Transcript
TABLE OF CONTENTS OPERATION GUIDE DISCLAIMER .....2 Copyright Notice ...............................2 Trademark Disclaimer .......................2 RED SOFTWARE LICENSE AGREEMENT .......................................3 INTRODUCTION ..................................4 REDCINE-X PRO ..............................4 How REDCINE-X PRO is Used .............................................4 REDCINE-X PRO User Interface ........................................5 RED WATCHDOG .............................5 RED LAUNCHER...............................6 RED PLAYER ....................................6 THEORY OF OPERATION ...................6 RAW Image Selection .......................6 RAW Image Processing ....................6 SYSTEM REQUIREMENTS .................7 MAC ..................................................7 Windows ...........................................7 DOWNLOADING CLIPS FROM MEDIA TO COMPUTER .......................7 USER INTERFACE CONTROL OPERATION .........................................8 Common Keystrokes ........................8 Help Function ...............................9 Menu Bar ..........................................9 MAC ..............................................9 Windows .......................................9 REDCINE-X PRO (MAC Only) .......9 File ................................................17 Edit................................................21 View ..............................................22 Project ..........................................23 Timeline ........................................23 Window .........................................24 Help ..............................................26
Left Panel ......................................... 27 Expanding / Minimizing Panel ..... 27 Browser........................................ 27 Project.......................................... 32 Browser + Project ........................ 36 Center Panel .................................... 37 Histogram .................................... 37 Scopes ......................................... 38 Viewer .......................................... 40 Right Panel ....................................... 48 Tabs ............................................. 48 Gear Menu ................................... 48 Expanding / Minimizing Panel ..... 49 Right-Click in Panel ..................... 50 Command History ........................ 50 Look Presets ................................ 50 Look Manager .............................. 53 Look Memory ............................... 53 Look: HDRx ................................. 54 Look: Image ................................. 54 Look: Curve ................................. 59 Look: Lift : Gamma : Gain ............ 60 Post : Look : Effects .................... 62 Framing Presets ........................... 66 Framing Control ........................... 67 Markers ........................................ 69 Audio ............................................ 70 Metadata ...................................... 71 Stereo 3d ..................................... 72 Bottom Panel ................................... 73 Expanding / Minimizing Panel ..... 73 Resizing ....................................... 73 Project.......................................... 73 Timeline........................................ 74 Stills ............................................. 77 Markers ........................................ 77 Audio ............................................ 78
Export ........................................... 80 Status ........................................... 91 RED WATCHDOG (MAC) .................... 92 Volumes (REDMAG) ......................... 92 Preferences ...................................... 92 Settings ........................................ 92 Notifications ................................. 92 Updates........................................ 92 Check for Updates ........................... 93 RED LAUNCHER ................................. 93 RED PLAYER ....................................... 93 SAMPLE WORKFLOWS ...................... 94 Standard 2D ..................................... 94 Manual Audio Sync .......................... 95 TROUBLESHOOTING ......................... 96 Log Files ........................................... 96 Locating Log files ......................... 96 Compressing Log Files ................ 96 Export Settings Notification Error .................................................. 97 Rocket Setup Failed ......................... 98 Rocket Warning at REDCINEX PRO Startup .................................. 98 Clip Relinker ..................................... 99 During Open Project .................... 99 During Import ............................... 99 DOWNLOAD / INSTALL / UPDATE ............................................... 100 Download and Install ........................ 100 MAC ............................................. 100 Windows ...................................... 100 Updating REDCINE-X PRO .............. 101 MAC ............................................. 101 Windows ...................................... 102
REDCINE-X® PRO Operation Guide Build 13
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OPERATION GUIDE DISCLAIMER RED has made every effort to provide clear and accurate information in this Operation Guide, which is provided solely for the user’s information. While thought to be accurate, the information in this document is provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or user’s interpretation of the language used herein that is different from that intended by RED. All safety and general information is subject to change as a result of changes in local, federal or other applicable laws. RED reserves the right to revise this Operation Guide and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes. In no event shall RED, its employees or authorized agents be liable to you for any damages or losses, direct or indirect, arising from the use of any technical or operational information contained in this document.
COPYRIGHT NOTICE Copyright © 2012 Red.com, Inc. All trademarks, trade names, logos, icons, images, written material, code, and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by Red.com, Inc.
TRADEMARK DISCLAIMER All other company, brand and product names are trademarks or registered trademarks of their respective holders. RED has no affiliation to, is not associated or sponsored with, and has no express rights in thirdparty trademarks. •
MAC®, QuickTime® and Final Cut Pro® 7 are registered trademarks of Apple, Inc.
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Intel® is the registered trademark of Intel Corporation.
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Windows®, Microsoft Windows® and Windows Vista® are the registered trademarks of Microsoft Corporation.
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AVID® is a registered trademark of Avid Technology, Inc.
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RED SOFTWARE LICENSE AGREEMENT The use of the REDCINE-X® PRO software and this REDCINE-X PRO Operation Guide is subject to the terms and conditions of the RED Software License Agreement. By using this REDCINE-X PRO Operation Guide and/or the REDCINE-X PRO software, you expressly agree to the terms and conditions of the RED Software License Agreement. The following are exerts from the RED Software License Agreement that is agreed to when downloading REDCINE-X PRO. For the complete license agreement, go to https://www.red.com/support/all/downloads/26/release_history/105/agreements/2 3) Ownership a) Title. RED or its licensors own and retain all proprietary rights, including all patent, copyright, trade secret, trademark and other intellectual property rights, in and to the RED Software and any corrections, bug fixes, enhancements, updates or other modifications to the RED Software, created by RED (or its licensors); provided, however, the foregoing shall not apply to plug-ins created by the Customer or to any data processed by the RED Software in the course of the Customer’s business, both of which shall be owned by Customer. The RED Software was developed in part by use of Kakadu software. Except as explicitly set forth in this Agreement or in another agreement between RED and the Customer, the Customer has no right to any such corrections, bug fixes, enhancements, updates or other modifications. The Customer acknowledges that the License granted under this Agreement does not provide the Customer with title to or ownership of the RED Software, but only a right of limited use under the terms and conditions of this Agreement. The Customer shall not knowingly take any action that would subject the RED Software to claims, liens or encumbrances.
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INTRODUCTION REDCINE-X PRO REDCINE-X PRO is a software application for Apple Macintosh or Microsoft Windows-based PCs that performs transcoding and preeditorial image manipulation of footage recorded in REDCODE® Raw file format. REDCINE-X PRO is a non-destructive application in that camera original files are left untouched regardless of how they are translated or manipulated in REDCINE-X PRO. You thus always retain the option of returning to the camera original files to transcode, scale, and color correct or crop the footage from “scratch.” With REDCINE-X PRO, you can translate footage shot in REDCODE RAW file (.R3D®) format into any number of file formats and codecs acceptable to virtually all non-linear editing systems in use today. REDCINE-X PRO also digitally performs these pre-editorial imaging functions typically done by a telecine in the film production workflow: •
Baseline color correction and color grading: White Balance, Gamma, Tint, Contrast, Brightness, Shadow, and other image adjustments.
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X-Y axis image crop and Z-axis zoom in / zoom out.
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Image scaling from the high resolution camera original format to lower resolution formats for editing.
HOW REDCINE-X PRO IS USED Footage is shot using a RED digital cinema camera onto external media devices such as REDFLASH® Compact Flash, RED-DRIVE®, RED-RAID®, and REDMAG™ 1.8” SSD. REDCINE-X PRO is used to convert the native .R3D® files into file formats usable for non-native offline editorial such as QuickTime or Avid. For non-native finishing, offline information is sent to REDCINE-X PRO, which creates full-resolution frames in a usable format such as DPX or TIFF of the necessary shots.
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REDCINE-X PRO USER INTERFACE The REDCINE-X PRO user interface includes many different tools that allow you to custom tailor your footage to your personal and professional liking. The available tools are shown below. For detailed information of each tool, refer to USER INTERFACE CONTROL OPERATION. MAC version shown, Windows version is similar.
A
F
C
B
D
E
A.
Menu Bar
D.
Right Panel (Clip Settings)
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Left Panel (Browser / Project)
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Bottom Panel (Timeline, Stills, Export, Audio…)
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Center Panel (Histogram / Scopes / Viewer)
F.
