Kamal Gray The Roots Kamal Gray The Roots

Transcript

Volume 30 2008 THE COMPLETE KORG CATALOG AND MORE C E L E B R AT I N G DURAN DURAN: RED HOT > NEW 27 28 30 31 OASYS 32 34 35 36 37 38 39 40 Metronomes Korg Concert Pianos 26 Tuners SP-250 23 24 > Korg ProSessions > Duran Duran 22 AX5G & AX5B ZERO Mixers 21 AX3000G & AX3000B KAOSS Mixers 20 PX4D & PX4A KP3 & Electribe 19 > Dave LaRue KAOSSILATOR & mini-KP 18 PX5D > Creating More KAOSS 16 D3200 Korg Legacy Collection 15 D888 K61P, KONTROL49 & padKONTROL 14 MR Recorders > Tony Banks & Genesis 12 > MR Recorders Sound Thoughts microX & microKORG 10 M3 Korg ProView Magazine is published by Korg USA Inc., 316 South Service Road, Melville, NY 11747. Due to our efforts for constant improvement, specifications and features printed herein are subject to change without notice. Some of the products listed may not be available at certain Korg Dealers. We are not responsible for unsolicited material, which must be unconditionally assigned for publication and subject to Korg USA Inc.’s unrestricted right to edit and comment. Korg USA Inc. assumes no liability for errors in articles or advertisements, and opinions expressed by authors are not necessarily those of Korg USA Inc. The contents of this publication are © 2008 by Korg USA Inc. and may not be reproduced in any manner without prior written permission of Korg USA Inc. All rights reserved. Printed in the USA. Front cover photo by Keith Smith. Back cover photo by Stephanie Pistel. Pa2Xpro & Pa800 RADIAS & R3 03 06 08 ProView Extra ONLINE NEWSLETTER. SIGN UP AT www.korg.com/subscribe To receive regular product updates, register online at korg.com/updates Pa500 & Pa50 Kamal Gray THE ROOTS KAOSSILATOR > Kamal Gray & The Roots Pitchblack TR Series & X50 Pa500 41 42 46 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com M3 MUSIC WORKSTATION/ SAMPLER M MEANS MORE CELEBRATING THE GENESIS OF A KEY TREND THE 20TH ANNIVERSARY OF KORG’S M1 MUSIC WORKSTATION By Mark Vail Twenty years ago, synth players and manufacturers were in search of the Next Big Thing. Nearly everyone had abandoned analog synths, making digital the synthesis flavor of choice. Megabuck machines with high-tech capabilities offered some amazing possibilities, but their price tags kept them well beyond the reach of the typical musician. Meanwhile, companies that catered to those of us with more limited funds searched to find the magical combination of features that we wanted and needed the most. It was Korg that came through with the M1, bundled with the goods that struck the right chord for so many of us. Before the M1, most synths were using analog, digital or some hybrid forms of the synthesis that while interesting, were still lacking in realism for acoustic sounds. The M1 was the first affordable keyboard that fully embraced sampled sounds, or PCM for its sound engine. Enclosed in its 4MB of ROM were 86 musically useful and downright stunning 16-bit PCM samples, including superb drum and percussion hits — a first for a sample-playback synth — and exotic instruments that previously hadn’t been heard by many in the mainstream. “The M1 had a lot of innovative features for its day,” says Korg’s legendary sound programmer, Jack Hotop. “It had sampled PCM sounds in ROM, a built-in sequencer, and a good variety of digital multi-effects. We also gave it memory expansion via card slots. Insert a RAM card and you could access more banks of sounds. If you wanted more samples, plug in a PCM card that you could carry in your pocket and trade like baseball cards.” Korg founder and chairman Tsutomu Katoh and his son Seiki Kato pulled the strings that spelled success for the company. They assembled an international team to develop the M1 and its successors, along with industry-leading sounds and feature sets for each of them. “The sound developers and Korg’s engineers collaborate internationally as one team with one mission: To create great instruments,” Hotop explains. “There are no egos, and everyone contributes.” What makes a music workstation special? You can do so much with one instrument; it simplifies the composition and orchestration process. Prior to the M1, you had to assemble a bunch of separate components, connect them all via audio and MIDI cables, and troubleshoot channel assignments and compatibility issues before you could actually get around to making music. Quite a stream of trendsetting workstations followed in the M1’s wake. The Trinity introduced the touchscreen, optional hard-disk recording, and Flash ROM, user memory for samples that were ready to go at power-up. The TRITON offered user sampling, dual arpeggiators, and knobs for realtime parameter control. Karma featured Variable Performance Modeler technology for automatically generating and manipulating phrases and patterns. OASYS, the remarkable Open Architecture Synthesis Studio, delivered modeling, vector, >> 2 wave-sequencing, waveshaping, and other types of synthesis, synchronized sequencing and hard-disk recording, and so much more. The new M3 offers Enhanced Definition synthesis, Firewire DAW integration, a color touchscreen with KAOSS Pad controller capabilities, and a whole lot more. “I think a crucial secret in the sauce,” Hotop concludes, “is that Tsutomu Katoh and Seiki Kato had the vision to create an International team of musicians and sound designers, involving them in the product design decisions, and coming together in Japan to work with the whole team of engineers. Each product we work on is a labor of love with each person contributing something special to make it a musical instrument, not a piece of science. We’re like a wonderful international family with a special bond. And we are as excited today to be working together on the new ideas and products that you’ll be seeing in the near future.” > TRITON The M3 heralds the third generation of Korg Workstations. The M1 started it all, first appearing in 1988 to bring the world a new concept called the ‘music workstation.’ It went on to become the best selling workstation in history, and was further expanded and enhanced through the T and 01/W series. Trinity defined a new level of innovations including touch screen technology, and was the forbearer of the wildly successful TRITON range of products. Now Korg once again has delivered powerful new advancements in the workstation category. With a number of innovations distilled from the flagship OASYS including the new EDS (Enhanced Definition Synthesis) sound generator derived from the HD-1 engine design, the advanced secondgeneration KARMA functionality, and the multipurpose control surface, the M3 has learned a lot from its upper-end sibling. As a stand alone instrument, the M3 offers unparalleled fidelity and an interactive interface that is second to none. The M3 is also a workstation in tune with the times – the era of the “Integrated Workstation” has arrived due to the M3’s ability to be used in conjunction with your computer. It is no longer an either/or decision! The abundant controllers and hardware can all be used to control your favorite software instruments and apps. With our “Virtualized Hardware,” the M3 transforms into a powerful plug-in for your favorite computer DAW program. Best of all, since the M3 provides its own processing it adds more power to your system instead of draining it. No other workstation offers anywhere near this versatility! Whether used on its own or with your computer, what you’ll most appreciate about the M3 is its stunningly expressive and inspiring sounds, and the ways it will bring your performances and recording to new heights. The M3 Music Workstation/Sampler opens a new and exciting page in music making, and is the workstation that rightfully deserves to wear the “M” that started it all. > OASYS > KARMA > M3 > The screen even changes colors in response to the movement of your finger for cool visual feedback to your performance. > The eight slider/switch control surface offers multi-functional control over KARMA, sounds, effects and even external hardware. >>3 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com M3 MUSIC WORKSTATION/ SAMPLER M3 AT A GLANCE Synthesis Method: EDS synthesis ROM: 256 MB Polyphony: 120 Keyboard: 61 keys, 73 keys or 88 weighted keys; velocity and aftertouch sensing Programs/Combinations: 1,664 user programs (512 preloaded); 1,792 user memory combinations (384 preloaded); 144 user drum kits (32 preloaded); GM Level 2 > ENHANCED DEFINITION SYNTHESIS The M3 utilizes a new sound chip designed in parallel with the software that became the HD-1 in the flagship OASYS. This new synthesis system, EDS (Enhanced Definition Synthesis), shares much of the OASYS lineage – lowaliasing oscillators with up to four stereo samples per, a powerful new filter topology, detailed envelope generators, a Drive parameter for analog warmth and grit, AMS Mixers for advanced modulations – the 120 voice M3 delivers the essential elements from the acclaimed HD-1 design. > MORE ROM A whopping 256 MB of ROM with 1,028 multisamples and 1,606 drumsamples provides plenty of samples to make sounds from! It’s like the “best-of” from the OASYS ROM compiled into a great new soundset, including velocityswitched sources for the main acoustic sounds and plenty of synth source and drums. > BETTER SOUNDS Korg is renowned for their unsurpassed sound programming, and the M3 takes that reputation to an even higher level. Five hundred twelve expressive Programs and 384 stunning Combinations take full advantage of all the innovations of the M3. With space for a total of 1,664 Programs and 1,792 Combinations, you’ll never run out of room for your own creations. > RADIAS ENHANCED You can add even more synth power to your M3 – the EXBRADIAS is a 24-voice, single timbre version of the awesome MMT synthesizer that fuels both the RADIAS and R3 synths. Just pop it in to your M3 and enjoy analog modeling and digital synthesis combined to offer endless synthesis possibilities. One hundred twenty-eight great new Programs marry that engine to the many features found only in the M3. > INNOVATIVE CONTROL We’ve included a wealth of expressive controllers to enhance your performance. The classic Korg joystick, dual switches, a ribbon, and multiple pedal inputs are just the beginning. The color TouchView display also doubles as an X/Y pad for controlling syn-thesis and effects parameters, changing colors in response to your movements. > CONTROL SURFACE The M3 features the same type of multi-mode real-time control surface as first featured on the OASYS. Eight sliders and switches with powerful functionality give you total control over tweaking internal sounds, mixing tracks, interacting with KARMA, controlling external hardware, and more. > PAD ME > DRUMMER INCLUDED Eight great-feeling velocitysensitive pads can be used to trigger notes, chords, even controller messages for use with KARMA or your own live performance and sequencing needs. You can store up to eight notes per pad, retaining all the feel and nuance of your chord voicing, and play them back exactly as entered, or with full velocity scaling. Drum Tracks are an M3 innovation – natural sounding, user-programmable grooves that can be played along to for instant inspiration, integrated with KARMA for new creative possibilities, and used as springboards for your next hit song. New Effects: 170 algorithms, 2 master effects, 5 insert effects, 1 total effect Control Inputs: Damper pedal, dual assignable (Switch/Pedal) Outputs: Main = L/MONO, R; Individual = 1, 2, 3, 4; S/P DIF (optical); Headphones Inputs: 1, 2; MIC/LINE Switch, Level Knob; S/P DIF (optical) MIDI: IN, OUT, THRU Interface: 2 USB Type A (external USB device), USB Type B (PC) KARMA® (Kay Algorithmic Realtime Music Architecture) and the KARMA Logo are registered trademarks representing patented technology licensed from Stephen Kay, Karma Lab LLC, www.karmalab.com. To hear and see more, go to: www.korg.com/M3 > SEQUENCING PERFECTION > GREAT NEW FEEL > VIRTUALIZED HARDWARE > COMPUTER FRIENDLY > KARMA-FIED! The M3 includes all the second-generation KARMA functions as featured in the flagship OASYS, including KARMA Wave Sequencing. KARMA is the inspiring, realtime phrase generator that can help you play everything from natural instrument gestures, to complex cascades of notes, dance-riffs, gated and chopping effects and more. >> 4 > UNIQUE DESIGN The M3 series offer a new design concept called the Korg Komponent System, allowing you to custom configure your own expandable instrument. The 73-key version can host both the M3 and the RADIAS·R module for a powerful dual panel system. The 88-key version can actually hold dual M3 engines or the M3/RADIAS configuration. > OPEN SAMPLING The Open Sampling System allows sampling and resampling in every mode, with 64 MB of RAM standard, expandable to 320 MB with the optional EXB-M256 board. Compatibility with WAV, AIFF, AKAI and now SoundFont 2.0 ensures a large library of possible sounds beyond your own creative efforts. The bundled editor/librarian software uses USB MIDI to enable you to edit and work with your M3 using your computer. This powerful software works in stand-alone mode or as a plug-in within your favorite host software. Adding the visionary EXBFirewire option enables the M3 to interface both audio and MIDI with your computer using a single Firewire cable. The M3 shows up in your DAW/ sequencer like a plugin with complete control and interactive operations. The M3 comes in 61- and 73key synth action versions, featuring a newly-designed keybed that delivers great feel, fast response, and ultimate control. The 88-key version uses Korg’s heralded RH3 weighted action that is graded so it feels heavier at the bottom and progressively lighter as you go up. All three models feature aftertouch sensitivity. The M3 features a new highresolution sequencer engine with a professional 480 PPQ for the most natural feel. It includes all the must-have Korg innovations like OneTouch Record, Song Templates, RPPR, Cue List and Tone Adjust part editing. >>5 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com OASYS OPEN ARCHITECTURE SYNTHESIS STUDIO IN A CLASS ALL ITS OWN OASYS brings together over 40 years of refined expertise in making the finest musical instruments in the world. OASYS is more than the instrument you buy today; it’s a platform to support Korg innovations for years to come. Powered by an ultra-fast processor and an open architecture, OASYS offers all the benefits of a variable software system with the hardware integrity that can only come from a fully-integrated instrument design. FANTASTIC FOUR AND MORE! > KARMA – THE NEXT GENERATION KARMA is our revolutionary algorithmic performance technology that generates amazing phrases, grooves, and other musical effects that can be altered and randomized in real time. > KARMA 2 This easier-to-use, second generation KARMA includes KARMA Wave Sequencing, which manipulates the playback of the samples used for a sound, allowing each note triggered to access a different waveform. All of the onboard KARMA Generated Effects have been organized into 13 “Real-Time Control Models,” which standardize controllable parameters and assignments. OASYS OS 1.3 has added support for loading new and creating your own KARMA patterns via optional software available from Karma-Lab. > PAD CONTROL The OASYS also features eight velocity-sensitive drum pads which can be used to trigger notes, controllers, or chord voicings. > CONTROL MULTIPLIED The control surface has multiple modes of operation – it can be a mixer for the 16 MIDI or audio tracks, a realtime interface for sounds and KARMA parameters, and can even be used to control external MIDI gear. > UNDER CONTROL OASYS offers a large, 10.4" color TouchView display. The traditional joystick, dual switch and ribbon controllers are joined by a Vector joystick, eight knobs, 16 switches, nine sliders, plus three pedal inputs. > UNLOCKING THE COMBINATION Combination mode provides the ability to layer and split up to 16 Programs, freely blending all the synth engines to create amazing new textures. A powerful Tone Adjust feature allows easy tweaking of over 33 timbre parameters. > CAUSE AND EFFECTS OASYS offers an astounding 12 Insert, two Master and two Total effects. With 185 algorithms, the possibilities are vast and include the ToneWorks (REMS) mic, amp and speaker models; the Chorus/Vibrato circuit from the CX-3; and more! > RECORDING POWER HOUSE OASYS combines Korg’s acclaimed 16-track MIDI sequencer with 16 tracks of Audio recording. Up to four tracks of 16-bit, 48 kHz audio can be recorded simultaneously with automation editing provided. Record through the on-board effects, and use the many mic, amp and speaker models to enhance your recordings. OASYS ships with four synthesis engines that deliver a new level of realism, fidelity and sound quality for a professional musical instrument. > HD-1 STELLAR SYNTHESIS The HD-1 High Definition PCM synthesizer offers up to 172 notes of polyphony and comes preloaded with a staggering 628 MB of wave ROM. This includes stereo waveforms with long sample lengths and up to 4-way velocity-switched instrument and drum samples. Dual multi-mode resonant filters, three LFOs per-voice, a 3-band EQ, and three detailed Envelope Generators allow for very complex and nuanced Program design. BLAST FROM THE PAST Vector Synthesis smoothly blends between the two oscillators for ever-shifting timbres. Wave Sequences play back a series of selected waveforms, creating either distinctive rhythmic effects or complex and continually evolving sounds. FREE HD-1 SAMPLES We’ve included the first two Expansion Sample (EXs) releases for free; the EXs-1 is a 313 MB Expansion set, and the EXs-2 is a 503 MB Concert Grand piano offering unparalleled realism EXs-3 NEW BRASS AND WOODWINDS This large optional Expansion sample library (over 700 MB!) features a wide variety of natural-sounding brass and woodwind instruments. Each instrument has long samples taken at many points, giving you extremely nuanced and realistic sounds. Individually played notes can be richly expressive, thanks to the included samples of idiomatic dynamics, trills, falls, growls, and staccato articulations. Methods of Synthesis: PCM, Analog Modeling, String Modeling, Tonewheel Organ Modeling, VPM, Waveshaping > AL-1: THE ULTIMATE VA > POLYSIX EX > MS-20EX > CX-3 = ORGAN-IC AUDIO Expanding on the current Korg CX-3 organ, this EXi expansion instrument features dual drawbars and control over every nuance of the sound, including leakage, key click, chorus/vibrato and a complete rotary speaker simulation. It also features Korg’s unique EX Mode which adds additional harmonics and percussion tunings. > STR-1: STRINGS AND THINGS The STR-1 Plucked String lets you use 16 different “pluck” types, noise, or any PCM waveform to pluck, strike, scrape, or otherwise “excite” a virtual string. Other unique modeling parameters involve damping, harmonics, and dispersion – even physical characteristics of the string and modeled feedback interaction. >> 6 > LAC-1: A LEGACY FOR THE FUTURE! The fifth and sixth synth models are the distinctive MS-20EX and the richsounding PolysixEX, available in the LAC-1 Legacy Analog bundle. Demo versions are included free and can be unlocked for full operation via a code purchased from the korguser.net website. The MS-20EX is a faithful recreation of the Korg MS-20 analog synth, perfectly reproducing its distinctive timbral signature. It includes all of the features from the Korg Legacy MS-20 plug-in, an abundant 48 voices of polyphony, and significant, OASYS-only extras. The PolysixEX reproduces the features and sonic character of the classic Korg Polysix, including the arpeggiator, and effects. As with the MS-20EX, we added the Legacy version’s features, up to 172 note polyphony, plus new OASYS-only additions. > MOD-7 ADVANCED WAVESHAPING VPM SYNTHESIZER OASYS version 1.3 adds the MOD-7 Waveshaping VPM synthesizer option, a powerful, semi-modular synthesizer, combining Variable Phase Modulation (VPM), waveshaping, ring modulation, PCM sample playback, and subtractive synthesis. VPM refers to Korg’s patented contributions to Frequency Modulation (FM) synthesis, as made famous on classic Korg instruments such as the Prophecy and the Z1 — and the MOD-7 takes this technology to a completely new level. Preset PCM: 314.6 MB (1,505 multisamples, 1,388 drum samples) Sample RAM: 500 MB*— expandable to approx.1.5 GB > OASYS AT A GLANCE The AL-1 is a state-of-the-art virtual analog synth delivering 96 notes of polyphony. Dual oscillators offer eight waveforms with modulatable shapes, along with a sub oscillator, noise generator, and audio input. Sync, FM, and several varieties of ring modulation offer plenty of tone-mangling power. Korg’s new MultiFilter provides 21 different filter configurations. Awealth of modulation riches include five re-triggerable envelopes; four tempo-synced LFOs; dual AMS Mod Mixers; and a 32-step Step Sequencer. Output: L/MONO, R, Individual 1-8 (1/4"), headphones (1/4" stereo), S/P DIF Input: Audio Inputs 1 and 2 (XLR-1/4" phone combi jacks), Audio Inputs 3 and 4 (1/4"), S/P DIF Control Input: Damper pedal (half damper supported), assignable footswitch, assignable footpedal Interface: Four USB 2.0 type A connectors (for external USB devices) Disk Drives: 20 GB HDD (2.5"), CD-R/RW Dimensions (W x D x H) in.: 76-key: 49.84 x 19 x 5.3, 88-key: 57.4 x 1 x 5.3 *Capacity of sample RAM varies based on the use of EXs PCM libraries. KARMA® (Kay Algorithmic Realtime Music Architecture) and the KARMA Logo are registered trademarks representing patented technology licensed from Stephen Kay, Karma Lab LLC, www.karma-lab.com. To hear and see more and find complete specifications and options, go to: www.korg.com/oasys >>7 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com You can use compact, affordable, high-capacity SD cards to transfer data in and out of the TR or to make backups to your computer. BLAZE TRAILS. BE BRILLIANT. Korg’s TR Music Workstations distill the essential power and creativity of the acclaimed TRITON into an affordable all-in-one package. We start with Korg’s proven HI sound engine and then add in a comprehensive 64 MB sample set including many new acoustic instruments. Plenty of new Programs and Combis were created from these sounds for a soundset that covers all genres and tastes. The TR workstations boast modern USB MIDI and SD storage, Korg’s classic 16-track sequencer, a superb effects engine and a user-friendly interface. What’s more, with three different sizes to choose from, there’s sure to be one to suit your needs. > TOTAL CONTROL There are four knobs that offer fixed and assignable functions, plus two assignable switches and foot pedal jacks. These provide you with a full range of indispensable control over synthesis parameters, effects settings, and MIDI control. > SCREEN SENSATION The TR offers an easy-tounderstand interface with clearly laid-out screens. The 240x64 pixel LCD features adjustable contrast so you can view the display even in low light on stage. You can also quickly flick through Programs, Combis, waveforms and effects using the Category Select function. > FANTASTIC SOUNDS The 64 MB PCM waveform memory is jammed with new sample data, including 470 highquality multi-samples and 518 outstanding drum samples, many with multi-level dynamics and stereo imaging. These are shaped into 512 awesome Programs and 384 Combinations (blends of up to eight Programs for advanced splits/layers and mixtures). > CAUSE AND EFFECTS The TR offers a broad palette of 89 types of effects to enrich your sound creations and productions. The section consists of two Master effects, one stereo Insert effect and one Master EQ. > IN SEQUENCE There’s an onboard 200,000 note, 16-track sequencer with One-Touch Record, Song Templates complete with pre-programmed drum patterns, and RPPR phrase-based pattern sequencing. User-friendly interface > EXPRESS YOURSELF The four-way joystick lets you vary the pitch and apply modulation effects such as vibrato or wah. Real-time knobs X50 MUSIC SYNTHESIZER THE MUSICAL HEART OF TR With modern styling, integrated handles, and a lightweight stealthy design, the X50 packs all the sonic brilliance and clarity of the TR. The head-turning X50 leaves out the TR’s sequencer-based production tools, sampling option and media slot, offering a lean performance synthesizer with real audio firepower for live performance or computer-based applications. > MULTI MODE Use the 16-part Multi Mode with your favorite sequencer or DAW application. You can save and recall 128 of these flexible multi setups internally. > THE ART OF ARPS The richly expressive dual arpeggiators generate powerful performances. You can use one arpeggiator in Program mode and both arpeggiators simultaneously in Combi mode, and you can even record their output directly into the internal sequencer. > USB IT A single USB cable connects the X50 to your computer, and the included editor/ librarian software can run as a plug-in for an integrated approach we call “Virtualized Hardware.” > SAMPLE THIS With the EXB-SMPL upgrade, the TR has fullfledged sampler capabilities, including advanced functions such as graphic waveform editing, timestretch, crossfade looping and time slice. > PERFORMANCE CONTROLS The TR’s low-profile panel offers traditional Pitch and Mod wheels, and the new ClickPoint™ cursor system makes navigating the X50 a breeze. > BELIEVE IN USB The USB connector lets you make MIDI connections with your computer using just a single cable – no MIDI interface needed! > HELP ME Finding the right sound has never been easier! The X50’s Category Select function makes it quick and easy to choose the sound you need from the vast array of high quality sounds. There’s also an Audition Riff function that provides one-touch audition of each Program. > VERSATILE STYLES The TR Music Workstation comes in three different sizes covering every performance need: 61-key and 76-key synth actions, and an 88 weighted-key version with graded action. All models include aftertouch sensitivity for increased expression. > ALL IN THE FAMILY Sharing the same great 64 MB ROM, 512 sound Programs, and 384 Combinations as the TR series, the X50 allows you to share sounds and songs with Korg users around the world. >TR MUSIC WORKSTATION AT A GLANCE MUSIC WORKSTATION > BACK-UP, BE SAFE > STYLISH AND FUNCTIONAL DESIGN The lean-and-mean design of the X50 ensures that it can fit into the smallest home studio workspace or tight stage setup, and thanks to its cool side handles it is easy to take along wherever you go. Even with a 61-note keyboard that gives you plenty of room to perform, the X50 boasts an ultra-light weight of only 9.5 lbs. – about the same as an electric guitar. Now comes with the valuable Creative Kontrol Pack Vol.3!! See page 16 for more information. Synthesis Method: HI (Hyper Integrated) 48 kHz sound engine Sampling: 64 MB PCM ROM Max Polyphony: 62 voices, 62 oscillators (single mode) Keyboard: 61-key and 76-key: velocity and aftertouch sensing, 88-key: real-weighted (RH2) keys, velocity and aftertouch sensing Effects: 2 master, 1 insert, master EQ, 89 types Presets: GM sound map compatible, 512 Programs (512 preloaded), 384 Combinations (384 preloaded), 24 Drumkits (16 preloaded) Sequencer: 16-track, 200-song, 200,000-note Arpeggiator: Dual polyphonic Ins & Outs: L/mono out, R out, individual outs 1 & 2, headphones, USB-B, SD card slot, MIDI In/Out/Thru Display: 240 x 64-dot LCD backlit display Dimensions (W x D x H) in.: 88 key: 55.67 x 14.37 x 4.84; 76 key: 49.51 x 11.9 x 3.75; 61 key: 41.15 x 11.91 x 3.75 For soundclips and more go to: www.korg.com/TR Synthesis Method: HI (Hyper Integrated) 48 kHz sound engine > X50 AT A GLANCE TR PCM ROM: 64 MB: 470 multi-samples and 518 drum samples Keyboard: 61 keys, velocity-sensitive Max Polyphony: 62 voices, 62 oscillators (single mode) Effects: 2 master, 1 insert, master EQ, 89 types Presets: GM sound map compatible, 512 programs (512 preloaded), 384 Combinations (384 preloaded), 128 multi-sets (16 preloaded), 40 drum kits (16 preloaded) Arpeggiators: Dual polyphonic, 251 patterns Display: 240 x 64-dot backlit LCD Ins & Outs: L/mono out, R out, individual 1&2 outs, headphones, damper, switch, pedal, MIDI In/Out, USB Dimensions (W x D x H) in.: 38.39 x 10.12 x 3.15 For video demo, sound clips and more info go to: www.korg.com/x50 Select sounds easily with the Category/Audition function >> 8 >>9 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com KAMAL GRAY OF THE ROOTS DEEPLY ROOTED Written by Jenn Plonski “A big portion of my life was spent tug-of-warring between jazz and hip-hop. A lot of time during my youth was spent trying to follow the trends of hip-hop: break dancing, DJ’ing and graffiti writing. Then I had my dad on the other side saying, ‘Get away from that hip-hop stuff, you need to be over here sitting down at this piano, playing this jazz music.’ I kind of fell into both musical categories growing up.” And that, my friends, is where the story begins for The Root’s 14-year keyboard veteran, Kamal Gray. “Early on in my musical development, with my hip-hop edge, I met my manager Rich. He gave me an introduction to MIDI and keyboards through a production course for little kids that he was teaching. Rich and I developed a relationship that we kept through the years, and he eventually went on to put The Roots together. He called me up and said, ‘You should be in this group that I’ve got. We need a keyboard player.’ I’d say ‘I can’t really do it. You know, my dad…this, that and the other thing. I’m in trouble. I’m here. I’m there.’ Rich came back with, ‘Aw man, just graduate high school, and see what you’re going to do.’ It seemed like the day I graduated he was on my phone, ‘So, what’s up? The guys are in London. Why don’t you meet up with us? We’re going to go live in London for a little while.’ Live in London? I had all the pressures of going to college, and other things that I wanted to do, but eventually I agreed. The next thing you know, I’m living in London with a bunch of people I didn’t know except for my manager Rich and our bass player Hub,” explains Kamal. Little did he realize at the time but these ‘people’ would soon become his fellow band mates, the ‘legendary’ Roots. Sitting across from me at The Studio, in Philadelphia, PA, Kamal still seems amazed telling his ‘right place at the right time’ story… “I was just there. Seriously, the second I graduated from high school. I was in London, in a two bedroom apartment with, I don’t know, seven of us. Living there, fighting over beds and who was sleeping in which bedroom. We lived off of fish and chips. It was quite an experience. I had been places, but I had never been anywhere by myself for that long of a period of time. We developed a brotherhood, but it was similar to being broke. Seriously, like being a broke-ass family, living in one place together. That type of situation will definitely bring you together and cause you to develop a bond. There’s nothing else to do in that situation but be a man. You walk out into the streets, and you’re on your own,” Kamal reflects. Looking back, hopping a plane to London fresh out of high school may have been one of the smartest decisions that Kamal could have made. The Roots are now a Grammy Award-winning ensemble that also have various MTV Award nods, a N.A.A.C.P. Image Award for Best Duo or Group and the prestigious honor of being named one of the ‘twenty greatest live acts in the world’ by Rolling Stone! Photo by Keith Smith Location: The Studio, Philadelphia, PA >> 10 Some of Kamal’s major musical influences growing up were Thelonious Monk, Herbie Hancock and Chick Corea, and he actually got a chance to meet and get involved with those guys at an early age, too! But when he was a bit older, Kamal started getting into Prince (now the artist formerly known as…) “When Prince came around, I thought, ‘Oh man, he looks like me a little bit. We were both lightskinned and had these big giant curls that I hated when I was growing up,” Kamal laughs. “I immediately thought, ‘I need a guitar, I’ve gotta have a guitar. It gets you girls, dude!’ And my dad bought me a guitar.” Classic sibling rivalry is what we’ve got to thank for the Kamal Gray we all know and love today. He explains, “Eventually, I wanted to play the piano because my little brother was taking piano lessons. I’d tell him, ‘I can do that. That’s easy, son!’” Thankfully for all the fans out there, the lessons took off really well. Gear-wise, this musician’s path is the same as many of the greats that came before him. Now, coming upon the 20 year anniversary of Korg’s breakthrough best-selling workstation of all time, Kamal recounts how it all went down. “The first Korg keyboard I was introduced to was the Korg M1. I had a friend who did all of his stuff on the M1 back in the day. My piano teacher had one, too. When I started making my own money and buying keyboards, I was introduced to the Korg Trinity. That was a sound being used by a lot of people. We bought a few Trinitys around here. I used them to make beats over and over and over. I knew almost every sound in the Trinity. Then, I knew it was time to upgrade. I used the Trinity on stage, but I got a Korg TRITON to use on my recordings and for the albums. That kind of put me in a situation where it had to be a staple in my performance because those were the sounds that I used on all of The Roots recordings. It was the easiest thing. It became second nature to me. The TRITON has been a staple for our performance, because I understand that workstation for what I need to use it for. The main thing about the TRITON that’s always made it so usable for me is the touch screen. During the show, I don’t want to have to turn knobs and scroll through things. I can push the screen three times, and I’m right at the sound that I need to be.” Moving forward, there’s always room for change, explains Kamal, “I can definitely see myself using the Korg M3 for sounds and production because I already have an idea of how to use it.” Continuing, “I’m the worst at learning something brand new. I’ve had a few new keyboards put in front of me that I didn’t understand. The fact that the M3 is so very familiar to me in a lot of ways, though it has a lot of new toys built in, will allow me to progress and move forward. I can definitely see myself incorporating it more. Maybe it’ll eventually replace the TRITON. The M3 has the quality that I need in a keyboard, and since I can build one of my main sounds, the Rhodes, to my liking with the M3, that’s pretty cool, too.” Since he was just starting to dig into all the rich features the M3 offers at the time of this interview, Kamal was bursting with product knowledge. “I like all the effects options, the expansions, the fact that you have a whole extra board, the RADIAS, to load into it and the idea of having pads built in. It’s pretty cool to be able to assign chords to different pads. It will take time for me to figure out ways to use some of the features.” But wait, he remembered, “The KAOSS pad function in the touch screen – now that seems like something that’s going to be fun to use on stage to spice up my solos and give me some flair!” All in all, Kamal is decidedly a humble guy (don’t let his Paul Wall designed diamond grill fool you!) and a proud dad with some great insight for up and coming musicians. “You know what’s funny is that I’ve done so many things that are far beyond my wildest expectations of being a musician that I look at them and am numb to it now. I’ve played with the best; I’ve been around the best and eaten with the best. You know what I mean? I’ve been everywhere, done everything that I can imagine doing. I feel my biggest accomplishment is sticking in there as long as I have and not giving up on any of it. Never thinking in broke times that it was never going to work. The most major accomplishment is sticking in there this long and keeping it moving, because it’s what I’ve gotta do.” The Roots expect to release their yet-to-be named 10th album in early 2008. For now, do yourself a favor and catch up on your Roots knowledge by picking up their 2006 release Game Theory or checking out a live show in a city near you! Stay tuned to www.myspace.com/theroots or www.theroots.com for the latest info on The Roots. >>11 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com RADIAS & R3 