anywhere. Now offering VGA quality, Pictmotion offers even clearer display when viewed through TV output. Nikon COOLPIX S52C/S52 other features • Three Unique Nikon Image Innovations Face-priority AF, In-Camera Red-Eye Fix, and D-Lighting • Light weight with highly compact dimensions my Picturetown for image storage and wireless sharing (COOLPIX S52c only) The Picture Mail button makes it easy to send shots directly from the camera to Nikon’s my Picturetown ser ver, allowing instant sharing to friends anywhere. Utilise Picture Bank to upload and save pictures onto my Picturetown’s secure server. Expansive 3.0-inch LCD monitor for quality viewing and menu operation. A high-contrast, large 3.0-inch LCD monitor offers excellent satisfaction in handling, shooting and • Macro shooting from as close as 4 cm (1.6 in.) • 4x digital zoom extends compositional freedom • Improved menu interface, available in a choice of 23 languages • Time zone function for easy setting of multiple locations • Approx. 38 MB of internal memory • SDHC card compatibility • USB connectivity • PictBridge compatibility PG 33 FEATURED PRODUCT - LASER RANGEFINDERS FEATURED PRODUCT - LASER RANGEFINDERS KEY FEATURES • Easy one-push operation enables measurement of horizontal distances, height, angle and vertical separation (difference in height between two targets), in addition to the actual distance measurement function. • The results are displayed on both an internal and an external LCD panel. The external LCDpanel shows all results simultaneously. When distance matters, nothing is more essential than accuracy. Known industry-wide for superior optical technologies and cutting-edge design capabilities, Nikon takes pride in delivering innovative, high-quality products. Nikon Vision Co., Ltd., a subsidiary of Nikon Corporation is please to announce new Laser Rangefinder lineup that extends from a high-spec model with angle measurement functions to models exclusively designed for golfing and hunting, each per fectly suited to its par ticular purpose. • Simple one-touch measurement • Compact, lightweight design enables easy, single-hand operation • Dioptre adjustment function • Capable of distancing different targets in succession by keeping the button pressed (single press of the button with Laser 350G) • Waterproof (up to 1 metre for 10 minutes: Laser 550A S/550/350G, up to 2 metres for 5 minutes: Laser 1200S/800S), but not for underwater usage; the battery chamber is water resistant. • Wide temperature tolerance: –10°C to +50°C Actual distance with Laser 550A S. • Distance* measurement display step is 0.5m/yd. (shorter than 100m/yd.: Laser 550A S/550/350G, shorter than 1,000m/yd.:Laser 1200S) • High-quality 6x monocular with multilayer coating for bright, clear images (7x for Laser 1200S) • High-eyepoint design affords eyeglass wearers easy viewing PG 34 APPLICATIONS LASER 550A S Nikon Vision Co., Ltd., a subsidiary of Nikon Corporation, is pleased to present the Laser 550A S, a laser rangefinder with angle compensation technology. With its external LCD display, this laser rangefiner instantly provides actual distance, angle, horizontal distance, height, and vertical separation (difference in height between two targets). Since Nikon released its first Laser Rangefinders in 1999, they have been well accepted by wide variety of users, from golfers to hunters. Our new Laser 550A S has been engineered to comply with their request for angle compensated distance measurement. With its built-in inclinometer, Laser 550A S gives instant readings on the target, from actual distance to angle, height, and horizontal distance, even vertical separation between two targets. This information allows a user to take a shot with more confidence, whether in golfing or hunting. MEASUREMENT EXAMPLE (GOLF) • Select from two measurement modes (Target Priority Switch System): First Target Priority mode displays the range to the nearest target among multiple results obtained with a single measurement — useful when golfing for measuring the distance to a pin on a green with woods in the background. Distant Target Priority mode displays the range to the farthest target among multiple results obtained with a single measurement — useful when hunting in heavily wooded areas. • Measurement range: 10-500m/11-550 yd./33999 ft.) Internal display 1. Actual (linear) Distance 2. Horizontal Distance 3. Height 4. Angle 5. Height between two points 6. First Target Priority mode 7. Distant Target Priority mode 8. Battery condition 9. Distance 10. Unit of measure (m/yd.) (no unit displayed for ft.) 11. Reticle ( ) Laser irradiation ( ) External display 1. Measurement unit (m/yd./ft.) 2. Height 3. Actual (linear) Distance 4. Horizontal Distance 5. Angle (°) PG 35 FEATURED PRODUCT - LASER RANGEFINDERS FEATURED PRODUCT - LASER RANGEFINDERS KEY FEATURES • Compact, lightweight (180g), ideal for hunting use Nikon Laser Rangefinder Laser 550A S Specifications Measurement range Distance:10-500m/11-550 yd./33-999 ft.(*999 ft.: 304.5m/333 yd.) Angle: ±89º • Reasonably priced [Internal Display] • Distant Target Priority mode enables easy measurement of the distance of prey in heavily wooded areas. Distant Target Priority mode displays the range to the farthest target among multiple results obtained with a single measurement. Act (Actual Distance): • every 0.5m/yd., 1.0 ft. (shorter than 100m/yd./ft.) • every 1.0m/yd., 1.0 ft. (greater than 100m/yd./ft.) Distance display Hor (Horizontal Distance) and Hgt (Height): • every 0.2m/yd., 0.5 ft. (shorter than 100m/yd./ft.) • every 1.0m/yd., 1.0 ft. (greater than 100m/yd./ft.) • High-quality 6x monocular with multilayer coating for bright images • Ang (Angle): • every 0.1º (less than 10º) • every 1.0º (more than 10º) *Downward angle from the horizontal line: with display "-" [External Display] Act (Actual Distance): every 0.5m/yd., 1.0 ft. Hor (Horizontal Distance) and Hgt (Height):every 0.2m/yd., 0.5 ft. Ang (Angle): every 0.1º Magnification (x) 6 Effective objective diameter (mm) 21 Actual field of view (º) 6.0 Exit pupil (mm) 3.5 Eye relief (mm) 18.2 Dimensions (LxHxW) (mm) 130x69x45 Weight (g) 210 Power source CD2 lithium battery x 1 (DC3V) Auto power shutoff function equipped (after 30 sec.) VCCI class B, Class 1M laser product (IEC60825-1:2001), Safety and EMC Class 1 laser product (21CFR 1040.10 and 1040.11) CE, EMC directive, Fcc Part15 subpart B Class B, c-tick, WEEE LASER 550 Nikon's Laser 600 had been very successful in hunting market since its release in 2003. The new Laser 550 inherits Laser 600's legacy, equipped with the Distant Target Priority mode for easy measurement, ergonomic design, and is made available at the lower price range. • Waterproof (up to 1 meter for 10 minutes): Sealed with O-rings and filled with nitrogen gas. The battery chamber is water resistant. • High-eyepoint design allows easy viewing even with eyeglasses. • Measurement range: 10-500m/11-550yd. Nikon Laser Rangefinder Laser 550 Specifications Measurement range 10-500m/11-550 yd. Distance display Every 0.5m/yd. (shorter than 100m/yd.) Magnification (x) Every 1.0m/yd. (greater than 100m/yd.) Effective objective diameter (mm) 6 Actual field of view (º) 21 Exit pupil (mm) 6.0 Eye relief (mm) 3.5 Dimensions (LxHxW) (mm) 18.2 Weight (g) 130x69x37 180 Power source CR2 lithium battery x 1 (DC 3V) Auto power shutoff function equipped (after 8 sec.) Safety and EMC VCCI class B, Class 1M laser product (IEC60825-1:2001), Class 1 laser product (21CFR 1040.10 and 1040.11) CE, EMC directive, Fcc Part15 subpart B Class B, c-tick, WEEE PG 36 PG 37 FEATURED PRODUCT - LASER RANGEFINDERS FEATURED PRODUCT - my Picturetown • Reasonably priced • First Target Priority mode enables easy measurement of the distance to your target pin on a green with woods in the background at the golf course. First Target Priority mode displays the range to the nearest target among the multiple results obtained with a single measurement. LASER 350G Laser 500G has been very successful in golf market since its release in 2003. The new Laser 350G inherits Laser 500G's legacy, equipped with the First Target Priority mode for easy measurement, ergonomic design, and is made available at the lower price range. • Depressing the power button provides 