RED Watchdog
RED WATCHDOG RED Watchdog is only available on MAC. RED Watchdog automatically installs and runs in the background when you install REDCINE-X PRO. You have the ability to set the REDMAG as Read-Write but it is set to Read-Only by default and mounts REDMAGs as Read-Only to reduce the possibility of file corruption.
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RED LAUNCHER RED LAUNCHER is a program associated with .R3D files. When you double-click on an R3D file in Apple Finder or on your desktop, selected file will open in RED Player.
RED PLAYER RED PLAYER is a stand-alone Player for R3D files.
THEORY OF OPERATION RAW camera data compressed via internal REDCODE RAW compression module to a Digital Magazine may be converted to RGB color space and color processed in REDCINE-X PRO. A number of choices may be made to perform basic “One Light” color balancing, including White Balance, Tonal Response and Color Saturation. Selected clips may be exported for editorial or finishing at a variety of frame resolutions using industry standard file formats and video codecs. Batch processing is available, allowing a small number of reference frames to be used for the rapid establishment of color balance and sizing / encoding parameters, followed by a non-real time render of all the remaining frames in the selected source footage clips.
RAW IMAGE SELECTION RAW images may be selected for image processing by opening the selecting files or folders that contain the source footage clips.
RAW IMAGE PROCESSING The REDCINE-X PRO application converts selected RAW files to RGB color space using de-mosaicing and color matrix algorithms specifically designed for the characteristics of the Mysterium sensor. Timecode, White Balance and other metadata are maintained during RAW to RGB conversion.
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SYSTEM REQUIREMENTS REDCINE-X PRO is compatible with the following computer platforms:
MAC Intel Dual Core processor, system OS 10.5 or above, with 1GB disc drive free space and 4GB RAM and OpenGL 2.1 Compatible graphics card.
WINDOWS Microsoft Windows XP or above, Intel Dual Core processor with 1GB disc drive free space and 4GB RAM.
DOWNLOADING CLIPS FROM MEDIA TO COMPUTER NOTE: Files can be edited directly on the RED-DRIVE or RED-RAID if desired. 1. Connect your REDFLASH Compact Flash, RED-DRIVE, RED-RAID, or REDMAG 1.8” SSD to a computer. For best results use RED STATION® CF/ REDMAG 1.8”, “FireWire” (IEEE 1394 standard), eSATA or faster. 2. Create a directory structure for your files on your computer that can easily be found and navigated. 3. Open the connected REDFLASH, RED-DRIVE, RED-RAID, or REDMAG to view folders and files. 4. Copy the folders and files from the REDFLASH, RED-DRIVE, RED-RAID, or REDMAG to the newly created directory on your computer.
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USER INTERFACE CONTROL OPERATION This section describes basic operation and manipulation of the tools available in REDCINE-X PRO. MAC version is shown, Windows version is similar. For instances where you press OPTION on MAC, on Windows machine, press ALT.
COMMON KEYSTROKES Common keystrokes used to successfully navigate and operate REDCINE-X PRO are as follow: •
Spacebar = Play / Stop
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J = Rewind
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K = Stop
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L = Fast Forward
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I = Mark Clip In Point
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O = Mark Clip Out Point
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E = Grab Still
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‘ = Mark the current frame
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Option+I = Unmark Clip In Point
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Option+O = Unmark Clip Out Point
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V = Toggle Active Eye
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B = Start White Balance Picking
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0 = Give Clip a 0-star Rating
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1 = Give Clip a 1-star Rating
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3 = Give Clip a 3-star Rating
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4 = Give Clip a 4-star Rating
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5 = Give Clip a 5-star Rating
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Right Arrow = Go Forward One Frame
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Up Arrow = Previous Clip
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Down Arrow = Next Clip
Command+F = Toggle Fullscreen Video (Viewer) window
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Command+Shift+F = Toggle Fullscreen App Modes
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Option+1 = Copy Look from Viewer into Memory 1
Left Arrow = Go Back One Frame •
Option+3 = Copy Look from Viewer into Memory 3
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Option+4 = Copy Look from Viewer into Memory 4
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Option+5 = Copy Look from Viewer into Memory 5
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Command+1 = Paste Look from Memory 1 (MAC)
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Command+2 = Paste Look from Memory 2
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Command+3 = Paste Look from Memory 3
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Command+4 = Paste Look from Memory 4
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Command+5 = Paste Look from Memory 5
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Tab = Show/Collapse Side Panel
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Tab = Show/Collapse Side Panel
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Shift +Tab = Show/Collapse All Panels
2 = Give Clip a 2-star Rating
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•
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Option+2 = Copy Look from Viewer into Memory 2
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HELP FUNCTION At anytime you can press the “H” key on the keyboard to display common keystrokes used to successfully operate REDCINE-X PRO. Click on the window to close or click “H” again. Windows version shown, MAC version similar.
MENU BAR The following information describes the options available through the menus located on the menu bar at the top of the application.
MAC Available menus are REDCINE-X PRO, File, Edit, View, Project, Timeline, Window, and Help.
WINDOWS Available menus are File, Edit, View, Project, Timeline, Window, and Help.
REDCINE-X PRO (MAC ONLY) REDCINE-X PRO menu allows you to perform the following actions: •
Check for updates: Allows you to manually check for and install REDCINE-X PRO updates.
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Preferences: Allows you to tailor how REDCINE-X PRO is displayed and performs. On Windows, preferences are located under EDIT.
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Services: MAC system changes, does not apply directly to REDCINE-X PRO.
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Hide REDCINE-X PRO: Minimizes REDCINE-X PRO. Click REDCINE-X PRO icon to maximize REDCINE-X PRO again.
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Hide Others: Hides all other application windows currently open.
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Show All: When Hide Others has been selected, this will maximize all other application windows that are currently minimized.
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Quit REDCINE-X PRO: Quits the REDCINE-X PRO application.
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CHECK FOR UPDATES Allows you to manually check for and install REDCINE-X PRO updates. Refer to DOWNLOAD / INSTALL / UPDATE > UPDATING REDCINE-X PRO. PREFERENCES NOTE: Preferences also apply to Windows systems; however, they are located under the EDIT menu. Options to modify preferences are General, Snapshot, Timeline, Import, Export, Transcode, Playback, Cache, Keyboard, UI Devices, and Updates. On Windows, preferences are located under EDIT. GENERAL Change Allows you to change the directory where Master RMD files are saved. Clear Allows you to reset the directory where Master RMD files are saved. Master RMD Directory Allows you to enable or disable the following: •
Automatically Save RMD Files - When checked, auto saves RMD files next to clip when changes to clip are made (RMD is the new format of RSX).
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Verbose Logging - When checked saves detailed log files to aid in diagnostics. If an error occurs, check this option and recreate the error.
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Show Instantaneous Frame Rate - When checked, changes framerate displayed at lower right corner of Viewer window from “averaged” to actual. Un-checked by default.
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Show Advanced Controls – When checked displays additional controls for more detailed image manipulation. Checked by default.
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Prompt to Save Project on Exit – When checked will prompt you to save your project when exiting REDCINE-X PRO. Checked by default.
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Update Scopes on Playback - When checked will update the scopes during playback. Checked by default.
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Autosave Projects When checked, allows you to set the interval at which your project is saved automatically. You will then choose the interval for auto saving in minutes. SNAPSHOT Allows changes to snapshot format settings for Viewer window command. In the Snapshot Settings window, the following changes can be made: Save Snapshot To Location to save snapshots (default is current user’s desktop for that computer). Prompt for Filename When checked will ask for a user-defined filename when saving. Format TIFF or DPX, default is TIFF. Quality Full Res, Half Res, Quarter Res, Eighth Res, and Sixteenth Res, default is Full. Preset Allows user to choose between export presets created under Export Settings. This will disable any settings in the Snapshot Settings window. Default is None. TIMELINE Allows you to define the Thumbnail Style as Name Plus Thumbnail, Filmstrip or Name.
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IMPORT Allows you to define the following settings when importing files: Original R3D Directories Location to import R3D files from. Default is the user root directory. Select the Plus to add a new location. Select the Minus to remove a listed directory. EDL FPS: Clip, 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 Timecode: Absolute, Edge Destination: Active Bin, Timeline, Export Relinking Replace with Slug: Inserts a slug as a placeholder when linked files in project are not in the same location as when the project was last saved. Manual Relink: Prompts you to locate the missing files to relink them to the project. For complete details, refer to FILE > IMPORT. Checked by default.