SYNTHESIZER/VOCODER AHEAD OF THE CURVE Borrowing ultra low-aliasing modeling techniques from the OASYS, the Multi Modeling Technology (MMT) synth engine in the RADIAS and R3 exceeds common analog expectations and rapidly takes off for uncharted territories. This powerful MMT engine first appeared in our EMX-1 ELECTRIBE and has been fully realized in the amazing RADIAS and R3 synths. > ENDLESS EFFECTS Two insert effects and a two-band EQ can be assigned to each Timbre. Choose from 30 different effect types. > BEND ME, SHAPE ME Add analog warmth by dialing up extra “Drive.” Innovative Wave Shaping provides dramatic results – even offering virtual “pick-up” response. > MOD SEQUENCING Modulation Sequencers (RADIAS – three per Timbre; R3 one per Timbre) provide discrete values to a modulation parameter that change over time, either in stepped or smooth motion, and can loop over and over. > ACTION VOCODING Above and beyond traditional vocoding, Formant Motion records the formant of a sung or spoken phrase, so it can be recreated anytime. The vocoder offers 16 bands for extra clarity, and a vocoder mic is included. > PUNCH IT UP Add definition and emphasis to the beginning of the sound by adding variable amounts of Punch to reinforce the attack. > FREE EDITING SOFTWARE Manage your sounds and formants with the free sound editing and librarian software. A single USB connection makes transferring data quick and easy. > KEYS TO THE KINGDOM Both models offer full-size, velocity sensing keys; Pitch and Mod wheels offer expressive performance control. Download RADIAS OS V2 and cool new sounds FREE at korg.com/RADIAS > PROCESSING PACKAGE Audio inputs allow any audio signal to be gated and filtered using the internal synthesis and effects. RADIAS & R3 AT A GLANCE Synthesis Method: MMT (Multi Modeling Technology) Max. Polyphony: 24 voices (RADIAS) / 8 Voices (R3) Synth Structure: Four Timbres per Program (RADIAS) Two Timbres per Program (R3) Vocoder: 16-band with formant motion, shift and hold functions Effects: 30 types, 2-band EQ, 2 insert effects per timbre, 1 master effect per Program Keyboard: 49 keys; Velocity sensing (RADIAS) 37 keys; Velocity sensing (R3) Accessories: RADIAS: Headset mic, mounting hardware, accessory shelf, CD-ROM; AC supply R3: Gooseneck mic, CD-ROM, AC supply Connections: • Audio In: 1, 2 • Audio Out: L/Mono, R, 1, 2 • MIDI: In, Out, Thru • USB port • Pedal jacks: Switch, Pedal Dimensions (W x D x H) in.; Weight: RADIAS: 34.84 x 15 x 3.9 (flat), 8.78 (raised); 19.2 lbs. R3: 25 x 20.63 x 3; 6.17 lbs. See and hear much more at: www.korg.com/RADIAS & www.korg.com/R3 >> 12 > TWO IN ONE > AWESOME ARCHITECTURE RADIAS: > CUSTOM CONFIGURED With enough controls for the serious knob-tweaker, the RADIAS panel tilts up for easy access and down when you just want to play. The whole panel slides to either side, so you can drop in the matching shelf to hold a laptop, KAOSS pad, mixer, etc. RADIAS is also available as a rack module. Each of the 256 RADIAS Programs consists of up to four Timbres, each with its own note-range, output, MIDI channel and more. The Program itself offers a master effect, plus a 32 step arpeggiator and two step sequencers that can be applied to any or all timbres. > KEEP THE BEAT A drumkit program can be assigned to one Timbre in a Program and can be driven from the arpeggiator or Step Sequencer. An R3 Program consists of up to two complete Timbres. The Program itself offers a master effect, plus an eight-step arpeggiator. R3: > STREAMLINED DESIGN Compact, portable and easy to use, the R3 keeps important controls close at hand, and individual parameter displays let you dig deep when editing or programming. The Bank Select dial keeps all 128 preloaded programs organized by category for fast access. >>13 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com TONY BANKS/GENESIS microX By Thomas James MUSIC SYNTHESIZER HOOK UP, TAKE OFF It’s a software plug-in. It’s a hardware module. It’s a multifunction controller. The microX is all this and more! Its compact size makes it perfect for gigging, plus you can use it as a fully-featured, multi-timbral MIDI expander module! > BEST SOUND AROUND microX starts with the most up-to-date version of Korg’s legendary Hyper Integrated (HI) synth engine and then doubles the ROM with new, specially created PCM waveforms. 640 Programs and 384 Combinations are provided, with a special emphasis on modern synth and dance applications, as well as unique ethnic instruments and traditional sounds. > MULTI CAPABLE For multi-timbral performances, the microX offers 128 sixteen-timbre Multi sets, perfect for working with software sequencers. > FINDERS KEEPERS All sounds are grouped by category making it easy to find what you need, and the Click-Point controller makes navigating the display a breeze. > CASE INCLUDED The microX comes with a cool, custom carry case that includes space for the adapter and cables. microKORG SYNTHESIZER/VOCODER RETRO TO GO! The future/retro microKORG delivers seriously big sound, combining analog modeling, vocoding, multiple effects and step-arpeggiation with an easyto-use performance interface. microKORG AT A GLANCE Synthesis Method: Analog Modeling Structure: 128 Programs; 2 Timbres per Program > DUAL ARPEGGIATORS Dual polyphonic arpeggiators can be used individually or together on individual or multiple timbres. > COMPUTER COMPATIBLE An External Control feature allows 12 functions to be assigned to the four knobs as a “set” – and 64 of these sets can be stored. A USB jack talks MIDI directly with your computer. We’ve also included a graphic editor/librarian program that runs as a plug-in under VST, AU or RTAS. > ROBUST VOICE ARCHITECTURE Two oscillators with over 70 waveshapes power each of the microKORG’s four voices. The four filter modes provide 12dB and 24dB slopes, with Low, High and Band pass settings. Two ADSR envelope generators, two MIDI syncable LFOs, switchable distortion and a Virtual Patch matrix provide unpreced ented creative options. It was while still at school, that Tony Banks formed a series of bands with fellow pupils Peter Gabriel and Mike Rutherford, eventually landing a recording deal and settling on the name Genesis. By 1970, Phil Collins had joined as drummer and, together with guitarist Steve Hackett, the band fully established themselves as one of the most important progressive rocks acts of the era. microX AT A GLANCE Synthesis: HI synthesis ROM: 64 MB Now for the first time in more than a decade, keyboardist Banks and guitarist Mike Rutherford have been joined by Phil Collins to perform a set of old favorites, celebrating the band’s 40-year anniversary, and helping to promote a host of newly formatted DVD releases. Polyphony: 62 voices (max) Keyboard: 25 full sized keys; velocity sensing Programs/Combinations/Multi: 640 Programs/ 384 Combinations/128 Multis; GM Effects: 2 master effects; 1 insert effect; master 3-band EQ; Effect types: 89 The task of recreating the sounds from songs written using generation after generation of equipment has not been a simple one, but Korg’s flagship workstation, the OASYS, is Tony’s secret weapon. It also came to the rescue during the band’s Wembley Stadium performance as part of the UK Live Earth climate awareness show in July. Controllers: Joystick, 2 assignable switches, 4 real-time knobs Control Inputs: Damper pedal; Assignable Switch; Assignable Pedal Outputs: L/Mono, R; Indiv. 1, 2; Headphone Dimensions (W x D x H) in.: Weight: 23.86 x 8.9 x 3.15; 5.29 lbs. Not one to hang onto his vintage gear, Tony originally intended to recreate his old sounds using virtual instruments running from a dedicated rack-mounted computer, but eventually decided that the OASYS – offering a selection of different synthesis types within the one box – was a better bet. “It is something of a coincidence that I happened to come across it at this particular time,” continues Tony. “I was looking at something to power my virtual instruments and went as far as buying the hardware, but when I started fiddling around with OASYS I realized that I didn’t need the other system. See and hear more at: www.korg.com/microX Now comes with the valuable Creative Kontrol Pack Vol.3!! See page 16 for more information. > POWERFUL PROGRAMS Grouped by genre for quick access, the microKORG is loaded with 128 greatsounding, fully editable Programs. Each can play up to two Timbres, layered or split across the keyboard. > PLAY IT AND SAY IT An eight-band vocoder (with included mic) provides exciting talking music and other effects. Vocal formants can be captured and played across the keyboard. > PERFORMANCE EDITING “A lot of people do the same thing using computers, but I trust the OASYS more, and it is much easier because it’s a complete system. I find that the trouble with virtual instruments is the latency. Sequencing is fine but when you are actually trying to build up an idea they are not terrifically user friendly.” In performance, these five knobs default to cutoff, resonance, etc. for on the fly tweaking.In Edit mode, they provide direct access to every parameter. On stage, the OASYS provides almost all the sounds originally created using analogue synthesizers and other pre-digital gear. “Everything that pre-dates 1980 is almost exclusively done on the OASYS, and it’s been fantastic for that,” he insists. “We do a long medley starting with ‘In The Cage,’ passing through lots of instrumental passages and ending with ‘Afterglow,’ and every sound in that is from the OASYS. I don’t have any of those keyboards anymore and wouldn’t want to tour with them. It’s got a great piano, organ, strings and voices, plus all the monophonic synthesizers I used in the old days.” > KEYS TO PLEASE Thirty-seven mini, velocity sensing keys keep the microKORG compact for goanywhere action – it can even run on batteries. Tony’s live setup employs three keyboards, two of which are merely controllers, set up to play the sounds stored in the OASYS. For each song, the relevant sounds are split between the three, enabling Tony to instantly access whatever he needs without too many button presses. “I just use about 30 or 35 user presets to represent all the different songs and set it up so that the splits are appropriate for each song. For example, for ‘In The Cage,’ which has about seven or eight sounds, three of them can be played on the OASYS itself, the lead is played remotely from a little sprung keyboard sat on top and then I have two types of organ on the third.” Vocoder: 8-Band; Formant Shift, Formant Hold Arpeggiator: 6 patterns Effects: Modulation (3 Types); Delay (3 Types); EQ Ins &:Outs: Audio In 1; Line/Mic switch; Audio In 2, L/Mono out, R out; Headphone Dimensions (W x D x H) in.; Weight: 20.63 x 9.13 x 2.76; 4.85 lbs. For video demo, soundclips and more info go to: www.korg.com/microKORG Also available: Limited edition reverse key model. Find out more at www.korg.com/microKorgBK Photo by Keith Smith | Location: Verizon Center, Washington D.C. >> 14 As the keyboardist and pianist in one of the most successful and highly acclaimed British bands of the last 40 years, Tony Banks knows exactly what he needs from technology. “Most people think I’m still using the old instruments, which really is a good thing!” laughs Tony Banks, reflecting on the fine job his Korg OASYS keyboard workstation has been doing on the mammoth 2007 Genesis reunion tour. Read more of our interview with Tony Banks at korg.com/TonyBanks and find out more about Genesis at www.genesis-music.com >>15 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com KORG Controllers padKONTROL USB MIDI CONTROLLER Packed with user-friendly features, the padKONTROL is the most expressive and versatile pad controller ever! In addition to triggering drum sounds or samples, the padKONTROL can control soft synths and effects, trigger loops and video clips, and act as transport controls for DAW programs. Combining an X-Y pad, 16 illuminated pads, foot-pedal input and assignable knobs, the padKONTROL gives you unsurpassed, evocative power over your musical creations. K61P USB MIDI CONTOLLER On stage or on the run, wherever your music takes you, the K61P USB MIDI controller can keep up with you. With responsive full-size keys, a wide variety of controls and a solid set of on-board sounds, K61P provides the versatility, power and creativity that helps you to play with confidence. > CONTROLLERS Two assignable knobs provide continuous control of two MIDI parameters. > PAD POWER You’ll appreciate the fantastic feel of the illuminated pads. They respond well no matter where you strike them, and each pad can have its own velocity curve so you get responsive, greatsounding results every time! > X-Y PAD The X-Y pad can be used to intuitively manipulate any two continuous controllers in real time. It can also be set to control realistic flams and rolls. By moving from left to right you increase the speed of the roll or the distance between the flammed notes, and by moving up, you increase the volume of the roll or the second note in the flam. > ASSIGNABLE CONTROL The K61P offers two switches, two knobs, a slider, mod wheel and footswitch input – all MIDI assignable. Switches can be set to toggle or momentary operation, with separate on and off values. > DOUBLE-DUTY CLICKPOINT™ The innovative ClickPoint controller can be set to act as a USB mouse + left click, to navigate through your soft synths or DAW software. In addition, this versatile interface can be switched to send two MIDI controllers; one on the X axis and one on the Y axis. With an optional footswitch, you can add real kick-drum parts or close an open hi-hat. The footswitch input can also be set as a momentary or toggle switch for any parameter. Controllers: 16 velocity-sensitive, illuminated trigger pads, X-Y pad, two assignable knobs, assignable pedal jack Display: Seven-segment, three-digit LED Dimensions: 12.36” (W) x 9.21” (D) x 2.17” (H) Weight: 2.12 lbs. For more detailed specs and information, visit: www.korg.com/padkontrol CREATIVE KONTOL PACK VOL. 3 (CKP3) WHAT’S A CONTROLLER WITHOUT SOFTWARE? All Korg controllers include an impressive assortment of software to get you started, or add to your existing arsenal, with the new Creative Kontrol Pack V Version 3. CKP3 features a full version of Korg’s M1 Le – the software version of our iconic M1 workstation. Also included – Propellerhead’s Reason Adapted 3.0, Ableton Live Lite 6, lite versions of Applied Acoustics’ Ultra Analog VA-1 and Lounge Lizard, a lite version of Modartt’s PianoTeq and Ultimate Sound Bank’s UVI Korg Edition Volume 2. Round it all up with a dedicated custom Editor Librarian, and you’re stocked with the tools you need to create right out of the box! >> 16 K61P AT A GLANCE Keyboard: 61 full-size keys, velocity sensitive, 4 velocity curves Programs: 24 sounds Connections: Pedals, MIDI Out, USB, DC in Power: USB power, optional AC adaptor Dimensions: 38.66” (W) x 8.70” (D) x 2.72” (H) Weight: 6.39 lbs. For more detailed specs, sound clips and information, visit: www.korg.com/kseries USB MIDI CONTOLLER > MAKE THE SCENE You can save your entire set of assignments as a user scene. There are 16 user scene locations available in the padKONTROL itself, as well as 30 provided preset scenes, which instantly match the padKONTROL to some of the most popular music software programs. When quality counts, the Korg KONTROL49 is ready! Forty-nine great-feeling, full sized and velocity-sensing keys, assignable knobs and sliders – dedicated LCDs, multi-function pads, and handfuls of performance controls provide endless performance possibilities. > SOFTWARE BONUS The padKONTROL comes with free editor/librarian software, which makes it easy to create, store and organize vast scene libraries. Third-party software is also provided, including DFH SUPERIOR, a 260 MB drumkit plug-in from Toontracks with over 2,700 samples; and Korg’s Creative Kontrol Pack Version 3. The K61P takes full-featured USB control one step beyond by providing 24 pro-quality sounds on-board. Natural sounding acoustic and electric pianos, organs, strings and more are right there for you whether you’re connected to a computer or to a keyboard amplifier. KONTROL49 > PUT YOUR FOOT DOWN padKONTROL AT A GLANCE > “SOUND CONTROL” > QUALITY KONTROL A Vector (four–pole) joystick, pitch and mod wheels, footswitch and foot pedal inputs and a pair of switches offer plenty of assignable control options. Shift buttons (as well as key transpose) provide access to the entire key range. Eight touch response curves can accomodate any playing style. > IT’S HOT ON THE SURFACE Eight assignable sliders and eight assignable rotary encoders are teamed with eight color-coded LCD displays. The display color indicates the controller type, and the text shows the parameter name and value– and you can even create and display your own parameter names. > “PAD-TASTIC” These pads do it all. Illuminated and velocitysensing, the pads can trigger notes, samples and loops, select sounds, send SysEx strings, even act as transport controls for your computerbased DAW. And of course, the pads can also change and select scenes. > MAKE THE SCENE Full sets of controller assignments are stored as “Scenes.” A free editor/ librarian program helps you create, manage and save scenes on your computer. Template scenes for popular software titles are included. > MIDI AND MORE Sure, the KONTROL49 features MIDI in and MIDI out, but it also features USB for single cable convenience. This arrangement allows the keyboard to double as a USB/ MIDI interface, and also provides USB bus power. An AC adaptor is also included. > NATIVE TONGUE Native Mode allows supported software – Korg Legacy Collection, Propellerhead Reason, Apple Logic, etc., to map parameters with custom names directly to the control surface with no set-up – all in real time – offering the highest level integration between a controller and a software package. KONTROL49 AT A GLANCE Keyboard: 49 full-size keys, Velocity sensing; 8 touch curves Assignable Controllers: 16 velocity-sensing pads (illuminated);Master encoder; footswitch input, 8 rotary encoders, 8 sliders, Vector joystick, 2 assignable switches, Mod wheel(Pitch wheel is not assignable); foot pedal Connections: MIDI