8-second continuous measurement, which enables measurement even with slight hand movement. • High-quality 6x monocular with multilayer coating for bright images • Waterproof (up to 1 meter for 10 minutes): Sealed with O-rings and filled with nitrogen gas. The battery chamber is water resistant. • High-eyepoint design allows easy viewing even with eyeglasses. KEY FEATURES • Compact, lightweight (180g), optimized for golfing • Measurement range: 10-500m/11-550yd. Nikon Laser Rangefinder Laser 350G Specifications Measurement range 10-500m/11-550 yd. Distance display Every 0.5m/yd. (shorter than 100m/yd.) Magnification (x) Every 1.0m/yd. (greater than 100m/yd.) Effective objective diameter (mm) 6 Actual field of view (º) 21 Exit pupil (mm) 6.0 Eye relief (mm) 3.5 Dimensions (LxHxW) (mm) 18.2 Weight (g) 130x69x37 180 Power source CR2 lithium battery x 1 (DC 3V) Auto power shutoff function equipped (after 8 sec.) Safety and EMC VCCI class B, Class 1M laser product (IEC60825-1:2001), Class 1 laser product (21CFR 1040.10 and 1040.11) CE, EMC directive, Fcc Part15 subpart B Class B, c-tick, WEEE PG 38 my Picturetown Ser vice – enjoy digital images anytime, anywhere my Picturetown ser vice, now available in Singapore, is a smart photo storage and sharing site that offers new ways to enjoy digital images “anytime, anywhere”. By effectively linking digital cameras, the Internet and computers, my Picturetown provides ease and convenience in photo uploading, simple drag-and-drop organising, and image sharing. One of the unique features of my Picturetown is the ability to upload camera using Wi-Fi technology. Even RAW (NEF) files can be uploaded onto the site as well! Sharing of photos or videos is easy. Friends or family will receive email notifications from my Picturetown each time you choose to share with them. Photos can also be uploaded onto blogs and social networking services (SNS) using URLs. What’s really interesting is that these photos can also be sent to my Picturetown with Wi-Fi enabled COOLPIX cameras, and with just a touch of a button, you can share these photos almost instantly! Look! No wires! Do without USB cables by utilizing my Picturetown’s direct wirelesss transfer with any Wi-Fi enabled COOLPIX camera! This feature allows you to free up memory space while you’re on the go, so you don’t have to worry about not being able to take anymore pictures once your card is full. Free 20 GB storage space! Want to hear the good news? We’re currently offering 20 GB worth of storage space for free! This offer is for a limited time only, so hurry and sign up now! 20 GB Gold accounts will be chargeable at a low monthly fee after the trial promotion period. 2 GB storage capacity will be provided for free account users. MAIN FEATURES OF my Picturetown Easy uploading and organization Batches of photos are easily uploaded using my Picturetown’s “Quick Upload” tool. Even RAW (NEF) files can be uploaded and are viewable as JPEGs. Once uploaded, photos are easily organized through a simple to use drag-and-drop interface. Powerful Search Photos can be tagged and rated using a scale of 0-5 for ease of search. Additionally, searches can be further refined by the date they were uploaded or taken using a calendar. PG 39 FEATURED PRODUCT - my Picturetown Wi-Fi upload Nikon Wi-Fi camera users* can upload photos directly to my Picturetown from their cameras using a Wi-Fi connection and email friends and family to notify them that new photos have been uploaded. D3 review by Scott Woodward Post to blogs and SNS URLs of photos can be directly posted to blogs and social networking ser vices (SNS). SCOTT A WOODWARD photography Supported languages my Picturetown is available in English, Chinese, Korean, Japanese, French, and Ger man. A DREAM COME TRUE For over 10 years I have dreamed of visiting Bhutan. So when my friend – and former National Geographic camera man – Mike Rogers offered me the opportunity to join him on his recent independent documentary film shoot in Bhutan, I leapt at the opportunity to travel to this mysterious mountain nation. * COOLPIX S52c, S51c and S50c Breathtaking slide shows with music A full-screen slideshow option is available for viewing photos with up to 25 choices for background music. For more information on my Picturetown and its ser vices, please visit http://mypicturetown. Titled The Emerging Lens Initiative, Mike’s film aims to explore democracy through the eyes of Bhutanese youth during the nation’s first-ever democratic elections in March 2008. Alongside Mike (the film’s Director of Photography), Meghan Shea (the film’s Producer) and our small Bhutanese crew, my role was to shoot still photography to appear in the movie, as well as provide a visual record of the making-of the documentary film. This was indeed my dream assignment come true. Even though I had never worked with this camera before, its reputation had preceded it: I had read countless reviews in print and digital media and knew that it would be the perfect tool for this job. Now that I have returned from two weeks of intensive and demanding shooting with the D3, I can confidently state that it is the most remarkable Nikon camera I have ever used. ENIGMATIC BHUTAN Cradled deep in the creases of the majestic Himalaya, the tiny Kingdom of Bhutan is veiled in mystery. Owing to strict tourism policies that regulate the number of visitors, the Bhutanese government has successfully safeguarded the country from the mass tourism that has afflicted many of Bhutan’s Asian neighbours; making Bhutan one of the world’s least-traveled countries has also made it one of the world’s most enigmatic. FULL FRAME REVELATION When the D3 was initially launched, its full-frame capability was the feature that garnered the most attention in photographic circles. The D3 is the first-ever Nikon DSLR to use the full 36 x 23.9mm image sensor that is the same size as a 35mm negative. Not only does this sensor have bigger pixels and greater light sensitivity for better overall quality, but for the first time on a Nikon DSLR body my (non-DX) AF-S 28-70mm f/2.8D IF ED and AF-S VR 70-200mm f/2.8G IF ED lenses were not cropped at the top and edges. Enveloped by the Indian plains to the south and the mountainous Tibetan regions of China to the north, Bhutan is home to a wide range of breathtaking natural topography, disparate climatic regions, and a proud people with colourful culture. The Land of the Thunder Dragon is doubtless one of the most exotic destinations on the planet. PG 40 D E M A N D I N G , U N C E R TA I N S H O O T I N G CONDITIONS As I prepared for the trip, I knew that the days would be long and the shooting conditions challenging. I required a camera that would enable me to shoot many hundreds of frames ever y day in the most diverse locations and uncertain lighting conditions. For this reason, the Nikon D3 was perfect. I found this feature particularly beneficial when shooting Bhutan’s vast landscapes and unique architecture because I did not have to change lenses to frame wide angle photographs as with previous Nikon DSLR cameras. It was a remarkable revelation for me to shoot on the D3, especially PG 41 D3 review by Scott Woodward at the short end of the focal range, which allowed me to see and capture the full image area, just as my lenses were engineered and intended. R E V O L U T I O N A RY H I G H I S O C A PA B I L I T Y Although the full-frame sensor is a major selling feature for the D3, it is the camera’s high-ISO capability that has generated the most buzz amongst digital photographers. I was aware that the D3 performed well in extremely low-light conditions; however, I was unprepared for just how impressive it really was. Since our production crew was small and our equipment inventory limited to what we could carry, it was our preference to shoot using only natural, available light in Bhutan. Thus, I was concerned about my equipment’s ability to deliver quality images in rather dark indoor areas, such as the many centuries’ old monasteries and dzongs (temple fortresses) that dot Bhutan’s landscape. Impressively, the D3 demonstrated an amazing ability to shoot sharp, clean images at ISO levels far above any other DSLR I have ever used. With the D3 I was able to create print