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Timecode Allows you to set the source out as Inclusive or Exclusive. Prompt on Import When checked, opens this dialogue box (Preferences > Import) when importing to allow you to change setting at import. Checked by default. EXPORT Use Left Clip Name for 3D Clips Allows you to enable/disable this feature. When enabled will use the Left clip in a 3D clip as the file name. Prompt on Export When checked opens the preferences window before exporting EDLs to allow changes. Export preset panel on right (requires restart) When checked removes the Export preset panel from the lower area and makes it available in the right panel area. Requires a restart of REDCINE-X PRO. TRANSCODE Allows you to set the default handle size and Max Simultaneous Export Jobs to use when creating an export preset. Also allows you to select Render Immediately. Default Handle Size (Frames) Range is 0-10. Default is 0. Max Simultaneous Export Jobs (REDLine, Snapshots) Range is 1-6. Default is 1.
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PLAYBACK Allows you to designate the memory usage of the playback cache.
CACHE
Clear Cache Selecting “Clear Cache” will clear the thumbnail cache from the disk.
EFFECTS Allows you to control the CPU usage for Post Effects (Default value is 50%) KEYBOARD Allows you to set keyboard shortcuts for specific requirements. These keyboard functions are in addition to the default settings. Refer to COMMON KEYSTROKES. Reset Use the "D" button at the top to reset all shortcuts to the app default. Use the "D" button at the bottom to reset just the currently selected shortcut to default. Add New Command Select the Plus button to add an “Alternate” command to the list of available commands. The drop-down menu just above will add a selection labeled “Alternate 1, 2, 3… (depending on how many alternate commands are added). Select the desired alternate command and press a key combination to set a shortcut for that alternate command.
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Delete Command Highlight the desired available command to delete the keystrokes associated and select the minus button. If alternate commands are set, this will also delete the alternate commands first before deleting the keystrokes. Modify Existing Command Select a command in the table then press a key combination to set a shortcut for that command. UI DEVICES Allows the user to remap what the controls do on external devices (e.g. wave panel and mc color). Enable/Disable When checked, enables / disables external devices. After enabling, a restart of REDCINE-X PRO is required. Disabled is shown.
Enabled When enabled, allows you to change the settings for Tangent Wave CP300 and Euphonix MC Color.
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UPDATES Automatically check for Updates Allows you to set when the program will check for updates automatically. Available options and Hourly, Daily, Weekly, or Monthly. Refer to DOWNLOAD / INSTALL / UPDATE > UPDATING REDCINE-X PRO for additional information.
FILE MAC Available options are New Project, Open Clip, Open Folder, Open Project, Open Recent Project, Save Project, Save Project As, Restore Project, Close Project, Close Window, Save Current Look for RED ONE, Save Current RMD Look for Epic/Scarlet, Import, Export (shallow), Export, and Run Script. Windows Available options are New Project, Open Clip, Open Folder, Open Project, Open Recent Project, Save Project, Save Project As, Restore Project, Close Project, Close Window, Save Current Look to Camera, Import, Export (shallow), Export, Run Script, and Exit (to exit REDCINE-X PRO). NEW PROJECT If a current project is open, you will be asked if you want to save the current project settings •
If Discard is selected, the project is discarded and the Project and Timeline will be cleared of all settings will be reset and a new project can begin.
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If Cancel is selected, the new project command is cancelled.
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If Save is selected, you will be prompted to name the project and provide a location to save.
OPEN CLIP When selected, a navigation window will open to locate and select clip to open.
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OPEN FOLDER When selected, a navigation window will open to select the desired folder containing clips. OPEN PROJECT When selected will open a navigation window to select a saved project file (*.rcx). If files in the project (when last saved) have been moved or deleted, the Clip Relinker will open and you will be prompted to locate the files manually. Refer to TROUBLESHOOTING > CLIP RELINKER. OPEN RECENT PROJECT When selected will drill down and list the 10 most recent saved projects. SAVE PROJECT When selected will save the current project file (*.rcx) to the desired directory. SAVE PROJECT AS When selected will open a navigation window to save a project file (*.rcx).
RESTORE PROJECT When selected will let you select from the list of Autosaved projects. If no projects are located, a “No Projects to Restore” dialog box will appear indicating, “There are no projects in the autosave vault.” Refer to MENU BAR > PREFERENCES > GENERAL. CLOSE PROJECT If a current project is open, you will be notified the project has been modified, and asked if you want to save your changes. •
If Discard is selected, the project is discarded and the Bin and Timeline Drawers will be cleared all settings will be reset and a new project can begin.
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•
If Cancel is selected, the new project command is cancelled.
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If Save is selected, you will be prompted to name the project and provide a location to save.
SAVE CURRENT LOOK FOR RED ONE SAVE CURRENT LOOK FOR EPIC/SCARLET When Save Current Look to Camera is selected, the current look in REDCINE-X PRO will be exported as a look file (.RLK) that can be saved to SD flash memory and uploaded to the camera. A navigation window will open allowing you choose the location to save the look file. You will be informed that the Camera RLK file has been saved. Select OK. The location of the exported look file will be displayed after saving. ERROR EXPORTING TO CAMERA If the look settings are invalid, an error message will be displayed. To properly export look to camera, Color Space MUST be REDcolor and Gamma Space MUST be REDgamma.
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IMPORT When selected will drill down and list file types available for import: EDL (CMX 3600), Avid ALE and FCP XML files. When file type is selected, the PREFERENCES > IMPORT window will open, allowing you to select the desired import settings. If files referenced in the EDL, Avid ALE or FCP XML cannot be auto relinked, depending on the settings under PREFERENCES >IMPORT one of the following will occur: •
A slug will be placed in the location for the missing file(s).
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The Clip Relinker will open and you will be prompted to locate the files manually. A. Double click on the file and browse for the missing file. B. Locate the missing file and click OPEN. If multiple files are missing, when you select the first file, RCX will automatically attempt to locate the remaining missing clips using this path. C. The remaining clips not found will be listed. D. Repeat this process until all files are linked.
EXPORT (SHALLOW) When selected will display file types available for import: EDL (CMX 3600) and FCP XML files. When selected the Save EDL / XML navigation window will open allowing you to assign a file name and location to save the *.edl / *.xml file to. When exporting an EDL, if the timeline is invalid, you will be notified to correct. EXPORT When selected, the Export Settings window will open. You can change the Export settings as desired and export your project. Refer to EXPORT SETTINGS. RUN SCRIPT Allows you to run Lua scripts. When selected will open a navigation window to load the desired Lua script.
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EXIT (WINDOWS) When selected will close REDCINE-X PRO.
EDIT Available options are Undo Drop Clips onto Sequence (Overlay), Undo, Redo, Copy Look, Paste Look, Preferences (Windows), and Special Characters (MAC). UNDO / UNDO DROP CLIPS INTO SEQUENCE (OVERLAY) Will undo the last command while editing an image. REDO Will redo the last command while editing an image. COPY LOOK When selected will display five different memory banks to copy the Viewer's current look into. When selected the look of the current clip in the Viewer will be copied into the selected memory bank. PASTE LOOK When selected will display five different memory banks to paste from. When selected the look stored in the memory bank will be pasted into one of four possible locations: 1. If the focus is on the Project, the look will be pasted onto selected clips in the Project; 2. If the focus is on the Timeline, the look will be pasted onto selected clips in the Timeline; 3. If the focus is on the Stills panel, the look will be pasted onto selected stills in the Stills panel; 4. Otherwise, the look will be pasted onto the clip in the Viewer. PREFERENCES (WINDOWS) Refer to REDCINE-X PRO (MAC ONLY) > PREFERENCES for complete details.
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SPECIAL CHARACTERS (MAC) May be displayed on some systems. This applies to MAC system Special Characters and does not apply directly to REDCINE-X PRO.
VIEW FULLSCREEN VIDEO When selected, expands the Viewer window to full screen. Select ESC to exit. TOGGLE FULL SCREEN MODE When selected, displays REDCINE-X PRO in full screen mode. To exit, place cursor at the top of the screen. When toolbar appears, select Toggle Full Screen Mode again. VIDEO ON SECOND MONITOR When selected, displays the video window on the second monitor (if applicable). TOGGLE SIDE PANELS When selected, toggles the left and right panels OFF / ON. TOGGLE ALL PANELS When selected, toggles all panels OFF / ON with the exception of the Viewer window. FIT TIMELINE TO WINDOW When selected, fits the contents of the timeline to the timeline window.