IN/OUT (Out x 2 on KONTROL49), USB, DC In Power: USB power, AC adapter Dimensions: 28.74” (W) x 12.56” (D) x 3.39” (H) Weight: 10.8 lbs. For more detailed specs and information, visit: www.korg.com/KONTROL49 >>17 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com LEGACY COLLECTION DIGITAL EDITION (KLC-DE) > WAVESTATION Korg has earned acclaim for transforming many of its historic instruments into superb-sounding softsynths. KLC-DE offers an exacting recreation of the legendary Korg M1 and WAVESTATION, offering integration of some of the most famous synths of all time into your computer-based production environment. > M1: RETURN OF A CLASSIC In 1988, the M1 created the workstation category and went on to become one of the top selling keyboards of all time, easily surpassing an amazing 100,000 units. The M1 software softsynth goes on to supplement this powerhouse synth with 256 notes of polyphony, variable filter resonance, two Insert effects per part and two Master effects. > SOUGHT AFTER SONIC UPGRADES The M1 also contains all PCM, Program, and Combination data found in the original M1 and M1EX PCM expansion, all 19 ROM cards, plus the full sound set of the acclaimed T Series. That’s over 3.000 sounds total! In 1990, the WAVESTATION introduced the world to both Advanced Vector Synthesis and Wave Sequencing, winning numerous awards and legions of fans. And all of the WAVESTATION’s functions have been faithfully recreated in the KLC-DE. Furthermore, the WAVESTATION adds all the data contained in the six long-sought-after ROM cards for a total of over 1,450 sounds! > MDE-X MDE-X is a multi-effect plug-in providing 19 high quality effect types derived from Korg’s digital recorders, TRITON synthesizers, and effects processors. MDE-X provides a full arsenal of niceties to satisfy all your recording, mixing, sound designing and live performance needs! LEGACY COLLECTION Compatibility: PC and Mac, AU/RTAS/VST compatible ANALOG EDITION 2007 (KLC-AE07) Operation Modes: Standalone, PlugIn via host The classic sounds of the MS-20, PolySix and Mono/Poly are reborn in KLC-AE07! Korg’s proprietary Component Modeling Technology recreates not just the sound, but the characteristics and response curve of each aspect of the original analog signal flow, to provide results that are completely faithful to the original hardware. > MONO/POLY The Mono/Poly was a monophonic/polyphonic behemoth that many musicians acclaimed as the best analog synthesizer Korg ever made. And we’ve improved its functionality in software by adding a powerful eight-virtualpatch matrix for near infinite modulation routing, two integrated multi-effects, 16voice unison and up to 128 voices. > MS-20 This semi-modular monophonic synthesizer has enjoyed unbroken popularity for its thick and solid sound, aggressive filters and inexhaustible patching possibilities. The software MS-20 adds 32-voice polyphony, up to 16-voice unison (with detune/spread) and flexible modulation settings. BOTH LEGACY COLLECTIONS AT A GLANCE Protection: SyncroSoft USB Key For more detailed specs, sound clips and information, visit: www.korg.com/klcde and www.korg.com/klc-ae2007 > POLYSIX The Polysix programmable polyphonic analog synthesizer provided a surprisingly fullsounding voice structure and powerful performance functions, quickly becoming a worldwide hit. The Polysix software gives you all the power of the original hardware and then adds the same polyphony, unison and modulation enhancements as the MS-20 – readying this classic for modern music production. REIGN OF KAOSS No matter what style of music you play, record or produce, there’s always room for some KAOSS! Korg’s ultra portable KAOSS products give you the ability to add real-time creativity and expression to any performance or recording. No other interfaces are as intuitive, immediate or just plain fun to use. By simply tapping or sliding your finger over the touchpad of the KP3, mini-KP, or KAOSSILATOR, you can control multiple effects parameters, manipulate samples, or produce stunning synth sounds. I’d touch these if I were you! “The KAOSSILATOR is such a fun gizmo. I really love it! On the way home from Miami, I was jamming on the plane with it and the time literally flew by. The air stewardess possibly thought I was insane as I was literally raving in my seat.” — James Zabiela www.jameszabiela.co.uk • www.myspace.com/jameszabiela “The KP3 is great because it pushes the limits and cuts through everything else that I’m playing. I can really hear it and feel it in the PA system. I use the sampling feature a lot. I’ll take sound samples…and use them as segues between songs, along with the synth patch, which makes some really gnarly noise. I’m going to start messing around with the microphone input and start doing weird stuff like sampling the crowd. Or possibly running the mic from our lead singer and just totally tweak out a weird line that he says…” — Jessie Nelson, Head Automatica www.headautomatica.com • www.myspace.com/headautomatica “I’m super excited to get to work with the KP3…I’m going to be using it on our new record!” — Chris Dudley, Underoath www.underoath777.com • www.myspace.com/underoath James Zabiela Jesse Nelson Chris Dudley Rondo Brothers “The mini-KP wins out as our new favorite studio toy. We have it linked up to our outboard mixer and have been using it to both gently affect and radically destroy keyboards, beats off the turntables, and anything else we can manage to run through it. It’s like having 50 of the coolest stompboxes ever made sitting there at your fingertips. It’s also extremely killer for using live and DJing – we are using it to bring a whole new dimension to our live sets and it never gets old or repeats itself.” DJ Enferno — Rondo Brothers www.rondobrothers.com • www.myspace.com/rondobrothers “The KP3 has so many effects packed into a small package. The power and portability make the KP3 perfect for my Live Remix Project shows. My favorite features are the filter and grain effects, as well as the sample banks. Plus, with the illuminated red touchpad, it looks cooler than any performance effects processor that I’ve seen!” > KORG EFFECTS INSIDE KLCAE-07 includes the same great MDE-X effects suite as its brethren. Here, we include yet another powerful effect plug-in – the MS-20FX – which allows you to run audio through the MS-20’s snarling filters and flexible DSP signal processing. — DJ Enferno www.djenferno.com • www.liveremixproject.com • www.myspace.com/djenferno “I can honestly say that [KP3] exceeds the fist two KAOSS Pads, which were amazing as well! This is quiet too, which is always more helpful in the studio.” — Aaron Johnston, Brazilian Girls www.braziliangirls.info • www.myspace.com/braziliangirls Aaron Johnston “I’ve always been a big fan of Korg products and the KAOSS KP3 is just another reason why. It’s an amazing improvisational tool for me and the interface is pretty much the most fun you can have with a piece of gear.” — EL-P www.definitivejux.net/jukies/el-p/ • www.myspace.com/elproducto EL-P >> 18 >>19 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com KAOSSILATOR AT A GLANCE KAOSSILATOR Programs: 100 MUSIC SYNTHESIZER Outputs: Line Out L, R (RCA), Headphone Jack The next innovation in musical expression and creation from Korg has arrived! The KAOSSILATOR is a new pocket-sized instrument that packs Korg's world renowned sound along with innovative performance features in an ultracompact unit. Dimensions (WxDxH) in.: 4.17 x 5.08 x 1.14 > BIG SOUND, SMALL FOOTPRINT The nifty little KAOSSILATOR comes packed with 100 powerful sound programs that combine Korg's legendary modeling synthesizer engine with effects from the KAOSS PAD series, perfect for any musical genre. KAOSSILATOR doesn’t just offer synths. In fact, there are drum patterns that automatically sync with the selected tempo, drum hits, basses, chorded sounds and even realistic horn models. > GET PLAYFUL Whether you’re an established “tweaker,” an aspiring electronic artist or somewhere in between, KAOSSILATOR is one musical sketch pad that you should not be without! Anyone can instantly play musical phrases by simply tapping or sliding their finger across the KAOSSILATOR’s touch pad. > GET LOOPY!!!! Loop Recording allows you to record a phrase with a specified number of beats (maximum 8 beats = 2 measures), and play it back endlessly. Now, go ahead and choose a different sound and play it on top… and repeat infinitely! Each time you add a phrase, KAOSSILATOR “stacks” it on top of what was previously entered, resulting in complete musical works as simple – or complex – as you desire! Power Supply: Four alkaline AA batteries For more detailed specs, A/V examples and information, visit: www.korg.com/kaossilator > HOW DID THEY GET ALL THAT IN THERE?!?! KP3 KAOSS Pad DYNAMIC EFFECT/SAMPLER The KP3 KAOSS Pad takes real-time effects control and sampling to a new level! Just move or tap your finger along the X/Y pad to manipulate sample and effects parameters in a totally unique and intuitive fashion. KP3 AT A GLANCE To add another dimension of expression, 50 Gate Arpeggiator patterns are there for the using, applicable to any of the programs. KAOSSILATOR also provides 31 available scales to help you devise phrases that inspire. Inputs: Mic (1/4" ) with trim knob; Line In L, R (RCA) Outputs: Headphone (1/4"Ç Stereo) with volume; Line Out L, R (RCA) > CAPTURE CONTRAPTION Sampling and effects are totally integrated, so you can sample through the effects, and even resample the output to create powerful, multi-element sounds. An editor/librarian program is included so you can build libraries of samples and edit them using your computer (via USB). mini-KP AT A GLANCE Programs: 100 It’s the KAOSS Pad that fits in your shirt pocket! The new mini-KP distills 100 effect and synth programs from the KP3 into a portable package that is perfect for music on the go. With its familiar touch pad interface intact, it’s meant to be touched. Power Supply: Four alkaline AA batteries >> 20 Instant drum grooves and RADIAS-inspired vocoder and synthesizer sounds can also be played on the X/Y pad. > SOFTWARE SAMPLE EDITOR Inputs: Line In L, R (RCA) The mini-KP’s size and power make it a perfect multi-task processor. Keep it near your studio and you might find that you can quickly patch it into the effects loop of a guitar amplifier, directly between a synth and mixer or… well, who knows? No matter what you connect it to, from a mixer, to an MP3 player to your television, mini-KP provides the effects you need to do the job – or simply have some fun. > BEYOND EFFECTS Dimensions (WxDxH) in.: 8.27 x 8.9 x 1.93 KAOSSILATOR is a completely portable, travel friendly device that runs on batteries, so you can have fun creating music anywhere your life takes you, with seemingly endless possibilities. > HOW WILL YOU USE YOUR MINI-KP? The new pad lighting system provides visual cues for the current program, held position, and more – it can even scroll a custom message! Interface: USB Type B (PC), MIDI IN/OUT For more detailed specs and information, visit: www.korg.com/kp3 DYNAMIC EFFECT PROCESSOR The mini-KP is lightweight and battery powered, yet offers tons of features like auto-BPM and Tap Tempo functionality, FX hold, FX depth selection, FX Release and more – all derived from its big brother, the KP3. > TRIP THE LIGHT FANTASTIC The KP3’s Auto BPM circuit derives tempo information from a turntable or CD player and can sync effects to play in perfect timing, while providing MIDI clock to other devices. Data Storage: SD Card (100 samples max) > HAS POWER, WILL TRAVEL mini-KP KAOSS Pad KP3 has 128 all-new effects designed to appeal to players, producers and DJs alike. Along with traditional effects – delays, flangers and more – the KP3 provides exciting new effects, like grain shifter, decimator, analog style filter with a tone-bending drive circuit and EQs controllable directly from the pad. > SYNC’D UP Sampling: 16 bit, 48 kHz; 24-bit A/D, D/A ELECTRIBE EMX1 & ESX1 EMX1 AND ESX1 AT A GLANCE The ELECTRIBES achieved instant popularity by combining interactive pattern-based programming with unique sound generation. Illuminated step-keys, flexible pattern recording options and a wealth of dedicated knobs team up in an intuitive and easy-to-use interface. ELECTRIBE • MX (EMX1) Analog Modeling + PCM Wave/Models: 207 drum; 76 synth PCM; 16 Oscillator Models Number of Parts: 16 total MUSIC PRODUCTION TOOLS > GROOVE ON THE MOVE > KAOSS TO THE THIRD Outputs: Line Out L, R (RCA), Headphone Jack Dimensions (WxDxH) in.: 4.17 x 5.08 x 1.14 For more detailed specs, sound examples and information, visit: www.korg.com/miniKP and www.myspace.com/minikp ELECTRIBE•SX: SERIOUS SAMPLING ELECTRIBE•MX: BEAUTIFUL MODELS A wide variety of samples are included, plus you can import WAV/ AIFF samples or record your own! These samples can be played back as “one-shot” Drum Parts or as tuned Keyboard Parts. Stretch Parts allow the tempo of sampled loops to be adjusted without affecting pitch, so you can play multiple loops in perfect sync. Samples can also be “sliced” into threshold-based segments, allowing play back of the phrase at different tempos, individually triggering each of the segments. The incredibly advanced MMT (Multi Modeling Technology) sound engine offers 16 different synthesis methods, providing powerful analog models as well as sophisticated additive, PCM, VPM, unison and more. ELECTRIBE • SX (ESX1) Sampling (44.1 kHz) Sample Memory: 285 seconds total; 256 Stereo samples + 128 Mono samples Number of Parts: 16 total BOTH Dimensions (WxDxH) in.: 14 x 10 x 2.44 Weight: 6.83 Lbs. For more detailed specs, sound clips and information, visit: www.korg.com/emx1 and www.korg.com/esx1 > TUBE TONE Both models feature our exclusive Valve Force circuit, using a pair of 12AX7 vacuum tubes to add warmth or edge to your sound. > SOUND IN MOTION Motion Sequencing captures and replay your inspired knob tweaks for an extra performance dimension. >>21 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com KM402 & KM202 KAOSS MIXERS With the KM202 and KM402, Korg brings a new level of control and expression to the DJ. Both combine a pristine 24-bit digital mixer with an adjustable curve digital crossfader, familiar cue and monitor, an integrated KAOSS pad with effects from the renowned KP3, plus multi-modeling EQ. Their streamlined design set a new standard for an integrated mixer/effects processor, allowing a style of mixing and performing with effects that is unequalled. KAOSS MIXERS AT A GLANCE Line Inputs: Connectors: RCA jacks L/R Input impedance: 10 k OHMS Phono Inputs: Connectors: RCA jacks L/R Input impedance: 40 k OHMS PHONO RIAA compliant Mic Input: Connectors: 1/4" mono phone jack Input impedance: 50k OHMS Master Output L/R: Connector: RCA jacks L/R ZERO MIXERS LIVE/STUDIO CONTOL MIXERS ZERO IN ON LIVE CONTROL The ZERO8 and ZERO4 combine multi-channel Firewire audio I/O, a flexible, easy to understand and customizable MIDI control surface and multi-effects processing. That translates to total control of your music, whether mixing in the studio or performing live. Booth Output L/R: Connector: RCA jacks L/R Phones Output: Connector: 1/4" stereo phone jack Dimensions (WxDxH) in.: 11.34 x 15.12 x 4.21 THE PERFECT INTEGRATION OF SOFTWARE AND HARDWARE Weight: 11.02 lbs. For more detailed specs and information, visit: www.korg.com/km202 and www.korg.com/km402 > DJ MIXER MEETS KAOSS With the innovative integrated KAOSS Pad, you can manipulate effects using the tip of your finger. The unique touch-pad changes multiple effect parameters at once to create unique timbres. The simple and intuitive interface has made the KAOSS pad one of the most popular effect processors in the world. And choosing which channels are affected by KAOSS is a quick one button operation. > FADER FINESSE An Input Select knob at the top of each channel controls an input matrix, helping to easily assign the full array of inputs to the channels or stream Firewire audio from your computer. As we approach the “Audio + MIDI” and “MIDI” selections, things get even more interesting. In MIDI mode, all knobs and switches change from bright orange to electric blue (ZERO8) or dazzling green (ZERO4) to indicate that those controls are ready to send MIDI CC to any software with a MIDI learn feature or preset MIDI, implementation. The “Audio + MIDI” provides a half-MIDI setup, leaving the EQs available for audio. Cross-fader response is as personal as the DJ holding it. The adjustable digital (VCDA) crossfader offers curve control and calibration that let you set the mixer to your personal style. Whether you’re mixing dual decks, triggering from a laptop or integrating other sound sources, the KAOSS Mixers adapt to your style and personal touch. The fader feels great, whether you’re making transitions or getting into some serious scratching. > SO MUCH AT YOUR FINGERTIPS The KM Mixers integrate one hundred powerful effects from the KP3 KAOSS Pad, all with the unique fingertip control that made the entire line of KAOSS products famous. The included presets combine simple elements such as delays and filters in ways you’ve never imagined to provide a wealth of inspiration. With the KOASS Pad’s unique ability to “touch” your effects, the KM Mixers provide a unique access to effects that will take your performance to the next level. THE ZERO EFFECTS On ZERO8, 112 effects can be used three at a time (Master, send from each channel and a single channel-specific). A large touch screen provides real-time control of these effects a-la KAOSS Pad! On ZERO4, one of eight effects is selectable per channel, along with one Master effect. SOUND SCULPTING THAT GOES TO ELEVEN > EQ ECLECTIC EQ manipulation is a staple of DJ performance. In response to this need, the KM Mixers take advantage of full-digital processing to provide six different sonic sculpting tools suit any sound, from powerful high-pass filters and full-cut Isolation, to unique EQ curves, all based on the opinions of numerous famous artists. This capability means that the EQ knobs are now a core element of your DJ performance, and take advantage of the integration with the KAOSS effects to create performances that use EQ in a new and unique