and magazine quality photographs in extremely low-light environments at 800 ISO, 1600 ISO and even beyond. This eliminated my need for a tripod or flash equipment and gave me the freedom to handhold my D3, thereby capturing intimate, remarkable moments impossible with other DSLR cameras. D-LIGHTING IS A DELIGHT Another D3 function that allows photographers to deliver truly dynamic images in demanding lighting conditions is a new feature called Active D-Lighting. This function allows the camera to recognize areas of deep shadows and harsh highlights, and PG 42 D3 review by Scott Woodward automatically “tame” them in-camera, ensuring the image’s true colours are preserved while still delivering a perfectly exposed photograph. This D3 feature was particularly valuable when shooting under direct sunlight, where balancing bright neutral colours and deep, dark shadows is difficult. Shooting with Active D-Lighting allowed subtle lightening in the shadows and softening of the highlights without compromising the overall dynamic range or exposure of the image. FAST, ACCURATE AUTO-FOCUS The D3’s brand new 9, 21 and 51-point autofocus system worked extremely well across all my lenses and under a variety of lighting and shooting conditions. Although my style of photography – and personal preference – is to shoot primarily with Single Area AF mode, I was very impressed with the Dynamic AF Mode with the new 3D Tracking feature which enabled me to shoot extremely quick, sharp images of rapidly moving subjects. The D3 was an invaluable tool during the Bhutan shoot and enabled me to easily and professionally chronicle the making-of The Emerging Lens documentary film, as well as showcase the pristine wonders and colourful people of The Land of the Thunder Dragon. ABOUT SCOTT A WOODWARD Scott A Woodward is a Canadian photographer based in Singapore. He has been making photographs for more than 15 years, the last decade spent living, working and shooting in dozens of countries across Asia-Pacific. Scott possesses an original vision and a sensitive approach to his repor tage and narrative photography. His photography has been the focus of several exhibitions and appears regularly in a wide range of international lifestyle, travel and fashion magazines. To see more of Scott’s photography, visit www.scottawoodward.com Scott shoots exclusively with Nikon cameras an lenses. Additionally, the speed, responsiveness and accuracy of the D3’s auto-focus were truly remarkable. Without the D3’s auto-focus system, there are many photographs that I would not have captured with such ease or with such fantastic results. The clarity of all my images is outstanding; even non-photographers who have seen my Bhutan images have commented on their overall sharpness. REMARKABLE IMAGES UNDER ALL CONDITIONS The Nikon D3 delivered amazing, high-quality images in a wide variety of conditions and allowed me to shoot on a DSLR like never before. Its fullframe sensor, amazing high-ISO flexibility, fantastic dynamic range and fast, accurate auto-focus are just a few of the features I appreciated in this camera. • Nikon D3 w/ Nikkor 28-70mm f/2.8 Lens @ 60mm • ISO 200 • f/2.8 @ 1/50 sec A young girl blows bubbles as the sun shines in the window of her family’s tiny apartment situated in the Paro valley. PG 43 D3 review by Scott Woodward D3 review by Scott Woodward • Nikon D3 w/ Nikkor 28-70mm f/2.8 Lens @ 70mm • ISO 200 • f/7.1 @ 1/200 sec A young, novice monk rinses the hair off his freshly-shaved head in an open tap outside a Thimpu dzong (monastery). • Nikon D3 w/ Nikkor 28-70mm f/2.8 Lens @ 48mm • ISO 800 • f/8.0 @ 1/250 sec A party of novice monks careen down a steep hill on their way to dinner at the Thimpu dzong (monastery). • Nikon D3 w/ Nikkor 28-70mm f/2.8 Lens @ 28mm • ISO 1000 • f/2.8 @ 1/100 sec Novice monks line a wall inside the Rinchen Pung Dzong (“fortress on a heap of jewels”) in Paro. Constructed in 1646, the dzong (monastery) has been destroyed by fire or earthquakes numerous times over the centuries, but has always been rebuilt. • Nikon D3 w/ Nikkor 28-70mm f/2.8 Lens @ 28mm • ISO 200 • f/11 @ 1/500 sec A lone man cuts a striking figure as he walks among a cluster of white Bhutanese prayer flags rippling in the spring breeze. PG 44 PG 45 D3 review by Scott Woodward • Nikon D3 w/ 70-200mm f/2.8 LensON @ 200mm FEATURED PRODUCT - Nikkor SCOTT WOODWARD D3 • ISO 200 • f/9.0 @ 1/320 sec A woman navigates the rugged terrain as she struggles under the weight of the chopped logs she carries on her back. • Nikon D3 w/ Nikkor 28-70mm f/2.8 Lens @ 40mm • ISO 200 • f/7.1 @ 1/200 sec Perched precariously on a cliff at more than 3,120 meters (10,200 feet), Taktshang (Tiger’s Nest) is the most famous monastery in Bhutan. • Nikon D3 w/ Nikkor 70-200mm f/2.8 Lens @ 125mm • ISO 200 • f/9.0 @ 1/320 sec An old woman guides her young grandson home from school through the craggy Paro valley. PG 46 • Nikon D3 w/ Nikkor 70-200mm f/2.8 Lens @ 200mm • ISO 200 • f/9.0 @ 1/320 sec A woman navigates the rugged terrain as she struggles under the weight of the chopped logs she carries on her back. PG 47 D3 review by Alex Soh D3 review by Alex Soh A BLACK & WHITE WORLDHIDA Hida Takayama, Japan (Jan 2008), Text and Picture By Alex Soh Imagine with me, walking alone into a black and white world—what a beautiful moment just between you and “Mother Nature.” Does my eye now see only black and white? Or am I just looking at a painting? It seems almost unreal to me. This is what I enjoy in photography most, it's to see so much wondrous beauty in God's creation. Can you imagine walking into a rainforest where everything is supposed to be lush and green, only to find that it has all turned white? The waterfall is supposed to be pouring water down but now has become little streams with rest of it frozen icicles. Journeying with me this trip was the new Nikon D3. I really put this camera to the test. Together with the body were the AF-S 17-35mm f/2.8D IF-ED, AF 80-200mm f/2.8D ED, the New AF-S VR Micro 105mm F2.8G IF-ED and AF-S 1424mm f/2.8G ED Nikkor lenses. At about 1500m above sea level, it was minus 15 degree Celsius. The snow kept coming down, and, at some point my camera was covered with snow. No one was out there except a photographer at work. It gets very tiring and thirsty at times walking through the fresh thick snow. I even ate icicles to ease my thirst as I climbed up the side of the frozen waterfall. I also brought with me a new 3rd party GPS. It really helpful and works well with the D3, helping me to identify the actual location where each shot PG 48 was taken. This GPS system works with Picasa TIPS FOR THE JOURNEY: website which has Google Earth built-in. It shows a map along with the place and name where the 1. Bring only the lenses that are needed. Do not picture was taken. Unfortunately due to the carry with you what is unnecessary, because remoteness of some places I went, the Google Earth every little weight counts when you are out there. map of Takayama, Japan was not yet updated. But, no worries—because the GPS has already captured the LATITUDE, LONGITUDE, and ALTITUDE. It will 2. One great tip is that because it is so white and bright, no tripod is needed.  display this information once the map is up to date. 3. It is not about how cold the place is, it is about The high ISO capability D3 has really extended my the right kind of winter clothing, especially the available shooting time each day. Even though it gloves and shoes you put on. A good pair of was ver y dark at times, I was able to gloves will keep your fingers warm and shoot handheld in the wood, taking pictures in the sensitive enough to trigger your shutter. Good mist.This trip I had Furuka, Hida City, Jyusanbo high-cut rubber shoes will be needed. Remember, Touge Mountain in Takayama City, Norikura Seinen once the snow enters your shoes, your feet will No Le Mountains in Takayama, capturing some of be frozen.  