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PROJECT NEW BIN When selected, adds a new bin to the Project portion of the Left Panel. NEW SEQUENCE When selected, adds a new sequence to the Project portion of the Left Panel.
TIMELINE LIFT When selected, selected clips in the active timeline are removed without affecting the position of any adjacent clips. RIPPLE DELETE When selected, selected clips in the active timeline are removed, shifting clips located to the right of the removed clips to the left. A ripple adjusts a clip’s In or Out point, making the clip longer or shorter, without leaving a gap in the Timeline. The change in the clip’s duration ripples outward, moving all subsequent clips earlier or later in the Timeline. ADD TRACK When selected, an audio track is added to the active timeline. ZOOM IN When selected, zooms in on the timeline. ZOOM OUT When selected, zooms out from the timeline. SNAPPING Ability to turn off snapping in the timeline.
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SELECT When selected, activates the Select tool. ZOOM When selected, activates the Zoom tool. ROLL When selected, activates the Roll tool. RIPPLE When selected, activates the Ripple tool.
WINDOW WINDOW menu allows the ability to toggle individual REDCINE-X PRO tools ON or OFF to personal needs. MAC shown, WINDOWS similar. BROWSER Displays the Browser Tab in the left panel. BROWSER + PROJECT Displays the Browser + Project Tab in the left panel. PROJECT Displays the Project Tab in the left panel. SCOPES (CYCLE) Displays the Scopes above the Viewer window and to the Right of the Histogram. PROJECT (BOTTOM) Displays the Project Tab on the bottom panel.
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TIMELINE Displays the Timeline Tab on the bottom panel. STILLS Displays the Stills Tab on the bottom panel. MARKERS Displays the Markers Tab on the bottom panel. AUDIO Displays the Audio Tab on the bottom panel. EXPORT Displays the Export Tab on the bottom panel. STATUS Displays the Status on the bottom panel. VIEWER Toggles the Viewer (video) window OFF / ON. CONSOLE Toggles the Console window OFF / ON.
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HELP
REDCINE-X MANUAL When selected displays the latest version of the REDCINE-X PRO manual in PDF. Build 2 Beta shown for reference only. REDLINE MANUAL When selected displays the latest version of the REDline manual in PDF. CHECK FOR UPDATES (WINDOWS) Allows you to manually check for and install REDCINE-X PRO updates. Refer to DOWNLOAD / INSTALL / UPDATE > UPDATING REDCINE-X PRO. SHOW LOG FILE Opens the log file directory allowing you to retrieve individual log files. SAVE REPORT Compiles all log files on the current machine to a location you can choose. SAVE SYSTEM INFORMATION Saves system profile to aid in reporting bugs to a location you can choose. INSTALL REDLINE (MAC ONLY) Installs REDline to /usr/sbin directory. For complete information on REDline, refer to the REDline Operation Manual. BUILD Shows version of the software.
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LEFT PANEL The left panel contains the following elements: •
Browse / Search / View Clips in directory / view Projects for production
•
View Projects for production
EXPANDING / MINIMIZING PANEL Located around the parameter of the panel are 3 arrows. The bottom arrow will expand the panel downwards to the bottom of the REDCINE-X PRO window (when arrow points down) and return the right panel to default size (when arrow points up). The right arrow will expand the left panel and shrink the center panel (when arrow points right) and return the left panel to default size (when arrow points left). The left arrow will minimize the left panel and expand the center panel (when arrow points left) and return the left panel to default size (when arrow points right).
BROWSER In the upper left side of the Browser, you can also drill-down to the exact location of the clips on your computer by selecting from Devices. Below FOLDERS, you will be able to navigate and locate clips on the selected device. You can navigate to commonly used FOLDERS containing clips on your computer. The total number of clips open in the browser is displayed above the clips (“X Items”). When clips are selected (single or multiple), they will be indicated as 1 of 3, 2 of 5, etc … Ejecting drives from the computer will automatically eject them from REDCINE-X PRO as well.
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When the cursor is placed over the clip, basic clip properties will automatically display. With the cursor over the clip and a right-click is performed, other options become available. Refer to RIGHT-CLICK ON BROWSER CLIPS. RIGHT-CLICK ON DEVICES / FOLDERS / VOLUMES DEVICE / VOLUME ROOT When a right-click is performed on a Device or Volume Root in the browser, the following actions can be performed: Open in New Bin: Opens the contents in a new Bin Tab. Open in New Bin (include subfolders): Opens all clips in that folder and in any subfolders of that folder, up to 10 levels deep. Show in Folder: Opens the device / directory selected Eject (Devices Only): Ejects any externally mounted drive – will not display on internally mounted HD. FOLDER When a right-click is performed on a Folder in the browser, the following actions can be performed: Open in New Bin: Opens the contents in a new Bin Tab. Open in New Bin (include subfolders): Opens all clips in that folder and in any subfolders of that folder, up to 10 levels deep. Show in Folder: Opens the device / directory selected Remove from Sidebar: Removes the folder from the Folders section of the Browser. VOLUME > FOLDER When a right-click is performed on a Folder in the Volumes section of the browser, the following actions can be performed: Open in New Bin: Opens the contents in a new Bin Tab. Open in New Bin (include subfolders): Opens all clips in that folder and in any subfolders of that folder, up to 10 levels deep.
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Show in Folder: Opens the device / directory selected Add to Folders: Will add the selected folder to the Folders section of the Browser. Similar to adding a favorite. EJECTING DRIVES Externally mounted drives listed under Devices can be ejected from the computer by performing a rightclick and selecting EJECT at the bottom of the menu. Refer to RIGHT-CLICK ON DEVICES / PLACES / FAVORITES / FOLDERS. BROWSER NAVIGATION ARROWS The left, right and up arrows located at the top left of the Browser are basic file system navigational controls: •
Left arrow goes back
•
Right arrow goes forward
•
Up arrow goes up a directory
VIEWING CLIPS IN BROWSER The clips can be displayed in one of two ways by clicking on the icons below the Browser label: •
Icon (Left)
•
List (Right)
NOTE: When in List view, you may drag the files even if the filename is not in view. You can also access the EDIT COLUMNS function be performing a Right-Click on the header row where it says “Filename”.
Thumbnail View
Clip List View
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RIGHT-CLICK ON BROWSER CLIPS Right-click on a the clip to show available options. This is the same result as clicking on the Gear button at the top of the Browser window. Refer to GEAR BUTTON. GEAR BUTTON Click the gear button (next to the Show button in the browser) to show a context menu for the current bin / browser view. This is the same as performing a rightclick on a clip. Refer to RIGHT-CLICK ON BROWSER CLIPS. Acts the same way as the Mac Finder's gear button. •
Open in Viewer: Opens the clip in the Viewer only.
•
Add to Timeline: Opens the clip in the timeline only.
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Add to Current Bin: Will open the clip in the currently open project bin.
•
Show in Folder: Opens the directory where the clip and related files are located.
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Show RMD in Folder: Opens the directory where the RMD files are located.
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Refresh: Refreshes the files in the browser window.
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Delete: This will delete the file from the directory. You will be prompted to confirm this selection as this deletes the file and sends it to the trash / recycle bin.
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Select All: Selects all files in the directory.
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Select None: Deselects files in the directory (if selected).
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Sort By: Sorts the files the following ways; Unsorted, Filename, Resolution, Frame Rate, Frames, Camera Audio Channels, or Path. These can be placed in Ascending or Descending order.
•
Show: Allows you to select between Folders, Clips (default), Projects, or XML / EDL / ALE.
•
Scan Depth: Scan depth is how deep the browser will scan for R3D files from the current directory with each number representing a folder depth. Allows you to select scan depth of 1-9.
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•
Metadata: A new window will open showing detailed metadata (clip properties). At the top of the window, the clip file name is displayed. Select the Close button at the top left to close the metadata window.
•
Edit Columns: Refer to EDIT COLUMNS.