way. >> 22 >Both KAOSS Mixers feature 100 presets from the KP3 KAOSS Pad. For more information on Traktor Scratch Certification, visit: http://www.nativeinstruments.com > ZERO OFFERS MORE Round out both ZERO Mixers with digital faders and cross faders all with highly adjustable curves, full featured cueing, per-channel LEDs, auto-BPM and more, and they claim their stake as “Uber-Control Mixers.” Want more? A flexible bus structure lets you stream your hands-on performance right back into your favorite audio recording program. ZERO8 AT A GLANCE Inputs: Phono (x3): RCA L, R (with ground lug); CD (x8): RCA L, R; Line (x8): TRS L, R; Mic (x2): XLR; switchable phantom; mic/line gain switch; Guitar: 1/4" unbalanced Outputs: Master: XLR L, R; TRS L, R (+4/-10 switch); Booth: TRS L, R; S/P DIF: co-axial; Headphone: 1/4" stereo; 1/8" stereo mini Total MIDI-capable controls: 128 MIDI: In, Out FireWire (x2): IEEE 1394 6-pin connector Dimensions (WxDxH) in.: 11.8 x 15.83 x 4.13 Weight: 13 lbs. For more detailed specs, sound clips and information, visit: www.korg.com/zero8 Want sound shaping? On ZERO8, the EQ knobs can actually be set to one of five EQs, three filters or three isolators per channel. That’s eleven options to help you modulate your mix! On ZERO4 one of the eleven EQs are selectable for the whole mixer. ZERO4 AT A GLANCE CAUGHT IN A TRAKTOR BEAM Total MIDI-capable controls: 56 Both ZERO Mixers boast Traktor Scratch Certification. This means that Native Instruments has evaluated the mixers and deemed them worthy alternatives to their own Firewire I/O. And with the ZEROs’ extensive MIDI control, you can take advantage of Scratch’s MIDI learn function to customize your control over the software. FireWire (x2): IEEE 1394 6-pin connector Inputs: Phono (x4): RCA L, R (with ground lug); CD (x4): RCA L, R; Line (x4): TRS L, R; Mic: XLR; switchable phantom; mic/line gain switch; Guitar: 1/4" unbalanced Outputs: Master: XLR L, R; Booth: TRS L, R; S/P DIF: co-axial; Headphone: 1/4" stereo; 1/8" stereo mini MIDI: In, Out Dimensions: (WxDxH) in.: 17.72 x 14.61 x 4.92 Weight: 16 lbs. For more information, visit: www.Korg.com/zero4 >>23 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com DURAN DURAN By Evan O’Brien Duran Duran killed in the ‘80s electric pop scene, and their newly released Red Carpet Massacre shows that they still have the razor-sharp sensibility for combining catchy, danceable hits with artful songwriting. With over 70 million records sold, 18 American hit singles, 30 top 30 songs in the UK, and an arenafilling international presence, Duran Duran has endured a longevity that is rarely associated with its contemporaries. Bassist John Taylor explains why this is by saying, “I think it’s just not quitting. I see groups and individuals just hang up their guitars, their drumsticks – whatever it is, and often times people don’t want to work out the issues that arise with their band mates. We just keep moving forward. We love what we do, we’re very passionate about it, and we feel very honored to still be doing it.” While Duran Duran did experience additional commercial and critical success in the ‘90s with its second self-titled album, it had its share of member changes and breaks. John says, “I left the band for a while and I tried making music with others. Through that experience, I appreciated the particular chemistry I have with these guys…and I’ve got to say that we may not be virtuosos, but there’s a chemistry we have and it works.” Now not only are we approaching the 30th anniversary of Duran Duran, but the beginning of the next era for the band. They’ve collaborated with the stellar production team of Timbaland and Nate ‘Danja’ Hills, as well as long-time Duran fan Justin Timberlake on Red Carpet Massacre. John describes the experience as, “Pretty damn intense. Timberlake was in the first day on the New York session, and then we did five days with Timbaland and Danja…we kind of felt a flow. Then Danja came to London and he produced a bunch of tracks with us there. He picked up from the New York sessions and got the band’s vibe. We then worked with Justin one more time right at the very end and cut a track with him.” He adds, “They’re very exciting guys to work with. Since I’ve got back into the band, we’ve worked with producers but nobody that was really on their game the way these guys were. They were very inspiring to work with. It just really pushed you to up your game.” The result is a collection of powerful, club-ready cuts like “Nite Runner,” that displays Duran’s versatility and ability to keep up with the changing times. John realized right away when working with this production team that he’d be playing some keyboard bass. He says, “There was no way that I was going to be able to make all this work with a regular bass, and I had to find new ways of saying things with my bass.” For his amazing synth bass sounds, John relies on the Korg RADIAS Synthesizer/Vocoder. He loves how it combines the old school, hands-on feel of a real analog unit with modern voicing, user ease and capabilities. “It has everything I could possibly want to use it for,” he notes, adding, “I’ve only touched the surface of what that machine is capable of. I didn’t pick up my RADIAS until we went on tour, but I have to say it has been able to adapt to everything that I did in the studio with Timbaland and Nate.” When John showed the RADIAS to Duran Duran keyboardist, Nick Rhodes, it blew him away. That led to what they call the “electro set,” a collection of their hits that they perform on tour where the whole band is playing synths. John explains, “We’d sort of been talking about how a lot of bands today have what they call the “acoustic portion” of the set. It’s become sort of an industry standard...and we’ve done that but it never felt really genuine because we’re not that kind of a band. When we go back to our roots, we go back to synthesizers and early sequencers and that sort of thing. So we thought instead of going back to an acoustic guitar type of presentation, why don’t we go electro?” In addition to the RADIAS, they’ve equipped the stage setup with a Korg M3 Music Workstation/Sampler and microKORG Synthesizer/Vocoder. They can’t get enough of all three instruments and are looking forward to utilizing them on future recordings. John says, “Basically, we’re all playing keyboards in the electro set so there was a bit of a learning curve. I was already into them so I thought this is going to be great for me, because I have to play a bit of keyboard in the presentation of the new album. I suggested to Simon (Le Bon, lead singer,) ‘How would you feel about just playing a couple of lines here and there?’ and he was willing to try it. Of course, once he started working with the vocoder on the microKORG, he was like a kid in a candy store! We’re all interfacing with technology in a way certainly Simon, Roger (Taylor, drummer,) and I are not used to, and we’re having a lot of fun. We’re really loving it.” Be sure to check out Duran Duran’s Red Carpet Massacre and visit their website, www.duranduran.com for additional information on the band, including performance dates! RED HOT Photos by Stephanie Pistel >> 24 >>25 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com DIGITAL PIANO PORTABLE PIANO SOUND AND FEEL In creating an outstanding portable piano, KORG has combined their finest keyboard touch, a wide variety of detailed and authentic sounds, assignable effects, a robust integrated sound system and a solid matching stand into a complete instrument that is both elegant and easy-to-use. Multi-level stereo sampling ensures accurate and faithful sound reproduction over the piano’s entire dynamic range. But piano is just the beginning. Thirty sounds are provided, conveniently organized in three banks of ten. Layer two sounds for even more sonic variety. > EFFECTS THAT ENHANCE > TAKE A STAND > CALL TO ACTION A spacious reverb effect and a colorful chorus can add pizzazz, depth and motion to the sound. The effect settings have been optimized for each individual sound, and the depth can be specified or changed to suit the music, the performance, or even the room. Our RH3 graded hammer action provides 88 keys and a life-like grand piano feel for confident, inspiring performances. Three velocity response settings tailor the touch to the performer’s own playing style. > TUNING AND TIMING For practice and reference, a convenient metronome can be set to different tempos and time signatures. Transpose into different keys at the touch of a button. Historical temperaments add authentic voicing to Baroque and Classical performances. > BUILT TO SHARE With two headphone outputs, you can share your music with a friend. Student and teacher can share lessons without disturbing – or being disturbed by – other family members. Use MIDI cables to connect your new SP-250 to your computer or other MIDI devices. > STEALTH SOUND Integrated into the SP-250 is a rich, vibrant sound system. Mounted into a bass-reflex chamber is a complete stereo amplifier and speakers. Stereo outputs for connecting to a recorder or stage amplification system are featured on the back panel. The SP-250 is a complete instrument offering sounds, effects, sound system and pedal all in one. It also includes a sturdy, collapsible stand that fits into a groove on the underside of the keyboard for a solid, secure connection. A matching music rack is also provided. > SECURE PEDAL C-720, C-520, and C-320 CONCERT PIANOS THE MODERN ART OF MAKING MUSIC® The C-520 Concert Piano – and the new flagship C-720 – combine advances in sound, touch and design to create a series of piano instruments that is a feast for all the senses. Also Available: C-320 Based on the KORG SP-250, the C-320 is housed in a more traditional Concert Piano cabinet, and offers larger 13cm speakers with 20 Watts of power per side. Available in Dark Rosewood or Light Cherry. > C-320 > C-720 > THE PIANO EXPERIENCE Our new PX (Piano eXperience) technology accurately reproduces every dimensional detail of the piano, using multi-velocity stereo samples, key release and damper resonance to create all of the subtle shadings inherent in a superior instrument. > SOUND SYSTEM The C-520’s two-way stereo sound system features two 13cm woofers, two 3.5cm tweeters, and is powered by 35 Watts per channel. The speakers are housed in a bassreflex chamber. > EYE CANDY Graceful curves, elegant front legs, sliding key cover and a full-size modesty highlight the refined C-520 cabinetry. Even the folding music rack is equipped with page retaining clips. > POWERFUL PERFORMANCES Also Available: C-720 The new flagship C-720 adds a powerfully enhanced 90 Watt biamped sound system (featuring 16cm bass speakers) that mounts “spinet-style” to the stand; a true grand piano style softlanding fallboard (folding key cover); decorative metal accents; and a real wood finish. Available in Wenge (dark espresso). >> 26 Any of the 40 sounds can be played individually. Thirty “Performances” can quickly recall any two sounds – split or layered across the keyboard – plus all effect, pedal, metronome, tuning and transposition settings. Keyboard: RH3 Graded Hammer Action; 3 touch curves Sounds: 30 total; (5 Pianos, 7 Electric Pianos, 3 Church Organs, 3 Jazz Organs, Harpsichord, Marimba, Vibraphone, Acoustic guitar, 3 Strings, 3 Choirs); 30 Demo songs Effects: Reverb (3 Levels); Chorus (3 Levels) Sound System: Bass-reflex chamber; 2 co-axial 10cm speakers, 2 11-Watt amplifiers Connections: Headphone (1/4" Stereo x 2); Line out (1/4" L/Mono, Right); MIDI IN, OUT; Pedal input Dimensions (W x D x H) in.; Weight: 51 x 15 x 5.5; 41.9 lbs. Accessories: Half-damping pedal, custom tubular stand, AC adapter, music rack Read and hear more at: > www.korg.com/sp250 > OUR FINEST KEYBOARD As on a concert grand piano, the C-520’s 88 keys feature a graded hammer action (RH3), getting progressively lighter towards the top end of the keyboard. Sound Engine: Piano eXperience multi-level stereo sampling; 62 note polyphony (max) Keyboard: RH3 Graded Hammer Action; 8 touch curves > PLAY IT AGAIN The two-part recorder allows overdub and play-along options with songs saved internally or to computer via USB. For the student, 185 classical music selections can be played from the recorder’s memory, with the right and left hand parts on separate tracks. > C-520 AT A GLANCE The SP-250 is also available in this elegant, limited-edition white finish at Korg Concert Series piano dealers. The SP-250’s half-damping pedal provides greater nuance of the damper effect, just as on a real grand piano. This unique pedal simply slips over the stand, preventing the pedal from “creeping” forward during performance. Sound Engine: PX dynamic stereo sampling; 60 note polyphony (max) > SP-250 AT A GLANCE SP-250 > SUPERIOR SOUNDS > TIME OUT! The C-520 metronome features both metronome settings and drum groove settings. > AUTHENTIC PEDALING The C-520’s damper and soft pedals respond to varying degrees of pressure (half-pedaling) for an authentic piano experience. And the sostenuto pedal operates just as on a grand piano. In performance, the pedals can also be assigned to other functions > C-520 Sounds: 40 total; (9 Pianos, 8 Electric Pianos, 2 Harpsichords, 2 Clavs, 2 Vibes, Nylon Guitar, 3 Church Organs, 3 Jazz Organs, 3 Strings, 3 Choirs, 4 Basses); 30 Demo songs Effects: Reverb (8 Types); Chorus (8 Types); Insert 1 & 2 (24 Types); Brilliance Tuning: Transpose, Fine Tuning, Temperaments (10) Sound System: Bass-reflex chamber; two co-axial 13cm & two 3.5cm speakers, two 35 Watt amplifiers Connections: Headphone (1/4" Stereo x 2); Line out (1/4" L/Mono, Right); Line in (1/4" L, R); MIDI IN, OUT; USB to computer. Dimensions (W x D x H) in.; Weight: 55 x 18.2 x 34.2; 116.9 lbs. (including stand) *Available in Dark Rosewood, Cherry and Dark Cherry See and hear more at: www.korg.com/C520 >>27 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com Pa2XPro Professional Arranger TAKING THE “WORK” OUT OF WORKSTATION For the musician, composer, performer and entertainer, the interactive Pa2XPro is the perfect musical partner, quickly transforming musical ideas into complete, polished productions. Guided by Korg’s Real eXperience (RX) technology, the Pa2XPro combines unbeatable sound, state-of-the-art effects, advanced MP3 features, comprehensive sample edit tools, fully realized musical Styles and a sequencer loaded with compositional aids. Brimming with power, the Pa2XPro employs a slew of assignable controllers and a new motorized, full-color TouchView interface, providing an intuitive and musical interface that will encourage your creativity – not stifle it. > STUNNING SOUND Based on the EDS (Extended Definition Synthesis) engine found in the new Korg M3, the Pa2XPro provides breathtaking sound. The Pa2XPro also borrows the stunning multi-layer piano sound from our flagship C-720 Concert Piano. All in all, over 950 fully editable sounds are preloaded for immediate use, along with a full GM soundset and 64 drumkits. New > DO IT WITH STYLE Take a drum groove, add some percussion, toss in a bass pattern and stir in up to five more instruments parts and you have the foundation for a Style. The Style section follows your chord changes and voice leading, enhancing your performance by adding everything from tasteful and authentic guitar picking to a tight drum and bass groove – or even a full blown R & B rhythm section! > GET CONNECTED > INSTANT ACCESS Pa800 > SIEZE CONTROL Professional Arranger With the same renowned RX Technology and EDS synthesis as the Pa2XPro, the all-in-one PA800 adds a pair of 22 Watt amplifiers and a four-speaker sound system. With sixty-one keys and minus a few luxury features, the Pa800 offers the same great sound in a more portable, affordable package. > ENDLESS POSSIBILITIES Each of the over 400 fully-editable preloaded Styles contains four variations of increasing intensity. Three Intros (including a Count-In), three endings, three breaks / fills are also provided so you can add the finishing touches to your compositions. Need more? Each of the four Pads can also be assigned to a sound effect, instrument solo / arpeggio, or even one of your own riffs or phrases. Build your own Styles quickly by copying parts from different Styles. Two assignable switches and a four-way joystick offer versatile real-time control. The nine multimode sliders provide full drawbar organ control, MP3 volume, mixer levels, and eight are fully assignable. The optional EC-5 offers five assignable footswitches so you can keep your hands on the keyboard. > BOOK ‘EM! The Songbook feature provides a searchable database for all your songs, settings and more; keeping your settings merged with your repertoire – and all at fingertip control. > SUPER SEQUENCING In addition to traditional “track at a time” workstation sequencing, the Backing Sequencer allows you to capture multiple Style driven parts at once. Step Editing allows changing or substituting chords, instantly re-writing all Style tracks in the sequencer. The intuitive color TouchVIew display is motorized, providing a secure position at nearly any angle. “Expert” and “Easy” modes show as much or as little information as you need for performance. Contextual HELP screens are a button push away – select any of seven languages! > EFFECTS EVERYWHERE Four stereo processors access a treasure trove of effects, from rich reverbs and dazzling delays to guitar modeling effects from Korg’s renowned REMS series – even an amazing vocoder. Each track has a three-band EQ, plus a semiparametric master EQ. > PERFORMANCE MP3 ENGINE In addition to recording and playing back MP3 files, the Pa2XPro allow you to change the tempo and/or key of MP3 files in realtime, as they play! > NON-STOP ENTERTAINMENT > NEW MIC SECTION Want to sing along? A phantom powered XLR input feeds into our TC Helicon powered vocal effects – including compression, EQ, reverb – even three part vocal harmonies! Dedicated switches operate the mic, harmonies and effects. Two individual sequencers allow one to play while the other loads. Cue the next song and use the DJstyle crossfader to smoothly transition between the two sequencers. Each sequencer can play MIDI or MP3 