the undiscovered beauty of Japan. I find some of these places I visited almost unreal, from the making 4. Make sure you are not wearing any cotton out of the strongest Japanese handmade paper that there. The sweat on your body will be trapped takes a long process to produce to visiting an old and make you feel even colder during the winter. friendly couple that made little windmills and other wooden toys, using all their heart to make ABOUT : each toy by hand. Almost everything in their house As art director and photographer for RBC Ministries, International, was antique, from the fireplace that kept them warm to the wooden weaving machine that made cloth. Operations, base in Singapore. Alex has literally traveled all over the world building the organization's stock image library since 1997. His photographs have been featured on many products Also, I marveled at the unique Japanese mountains covers and the covers of Our Daily Bread, a publication that is with the beautiful pine trees that were like line art distributed worldwide with a circulation figure of 17 million copies. across the mountains as well as the wondrous beauty of the snow white paddy landscapes.   Please visit: www.alexsohphotography.com to view more of Alex’s works. Many have said that I have a wonderful job, but I must tell you that it is passion that keeps me going. If it was a job… it would be a very tough job. Giving up your comfortable warm bed early in the morning to pursue pictures in minus 15˙ Celsius freezing cold winter weather for a whole day—this needs a determination that comes with great passion. PG 49 D3 review by Alex Soh TAKAYAMA LANDSCAPE D3 review by Alex Soh TAKAYAMA LANDSCAPE Nikon D3, 1/100s - F/22, 4256 x 2832 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000K), 0, 0 • Metering: Center-Weighted • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: AF-S • ISO Sensitivity: ISO 200 Nikon D3, 1/500s – F/5.6, 2828 X 4272 • Exposure Mode: Aperture Priority • Metering: Matri • Exposure Comp.: 0EV • Focal Length: 24mm • Focus Mode: ISO Sensitivity PG 50 Nikon D3, 1/500s – F/5, 4272 X 2828 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.:0EV • Focal Length: 112mm • Focus Mode: ISO Sensitivity Nikon D3, 1/500s – F/6.3, 4272 X 2828 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0 EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/250s – F/10, 4256 X 2832 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/250s – F/8, 2832 X 4256 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000K),0,0 • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: AF-S • ISO Sensitivity: ISO 200 PG 51 D3 review by Alex Soh HIGH ISO D3 review by Alex Soh HIGH ISO Nikon D3, 1/8s – F/3.5, 4256 X 283 • Exposure Mode: Aperture Priority • White Balance: Auto, 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 17mm • Focus Mode: Manual • ISO Sensitivity: ISO 1600 The high ISO capability D3 has really extended my available shooting time from early in the morning to the after sunset. It is really a great advantage over any other cameras. Even though it was very dark at times, I was able to shoot handheld in the wood through the mist. Nikon D3, 1/5s – F/2.8, 4256 X 2832 • Exposure Mode: Aperture Priority • White Balance: Auto, 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 17mm • Focus Mode: AF-S • ISO Sensitivity: ISO 1600 PG 52 Nikon D3, 1/100s – F/2.8, 2832 X 4256 • Exposure Mode: Aperture Priority • White Balance: Auto, 0, 0 • Metering: Center – Weighted • Exposure Comp.: 0EV • Focal Length: 17mm • Focus Mode: AF-C • ISO Sensitivity: ISO 6400 Nikon D3, 1/40s – F/2.8, 2832 X 4256 • Exposure Mode: Aperture Priority • White Balance: Auto, 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 17mm • Focus Mode: AF-S • ISO Sensitivity: ISO 1250 Nikon D3, 1/125s – F/2.8, 4256 X 2832 • Exposure Mode: Aperture Priority • White Balance: Auto, 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 32mm • Focus Mode: AF-C • ISO Sensitivity: ISO 6400 PG 53 D3 review by Alex Soh PEOPLE D3 review by Alex Soh PEOPLE Nikon D3, 1/400s – F/14, 4256 X 2832 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000K), 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 17mm • Focus Mode: AF-S • ISO Sensitivity: ISO 200 Nikon D3, 1/4000s – F/14, 2832 X 4256 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000k), 0, 0 • Metering: Spot • Exposure Comp.:0EV • Focal Length: 17mm • Focus Mode: AF-S • ISO Sensitivity: ISO 200 Nikon D3, 1/2500s - F/7.1, 2828 x 4272 • Exposure Mode: Aperture Priority • White Balance: Metering: Matrix, Exposure Comp.: 0EV • Focal Length: 17mm • Focus Mode: ISO Sensitivity Nikon D3, 1/2500s – F/4.5, 3424 X 2280 • Exposure Mode: Aperture Priority • White Balance: Auto, 0, 0 • Metering: Center – Weighted • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: AF-C • ISO Sensitivity: ISO 200 Nikon D3, 1/500s – F/14, 2832 X 4256 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000k), 0, 0 • Metering: Spot • Exposure Comp.: 0EV • Focal Length: 16mm • Focus Mode: AF-S • ISO Sensitivity: ISO 200 PG 54 Nikon D3, 1/80s – F/20, 4256 x 2832 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000K), 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 14mm • Focus Mode: AF-S • ISO Sensitivity: ISO 200 Nikon D3, 1/1000s – F/2.8, 4256 X 2832 • Exposure Mode: Aperture Priority • White Balance: Color Temp. (5000k), 0, 0 • Metering: Center – Weighted • Exposure Comp.:0EV • Focal Length: 14mm • Focus Mode: AF-S • ISO Sensitivity: ISO 320 PG 55 D3 review by Alex Soh PAPER MAKING It takes patients and passion to pass down for generations… the making of the strongest Japanese handmade paper that takes a long process to produce. D3 review by Alex Soh PAPER MAKING Nikon D3, 1/400s - F/9, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 14mm, Focus Mode:, ISO Sensitivity: Nikon D3, 1/640s - F/9, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 14mm, Focus Mode:, ISO Sensitivity: Nikon D3, 1/60s – F/2.8, 4272 X 2828 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix, Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: • ISO Sensitivity Nikon D3, 1/40s - F/4, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 19mm, Focus Mode:, ISO Sensitivity: Nikon D3, 1/640s – F/9, 2828 X 4272 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/40s - F/2.8, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 14mm, Focus Mode:, ISO Sensitivity: PG 56 Nikon D3, 1/80s – F/4, 2828 X 4272 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/200s – F/2.8, 2828 X 4272 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity PG 57 D3 review by Alex Soh PAPER MAKING D3 review by Alex Soh PAPER MAKING Nikon D3, 1/160s – F/4, 4272 X 2828 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/800s – F/4, 4272 X 2828 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/200s - F/4, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 14mm, Focus Mode:, ISO Sensitivity: Nikon D3, 1/500s - F/4, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 14mm, Focus Mode:, ISO Sensitivity: PG 58 Nikon D3, 1/50s – F/4, 2828 X 4272 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/640s – F/4, 2828 X 4272 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity Nikon D3, 1/320s – F/4, 2828 X 4272 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 14mm • Focus Mode: ISO Sensitivity PG 59 D3 review by Alex Soh OLD FRIENDLY COUPLE D3 review by Alex Soh OLD FRIENDLY COUPLE Nikon D3, 1/25s - F/5, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 17mm, Focus Mode:, ISO Sensitivity: Nikon D3, 1/8s - F/5, 4272 x 2828 Exposure Mode: Aperture Priority, White Balance: Metering: Matrix, Exposure Comp.: 0EV Focal Length: 26mm, Focus Mode:, ISO Sensitivity:. Nikon D3, 1/320s – F/3.5, 2828 X 4272 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 25mm • Focus Mode: • ISO Sensitivity Nikon D3, 1/320s – F/3.5, 2828 X 4272 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.:0EV • Focal Length: 35mm • Focus Mode: ISO Sensitivity Nikon D3, 1/25s – F/3.5, 2828 X 4272 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix • Exposure Comp.: v0EV • Focal Length: 17mm • Focus Mode: ISO Sensitivity Nikon D3, 1/20s – F/3.5, 4272 X 2828 • Exposure Mode: Aperture Priority • Metering: Matrix • Exposure Comp.: 0EV • Focal Length: 26mm • Focus Mode: ISO Sensitivity Nikon D3, 1/30s – F/2.8, 4272 X 2828 • Exposure Mode: Aperture Priority • White Balance: • Metering: Matrix, Exposure Comp.:0EV • Focal length: 17mm • Focus Mode: ISO Sensitivity Friendly old couple handmade little windmills and wooden toys. Everything in