EDIT COLUMNS Selecting EDIT COLUMNS will open the EDIT FIELDS dialog box, allowing you to change the displayed columns in the Browser window when in Clip List view. Available options are Filename, Resolution, Frame Rate, Frames, Camera Audio Channels, and Path. NOTE: You can also access EDIT COLUMNS by performing a Right-Click on the header row while in Clip List view. Refer to VIEWING CLIPS IN BROWSER.
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PROJECT Clips can be dragged directly into the project area from the Browser or new sequences can be created. The total number of clips open in the Project window is displayed above the sequences (“X Items”). When sequences are selected (single or multiple), they will be indicated as 1 of 3, 2 of 5, etc … When the cursor is placed over the sequence, basic sequence properties will automatically display. With the cursor over the sequence and a right-click is performed, other options become available. Refer to RIGHTCLICK ON SEQUENCES.
RIGHT-CLICK ON CLIP IN PROJECT Right-click on a clip in the project to show available options. Similar to the menu located under the Gear Button with the exception of “NEW BIN” and “NEW SEQUENCE”. Refer to GEAR BUTTON. RIGHT-CLICK ON SEQUENCES Right-click on a sequence to show available options. •
Open Timeline: Opens the sequence in the timeline panel.
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Delete: Deletes the selected sequence. Does not ask for you to confirm this deletion.
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Rename: Allows you to rename the sequence.
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Duplicate: Duplicates the selected sequence in the current Bin.
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Label: Allows you to label the sequence by Color.
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Rating: Allows you to rate the sequence from None to 5 stars.
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VIEWING SEQUENCES IN PROJECT The sequences can be displayed in one of two ways by clicking on the icons below the Browser tab: •
Icon (Left)
•
List (Right)
NOTE: When in List view, you may drag the files even if the filename is not in view. You can also access the EDIT COLUMNS function be performing a Right-Click on the header row where it says “Filename”.
Thumbnail View
Clip List View
SHOW BUTTON By clicking on the Show button, you can specify to view 2D Clips, 3D Clips, Bins, and Sequences. All can be displayed at the same time. GEAR BUTTON Select a sequence and click the gear button (next to the Show button in the browser) to show a context menu for the current sequence. Acts the same way as the Mac Finder's gear button. •
New Bin: Inserts a new bin under the Project name in the left column.
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New Sequence: Inserts a new clip in the right column.
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Open in Viewer: Opens the clip in the Viewer only.
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Copy to Timeline: Copies the clip to the timeline.
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Show in Folder: Opens the directory where the clip and related files are located.
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Save RMD: Saves the file setting as an RMD file (new RSX format) in the clip folder.
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Reload RMD: Reloads the saved RMD file and reverts the selected clips in the Bin to their RMD saved state.
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Show RMD in Folder: Opens the directory where the RMD files are located.
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Delete: Removes the clip from the Bin. Does not ask for you to confirm this deletion.
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•
Reconnect: Reconnects the selected offline clips. See CLIP RELINKER.
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Select All: Selects ALL clips in the current Bin.
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Select None: Deselects ALL clips in the current Bin.
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Duplicate: Duplicates the selected clip in the current Bin.
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Clear in and Out points: Clears set IN and OUT points for the selected clip in the Bin.
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Sort By: Allows you to choose how to sort the clips in the bin. A dialog box will open with all options listed.
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Find Duplicates: Auto selects other clips in the bin that have the same metadata values as the current clip. A menu pops up allowing you to select which metadata fields to search by.
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Label: Allows you to label the clip by Color.
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Rating: Allows you to rate the clip by stars (1-5).
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Make 3D Clip: When two clips are selected and a right-click is performed, this option will allow you to take those two clips and change them into a single 3D clip. This option also allows you to swap images left and right and change the offset. The view of the clip in the Bin will change.
•
Make 3D Clips from L / R Filenames: Allows you to select 3D clips and the program will automatically pair the left and right clips together based on filename. The left and right clips must be in the Bin for the action to perform properly.
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Metadata: A new window will open showing detailed metadata (clip properties). At the top of the window, the clip file name is displayed. Select the Close button at the bottom right to close the metadata window.
•
Edit Columns: Refer to BROWSER > EDIT COLUMNS.
CLIP RELINKER When you select RECONNECT, the Clip Relinker window will open to allow you to relink the clips as necessary.
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If the desired files are not listed, select the SEARCH button to manually locate and relink clips. Select the “+” to add a directory to look in and relink clips, select “-“ to remove.
When SEARCH is selected, REDCINE-X PRO will search that directory for any clips that are referenced in the project.
BROWSER + PROJECT Basically the combination of Browser and Project being displayed at the same time.
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CENTER PANEL The right panel contains the following elements: •
Histogram
•
Scopes
•
Viewer (video)
HISTOGRAM Histogram displays the histogram for that specific frame. The histogram inside of the window is only visible when the clip is stopped. The histogram can be viewed in one of five (5) ways; Overlay, RGB, Red, Green, or Blue. Right-Click on the histogram for viewing options. The histogram can be viewed during playback, but only if the option is checked under PREFERENCES > GENERAL > UPDATE SCOPES ON PLAYBACK. RGB VALUES The box at the top of the Histogram displays the color where the cursor is in the Viewer window. The numbers in the boxes (Red / Green / Blue respectively) identify the values where the cursor is in the Viewer window. NOTE: At this time, the RGB values come from a 24-bit pixel and are scaled to the range of 0:1.
OVERLAY Displays all three (3) histograms overlaid together.
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RGB Displays all three (3) histograms together but separately.
RED / GREEN / BLUE CHANNELS Displays all each of the three (3) histograms separately.
SCOPES Scopes displays the waveform for that specific frame. The waveform inside of the window is only visible when the clip is stopped. The waveform can be viewed in one of six (6) ways; Overlay, RGB, Red, Green, Blue, or Luma. Right-Click on the scopes for viewing options. The scopes can be viewed during playback, but only if the option is checked under PREFERENCES > GENERAL > UPDATE SCOPES ON PLAYBACK. INTENSITY You can adjust the waveform intensity from 10 to 100 in intervals of 10. Default is 50.
OVERLAY Displays each of the Red, Blue and Green channels overlaid together.
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RGB Displays each of the Red, Blue and Green channels side-byside.
RED / GREEN / BLUE CHANNELS Displays each of the Red, Blue and Green channels separately.
LUMA Displays a Rec.709 Luma Waveform.
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VIEWER The following information describes the functions available in the Viewer.
A
D
C
B
E
R
H
J
K
V
O
M
F
N
I
L
P
G
W
S
T
Q
U
A.
Active Clip Selection (3D Only)
M. RED Rocket Monitor Out
B.
Reset Buttons
N.
C.
Still Store
O. Mark Frame
D.
Playback Preferences
P.
E.
Gear Menu
Q. Frame No.
F.
Playback Controls
R.
Viewer window (3D Clip Shown)
G. Playback Status
S.
Frame No. Setting
H.
Set In Point
T.
Framerate
I.
Loop Playback
U.
Clip File Name (3D Clip Shown)
J.
Camera Snapshot
V.
Make Still
K.
R3D Snapshot
W. Frame Number/Timecode Display
L.
Set Video Slate point
S
RED Rocket Indicator
Set Out Point
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VIEWING / EDITING CLIPS To SELECT a clip for viewing / editing, perform the following: •
Double-click the desired clip in the Browser. It will appear in the Viewer window. OR
•
Click and hold on the desired clip in the Bin and drag the desired clip into the Viewer window or Timeline. OR
•
Right-Click on the clip and select “Open in Viewer”.
NOTE: Dragging the clip directly into the Viewer window will allow playback and grading of the clip ONLY. ACTIVE CLIP SELECTION Indicated by the L and R buttons at the top of the Viewer window. Sets the Left or Right clip as the primary clip. This selection appears ONLY when a 3D clip is displayed in the Viewer window. IMPORTANT: Adjustments in the Clip Settings Tool window will only affect the primary clip. RESET Reset is located on the upper right corner of the Viewer window. Reset selections are M to reset to Metadata settings and D to reset to REDCINE-X PRO default settings. When you click and hold on M or D, the Viewer window will display the look of the clip as if the values were reset to Metadata or Default. When released, the clip will return to set values. You must reset desired setting using the Clip Settings window if desired. FRAME (STILL) STORE Indicated by the 1, 2, 3 buttons at the top of the Viewer window. Stores current frame (and look) in the Viewer window. Up to 3 frames may be stored at one time. Place the cursor over the buttons for additional information.