files! > NO KEYBOARD CHOPS? With the Backing Sequencer, you can Step Enter all the chord changes for a song, add fills, switch variations, etc., building a complete backing without ever playing the keyboard – a big plus for guitarists, singers, horn players, etc. Keyboard: 76 keys, semi-weighted; velocity and aftertouch Synthesis Method: Extended Definition Synthesis (EDS) Polyphony: 120 voice > Pa2XPro AT A GLANCE > INTERFACE LIKE NO OTHER As each Style plays, up to four sounds can be played along in real time, split and layered across the keyboard. Four “Single Touch Settings” (STS) per Style can call up and switch these sounds instantly in performance or as you record to the sequencer. Talk to computers, external drives and other devices via three USB ports (2 Host, 1 Device), including a convenient front panel slot – ideal for USB pen drives. All this in addition to the internal Hard Drive. MP3: Play, Record; Transpose +6/-5 steps; Tempo change ± 30% Hard Drive: Internal ATA 2.5” Effects: 4 Stereo Processors (2 for Styles, 2 for Sounds); 3-band per track EQ, Master semi-parametric EQ; TC Helicon Vocal FX & Harmonies Sounds: 950+ GM soundset (256 user); 64 drumkits (64 user) Styles: 400+ preloaded; 960 locations Interface: Color Motorized TouchView display; Easy and Expert modes Connections: • Pedals: damper, assignable, EC5 • Audio In: Balanced TRS 1, 2; XLR w/Phantom • Audio Out: Balanced TRS L/mono, R, 1, 2; Digital (Co-Axial) • MIDI: In, Out, Thru, •USB: Host (x2 – one on front); Device Dimensions (W x D x H) in.; Weight: 47.52 x 14.37 x 5.35; 39.68 lbs. See and hear much more at: www.korg.com/Pa2XPro >> 28 >>29 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com Pa500 THE PROFESSIONAL ARRANGER AT THE AMATEUR PRICE > PERFORMANCE POSSIBILITIES Like its big brothers – the Pa800 and the Pa2XPro – the Pa500 uses our RX (Real eXperience) technology to deliver a sound unprecedented in an arranger keyboard. With exclusive Korg features such as the XDS Dual Sequencer, intuitive TouchView interface, quartertone on-the-fly and a four way joystick for realistic articulation, the only thing really missing is a big price tag! No doubt: Korg’s Style programming is world class. With up to eight parts, four variations, three intros/count-in, three fills/break and three endings, each Style is a complete musical environment. Advanced features such as Syncro Start/Stop, Fade In/Out, Assignable Pads, Tap Tempo and Manual Bass allow you to spontaneously add complex and professional touches to your performances. > SINGLE TOUCH SETTINGS Need to switch sounds fast? Four STS (Single Touch Settings) buttons allow you to have up to four sounds split and layered across the keyboard and switch them all instantly with a single button press. The STS assignments can be saved independently for each Style. > STUDIO SIMPLICITY Traditional linear 16 track sequencing is enhanced by our step edit/entry feature and unique backing sequencer. The backing Sequencer captures each Style instrument on a separate track and MIDI channel, making it easy to re-write or edit an individual part later – without re-writing a entire Style. With Step Edit/Entry, you can actually just type in your chord changes without ever playing the keyboard – a real plus for guitarists, singer, and other instrumentalists. SOUND THOUGHTS ON THE MR SERIES RECORDERS By Leslie Buttonow MICHAEL BISHOP Grammy Award-winning engineer Michael Bishop has an affinity for good sound. He’s been at the helm for some of the world’s best classical, jazz and blues recordings on Telarc, a label known for amazing sound quality and clarity. It’s no wonder that Michael was drawn to the Korg MR-1000 1-bit recorder. He shares his initial reaction, “I came from DSD systems that took eight engineers to run. Now I have one that’s running on eight AA batteries! And it’s so easy – within 30 seconds, I had it up and running.” > ALL IN ONE Hiding inside is a full stereo sound system with two speakers in a bass reflex enclosure for the best sound in a small box. The Pa500 is completely self-contained and easily transportable – whether rushing to a gig, jamming with friends, or teaching a new tune to the band. We couldn’t fit any more fun in here if we tried. > PRODUCTION POWER New Pa500 AT A GLANCE Keyboard: 61 key; velocity sensing Four internal effect processors allow you to add any of 124 different effects to any and all of the Style instruments and/or the parts you play live (realtime tracks). Developed for our Digital Recording Studios and Pro-level workstation instruments, these effects are all studio-quality and offer full parameter editing. A final semi-parametric EQ allows even more custom control. Michael Bishop Visit www.wired4music.com to learn more about Michael Bishop. HERBIE HANCOCK Jazz legend Herbie Hancock was also turned on to the high quality sound capture of the MR recorders. During Herbie’s tour in Japan, FOH engineer Bill Winn recorded each show and was so impressed with the MR-1000’s sound quality he suggested that Herbie consider releasing them as a live recording. And after hearing the results himself, Herbie commented, “The spatial sound spectrum is very apparent –almost like hearing 3D.” He concludes, “They sound fantastic, stunning. They take your breath away.” > SAVE IT FOR LATER In addition to providing a USB to computer connection for moving and saving data, the Pa500 can also save and read data from SD / MMC memory cards for instant access to your custom data, MIDI files, songs, and performances. Find out what’s going on with Herbie at www.herbiehancock.com RUSS LANDAU Herbie Hancock Synthesis Method: Extended Definition Synthesis (EDS) Effects: 4 Stereo Processors (2 for Styles, 2 for Sounds); 1 Final EQ TIMOTHY MONTLER Sounds: 880 (including GM Level2 soundset + 56 drumkits) Styles: 320 preloaded; up to 448 locations Interface: TouchView (monochrome) Sound System: 15 Watts (x2); Dual 10 cm Speakers in reflex enclosure See and hear much more at: www.korg.com/Pa50 The MR-1 and MR-1000 have found their way to the remote regions of China. Composer and producer Russ Landau brought them there to help record traditional Chinese instrumentals and chorus parts for a new variation of the theme song for the wildly popular TV show, Survivor. He shares his reaction to the experience, saying, “The stealthy beauty of both of Korg’s new 1-bit recorders, the MR-1000 and the MR-1, allowed me to get up close and personal to my subjects without distracting them from the music at hand. The 2.8 and 5.6 Mhz recordings have a resolution I’ve never before heard in a digital format. The veil has lifted!” Find out more about Russ at www.russlandau.com Polyphony: 80 Voice Connections: • Pedals: Damper, Assignable • Audio In: Left, Right • Audio Out: Left, Right • MIDI: In, Out • USB: Device • Card: SD / MMC Memory Michael first used the MR-1000 for a Cincinnati Symphony Orchestra session. He explains, “I put some mics in front of the orchestra while I was recording because I wanted to see what the MR-1000’s mic pre-amp was going to do by itself. I also brought the MR-1000 into the control room. When I played the recording back in the control room of just a two microphone set-up that went straight into the MR-1000 at 5.61 MHz, Bob Woods, the session’s producer, said, ‘Boy I could put that out today and not make apologies for it.’ It was that good with such a simple set-up.” > NON-STOP ENTERTAINMENT In addition to being a serious instrument, our unique dual SMF player, ensemble modes, and simplified chord recognition transform the Pa50 into a non-stop entertainment center for even the novice musician! Russ Landau Timothy Montler, a linguistics professor at the University of North Texas, has received a grant from the National Endowment for the Humanities to create a dictionary and electronic text archive to help preserve the endangered Klallam language used by the Lower Elwha Klallam American Indian tribe in northwest Washington. As he explains, “Future-proofing our recordings is of utmost importance to our project, since this may be our last chance to record these languages in a medium that won’t degrade over time. The MR recorders are assisting in our quest to permanently preserve a piece of native American history.” To learn more about this project, please visit http://www.ling.unt.edu/~montler/Klallam/ PETER WOLF If you’ve heard hits by the Commodores, Heart, Natalie Cole or Santana or watched Top Gun, Pretty Woman or The Never Ending Story then you’re already familiar with the work of multi-Grammy nominated composer, producer, arranger and keyboardist extraordinaire Peter Wolf. Pa50 Based on the Korg Pa80 – the instrument that started the Arranger Revolution – the Pa50 provides the proven TRITON synth engine combined with our XDS dual sequencer, studio-quality effects, and an internal stereo speaker system. Eight-part, world-class Styles along with assignable pads, a four-way joystick and other performance features keep you in control. A huge custom backlit LCD lets you view everything at a glance. >> 30 Peter and his wife, Gilia, recently used the Korg MR-1000 on her new Christmas album. “I heard it and was really blown away!” says Peter. “We mixed the album to the MR-1000 – it really sounds fantastic! We usually mix to 1/2 inch analog tape because the bottom end is so much better. But we compared it to the MR-1000 version and felt that we didn’t have to do that any more. The sound was huge already!” Peter also uses the MR-1000 in his everyday musical activities. “I’m using it for my composing ideas – I have two C-12s recording my Boesendorfer piano. For more info on Peter Wolf, visit www.opus26.com; www.myspace.com/peterwolfmusic; www.powerhausmusic.com. >>31 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com MR-1000 & MR-1 1-BIT PROFESSIONAL MOBILE RECORDERS UNCOMPROMISING, FUTURE-PROOF FIDELITY AT AN UNPRECEDENTED PRICE Korg’s new, super-portable MR Professional Mobile Recorders break new ground by providing high fidelity 1-bit recording technology at unheard of low prices. The hand-held MR-1 provides high quality 1-bit/2.8 MHz recording and playback, while the mobile/tabletop MR-1000 delivers an astonishing 1-bit/5.6 MHz, doubling industry DSD recording quality standards. > PRISTINE FIDELITY 1-bit recording is the latest advancement in audio. It offers a frequency response of DC to 100 kHz and dynamic range of 120 dB, exceeding even the best analog tape recording systems, and has already been adopted for use in the critically acclaimed SACD recording format. This uncompromising fidelity, low noise floor, extended dynamic range, lifelike imaging and analog quality depth has been praised by top experts. > PURE AND SIMPLE Today’s state-of-the-art 24-bit converters already use highspeed 1-bit conversion to capture audio, and then employ real-time decimation and other processes to thin out the data stream into the correct bit depth/sample rate to match the desired format. The beauty of the MR’s bitstream format is that it uses the original 1-bit data, without the need for the other processes. What comes in comes out, with no manipulation needed. > THE 1-BIT ADVANTAGE In addition to providing the finest audio performance available, the 1-bit format can be readily converted to any of today’s multi-bit PCM formats. The critical issue is that you want to be capturing your recordings/mixes in the highest fidelity possible; you can always repurpose it to the format of your current project, but if you haven’t recorded it with the best fidelity in the first place, it can never be improved upon. > REAL WORLD FEATURES > FREE INTEGRATED SOFTWARE SOLUTION Recording formats include DSDIFF, DSF, and WSD 1-bit formats, as well as multi-bit PCM format (BWF) with resolutions up to 24-bit/192 kHz. Both MR recorders feature an internal hard drive and a USB 2.0 connection for fast and easy file sharing with your computer. Korg’s innovative AudioGateTM software for Mac® and PC converts 1-bit recordings into WAV and AIFF formats at various bit-rates (and vice versa) and offers real-time conversion and playback of 1bit files. Free with every MR, AudioGate also offers DC offset removal, gain control, and fade in/out. > AUDIOGATE SOFTWARE ACTUAL SIZE MR-1000 AT A GLANCE Recording Formats: <1-bit audio formats> DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit WAV, BWF: 44.1 kHz @ 16/24- bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit Number of Tracks: 2 tracks, 2-track recording/playback simultaneously Input L/R: XLR-3-31 type / 1/4" TRS phone combo jack (balanced) Output L/R: XLR-3-32 type (balanced), RCA jacks (unbalanced) Headphones: 1/4" stereo phone jack Internal Hard Disk Drive: 40 GB Dimensions (W x D x H) in.; Weight: 7.56 x 6.7 x 2.2; 2.20 lbs. Power Supply: AC adapter, or 8 AA batteries (not included) Accessories: AC adapter, carrying bag, CD-ROM (AudioGate audio file conversion software) Find out much more at: www.korg.com/MR1000 MR-1 AT A GLANCE Recording Formats: <1-bit audio formats> DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit Number of Tracks: 2 tracks, 2-track recording/playback simultaneously Input L/R: 2 mini phone jacks Output L/R: stereo mini phone jack; Headphones: stereo mini phone jack Internal Hard Disk Drive: 20 GB Power Supply: AC adapter, or internal rechargeable battery (lithium ion polymer) Dimensions (W x D x H) in.; Weight: 2.52 x 4.72 x 0.94; .44 lbs. Accessories: AC adapter (also operates as charger), carrying pouch, stereo condenser mic (CM-2M), CD-ROM (AudioGate audio file conversion software) Find out much more at: www.korg.com/MR1 Register your MR-1 online and get a free external AA battery pack to increase your mobile recording time! See www.korg.com/MR1 for more information. >> 32 > MR-1000 – FUTUREPROOF FIDELITY AND PERFORMANCE The MR-1000 is the perfect tool for professional users recording and archiving their final mixes in the studio, while its compact size and portability make it ideal for location recording. Whatever the use, you get the benefit of capturing it at the new high 5.6 MHz rate. > SAVE IT RIGHT Mixing directly to the MR-1000 gives you the superb fidelity of high-rate1bit technology, outperforming today’s multi-bit formats. The AudioGate software can convert your recording into the mastering format of your choice. And backing up in this highest-spec 1-bit format “future proofs” your mix for potential reuse in the future. > PRO PERFORMANCE Quality components ensure the finest audio performance. The MR-1000 uses the highly respected Burr-Brown PCM4202 from Texas Instruments for A/D conversion and the CS4398 from Cirrus Logic for D/A conversion. It features ultrahigh quality mic preamps and uses separate power supplies for the digital and analog circuitry, providing an absolutely pristine audio path throughout the signal chain. > MR-1 – SHIRT-POCKET PORTABILITY AND STUNNING FIDELITY The MR-1 is the ultimate portable 1-bit recorder, perfect for location recording, broadcast journalism, live music performances – even for rehearsals and songwriting sessions. > STUNNING AUDIO By recording in 1-bit/2.8 MHz format you are assured that your most important, once-ina-lifetime moments are captured in stunning detail and ready for whatever the future brings you. And back in the studio it also provides superb final mix and archiving benefits. Record anywhere thanks to the included high-quality CM-2M stereo condenser mic. Its versatile clip-on design allows you to place it anywhere you need. Record anywhere thanks to the included high-quality CM-2M stereo condenser mic. Its versatile clip-on design allows you to place it anywhere you need. >>33 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe D888 DIGITAL RECORDER EIGHT INPUTS, EIGHT OUTPUTS, EIGHT TRACKS OF RECORDING For performances, rehearsals, gigs, or spontaneous jam sessions, the D888 delivers truly great-sounding live recordings. With this powerful, portable recorder you can use all eight tracks at once to capture the whole band. When recording shows, the D888’s in-line mixer and reconfigurable outputs can put you in charge of the show, or ensure that the house mix is unaffected. Each track is recorded as a separate WAV file, so once you get back home, you can easily move your tracks into any recording software using the high-speed USB 2.0 port for further production enhancements. > MIC INS > PERFECT TIMING The D888 provides eight balanced XLR and TRS inputs. 