their house looks antique,  from the fireplace that kept them warm to the wooden weaving machine that made cloth. PG 60 PG 61 PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS SMOKE AND MIST GET IN YOUR EYES Text and Pictures By Steven Yee Pui Chung MBA, B.Eng (Mech), FRPS, FPVS, FPSS, FPSM, Hon.FPSM, Hon.FKCC, AFIAP In this tenth part of a series of techniques, Steven Yee shall share with you tips on photographing smoke and mist. A travel photographer and photography instructor, Steven Yee conducts the Nikon D40/D40X, D60, D70/D70s, D80 and D300 workshop monthly at Knowledge Bowl (www.knowledgebowl.com.sg). More of his works can be found on the Volume One collection of www.discovernikon.com "What is this world? A mere curl of smoke for the wind to scatter." Abraham Cahan. I get excited when I see smoke, dust or mist appearing in front of me. To me, these are good photography opportunities. Some of the famous pictures have some element of smoke, dust or mist. I am sure there are fleeting memories of images of the soldiers and tanks charging in the midst of Desert Storm. I once asked myself, do these opportunities come ONLY out of luck, or can we create or anticipate them? It is good to know what created smoke or mist. According to Wikipedia, smoke is the collection of airborne gas and particulates, often a by product of fire. Mist is a phenomena of tiny droplets suspended in the air, usually due to cold air above warmer surfaces. Fog and mist are similar, difference only in visibility. Anyway, we are not here to talk about the scientific terms or names, but how to take better pictures of the smoke and mist as well as how to anticipate or even create them. One need not be an expert in photography to be able to take pictures of smoke and mist. One needs PG 62 to equip oneself with the necessar y basic photography knowledge as well as with the right equipment. For many beginners, some of the common problems faced will include: ☛ Camera or subject shake ☛ Messy background ☛ Unsure of which angle to adopt Low lighting condition and use of low ISO, which results in slower shutter speed, are the main culprit for camera and subject shake. If the subject is stationar y, a good tripod will be useful in preventing camera shake. If you are shooting handheld, it is good to achieve a shutter speed of at least 1 / (focal length). If the subject is moving, you may like to use a higher ISO. avoided to prevent having hotspot on the subjects. Early morning and late afternoon often produce good lighting that light up the subjects nicely. Even on a cloudy day, the flat lighting can also help to produce some modest images. Hence, do not discount the possibility of photographing nice images even on a cloudy day. Some Tips: ☛ It is important to identify what can be your ☛ Make sure the smoke or mist does not cover your main subject, so called “smoked out”. ☛ Use of lighting to create visual impact, especially lighting in early morning or late afternoon. ☛ If need be, increase the ISO to minimize camera shake. With the tips above in mind as well as the case studies below, enjoy your quest in seeking the smoke and mist. main subject when you see smoke or mist. COMING UP NEXT... Coming up in the next issue, Steven Yee shall share with you his tips on shooting with the Nikon 10.5mm fisheye lens. You may wonder why award-winning photographers love this lens. How to maximise its potential? Look out for it. Many beginners often overlook the distracting objects in the foreground and background which can draw the viewers’ attention away. The good thing about smoke and mist is they can help to hide these distracting objects. Another common problem faced by photographers is the lack of ideas as to what angle to use. For smoke and mist, the tip is to identify what is good to be the main subject when you see smoke and mist. From there, you can conceptualise the composition and it will be easier to get the angle. It is good to spend some time exploring the various angles. Experiment with the various angles and shoot more, shoot both horizontally and vertically. If the results are unsatisfactory, you can always delete the images later. Equally important is the ability to appreciate the quality of light at different times of the day as well as the weather condition. Mid day sun is usually Nikon D300, Center Weighted metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f4.2, 18-200mm VR set at 38mm focal length Yeah, this picture was featured in the last issue of the FOCUS magazine but it remained one of my favourite images. It was sunset, not cloudy and the light was golden. The group of us were taking a rest after climbing more than 100 steps with our gear. Some locals were burning some garbage nearby and the smoke soon filled the air. Yup, presto, smoke and strong light are just the perfect combination that we were waiting for. The ray of lights was pretty obvious. Waited for a while for some people to get into the picture and we fired away. PG 63 PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS Nikon D2X, Center Weighted metering, Daylight White Balance, ISO400, Aperture Priority Mode, Shutter speed 1/250s, Aperture f4, 12-24mm set at 12mm focal length Early morning, the mist filled the horizon. The air was cold. The mist added mood to the picture, blanketing whatever distracting objects we hope to omit in the background. There was this tower that we found distracting, hidden behind the mist. The mist created a very good background for this picture. The other half of the background revealed some trees and land. Overall, I am happy that it turned out this way. Nikon D70, Center Weighted metering, Daylight White Balance, ISO400, Program Mode, Shutter speed 1/750s, Aperture f6.7, 18-70mm set at 70mm focal length The burning grass and strong morning light made me looked at the surrounding for opportunity to get a good photograph. 2 calves passed by. I may call these 3 in 1. I got backlight on the calves, shadow of the calves on the ground plus the smoke. Other possible options would be getting my local guide who was dressed as a local to walk and pose for me. But I thought the 2 calves made better subjects instead. Nikon D2X, Center Weighted metering, Daylight White Balance, ISO200, Program Mode, Shutter speed 1/1000s, Aperture f10, 18-200mm VR set at 18mm focal length The light is strong. The path is dusty. These factors are once again the perfect combination for a smoky picture. I asked my local photography guide to borrow a broom and swept the pathway. I saw how my local photography guide swept up the pathway to “smoke out” the place and soon, the dust soon filled the air, a la Desert Storm. He was once a monk, and he is used to doing such chores during his monastic life. The “smoke out” background helped to serve as a screen to hide the trees and other distracting objects in the background. Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO320, Program Mode, Shutter speed 1/320s, Aperture f8.5, 18-200mm VR set at 65mm focal length Shot in Pushkar, India, very early in the morning. From the picture, one can already imagine how dusty the place is and coupled with the fog in the early morning, this place looked more like a dreamland. I took particular attention to the camel and the people when they kicked the dust as they walked. PG 64 PG 65 PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS Nikon D2X, Center Weighted metering, Daylight White Balance, ISO200, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f5.6, 18-200mm VR set at 200mm focal length The shepherd chased the herd of camels down the sandy slope and the place was “smoked out” by the dust. It was early morning and the early morning light helped to make the picture look subtle. If this was shot in the noontime, the results will be a harsh lighting image with washed out details. This is the reason why photographers wake up so early in the morning to take pictures. Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO500, Aperture Priority Mode, Shutter speed 1/1500s, Aperture f8, 18-200mm VR set at 70mm focal length Shot from a moving bus during our journey in North Xinjiang, China. It was autumn and the herd had to migrate to other places to escape from the coming winter. Along the way, there were many scenes like this and there was no way the bus could stop all the time. What we could do was to ask the bus to slow down and we shot through the window of the bus. It will be helpful to ask the driver to clean the windows daily. Nikon D2X, Center Weighted metering, Daylight White Balance, ISO160, Aperture Priority Mode, Shutter speed 1/320s, Aperture f5.6, 18-200mm VR set at 135mm focal length Shot in Mandalay, Myanmar. It was close to evening and the bullock cart happened to pass by. The path is sandy and the bull kicked the sand as they pulled the cart. Without hesitation, I fired many shots. Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO400, Aperture Priority Mode, Shutter speed 1/500s, Aperture f5.6, 18-200mm VR set at 200mm focal length Alms collection is a common sight in Thailand and Myanmar. This was shot in Inle, Myanmar. The hot rice released much steam which showed how cold the morning was. Shot in the early morning, the morning light helped made the picture look subtle and not harsh. PG 66 PG 67 PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS Nikon D2X, Center Weighted metering, Daylight White Balance, ISO125, Aperture Priority Mode, Shutter speed 1/60s, Aperture f4.5, 18-200mm VR set at 70mm focal length Shot in Kuching, Sarawak Malaysia. This picture was used for one of the cover pages of Silkwind, Silkair’s inflight magazine. We woke up at 4am and took an hour’s ride to the mountain top and waited for sunrise. As you can see, the sunrise turned out to be disappointing, as it was cloudy, but the thick dense forest created layers and layers of mist. It does not mean sunrise photography is about capturing the sun and the clouds. Be always ready for cloudy morning and look for some other possible photography angles. At least you get some shots in return for waking up at 4am! Nikon D2X, Center Weighted metering, Daylight White Balance, ISO100, Aperture Priority Mode, Shutter speed 1/1500s, Aperture f3.5, 18-200mm VR set at 135mm focal length Morning mist in the thick and dense forest can be easily seen in the large rural areas where the trees grew close to one another. Many people claimed that they hardly see it shows how often people overlook the beauty of the countryside. This picture was taken in Xinjiang, China. One has to wake up early to take this type of picture. As the sun rises, the air will turn warmer and the mist will quickly disappear. Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO320, Aperture Priority Mode, Shutter speed 1/200s, Aperture f6.3, 18-200mm VR set at 105mm focal length Early morning, the fog blanketed the lake in Inle, Myanmar. It was very cold, approximately 3 degrees Celsius. We were not prepared for the sudden change in weather as it was supposed to be sunny in Inle then. Imagine us in summer wear wrapped in the hotel’s bathroom bath towels and robes when we took this picture at the hotel’s pier. We were lucky that the hotel’s workers began to reach the hotel via these boats and they made great subjects. Nikon D70, Center Weighted metering, Daylight White Balance, ISO400, Aperture Priority Mode, Shutter speed 1/250s, Aperture f5.6, 18-70mm set at 18mm focal length This room was dusty and cold. There was this window with strong light shining into the room. The dust particles in the air helped to create the strong ray as shown. Without any subject, the picture looked boring. I asked my local guide to find me a model. She returned with the owner of this house and he agreed to sit by the window, gazing out. It worked well. PG 68 PG 69 PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS Nikon D70, Center Weighted metering, Daylight White Balance, ISO400, Program Mode, Shutter speed 1/125s, Aperture f5.6, 18-70mm set at 50mm focal length This is probably better known as steam instead of smoke, but I thought it is good to cover this picture as well. Smoke or steam, the effect is very much similar. We need light to reveal the smoke and steam. As the lady removed the lid cover, a thick cloud of steam burst out of the steamer. I shot many pictures, where in some pictures, the steam covered the face of the lady. I selected this one where the steam neatly wrapped round the lady’s body. Nikon D2X, Center Weighted metering, Daylight White Balance, ISO800, Aperture Priority Mode, Shutter speed 1/60s, Aperture f5.6, 18-200mm VR set at 170mm focal length The slow flowing smoke could create fanciful patterns in the air as shown, backlit by the light shining at the smoke from the back. The chanting Tibetan monks formed the background of the photograph and the smoke helped to complete the tranquil look and feel. Smoke can be turbulent in some cases and tranquil too, as in this case. This is the beauty of smoke, which made many photographers love it. Big incense was used which explained the thicker smoke. If it was thin incense, we probably need a few of them clustered together to get this effect. PG 70 Nikon D2X, Center Weighted metering, Daylight White Balance, ISO320, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f5.6, 18-200mm VR set at 95mm focal length You may not believe it but it is true that I took more than 40 shots of this angle. The smoke was erratic and irregular. Out of the 40 over shots, it was not hard to see pictures like the one on the top where the smoke covered the face of the chef. This is called “Smoked out”. Given such situations where the game of probability ruled, it is wiser to shoot more shots and choose the better ones. I managed to select a few that resembled the one on the below, where the smoke is obvious and yet the smoke does not cover the chef. PG 71 PHOTOGRAPHY TIPS PHOTOGRAPHY TIPS Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO250, Aperture Priority Mode, Shutter speed 1/1250s, Aperture f2.8, 80-200mm set at 155mm focal length Shot in the waste areas in Delhi, India, where the dust and garbage pilled up and it was not hard to see scenes like this. I called it the mini Desert Storm, as I had to ensure that my respiratory inlets are well protected from the dust. I saw this elderly man walking alone. I took a shot. Suddenly, a big truck came from behind and the yellow colour struck me. As it was dusty, the yellow colour seemed muted and not too dominant. Nikon D70, Center Weighted metering, Daylight White Balance, ISO200, Program Mode, Shutter speed 1/500s, Aperture f5, 18-70mm set at 20mm focal length The models were in the water. I had my fun too, got into the water and get this shot done. The mist in the background was helpful to hide away some distracting electrical poles. The mist was thin, hence I had to wait for a good chance as the wind was strong and the mist formation kept changing. Nikon D2X, 3-D Matrix metering, Daylight White Balance, ISO250, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f2.8, 80-200mm set at 200mm focal length Also shot in the waste areas in Delhi, the mini Desert Storm stirred up and what caught me were the person and the cow in the midst of the “storm of dust”. I had two choices then, either shoot when the truck was in the foreground or wait for the truck to move away and we shall see the person and the cow in the midst of the “storm”. I did not like to take chance, as the person and the cow might disappear out of the blue. I shot a few shots and I was right. The person and the cow parted ways in separate direction after the truck moved away. Nikon D2X, Center Weighted metering, Daylight White Balance, ISO800, Program Mode, Shutter speed 1/6s, Aperture f9.5, 10.5mm fisheye with slow sync flash It was after dinner in Kochi, India and I was on my way to the toilet. I always told my photography students to bring their camera wherever they go, including the toilet. I was rewarded when this watchman was smoking out the area to ward off the mosquitoes. There was no strong light, hence I decided to use slow sync flash (a.k.a. night portrait flash) and with a high ISO like 800, get the shot done. High ISO was used in order to get a faster shutter speed. If ISO100 was used, the shutter speed could be as slow as 3 seconds. That will be disastrous with everything blurred. PG 72 PG 73 PHOTOGRAPHY TIPS Nikon D70, Center Weighted metering, Daylight White Balance, ISO800, Aperture Priority Mode, Shutter speed 