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To store a frame: 1. Set video to desired frame. 2. Click and hold on the desired button. To recall image click on the desired button. PLAYBACK PREFERENCES The following information details the available preference setting available when viewing the clip. ASPECT The available options are Normal or Anamorphic (ANA). Select ANA to de-squeeze footage. Default setting is Normal. PLAYBACK QUALITY Allows playback resolution to be changed. Choose Full, 1/2, 1/4, 1/8, or 1/16; default setting is 1/8 (for RED Rocket equipped computers with USE ROCKET enabled for REDCINE-X PRO under SETTINGS, default setting is 1/2).
PLAYBACK SIZE Selects size in percent of clip during playback. Default setting is Fit W. If Playback size is changed, double click on the clip in the playback window to change the size to Fit Both. Zoom You can click on the image in the Viewer window and use the scroll wheel to zoom in or out (Windows) or a two-finger up/down (MAC). The zoom level will be shown on the bottom of the Playback Size drop down menu. This allows you to go back to that zoom level if desired by simply clicking the selection. 3D VIEWING OPTIONS Options for viewing 3D clips in the Viewer window. This selection appears ONLY when a 3D clip is displayed in the Viewer window.
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GEAR MENU Displays options that can be applied to the current clip in the viewer. Available options are Save RMD and Add to Project. PLAYBACK CONTROLS The following explains the playback controls for the Viewer window from left to right: Previous Clip, To In Point, Fast Reverse Play, Reverse Play (shows Pause when playing), Forward Play (shows Pause when playing), Fast Forward Play, End of Clip, To Out Point. NOTE: Space bar will also start / stop playback.
LOOP PLAYBACK Located between the Set In Point and Camera Snapshot buttons is the Loop Playback Button. This will loop the clip when played in either forward or reverse. When selected, the button will light up. PLAYBACK STATUS The Status Bar Indicator below the playback controls indicates clip playing progress (Yellow) as well as clip buffering progress (Gray). NOTE: You can grab the Status Bar indicator with the cursor and navigate through the clip as well. NOTE: You can click on the Viewer window and navigate through the clip, frame by frame, using the left and right arrows on the keyboard. At the lower left of the viewer is the current timeline timecode in Hours / Minutes / Seconds / Frames per Second. Frames Per Second (fps) is displayed to the right of that. The total number of frames in the clip is displayed at the lower right of the viewer. When the clip is played back, the frame numbers cycle with the current frame. When the clip is paused, the current frame will be displayed.
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NOTE: When the fps text turns Yellow, this indicates that the clip is not playing at full speed at that moment. Lowering the quality will help increase frame rate. SET IN / OUT POINTS This feature works in conjunction with the Timeline located in the Lower Panel. While the clip is paused, you can set the In Point or Out point. To set the points at the desired location, drag the Yellow Bar located in the Timeline to the desired location anywhere in the clip. By selecting the In point, you are setting a new beginning for the clip. By setting the Out Point, you are setting a new end for the clip.
The In and Out points can also be set by clicking on the clip in the Timeline window (a Yellow box will surround the clip) and drag either end toward the center of the clip. IN
OUT
RESET (CLEAR) IN / OUT POINTS To reset modified in / out points, press and hold Option (MAC) or Alt (Windows) and click on the in or out point button. The in or out point will return to original in or out point.
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CAMERA SNAPSHOT When Camera Snapshot button is clicked, a picture is taken of the current frame. The images will be saved in the format and directory specified in SETTINGS >SNAPSHOT SETTINGS in the Menu Bar. R3D SNAPSHOT When R3D Snapshot button is clicked, a picture is taken of the current frame and saved as an .R2D file. The images will be saved in the directory specified in SETTINGS >SNAPSHOT SETTINGS in the Menu Bar. MAKE STILL Makes a still of the current frame and adds it to the stills tab on the Bottom Panel. SET VIDEO SLATE POINT Sets video slate point to be used in conjunction with the Audio tool. When set, the audio tool can synchronize audio slate points to this frame. RED ROCKET MONITOR OUT The RED Rocket Monitor Out button will allow full quality real time playback on a Projector or Monitor using RED Rocket's DVI or HD-SDI outputs. Button will be lit up when monitor out is enabled (RED rocket is installed). Button will be disabled if no RED rocket is installed. RED ROCKET INDICATOR The RED Rocket indicator will be lit if a RED Rocket is installed and in-use by REDCINE-X PRO. If a RED Rocket is installed and not in use by REDCINE-X PRO, the button will not be lit. Click on the RED Rocket indicator to open “Rocket Setup” dialog box.
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ROCKET SETUP The Rocket Setup dialog box allows you to enable Red Rocket (Board 1) to be used for decoding and to display video out. To adjust the settings for video out, click on the Video Out Setup button.
If more than one Red Rocket is installed, Board 2, 3, etc… will be displayed with another group of settings same as Board 1. NOTE: “Use for Decoding” and “Use for video out” must both be enabled (either both on the same board or one each on different boards if multiple Red Rocket boards are installed). If only one (1) is enabled, and you select “OK” a “Rocket Setup Failed” message will display indicating this issue. “Use for Decoding” can be enabled on Multiple Red Rocket boards. Video Out Setup The Video Out Setup dialog box allows you to adjust Resolution, Color Format, Frame Rate, Timecode, and Display properties as well as enabling or disabling PSF. Resolution Allows changes in resolution to match external monitor or projector. Default resolution is 1920x1080. Color Format Allows changing of color format. Default is RGB8. Available color formats vary based on resolution selected. Frame Rate Allows frame rate to be changed from 23.976 up to 60 fps (depending on resolution settings). Default frame rate is 23.976. Available frame rate options vary based on resolution selected. Timecode
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Allows timecode to be changed between Clip Default, Clip Edge, Clip Absolute and Timeline. Default timecode is Clip Default. Display Allows display output to be changed between HDSDI and DVI-HDMI. Default is HDSDI. Enable PSF Allows Progressive Segmented Frames (PSF) to be outputted via HD-SDI to a PSF capable monitor. Availability of PSF mode varies based on resolution selected. FRAME FLAG Creates a marker for the current location in the current clip. This marker is viewable in the Markers tab.
FRAMERATE Framerate is the rate that the video is being played back. FRAME NUMBER SETTINGS FRAME NUMBER Displays the current frame number depending on the setting in the Frame Number Setting drop-down. FRAME NUMBER SETTING Allowsdisplayed frame number to be changed to meet specific needs. Default is CF. •
CF: Clip Frame displays current frame in selected clipbased on clip metadata.
•
TF: Timeline Frame displays current frame in selected clip based on position in timeline.
•
EC: Edge Code displays clip edge code based on clip metadata.
•
AC: Absolute Timecode displays Time of Day (TOD) based on clip metadata.
•
TC: Timeline Timecode displays current timeline position regardless of clip position or amount of clips in timeline.
•
SEC: Subclip Edge Timecode displays clip edge timecode for the currently active subclip.
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•
SAC: Subclip Absolute Timecode display clip absolute timecode for the currently active subclip.
RIGHT PANEL The right panel contains the following elements: •
Looks
•
Framing
•
Meta
•
ETC
Select the desired tab for manipulating files.
TABS Default tabs are Look, Framing, Meta, and Etc. These tabs can be Added, Deleted and modified to meet your needs.
GEAR MENU The gear menu allows you to navigate to the desired tab, add a new tab and manage existing tabs. ADD TAB Selecting opens the Add Preset dialog box allowing you to create a new tab and assign a name. The tab will be a duplicate of the currently open tab. DELETE TAB Deletes the current tab.
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RENAME TAB Opens a dialog to allow renaming of the current tab. IMPORT TAB Allows importing of a previously exported tab. EXPORT TAB Allows exporting a tab to a .lyt file for importing later. DRAG AND DROP Drag and drop the desired tab to reorder tabs.
EXPANDING / MINIMIZING PANEL Located around the parameter of the panel are 3 arrows. The bottom arrow will expand the panel downwards to the bottom of the REDCINE-X PRO window (when arrow points down) and return the right panel to default size (when arrow points up). The right arrow will minimize the right panel and expand the center panel (when arrow points right) and return the right panel to default size (when arrow points left). The left arrow will split the right panel into two columns (when arrow points left) and return the right panel to a single column (when arrow points right).