48V phantom power is available on all XLRs. > REAL OR VIRTUAL Eight virtual tracks exist for each track, making a total of 64. You can bounce tracks together digitally and bounce the entire mix down to the stereo master track. The metronome can be sent from master and monitor outputs, or just the monitor outs so you can follow a click-track during recording or performance. > MIXER STYLE The interface is similar to an analog mixer, where each channel has its own channel strip, with trim, threeband EQ, effects send and pan controls. > D888 AT A GLANCE www.korg.com Tracks: 64 plus master track, eight-track simultaneous recording/playback Recording Format: 44.1kHz, 16-bit, WAV format Recording Time: 124 hours (single recording: 6 hours) Mixer: Eight channel inputs (eight-buss) Songs: 200 (100 mark points per song) Signal Processing: 40-bit, 44.1 kHz Effects: Master x1, 11 programs Display: 160 X 104-dot backlit LCD Ins & Outs: 8 XLR (phantom)/TRS inputs, monitor out 1 & 2, master out 3 & 4, Ch 5-8 out (unbalanced 1/4"), two quarter inch stereo headphone jacks, optical S/P DIF out, USB Type B, MIDI out (clock) D3200 DIGITAL RECORDING STUDIO HIGH QUALITY RECORDING IN AN EASY-TO-USE FORMAT > INPUTS When it comes to professional results in a compact, self-contained studio, the D3200 delivers like no other, with uncompromising audio clarity. From musical idea to finished CD, all recording, mixing, editing and processing takes place right inside and is saved to the internal hard drive. A full suite of editing tools is provided. Dimensions (W x D x H) in.: 14.76 x 13.03 x 4.33 > OUTPUTS For more information go to: www.korg.com/D888 > COMMUNICATION Tracks can be transferred between the D888 and an editing/recording environment thanks to native WAV format recording. A high-speed USB 2.0 connection moves the data, with the entire hard drive showing up as a mounted disk on your desktop. The MIDI output transmits MIDI timecode, so other devices can sync up to the D888. The D3200 is equipped with eight XLR inputs (each with individual phantom power), eight balanced TRS inputs, optical S/P DIF stereo inputs plus a guitar input. Trim and pad controls provide excellent gain control. Both digital (S/P DIF) and analog (TRS balanced) Master outputs are provided. The balanced Monitor outputs have a Mute switch and a level control, and are great for isolating a click, setting up a cue mix for overdubs, etc. > EASY EDITING Non-destructive editing tools enable you to copy entire sections of the song, swap tracks, or erase. Undo and Redo commands allow you to hear before and after versions of edits. > DISPLAY / CLICKPOINT™ The 320 x 240 pixel backlit LCD tilts for easy viewing, using a four level grayscale for clarity. The fingertip ClickPoint moves the cursor and selects display items with intuitive ease. > INDIVIDUAL MODE In Individual mode, each output is directly tied to a particular channel. With the Individual mode off, outputs 1 & 2 become Monitor outputs, while 3 & 4 serve as Master outputs. > KNOB MATRIX These 16 multi-function knobs provide hardware satisfaction when adjusting EQs, effect parameters, pan, effect sends, using jump or match knob behavior. They also control the Session Drums. > SESSION DRUMS > AUTOMATED DIGITAL MIXING Supports both scene and fader automation for that perfect mix. The digital mixer offers powerful EQs, 69-bit digital processing, and up to 11 simultaneous effect processors – eight Insert, two Master and a Final effect. > DIGITAL CONNECTIVITY Although self-contained, the D3200 plays well with others. MIDI, USB and S/P DIF optical Ins and Outs are all provided. > DRIVES > EFFECTS SET Eleven effects types are provided for the Master effect. Effects settings are memorized with each song. >> 34 Now comes with FREE Cubase LE 4 production software! Use your computer to edit, arrange, mix and master your recordings with a wealth of powerful tools and cutting-edge features. With the built-in CD-RW drive, you can make your own finished CDs and back up valuable song data. Inside is a 80 GB hard drive for saving your current projects and recordings. Recording Format: 24-bit/16-bit uncompressed, 44.1kHz/48kHz Simultaneous Record Tracks: 14 (12 analog + 2 S/P DIF) @ 16-bit; 12 @ 24-bit > D3200 AT A GLANCE Kick-start your recordings by laying down a complete drum track with fills and an ending in real time – with no programming. You can vary the kit, tune the drums, add variable dynamics and humanize the feel, all on the fly. Simultaneous Playback Tracks: 32 @ 16-bit; 16 @ 24-bit MIXER Internal Processing: 64-bit (maximum 69-bit) Automation: 100 Scenes per song (Scene); Dynamic fader automation EQ: • Recorder channels 1-24: 4-band parametric with selectable hi/lo shelving • Recorder channels 25-32: 2-band shelving EQ • Submixer channels 1-12: 2-band shelving EQ • Master track: 4-band parametric with selectable hi/lo shelving EFFECTS Internal Processing: 56-bit Simultaneous Effects (max): 8 Insert, 2 Master, Final Programs: 128 Preset; 128 User; 32 Song Dimensions (W x D X H) in.; Weight: 21.5 x 14.6 x 4.5; 17.2 lbs. Options: PS-1 Footswitch; EXP-2 Foot controller To find out a whole lot more go to: www.korg.com/D3200 >>35 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe PANDORA PX5D The Korg PANDORA series is famous for packing dozens of realistic modeling effects and a multitude of versatile functions into a pocket-sized unit. Now we’re proud to introduce the new PANDORA PX5D multi-effect processor, optimized to work with your computer as a powerful recording tool. The PX5D for guitar and bass is the first in the PANDORA series to provide a USB audio interface so you can plug directly into your computer. GET MORE! WHAT’S NEW WITH THE PX5D: • More live control! Footswitch jack lets you use any common footswitch to select programs—a first for Pandora. • More effects! Over 20 new effects brings the grand total to 180. • More Recording! With USB audio, your Pandora doubles as a direct recording interface. • More jam tracks! 744 Rhythm and Bass patterns to jam along to. That’s over seven times more than the PX4D. Plus you can chain up to 20 different patterns together. • More memory! 80 second phrase trainer samples and slows down your favorite tune without altering the pitch. And if you want to change the key, we’ve got you covered with a transpose feature. > THE MAGIC OF MODELS The PX5D provides a total of 180 realistic and wideranging effects created using Korg’s worldacclaimed, proprietary “REMS” modeling technology. Included are simulations that recreate classic vintage and modern, high-gain amps, as well as effects ranging from the familiar to the unique. > CABINETS TOO Realistically reproduced models of many different cabinets and speakers are also provided, offering differences in speaker size and cabinet structure for superb presence and depth. You can even combine cabinets and speakers freely with any amp models, letting you experience combinations not possible on the original units themselves. > THE BASS-ICS Numerous effects designed specifically for bass are also included, making the PX5D a great choice not only for the guitarist but for the bassist as well. > SYNTH EFFECTS There are also synth effects that let you create unique and fresh new sounds, with three choices each for guitar and bass. > SPECIAL EFFECTS The PX5D goes beyond with features like pickup modeling, an intelligent pitch shifter, a talk effect, a slow attack effect to simulate a violin or cello, a feedback effect, a rotary speaker effect, a fretless bass effect and many others. > USB CONNECTION A USB-MIDI/USB audio interface is included, so you can use the PX5D with your computer to transfer audio data or record into your DAW software. Effects: 180 types (Max. simultaneous effects: 7) > PX5D AT A GLANCE THE FIRST COMPUTER READY PANDORA Photo by Miki Nagae Photo: Miki Nagae www.korg.com > READY TO RECORD The PX5D comes with “Ableton Live Lite 6 Korg Edition” recording software, so you can start recording as soon as you open the box. There’s also dedicated editor/librarian software that lets you edit and manage programs from your computer. > PHRASE TRAINER The PXD5 allows you to record up to eighty seconds of sound from an external audio source such as a CD, MD, or MP3, and then play it back as a loop at a different speed, without affecting the pitch. > RHYTHM AND BASS You can also record your own accompaniment, along with the built-in rhythm and bass patterns, then play it back while you practice playing a lead. Number of Programs: User: 100, Preset: 100 Inputs: guitar input (1/4" jack), AUX (mini stereo jack) Output: line/headphone dual-purpose output (stereo phone jack) Control: FOOTSW jack, USB connector Tuner Section: detection range: 27.5 Hz-2,093 Hz (A0-C7), calibration: A = 438 Hz-445 Hz Rhythm Section: 128 patterns, 40-208 bpm Includes: strap holder Power Supply: 2 x AA alkaline batteries Dimensions (W x D x H) in.: 4.65 x 2.95 x 0.79 Option: AC adapter, KORG PS-1 pedal switch Find audio files, effects listings and more info at: www.korg.com/px5d > FEATURES PLUS A Key Transpose function lets you change the pitch of the incoming audio source by as much as one octave upward or downward, and a Bass Canceller function cancels the bass sound so that you can enjoy “minus-one” playing. > HANDS-FREE CONTROL A foot switch jack lets you control the PX5D’s rich array of functionality without interrupting your performance. Connect the included foot switch jack cable to the PX5D, and you’ll be able to connect two foot switches (not included) and use them to change programs or start/stop Phrase Trainer recording or playback. ACTUAL SIZE DAVE LARUE – BASS OUTTA THE BOX By Brinton Ewart and Evan O’Brien Dave LaRue learned his first bass line from a drummer. “Just by chance, the bass player walked away, left his bass, and the drummer showed me a few licks,” he explains. “So I’ve always stayed with the bass and developed a love for it.” Indeed he did. From that hometown band, a true great has emerged, carrying the low end for some of the most technically proficient rock artists in the industry. He has been touring with the Dixie Dregs and the Steve Morse Band for nearly two decades, and has also worked with Joe Satriani, Dream Theater’s John Petrucci, Steve Vai, Steve Lukather, Vinnie Moore, Planet X, and many more. LaRue’s influences might provide some clue to where he has acquired his fretboard proficiency. Jaco Pastorius was his main “go to” guy. “There was a period where I was really emulating his style, copying everything he did,” Dave says. He also includes Jeff Berlin, John Paul Jones (Led Zeppelin), and Berry Oakley (Allman Brothers), among others. In the way that he has been affected by his influences, LaRue wishes to do the same for the next generation. He writes an instructional column for Bass Player magazine, holds clinics nationally, and even teaches privately in the Orlando area. He has performed and instructed at numerous seminars and released educational materials such as instructional videos and bass method books. On stage and in the studio, LaRue is constantly on his toes and adapting his style to play with the virtuosos around him. “I’ve just seen so much wonderful music, and gotten so many great ideas from these guys” says Dave. Sometimes that means creating new parts and emulating other instruments, pushing himself and his technical ability to new levels. When he’s practicing, Dave uses the Pandora PX5D Personal Multi-Effect Processor, and has been a Pandora user for many years. “The wealth of sounds is great and it’s all in one compact unit,” he explains. “I was able to get rid of four pieces of gear by getting the Pandora! I just have my Pandora and my MP3 player and I’m good to go.” The new Pandora PX5D also offers USB compatibility to act as its own audio interface into computers. “I’ll be able to get rid of another piece of gear!” exclaims LaRue, who is especially a fan of the unit’s effects, including the reverbs, choruses, and phasers. “The delay is great for soloing,” he adds. Hear more of what Dave and other Dave is once again providing thump for Steve Morse on a yet-to-be-named upcoming record, and is working on his second solo album at home. Pandora artists have to say at www.korg.com/px5d Check out some more of Dave at www.davelarue.com, and get more info on the Dixie Dregs and the Steve Morse Band at www.stevemorse.com! >> 36 >>37 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe THE ULTIMATE PRACTICE TOOL FOR GUITAR AND BASS Packed with authentic amp models, a wealth of effects, rhythms, bass patterns and a phrase trainer, the PDX4 provides an array of advanced sonic tools for practice, performance and recording, all in one compact, easy to operate unit. From high-end tube amps to rare vintage amps and classic favorites, the PX4D’s 25 amp types faithfully model the amp sounds that guitarists and bassists seek. Each of the 23 speaker cabinet models was newly created especially for the PX4D. The permutations are limitless — you can even combine a guitar amp with a bass cabinet. > MASSIVE EFFECTS In addition to standards such as compressor and wah, there are numerous modeling effects, plus pickup modeling, guitar and bass synths, slow attack effect, feedback effect, fretless bass and much more. > SUPERB VISIBILITY A backlit, semitransparent LCD clearly displays effect and program names and icons. A strap holder is also provided so that you can attach it directly to your instrument strap. > MULTIPLE PROGRAMS Utilize the PX4D’s effects to the fullest with the generous 100 preset and 100 user programs. Number of Programs: User: 100, Preset: 100 Inputs: guitar input (1/4" jack), AUX (mini stereo jack) Output: line/headphone dual-purpose output (stereo phone jack) Tuner Section: detection range: 27.5 Hz-2,093 Hz (A0-C7), calibration: A = 438 Hz-445 Hz Rhythm Section: 40-208 bpm Includes: strap holder Power Supply: 4 x AAA alkaline batteries Find audio files, effects listings and more info at: www.korg.com/px4d > BUILT IN PATTERNS The 100 built-in rhythm patterns cover a broad range of styles that include rock, jazz, funk, blues and dance music. > THE BASS-ICS The PX4D also contains a Bass Canceller function that erases the bass sound from an external audio source so that you can play and hear your bass along with the song. > PLAY ALONG Connect a CD player or another external audio source to the AUX IN jack, and use the Key Transpose function to change the pitch of the song upward or downward by as much as one octave. Created especially for electric-acoustic players, the PX4A contains 82 effects including Body effects that model the resonances and vibrational character of great acoustic guitars. Aspects such as guitar construction and body size are modeled in painstaking detail. The PX4A’s effects include models for resonator guitar, a newly developed banjo and nylon-string guitar — you can play a wide variety of acoustic sounds using just a single instrument. >> 38 > AMP MODELS GALORE The AX3000G packs 72 types of amp models and effect sounds delivered by Korg’s worldacclaimed REMS modeling technology. > ESS IT Add some amazingly cool, complex movement to your sound with the unique Expression Step Sequencer (ESS). It automatically controls most effect parameters in a fixed or random step function. > EASY TO USE, TOO Select an effect model just by turning the effect select knobs provided for each effect block. Edit each individual effect simply by turning the knobs of the familiar, analogue-style user interface. > SWITCHABLE CONTROL Number of Drive/Amp Types: 16 Number of Cabinet Types: 11 Number of Effects: Pedal: 11, Modulation: 11, Delay: 11, Reverb: 11, Noise Reduction: 1 Number of Programs: 96 (24 Banks x 4 Channels) Audio Inputs: INPUT (1/4" phone jack), INSERT RETURN (1/4" phone jack), AUX IN (stereo mini-jack) Audio Output: OUTPUT x 2 (1/4" phone jacks), INSERT SEND (1/4" phone jack), PHONES (stereo mini-jack), LEVEL Knob (adjusts OUTPUT and PHONE), S/P DIF OUT (16-bit, 44.1 kHz optical connector (IEC60958, EIAJ CP-1201)) Tuner: Tuning Range: A0~C7 (27.5 Hz~2093 Hz), Tuner Calibration: A = 438 Hz~445 Hz MIDI: IN, OUT Power Supply: DC9V Dimensions (W x D x H) in.: 19.69 x 9.49 x 2.83 Included Items: AC adapter Find audio files, video demos, effects listings and more info at: www.korg.com/ax3000G A multi-function control switch can be used to switch effects blocks on or off, set effect parameters or control ESS. > EVEN MORE EFFECTS! The AX3000G includes some funky effects like synth effects that model a guitar synthesizer, an acoustic effect to transform your electric guitar into an electro-acoustic, or Pickup Modeling to transform the tonal character of your pickups. > SWITCHABLE CONTROL A multi-function control switch can be used to switch effects blocks on or off, set effect perameters or control ESS. > EXPRESSIVE POWER Use the assignable expression pedal to control volume or wah, or tons of other effects that you select. > PX4A AT A GLANCE OPTIMIZED FOR ACOUSTIC Every guitarist craves a better way to satisfy his hunger for ultimate tone and control. Packed with a treasure trove of tone and a unique Expression Step Sequencer, the AX3000G satiates that need with a powerful multieffect processor with amazing control.amp with a bass cabinet. Option: AC adapter Record up to 30 seconds from an audio source such as a CD, MD or MP3, and play it back repeatedly (looped) at a slower speed without changing the pitch with the built-in phrase trainer. ACOUSTIC PERSONAL MULTI-EFFECT PROCESSOR MODELING SIGNAL PROCESSOR Dimensions (W x D x H) in.: 2.99 x 4.41 x 1.06 > LEARN PHRASES PANDORA PX4A AX3000G Effects: 82 types (Max. simultaneous effects: 8) Number of Programs: User: 50, Preset: 50 Inputs: guitar input (1/4" jack), AUX (mini stereo jack) Output: line/headphone dualpurpose output (stereo phone jack) Built-in Tuner Rhythm Section: 40-208 bpm Power Supply: 4x AAA alkaline batteries > With numerous effects ranging from standards such as compressor, limiter, echo, delay, reverb, and chorus, through distinctive effects such as a twelve-string effect, the PX4A even includes Mic effects that simulate the sense of space and depth achieved by mic’ing an instrument. AX3000B BASS MODELING SIGNAL PROCESSOR The AX3000B packs 72 types of amp models and effect sounds created specifically for bass delivered by Korg’s world-acclaimed REMS modeling technology. You’ll find unique effects such as a two-octave pitch shifter, a fretless effect, and even a bass synth effect. The AX3000B’s bass-specific 16 drive/amp models include fat-sounding tube sounds, ultra-low bottom-end, clean sounds, and many more. > AX3000B AT A GLANCE PERSONAL MULTI-EFFECT PROCESSOR Effects: 158 types (Max. simultaneous effects: 7) > AX3000G AT A GLANCE PANDORA PX4D > PX4D AT A GLANCE www.korg.com Drive/Amp Types: 16 Cabinet Types: 11 Effects: Pedal: 11, Modulation: 11, Delay: 11, Reverb: 11, Noise Reduction: 1 Programs: 96 (24 Banks x 4 Channels) Audio Inputs: INPUT (1/4"), INSERT RETURN (1/4"), AUX IN (stereo mini-jack) Audio Output: OUTPUT x 2 (1/4"), INSERT SEND (1/4"), PHONES (stereo mini-jack), LEVEL Knob, S/P DIF OUT (16-bit, 44.1 kHz optical connector) Built-in tuner MIDI: IN, OUT Dimensions (W x D x H) in.: 19.7 x 9.5 x 2.8 Included: AC adapter Find audio files, video demos, effects listings at: www.korg.com/AX3000B >>39 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com Looking for just the right sound? Check out the AX5G multi-effect processor. This on-the-floor, footswitchable unit contains an array of realistic effects powered by Korg’s proprietary REMS modeling technology. Want a studio’s worth of great amps, cabinets, modulation, and delay/reverb effects and more? An ideal choice for quick rehearsals, warmups or even to help pass the time while traveling in the van – with the AX5G you can enjoy great sound wherever you are. Packed with 57 different realistic modeled effects, the AX5G offers 16 models of a variety of highly coveted amps including hard-to-find tube amps, boutique, as well as classic