1/250s, Aperture f3.8, 18-200mm VR set at 18mm focal length These rays of light may look difficult to spot or create. What it takes to create this effect is to have concentrated light from a point source, in this case, an opening in the roof, as well as burning of joss sticks or dried leaves to create the smoke. Smoke is needed to reveal the rays of light. PG 74 PATTERN EVENTS FOCUS PHOTOGRAPHY CONTEST THE WINNING ENTRY OF FOCUS PHOTOGRAPHY CONTEST FOCUS PHOTOGRAPHY CONTEST Send in your best ‘SMOKE & MIST’ shot and WIN a Nikon COOLPIX S52c Digital Camera worth S$499 plus a chance to have your work featured in our next issue. Contest is open to all Nikon users. To participate, fill in the form and attach it with your entry FOCUS PHOTOGRAPHY CONTEST - SMOKE & MIST Name: Age: Address: Contact No. (HP): Male Female Contact No. (O): Email: Title of Photo: TITLE: PLAIN RICE WINNER Photo Taken by (Model & Setting/Mode): Closing Date: 30 Sep 2008 Send entry to: FOCUS PHOTOGRAPHY CONTEST - SMOKE & MIST Nikon Singapore Pte Ltd 80 Anson Road #10-01/02 Fuji Xerox Towers Singapore 079907 YEO WAN LIN FELICIA Photo Taken by (Model & Setting/Mode) Nikon Nikon F100, D300, F/14, 1/200sec, VR 18-200mm Spot metering, lens, 105mm F/5, 1/25sec, macro lens, Velvia ISO 1600 100 PG 76 TERMS & CONDITIONS • Eligibility – Open to all Nikon users residing in Singapore except Nikon staff; photo must be taken by Nikon camera only • Each photographer is only allowed one entry with one photo • Only prints in 8X10 size will be accepted or send to [email protected]. For more information, please visit: www.nikon.com.sg/focus • Print submitted are not returnable • Nikon will not be held for entries lost or damaged Nikon reserves the rights to use any photograph entered for publicity and other purposes • The entries will be judged on their relevance to the theme, creativity and overall technical quality • The winner will be notified by post and his/her name will be published in the next issue of FOCUS PG 77 FEATURED PHOTOGRAPHER: CHENG SHUN LING FEATURED PHOTOGRAPHER: CHENG SHUN LING PROTFOLIA : CHENG SHUN LING snow blizzard in the mountains of Hokkaido, Japan or under the sweltering heat and sudden downpour in the tropical rainforest of Borneo, there’s never a dull moment. Every moment is the greatest source of excitement, beauty and so much life that makes life worth living. One of my most unforgettable moments was my encounter with the Giant Pandas at Wolong, Sichuan, China more than a year ago. They may not wear a bright colorful coat or have interesting patterns or spots, but there’s something mysterious and captivating about their monotonous charm that has captured my heart as well as millions of others around the world. I could just watch them all day, play-fighting, bamboo-munching and peacefully napping in the afternoon sun without a care in the world, as if they know some big secret that we don’t. Photography has always been my passion ever since I started pointing and shooting with my trusty little point-and-shoot camera more than 4 years ago during my polytechnic years. I have since tried my hands on wedding, product and interior shoots, but they only serve to become clear in my heart where my true calling lies; Nature and wildlife. For the last three years since I first got my DSLR camera, from the Nikon D70s, to D200 and most recently the D300, my passion for Nature and Wildlife photography grew and became something more. It has become my life-long vision, which I will continue to pursue for as long as I live. There is a saying, “Life is not measured by the number of breaths we take, but by the number of moments that take our breath away.” This always holds true for me whenever I’m out in the field with my camera. No matter if I’m caught in a PG 78 year, to have my very own photo exhibition. Wild Moments, my first solo photo exhibition, will be held at 2902 Gallery for a duration of 3 weeks this November. The exhibiting pieces celebrate the diverse landscapes and endangered or threatened wildlife mainly spanning across five countries. Borneo, China, Japan, Singapore and New Zealand. I hope that through this journey, viewers can experience the breathe-taking moments that I witness through my viewfinder and hopefully bring back with them a true sense of wonder and rekindle their innate love for Nature and wildlife. Exhibition: Wild Moments Photographer : Cheng Shun Ling, whose pseudonym, is C.S.Ling Contact Email : [email protected], Website: htttp://showcase.csingphotography.com, http://blog.cslingphotography.com Exhibition held at : 2902 Gallery, 11 Mount Sophia Block B, #B2-09 Exhibition Dates : 6th November to 23rd November  2008 See you there! I’ve created something called a “Life List” two years ago, a list that consists of goals and dreams that I want to accomplish and experience in this l i f e t i m e . ( h t t p : / / c s l i n g p h o t o g r a p h y. c o m / blog/life-lessons/my-life-list) These were no real easy goals, some I even doubt if I will ever fulfill; things like hugging a blue whale, the largest creature to ever live on Earth (surpassing even the dinosaurs). But one can always dream big and dare to fail, right? The list is now 86 items long and growing; I’ve checked off 14 of them so far and very soon one more will be checked off towards the end of this Nikon D200, 1/250s – F/5.6, 1969 X 1469 • Exposure Mode: Manual • Metering: Spot • Exposure Comp.: -2.0EV • Focal Length: 240mm Steller’s showdown ( Hokkaido, Japan ) Two Steller’s Sea Eagle fighting it out on the ice-packed sea off the port of Rausu, Hokkaido Japan. The dynamic foreground is a contrast to the stationary Whitetailed eagle spectators at the background. Both species suffered a sad history in the hands of mankind. The Steller’s current population stands at 5,000 and decreasing, with a sub-species in Korea becoming extinct in 1950s. The White-tailed became extinct in Britain in 1918 when the last lone albino female was shot. They were since re-introduced and the first chick was born in Scotland after 70-year extinction. PG 79 FEATURED PHOTOGRAPHER: CHENG SHUN LING FEATURED PHOTOGRAPHER: CHENG SHUN LING Nikon D70s, 1/125s – F/10, 1622 X 1128 • Exposure Mode: Manual • Metering: Matrix • Exposure Comp.: -2.0EV• Focal Length: 400mm Giant Panda Cubs (Wolong Panda Reserve, Sichuan, China) After an afternoon of play-fighting, there is only one natural response from the tired panda cubs… Cuddly sleep. Wolong National Nature Reserve is a protected area located in Wenchuan County, Sichuan Province, 3 hr bumpy mountain road drive from Chengdu. To date, the researchers have successfully bred 66 panda cubs. 150 pandas live in the wild within the 200,000 hectares Wolong reserve. Nikon D70s, 1/80s – F/8, 2160 X 1436 • Exposure Mode: Manual • Metering: Matrix, Exposure Comp.:-2.7EV• Focal Length: 400mm Bornean Pygmy Elephant (Kinabatangan Floodplain, Sabah, Borneo) Only about 1,000-1,500 Bornean Pygmy Elephants still roams within the rapidly vanishing forest of Borneo. Every new born calf is a step away from extinction. This inquisitive young male decided to wander away from the group to check "me" out, a young female photographer hiding behind the bushes. As our eyes meet, I kept thinking it resembles one of my childhood's favorite Disney character, "Dumbo". PG 80 Nikon D70s, 1/500s – F/11, 1444 X 1989 • Exposure Mode: Manual • Metering: Spot • Exposure Comp.: 0EV • Focal Length: 360mm Water Monitor Lizard ( Sabah, Borneo) A giant water monitor lizard appearing out of a tree during sunset, gives it’s scales a golden shine. PG 81 FEATURED PHOTOGRAPHER: CHENG SHUN LING FEATURED PHOTOGRAPHER: CHENG SHUN LING D300, 1/640s – F/6.3, 2314 X 1668 • Exposure Mode: Manual • Metering: Matrix, Exposure Comp.:+2.0EV • Focal Length: 330mm Nikon D200, 1/80s – F/13, 2323 X 1436 • Exposure Mode: Manual • Metering: Spot • Exposure Comp.: -3.3EV• Focal Length: 400mm Japanese Macaques, aka Snow Monkey ( Nagano, Japan) It was a harsh winter in Jigokundani Valley ( also known as Hell's Valley) in Nagano, Japan. This baby Japanese Macaque was playing in a hot spring to keep warm but was bullied out of the pool by another juvenile. Thankfully, its older sibling came to its rescue and embraces the frightened little one. The