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RIGHT-CLICK IN PANEL When a right-click is performed you will be able choose what elements can be viewed in the selected tab.
COMMAND HISTORY Shows the changes made to the clip and allows you to manually navigate your change history.
LOOK PRESETS Look Presets allows you to save the specific color, image, white balance, and detail settings to be used for other projects. Meta is the default settings shot on the camera and cannot be deleted. As looks are created, they will be displayed alphabetically. APPLY TO: DROP DOWN MENU Look Presets can be applied to specified clips. Apply to options are; Bin (all clips), Bin (selected clips), Clip in Viewer, Timeline (all clips), Timeline (selected clips), Stills, and Stills (selected). FOLDER ICON The folder Icon allows you to create a folder for placing Look settings for file management and organization.
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SAVE LOOK PRESETS (+) After making changes and corrections to the clip, click on the plus (+) button to save the look. You will be prompted to enter a Look Name (Untitled). After naming, click outside of the new name window to save. DELETE LOOK (-) Highlight the name in Look Presets and select the minus (“-“) button and the saved look setting will be deleted. REFRESH ICON Click the Refresh button to set the selected Look preset to the current look settings. EDIT LOOK PRESET Edit the selected Look preset. Available options are Look Setup, Import, Export Selected, and Export All. LOOK SETUP To edit a specific look, select the desired look from the list in Look Presets and click on the Look Setup button. The Select Look Parameters to Apply dialog box will open allowing you to toggle specific items On or Off. IMPORT When selected will open a navigation window to locate and import a saved look preset. EXPORT SELECTED When selected will open a navigation window to export the selected look preset. EXPORT ALL When selected will open a navigation window to export all look presets in the Look Preset window. PREVIEW LOOK PRESET To preview a specific look, select the desired look from the list in Look Presets, click, and hold the Preview button. The clip in the Viewer window will change to the selected look.
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DRAG AND DROP LOOK PRESET •
Drag a look preset to the following windows to apply a look.
•
Drop on the Viewer to apply the look preset to the current clip in the Viewer;
•
Drop on the Project to apply the look preset to selected clips in the Project;
•
Drop on the Timeline to apply the look preset to selected clips in the Timeline;
•
Drop on the Stills panel to apply the look preset to selected stills in the Stills panel.
•
Drop on an item in the Look Memories panel to store the look preset's look there.
APPLY LOOK PRESET To apply a specific look, select the desired look from the list in Look Presets and click on the Apply button.
LOOK MANAGER Manages looks on a per-clip basis. This will save the current look for quick use later. To add a look, select the “+” and give it a name. To delete a look, select the “-”. RESET Reset is located on the right side of the Look Manager window. Reset selections are M to reset to Metadata settings and D to reset to REDCINE-X PRO default settings.
LOOK MEMORY Looks stored using COPY LOOK are shown here. •
COMMAND + Click (MAC) or CONTROL + Click (Windows) on a memory to paste its look onto the current clip in the Viewer.
•
OPTION + Click (MAC) or ALT + Click (Windows) on a memory to copy the look of the current clip in the Viewer to the memory.
You can drag and drop look memories to the Viewer, etc. just as you can with look presets. See DRAG AND DROP in the LOOK PRESETS section.
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Look memories are not saved between invocations of the app. You can drag and drop look memories onto the look presets panel to save them to disk.
LOOK: HDRX When an HDRx clip is in the viewer, you can control which type of HDRx mode (blending) is applied for the current clip.
LOOK: IMAGE Image allows changes to the clips color settings, white balance, as well as many other settings. NOTE: For precise adjustments, click in the numerical value box and use the up / down arrow to adjust. RESET ALL VALUES Reset is located on the right side of each section of the Image tool. Reset selections are M to reset to Metadata settings and D to reset to REDCINE-X PRO default settings. SINGLE VALUE To reset a single setting, press and hold Option (MAC) or Alt (Windows) and double-click on the slider for that setting. The setting will return to the clip Metadata values. COLOR SPACE Color Space can be changed between the following; REDcolor, REDcolor2, REDcolor3, RedSpace, Camera RGB, REC 709, sRGB, and Adobe 1998. Default setting is REDcolor. GAMMA SPACE Gamma Space can be changed between REDgamma, REDgamma2, REDgamma3, REDLog, REDlog Film, RedSpace, Linear, sRGB, REC 709, PDLog 685, and PDLog 985. Default setting is REDgamma2.
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NOTE: When a clip is opened up in the Browser Drawer, added to the Bin and placed in the Timeline, Color and Gamma Space will automatically change to match clip Metadata. WHITE BALANCE White Balance allows adjustment of the white balance through Kelvin and Tint. When recording RAW, white balance is not established at the time of image capture, therefore it may be freely adjusted in postproduction. If white balance was preset or calculated in-camera during shooting, for the purpose of color balancing EVF or monitoring outputs, that value can be extracted from metadata and used as a starting point for REDCINE-X PRO White Balance processing. Common in-camera presets are 3200 (Tungsten) and 5600 (Daylight). PICK WB The white balance may be adjusted by selecting the Pick WB tool and clicking on the desired known gray area of the clip in the Viewer window. KELVIN Adjusts the RGB color matrix to compensate for Red – Blue tinting of the scene at different Color Temperatures of the ambient light during shooting. Common values are 3200 (Tungsten) and 5600 (Daylight). Range 1800 to 9400, Default is 5600 TINT Adjusts the RGB color matrix to compensate for Yellow – Green tinting of the scene at different Color Temperatures of the ambient light during shooting. This parameter is valuable when the ambient light source contains a significant amount of Yellow or Green - such as Fluorescents. Range -100 to 100, Default is 0.00 ISO Allows the ISO level to be changed.ISO adjusts the basic amount of gain on the image, in familiar units. Each doubling of the ISO number represents an increase in image gain of 1 stop. Range 50 to 6400, Default is 800
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FLUT™ CONTROL Once the preferred ISO is set, the FLUT level allows fine-tuning of the ISO level. FLUT control units are in stops, so +1 FLUT Control is the equivalent of brightening the image by one stop or doubling the ISO value. Range -8.0 to 8.0, Default is 0.0 SHADOW Allows the Shadow level to be changed. Range -2.00 to 2.00, Default is 0.00 DRX DRX allows you to recover potentially lost dynamic range by extending and balancing highlights, taking into account the rendering intent of the desired Kelvin and Tint white balance. Range is 0.00 to 1.00, Default is 0.50 SATURATION As the value increases, color saturation increases, conversely reducing the value decreases color saturation. If the value is set too high, colors may clip. If the level is set at 0 (zero), a monochromatic image with only grey tones is produced. Range is 0.00 to 2.00, Default is 1.00 CONTRAST Adjusts the slope of the Tonal Response Curve between the Toe and Knee transition points, altering the tonal response to mid-level grays. Increasing the Contrast increases tonal separation between adjacent grey levels but decreases the total number of discreet grey levels in the image. Conversely decreasing the Contrast value decreases the tonal separation between adjacent grey levels. Maximum tonal range (maximum number of grey shades) of a properly exposed image is obtained with Contrast set to 0.5. Range -1.00 to 1.00, Default is 0.00 NOTE: A curve-smoothing algorithm is applied to the Tonal Response Curve to prevent clipping of near black grey levels to black, and near white grey levels to white.
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BRIGHTNESS Adjusts the overall brightness of the image by lifting blacks without affecting the white level. Range -10.00 to 10.00, Default is 0.00 EXPOSURE Allows adjustments to the clip exposure. Range is -7.00 to 7.00, Default is 0.00 RED Increases or decreases the camera’s apparent sensitivity to RED light by amplifying just the R channel digital video signal received from the sensor. At 0 (zero), no Red will be visible, the image will have a strong Cyan cast. Range is 0.00 to 2.00, Default is 1.00 GREEN Increases or decreases the camera’s apparent sensitivity to GREEN light by amplifying just the G channel digital video signal received from the sensor. At 0 (zero), no Green will be visible, the image will have strong Magenta cast. Range is 0.00 to 2.00, Default is 1.00 BLUE Increases or decreases the camera’s apparent sensitivity to BLUE light by amplifying just the B channel digital video signal received from the sensor. At 0 (zero), no Blue light will be visible, the image will have strong Yellow cast. Range is 0.00 to 2.00, Default is 1.00 SHARPNESS Allows sharpness adjustments to be made. Default is 0. DENOISE Allows Denoise adjustments to be made. Default is 0.