and modern amps. > 80 PROGRAMS Use up to six REMS effects simultaneously, and save your settings as one of 40 different programs. Forty preset programs in a wide range of musical styles are also provided, giving you a total of 80 programs. > OF COURSE, EFFECTS Choose from standard effects like comp, wah, delay, reverb, and acoustic simulator, as well as unique choices such as a pickup effect or a drone effect that simulates the sympathetic strings of a sitar. > LIMITLESS EXPRESSION > FLEXIBLE EDITING With a simple and intuitive interface, getting the perfect sound is quick and easy. Suitable values are automatically selected when you choose an amp or effect, and there are a wide variety of editable parameters that rival those found on dedicated units. Wanna polish your chops with tips from top players? Check out Korg ProSessions. This FREE series of metronomebased instructional videos features world renowned artists like John Petrucci, Joe Satriani, John Scofield, Jordan Rudess, Jake Cinninger of Umphrey’s McGee, Jesse Murphy and Aaron Johnston of Brazilian Girls, Béla Fleck, Victor Wooten and many more. The AX5G’s expression pedal lets you control volume, wah, or nearly any effect parameter such as the gain of an amp model or the speed of a tremolo or flanger. Each ProSession features metronome practice tips for all levels of playing including beginner, intermediate and advanced exercises demonstrated by the artists themselves. Plus, we’ve posted notation and tablature for the lessons, so you can have all the tools to make the most of each session. Check out Korg ProSessions at www.korg.com/ProSessions. You can even sign up to find out when the next ProSession goes live. AX5G AT A GLANCE Photo: Erik Neldner Number of Effects: 57 (Pre effects: 10, Drive/Amp models: 16, Cabinet models: 10, Modulation effects: 10, Delay effects: 5, Reverb effects: 5, and Noise Reduction) Number of Programs: 80 (40 users / 40 presets) Connections: INPUT (1/4" phone jack), OUTPUT (1/4" stereo phone jack) Photo: Nick Suttle MODELING SIGNAL PROCESSOR > MORE MODELS Photo: Larry DiMarzio AX5G Signal Processing: A/D, D/A conversion: 24 bit, sampling frequency: 31.25 kHz Tuner Function: Detection Range: 27.5 Hz~1,318.5 Hz (A0~E6), Calibration: A = 438~445 Hz Dimensions (W x D x H) in.: 9.88 x 5.59 x 1.69 Find audio files, effects listings and more info at: www.korg.com/AX5G AX5B BASS MODELING SIGNAL PROCESSOR The great-sounding, compact and affordable AX5B is designed specifically for bass, with 57 of its own specially modeled effects. Sixteen famous bass amp sounds range from vintage to standard models, and every detail of each original amp has been faithfully recreated. All the essential effects, plus a collection of unique bass must haves are included. The AX5B also has a built-in expression pedal. >> 40 > CABINETS, TOO! > SPEEDY CONTROL The Quick Assign function lets you assign an effect parameter at one touch and adjust the variable range yourself for maximum flexibility. Ten cabinet models ranging from 4x12 stack cabinets to combo cabinets are each realistically reproduced with their own distinctive sonic character. > AUTO CHROMATIC TUNER An Auto Chromatic Tuner is included, so in addition to having great tone you’ll always be in tune. AX5B AT A GLANCE Options: EXP-2 Foot Controller, XVP-10 Expression/Volume Pedal, DC9V AC adapter The most frequently used main parameters are accessible directly via the knobs. Numerous subparameters are also provided so that you can adjust the details of the sound to your taste. Photo: Brett Saul Power Supply: Four alkaline AA batteries Photo: Paul Undersinger > KNOBS HELP Effects: 57 Programs: 80 (40 users / 40 presets) Connections: INPUT (1/4"), OUTPUT (1/4" stereo) Signal Processing: A/D, D/A conversion: 24 bit, Sampling frequency: 31.25 kHz Built-in tuner Power Supply: Four alkaline AA batteries Dimensions (W x D x H) in.: 9.9 x 5.6 x 1.7 Options: EXP-2 Foot Controller, XVP-10 Expression/Volume Pedal, DC9V AC adapter Read and hear more at: www.korg.com/AX5B > BROUGHT TO YOU BY KORG METRONOMES >>41 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com >>FIND FINDTHE THETUNER TUNERTHAT’S THAT’SRIGHT RIGHTFOR FORYOU YOU AT ATWWW.KORG.COM/MYTUNER WWW.KORG.COM/MYTUNER GUITAR AND BASS TUNERS New 3 year y ear warranty New GT-4 SOLO TRIMODE TUNER A compact and unique highperformance dedicated guitar/bass tuner • Three types of tuning modes: Strobe, Mirror, and Meter • Flat tuning down to 5 semi-tones • Tune sevenstring guitars and six-string basses • Auto Power Off function conserves battery life • Built-in high-sensitivity microphone for tuning acoustic guitars • Range of pitch detection: B0-B6 • Battery life: approximately 18 hours of continuous use • Dimensions (W x D x H) in.: 2.40 x 2.56 x 0.87 GA-40 ADVANCED SOLO TUNER PITCHBLACK CHROMATIC PEDAL TUNER 100% true bypass circuitry • Four types of tuning modes: Full Strobe, Half Strobe, Meter and Mirror • Flat tuning down to 5 semi-tones • 11 point LED display • DC out powers other 9 volt pedals • Range of pitch detection: E0-C8 • Battery life: approximately 5 hours of continuous use • Dimensions (W x D x H) in.: 2.67 x 4.72 x 1.85 PITCHBLACK+ ADVANCED CHROMATIC PEDAL TUNER Two selectable inputs for guitar or bass • Dual meter “Focus Mode” offers ultra-precise tuning within +/- 0.1 cent • 5 programmable tunings • 5 open tunings (A-G-E-D, DADGAD) • 100% true bypass circuitry • Choose from 6 tuning modes: Full Strobe, Half Strobe, Meter, Mirror, Focus Mode 1 and Focus Mode 2 • Flat tuning down to 7 semi-tones • Includes cascade cable for powering other 9 volt pedals • Range of pitch detection: E0-C8 • Battery life: approximately 5 hours • Dimensions (W x D x H) in.: 5.12 x 4.8 x 1.9 (including feet) Larger, higher visibility display ensures stable tuning • Output jack for connection to an external amplifier • Built-in folding stand for easy viewing • Tune seven-string guitars and six-string basses • Flat tuning down to 5 semi-tones • Reference tone can be produced from the internal speaker (Sound Out) • Auto Power Off function conserves battery life • Built-in high-sensitivity microphone for tuning acoustic guitars • Range of pitch detection: B0-B6 • Battery life: approximately 85 hours of continuous use • Dimensions (W x D x H) in.: 3.94 x 2.64 x 0.67 GT-120 STUDIO PRO TUNER Dual display combines a needle indicator and backlit LCD • Five types of built-in open tunings (D, E, A, G, DADGAD) • Tune seven-string guitars and six-string basses • Auto or Manual tuning modes • Reference tone can be produced from the internal speaker (Sound Out) • Flat tuning down to 4 semitones • Durable suede-type soft case is included • Builtin high-sensitivity microphone for tuning acoustic guitars • Range of pitch detection: A0-C8 • Battery life: approximately 100 hours of continuous use • Dimensions (W x D x H) in.: 2.91 x 1.42 x 4.72 PITCHJACK PLUG-IN TUNER Plug directly into your guitar or bass • Built-in flashlight • Connects to a keychain ring • Flat tuning down to 7 semi-tones • Tune seven-string guitars and six-string basses • Range of pitch detection: B0-B6 • Dimensions (W x D x H) in.:1.22 x 5.39 (open) x 1.1 GA-30 SOLO TUNER New High-precision LCD needle-type meter for easy tuning • Flat tuning down to 5 semi-tones • Tune seven-string guitars and six-string basses • Reference tone can be produced from the internal speaker (Sound Out) • Convenient tilt slit lets you insert a plastic card for use as a stand • Auto Power Off function conserves battery life • Built-in highsensitivity microphone for tuning acoustic guitars • Range of pitch detection: B0-B6 • Battery life: approximately 100 hours of continuous use • Dimensions (W x D x H) in.: 4.1 x 2.52 x 0.6 > FIND > FIND THE THE TUNER TUNER THAT’S THAT’S RIGHT RIGHT FOR FOR YOU YOU AT WWW.KORG.COM/MYTUNER AT WWW.KORG.COM/MYTUNER >> 42 DT-7 BUZZ FEITEN GUITAR AND BASS TUNER Two types of tuning modes: Buzz Feiten or Chromatic • Large LED meter and seven-segment note display • Buffer amp between the INPUT and BYPASS jack eliminates tone loss • Tune sevenstring guitars and six-string basses • Reference tone can be produced from the internal speaker (Sound Out) • Built-in highsensitivity microphone for tuning nylon or steel acoustic guitars • Range of pitch detection: A0-B7 • Battery life: approximately 12 hours of continuous use • Dimensions (W x D x H) in.: 6.65 x 2.48 x 1.71 Products not shown in relative size. >>43 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com >> FIND FIND THE THE TUNER TUNER THAT’S THAT’S RIGHT RIGHT FOR FOR YOU YOU AT AT WWW.KORG.COM/MYTUNER WWW.KORG.COM/MYTUNER STAGE PRO RACK TUNERS 3 year y ear warranty DT-4 SOLO TRIMODE TUNER A compact and unique high-performance chromatic tuner • Three types of tuning modes: Strobe, Meter and Mirror • Built-in high-sensitivity microphone for tuning acoustic instruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: A0~C8 • Battery life: approximately 18 hours of continuous use • Dimensions (W x D x H) in.: 2.40 x 2.56 x 0.87 DTR-1000 Chromatic tuner with large LED meter • Mute button for silent tuning during a performance • Flat tuning down to 7 semi-tones • Front and rear input jacks • Two types of tuning modes: Cent and Strobe • Adjustable calibration: Manual/Auto • Easy to read note name display • Range of pitch detection: A0-C8 • Dimensions (W x D x H) in.: 18.94 x 4.45 x 1.81 DTR-2000 Strobe, Cent and Hertz tuning modes • Chromatic, guitar (six-string, sevenstring)/bass and open modes • Five types of built-in open tunings (D, E, A, G, DADGAD) • Flat tuning down to 7 semi-tones • Mute button for silent tuning during a performance • Two sets of inputs • Built-in light illuminates rackmounted equipment below • Reference tone can be produced from the sound jack • Built-in high-sensitivity microphone for tuning acoustic guitars • Range of pitch detection: A0-C8 • Dimensions (W x D x H) in.: 18.94 x 4.45 x 1.81 LCA-120 WIDESCREEN PRO TUNER WITH FOCUS TUNE™ Focus Tune™ function allows for even more precise tuning • Volume Meter visually displays the volume of a performance • Sound Back™ mode plays the reference pitch for the note closest to the input pitch. The meter also indicates the discrepancy between the input and the correct pitch • Programmable Temperament lets you specify the pitch for each note • Reference tone can be produced from the internal speaker (Sound Out) • Marks to indicate pure major third and minor third intervals • Flip top design protects LCD display • Built-in high-sensitivity microphone for tuning acoustic instruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: A0~C8 • Battery life: approximately 60 hours of continuous use • Dimensions: (W x D x H) in.: 3.98 x 3.31 x 0.81 (folded) MULTI-INSTRUMENT TUNERS OT-120 STUDIO PRO TUNER CA-40 ADVANCED SOLO TUNER CA-30 SOLO TUNER Compact chromatic tuner, ideal for band & orchestra instruments • High-precision LCD needle-type meter ensures stable tuning • Marks provided for pure major thirds and minor thirds • Reference tone can be produced from the internal speaker (Sound Out) • Built-in highsensitivity microphone for tuning acoustic instruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: C1-C8 • Battery life: approximately 100 hours of continuous use • Dimensions (W x D x H) in.: 4.1 x 2.52 x 0.6 A compact chromatic tuner, ideal for use with band & orchestral instruments • Larger and more easily readable high-precision LCD needle-style meter • Reference tone can be produced from the internal speaker (Sound Out) • Equipped with output jack & folding stand • Auto Power Off function conserves battery life • Built-in highsensitivity microphone for tuning acoustic instruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: A0~C8 • Battery life: approximately 85 hours of continuous use • Dimensions (W x D x H) in.: 3.94 x 2.64 x 0.67 > FIND > FIND THE THE TUNER TUNER THAT’S THAT’S RIGHT RIGHT FOR FOR YOU YOU AT WWW.KORG.COM/MYTUNER AT WWW.KORG.COM/MYTUNER >> 44 Dual chromatic tuner display combines a needle indicator and backlit LCD • Sound Back™ mode plays a reference pitch for the note that’s closest to the input pitch. The meter indicates the discrepancy between the input and the correct pitch • Choose from three levels of needle response speed (slow, medium and fast) • Transpose mode is convenient for wind instruments • Multiple Temperaments to support historical tunings • Both auto and manual tuning modes are provided • Reference tone can be produced from the internal speaker (Sound Out) • Durable suede-type soft case is included • Built-in high-sensitivity microphone for tuning acoustic instruments • Adjustable calibration: 349 Hz~499 Hz • Range of pitch detection: A0-C8 • Battery life: approximately 100 hours of continuous use • Dimensions (W x D x H) in.: 2.91 x 1.42 x 4.72 TM-40 COMBO TUNER METRONOME Chromatic tuner and metronome functions can be used simultaneously or independently • Large LCD-type needle meter • LED indicators show pitch deviation or blink to indicate the tempo • Pure major third and minor third interval markings • Reference tone can be produced from the internal speaker (Sound Out) • Metronome beat mode with adjustable tempo and time signature selections • Thirteen rhythm variations for practicing a wide range of styles • Two tempo adjustment modes: “full step” and “pendulum step” • Built-in high-sensitivity mic for tuning acoustic instruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: C1-C8 • Battery life: (tuner) approximately 70 hours, (metronome) approximately 50 hours of continuous use • Dimensions (W x D x H) in.: 4.45 x 3.03 x 0.71 Products not shown in relative size. >>45 Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe www.korg.com > FIND THE TUNER THAT’S RIGHT FOR YOU AT WWW.KORG.COM/MYTUNER 3 year y ear warranty AW-1 CLIP-ON TUNER CM-100L Ultra-lightweight chromatic tuner attaches to virtually any instrument • Tune using the Piezo pickup or the built-in microphone • Marks to indicate pure major third and minor third intervals • Meter Reverse function lets you invert the display for easy viewing • Two clip sizes (Large/Small) are included for various types of instruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: A0-C8 • Battery life: approximately 20 hours of continuous use • Dimensions (W x D x H) in.: 0.98 x 2.17 x 0.35 ACTUAL SIZE MM-1 MICRO METRONOME ACTUAL SIZE CONTACT MICROPHONE The CM-100L Contact Microphone is a perfect complement to any tuner that offers a 1/4" input jack. The mic can be positioned on just about any instrument to get a more accurate reading, while allowing the tuner to be positioned for easier reading. The jack is a right angled 1/4" male connector. Digital accuracy for complete rhythm training • Fits comfortably on your ear. Only the user can hear it. • 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4 time signatures, plus duplet, triplet and quadruplet beats • Hook for attachment to a keychain • Tempo range: 40-208 BPM • Battery life: approximately 500 hours of continuous use • Dimensions (W x D x H) in.: 0.64 x 1.83 x 0.66 MM-2 PERSONAL METRONOME 39 tempo steps in a 40-208 bpm range • 0,2,3,4,5,6,7 beats, 8th notes, triplets, 16th notes • +/-2% accuracy • Easy-to-adjust volume control • Piezo electric speaker • Ear hook comfortably fits either ear • Two interchangeable color caps • Tempo range: 40-208 BPM • Battery life: approximately 100 hours of continuous use • Dimensions (W x D x H) in.: 3.0 x 0.94 x 1.97 METRONOMES AND PERCUSSION TRAINERS LMA-120 WIDESCREEN PRO METRONOME “Virtual Conductor” mimics a conductor’s baton • The timer/stopwatch function lets you time your practice sessions up to 99 minutes • Ten different beats and six different rhythms can be combined • Tap function lets you set the desired tempo • Choose from two types of tempo steps: “Pendulum” or “Full” • Reference tone can be produced to tune your instrument • Flip top design protects LCD display • Calibration range: 410 Hz~480 Hz • Tempo range: 30-252 BPM • Battery life: approximately 90 hours of continuous use • Dimensions (W x D x H) in.: 3.98 x 3.31 x 0.81 (folded) KDM-2 BAND & ORCHESTRA METRONOME MA-30 SOLO METRONOME Cylindrical resonator speaker offers high volume for use with multiple instruments • Three different PCM beat sounds (Cowbell, Agogo & Clave) • An LED provides visual reinforcement of the tempo • A total of 19 beat patterns cover your practicing needs for diverse musical styles • Tap Tempo function lets you set the desired tempo • Reference tone can be produced from the internal speaker for tuning • TEMPO/CALIB dial and switch provide quick access to the desired setting or function • A large LCD screen makes settings easy to see • Tempo range: 30-252 BPM • Battery life: approximately 120 hours of continuous use • Dimensions (W x D x H) in.: 4.17 x 1.91 x 4.19 Thirteen different beats and rhythms are built-in • Rhythms include duplets, triplets, triplets with inner beats omitted, quadruplets, and quadruplets with inner beats omitted • Headphone jack with adjustable volume • Tap Tempo function lets you set the desired tempo • Reference tone can be produced from the internal speaker for tuning • Adjustable calibration: 438-445 Hz • Tempo range: 40-208 BPM • Battery life: approximately 250 hours of continuous use • Dimensions (W x D x H) in.: 4.09 x 2.52 x 0.59 > FIND > FIND THE THE TUNER TUNER THAT’S THAT’S RIGHT RIGHT FOR FOR YOU YOU AT WWW.KORG.COM/MYTUNER AT WWW.KORG.COM/MYTUNER >> 46 BEATLAB PERCUSSIONIST’S RHYTHM TRAINING METRONOME Train with 39 basic rudiments including roll, paradiddle, flam, and ruff • Accent sliders add rhythmic variations to practice any style • Sound and LED indicators for left and right hand sticking • Supports triplets and complex rhythms such as five to nine notes per beat • 24 programmable patterns allows creations of tempos, beats, and rhythms • Chain mode lets you link eight programs, each containing up to sixteen bars • Tap Tempo function lets you set the desired tempo • Headphone jack with adjustable volume • Backlit display for excellent visibility • Tempo range: 30-300 BPM • Battery operation (four AAA alkaline batteries) or optional AC adapter • Dimensions (W x D x H) in.: 5.59 x 4.09 x 1.10 Products not shown in relative size. >>47