relieved and contended look in those big glass-marbled eyes speaks a thousand words. Sika Deer family ( Hokkaido, Japan ) I was preparing to take the sunset over the field of gold during winter in Japan when i chance upon this family of Sika deers. All three's attention is on me. Sika deers were once almost hunted to extinction during the 19th century but have since became widespread again in Japan, with the largest wild population in Hokkaido, Japan Nikon D200, 1/640s – F/7.1, 1800 X 1264 • Exposure Mode: Manual • Metering: Matrix • Exposure Comp.: +1.7EV • Focal Length: 130mm Nikon D200, 1/320s – F/8, 2021 X 1351 • Exposure Mode: Manual • Metering: Matrix • Exposure Comp.: -2.0EV • Focal Length: 400mm Japanese Macaques, aka Snow Monkey ( Nagano, Japan) A family of Japanese Macaques (also known as Snow Monkeys), gathering for a tight group hug to keep warm as the baby is nursing. The older sibling here is still dependent on its mother to learn the necessary life skills, including how to raise her own child in future. The Snow Monkeys are the most northern-living nonhuman primate in the world. Lone Sika Deer (Hokkaido, Japan) An interesting head-to-butt shot of the Sika Deer. It took a last glance at me while I was climbing up the snow slope trying to photograph it, before it turns its head and disappears into the forest. PG 82 PG 83 FEATURED PHOTOGRAPHER: CHENG SHUN LING FEATURED PHOTOGRAPHER: CHENG SHUN LING Nikon D200, 1/250s – F/5, 1764 X 895 • Exposure Mode: Manual • Metering: Matrix • Exposure Comp.: -2.0EV • Focal Length: 80 mm Slaty-backed gull ( Hokkaido, Japan ) Slaty-backed gull soaring freely amongst the volcanic Shiretoko mountain range, north-east of Hokkaido, Japan. I chose a shallow depth of field to bring the focus of attention on the gull and make the background seems really far away to give a sense of the immeasurable scale of the mountains. PG 84 Nikon D200, 1/1600s – F/9, 1207 X 1634 • Exposure Mode: Manual • Metering: Center-Weighted • Exposure Comp.: +1.0EV • Focal Length: 360mm Nikon D300, 1/1000s – F/11, 1937 X 1230 • Exposure Mode: Manual • Metering: Matrix • Exposure Comp: +0.3EV • Focal Length: 400mm Red-crowned Crane (Hokkaido, Japan) A close up shot of the Red-Crowned Crane, the second rarest crane in the world. It’s estimated that there’s about 1,500 left in the wild. Black-naped Terns family ( Singapore ) A family with their weeks-old chick perched on top of a rock during high tide. The parents usually take turn to find food for the chick. Occasionally, the chick gets swapped off their feet into the sea by the strong waves, but, it is capable of swimming and climbing back to the same rock and waits for its parents. PG 85 FEATURED PHOTOGRAPHER: CHENG SHUN LING FEATURED PHOTOGRAPHER: CHENG SHUN LING Nikon D200, 1/250s – F/11, 2187 X 1555 • Exposure Mode: Manual • Metering: Matrix • Exposure Comp.: -2.0EV • Focal Length: 340mm Whooper Swans in X formation. ( Hokkaido, Japan ) A pair of Whooper Swans makes their grand appearance into Lake Kussharo with a "X" flight formation on a grey, misty morning. Flocks of Whooper Swans depart from their breeding site in Siberia in September and fly hundreds of miles to their wintering site in Japan by November. These powerful fliers have been known to brave impressively high altitudes. A flock was once identified by an airline pilot at an altitude of 29,000 feet. PG 86 Nikon D70s, 1/50s – F/10, 802 X 1166 • Exposure Mode: Manual • Metering: Spot • Exposure Comp.: 0EV • Focal Length: 400mm Red-and-Black Broadbill (Sabah, Borneo ) It’s unique and bright colors makes it one of the most beautiful birds in Borneo. PG 87 FEATURED PHOTOGRAPHER: CHENG SHUN LING These are some of my favourite works PG 88 FEATURED PHOTOGRAPHER: CHENG SHUN LING These are some of my favourite works PG 89 EVENTS EVENTS COOLPIX PHOTO HUNT OUTING – SCENES OF ARAB STREET ORGANIZED BY: Nikon Club • VENUE: Arab Street • DATE: 24th May 2008 Sunny, hot, and humid? Nothing stopped our 15 enthusiastic Nikon Clubbers from participating in the long awaited COOLPIX photography outing on a beautiful Saturday afternoon. After a short briefing at Nikon Singapore’s office, the group set off to Arab Street to begin on the photo hunt journey. Resisting the temptations of the bazaar-style shopping paradise at the center of the Muslim community, participants concentrated on the hunt and completed the search within 2 hours. On top of the satisfaction gained from shooting the hunted- PG 80 90 down clues, it was a day well spent interacting with other Nikon Clubbers who share the same passion for photography. The day ended off with a buffet dinner and interaction session back at Nikon Singapore’s office where the participants also had their hands set on the latest range of COOLPIX cameras showcased by the staff. Overall, the outing was a success and everyone had their memory cards fully fed with photographs of the ethnic hub. PG 91 EVENTS PG 80 92 EVENTS PG 93 Q & A CONTEST FEATURED PRODUCT - NPS NOTICE WIN LEXAR 4GB SD Card with Card Reader ??? Questions: Q1. What is the effective 35mm zooming range for COOLPIX P80? 1) 27mm – 200mm 2) 35mm – 468mm 3) 18mm – 300mm 4) 27mm – 486mm Q2. What is the name of the online service that COOLPIX S52c supports that enables user to upload and share their images? 1) My COOLPIX CONNECT 2) My Imagetown 3) My Picturetown 4) Image Sharer Simply send this completed coupon with your answers to: FOCUS Q & A Contest, Nikon Singapore Pte Ltd 80 Anson Road #10-01/02 Fuji Xerox Towers Singapore 079907 by 30 September 2008 1) 320x240 2) 320x200 3) 64x480  4) 800x600 In the view of providing a more effective and efficient Nikon Professional Service to you, we will be reviving our Nikon Professional Service's Acceptance Policies. In order to be a member of NPS (Singapore), you will have to meet the following criteria. • A working full time photographer who owned a registered photography related business in Singapore OR Only registered cameras, lenses and accessories will be entitled to benefits of NPS Current NPS members who do not meet the above criteria will receive a letter of termination from our NPS office indicating the reason for the rejection. Thank you for your support and we apologized for any inconvenience caused. • An official photographer working in a registered business in Singapore • Owned 2 professional bodies (D200, D300, D2 Series, D3 Series) and 3 Nikkor Lenses. Q4. Which Laser Range Finder is able to provide angular information of the target? ANSWER: Q1. Q3. What is the maximum resolution of the Stop Motion movie created from D60? NOTICE OF CHANGE IN NPS’S ACCEPTANCE POLICIES Q2. NAME: Q3. Q4. 1) Laser 550A S and Laser 550 2) Laser 350G Regards NPS Officer 3) Laser 550A S 4) Non of the above NRIC: ADDRESS: WINNER OF FOCUS 18 TH ISSUE Q&A CONTEST Nikon Singapore Pte Ltd NPS Office No 80 Anson Road, Fuji Xerox Towers, #10-01/02, Singapore 079907 Name : Tan Lian Kee NRIC : SXXX5459/I TELEPHONE (HP/O/R): EMAIL: ANSWER: Q1: 4 Q2: 2 Q3: 3 Q4: 4 TERMS & CONDITIONS: This contest is opened to all readers except employees of Nikon Singapore Pte Ltd • Prize must be taken as provided and is neither transferable nor exchange for cash • Winner will be notified by post. PG 94 PG 95 EXHIBITION 2008 Exhibition Name : COMEX SHOW 2008 Content : IT Exhibition Date : 28 - 31 AUGUST 2008 Venue : SICEC, Level 4 PHOTO: DAREN TAN Service Centre Service Hours Service Hotlines Sales & Marketing Hotline Technical Support Website : : : : : : 80 Anson Road #10-01/02 Fuji Xerox Towers Singapore 079907 Mon, Tue & Fri: 9am – 5pm/ Wed & Thu: 9am – 7pm Tel: (65) 6559 6363, Fax: (65) 6559 3669, Email: [email protected] Tel: (65) 6559 3630, Fax: (65) 6559 3671, Email: [email protected] Email: [email protected] http://www.nikon.com.sg AUTHORIZED DEALERS: [ AMK HUB ]: M.S. Colour 6452 2828 • Max Photo 6483 3368. [ Ang Mo Kio Central ]: M.S. Colour Service 6457 6380. [ Bedok Central ]: Parisilk 6441 6066. [ Bedok North Street 1 ]: Parisilk 6441 7151. [ Bugis Junction ]: LivePowerHub 6338 4480. [ Causeway Point ]: Posh Photo (Metro Dept Store) 6893 9363. [ Centrepoint ]: Max Photo 6733 3848. [ Far East Plaza ]: Ngen Seng 6734 9342. [ Funan The IT Mall ]: Alan Photo 6883 0922. 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