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LOOK: CURVE Allows multiple adjustments of the image curve. Located within the Curve Tool is the Curve Settings tool. For precise adjustments, click in the numerical value box and use the up / down arrow to adjust. RESET
ALL VALUES Reset is located in the upper right corner of the Curve tool. Reset selections are M to reset to Metadata settings and D to reset to REDCINE-X PRO default settings. SINGLE VALUE To reset a single setting, press and hold Option (MAC) or Alt (Windows) and double-click on the slider for that setting. The setting will return to the clip Metadata values. RGB CURVES Curve can be adjusted separately by Luma and RGB colors. Click on Luma, Red, Green, or Blue boxes above curve to adjust as desired (curve will change to that color while selected). Blue is shown. CURVE PRESETS P1 through P7 are preset curves. Click to view preset curve and apply. To set new presets: 1. Change the curve as desired 2. Click / hold on the desired preset button until the three dots in the Curve tool increase and decrease in size (approx. 4 seconds). The user defined curve is now set.
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CURVE SETTINGS Upper setting is X position, lower setting is Y position. HIGHLIGHTS Range is 0.000 to 1.000, Default is 1.000 LIGHTS Range is 0.000 to 1.000, Default is 0.750 MIDTONES
DARKS Range is 0.000 to 1.000, Default is 0.250 SHADOWS Adjusts the overall black level of the image without affecting white level. Range is 0.000 to 1.000, Default is 0.000
Range is 0.000 to 1.000, Default is 0.500
LOOK: LIFT : GAMMA : GAIN The Lift-Gamma-Gain tool uses the standard color model to correct master lift, gamma and gain with color offsets for each control and strength adjustment to blend the result with the previous tools output. LiftGamma-Gain adjusts blacks without affecting whites. RESET ALL VALUES Reset is located on the upper right corner of each of the Lift : Gamma : Gain tool sections as well as a master reset at the top section next to Color Wheels. Reset selections are M to reset to Metadata settings and D to reset to REDCINE-X PRO default settings. SINGLE VALUE To reset a single setting, press and hold Option (MAC) or Alt (Windows) and click on the slider for that setting. The setting will return to the clip Metadata values. WHEELS The Lift-Gamma-Gain tool uses the standard color model to correct master lift, gamma and gain with color offsets for each control and strength adjustment to blend the result with the previous tools output. LiftGamma-Gain adjusts blacks without affecting whites.
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ADJUSTMENTS CLICK on DOT in center and drag to desired position to adjust. COMMAND + CLICK (MAC) on Dot in center and drag allows precise adjustments. OPTION + CLICK (MAC) or Alt + CLICK (Windows) on Dot to return Dot to center position. LIFT Sets the black level - shadow level and color. Range is -1.00 to 1.00. Default level is 0.00. GAMMA Darkens, brightens and / or tints mid-tones. Range is -1.00 to 1.00. Default level is 0.00. GAIN Brightens or tints the entire image, affecting mostly the highlights. Range is -1.00 to 1.00. Default level is 0.00. LIFT Sets the black level - shadow level and colors. Range is -1.00 to 1.00. Default level is 0.00. GLOBAL Sets RGB sections together. Range is -1.00 to 1.00. Default level is 0.00. GAMMA Darkens, brightens and / or tints mid-tones. Range is 0.00 to 4.00. Default level is 1.00.
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GLOBAL Sets RGB sections together. Range is -1.00 to 1.00. Default level is 0.00. GAIN Brightens or tints the entire image, affecting mostly the highlights. Range is 0.00 to 2.00. Default level is 1.00. GLOBAL Sets RGB sections together. Range is -1.00 to 1.00. Default level is 0.00.
POST : LOOK : EFFECTS The list of effects applied to an image are all displayed in the Post : Look : Effects settings (stacks). Each effect has a checkbox beside it so individual effects in the stack can be turned off or on. The effects in the stack are applied in the order in which they are listed i.e. from top to bottom. (This order of operation also applies to sub-effects i.e. effects within an effect e.g. Alchemy, Clarity and Skin within Alchemy Group). Effects in the stack can be reordered by selecting an effect and dragging to a new position within the list. NOTE: This also shifts that effect's corresponding slider panel up or downwards within the overall list of slider panels. Post effects are display referred image operations applied in gamma space. Post effects are software implemented effects; they are compatible with Rocket use. Post effects support all export formats except Half/OpenEXR. Available post effects include: •
Alchemy Group
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Saturation
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Film Look
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UnSharp Mask (not operational at this time).
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LOOK : EFFECT : ALCHEMY GROUP When selected, available options are Alchemy, Clarity and Skin. “D” resets the default values.
ALCHEMY Controls the richness of a film look base. This effect can be used to produce a more film like base. Range is -1.000 to 1.000. Default is 0.000. CLARITY Controls the amount of clarity in a image. Negative clarity implies a soft fill light look. This effect can be used to adjust the overall clarity of an image. Range is -1.000 to 1.000. Default is 0.000. SKIN Controls the amount of smoothing on skin textures. This effect can be used for smoothing skin texture. Range is 0.000 to 1.000. Default is 0.000. LOOK : EFFECT : FILM LOOK This effect can be used to control the strength, size, chroma and softness of film grain. When selected available options are Grain Strength, Grain Size, Grain Chroma, Grain Softness, Shadow, and Highlight. “D” resets the default values. Grain cannot be seen at lower decode res modes because fine grain sizes becomes less visible at lower resolutions. The following decode modes are recommended if you are working with the Film Look effect within the following grain size ranges: •
Full Res: 1.0-2.0
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1/2 Res: 1.0-2.0
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1/4 Res: No recommended range
•
1/8 Res: No recommended range
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•
1/16 Res: No recommended range
These are suggested because the grain map density is so fine at smaller grain size settings they cannot be represented adequately at lower decode resolutions. HINT: To improve playback speed while working in lower decode modes, disable Film Look. GRAIN STRENGTH Controls the amount/intensity of the grain. Range is 0.000 to 1.000. Default is 0.300. GRAIN SIZE Controls the size of the grain. The smaller the size, the higher the grain density. Range is 1.00 to 2.00. Default is 1.30. GRAIN CHROMA Controls the amount of chroma in the grain. Setting this to zero implies luma grain. Range is 0.000 to 1.000. Default is 0.300. GRAIN SOFTNESS Controls the softness of the grain texture. This is a fairly subtle control. Range is 0.000 to 1.500. Default is 0.300. SHADOW Controls the amount of grain applied to the shadow tones. Range is 0.050 to 0.500. Default is 0.350. HIGHLIGHT Controls the amount of grain applied to the highlight tones. Range is 0.500 to 0.950. Default is 0.750.
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GEAR MENU Available options are Super35mm Grain, Super35mm Chroma Grain, Save Preset, Import Preset, and Manage Presets. The standard look presets (Super35mm Grain, Super35mm Chroma Grain) also support effect settings. In addition, the Film Look effect has its own ability to save / load presets specific to the Film Look slider settings. LOOK : EFFECT : SATURATION Controls the amount of saturation. This effect can be used to adjust the saturation of colors. Disabled by default. Range is 0.000 to 2.000. Default is 1.000. LOOK : EFFECT : UNSHARP MASK
Controls the Amount, Radius, and Threshold values.
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FRAMING PRESETS The Framing Presets tool allows you to save the framing settings to be used for other projects.
APPLY TO DROP DOWN MENU Framing Presets can be applied to specified clips. Apply to options are; Bin (all clips), Bin (selected clips), Clip in Viewer, Timeline (all clips), Timeline (selected clips), Stills, and Stills (selected). FOLDER ICON The folder Icon allows you to create a folder for placing Framing Presets settings for file management and organization. SAVE FRAMING PRESET (+) After making framing changes using the Framing Presets tool, click on the plus (+) button to save. You will be prompted to enter a Framing Preference Name (Untitled). After naming, click outside of the new name window to save. DELETE FRAMING PRESET (-) Highlight the name in the Framing Presets tool and select the minus (“-“) button and the saved framing setting will be deleted. REFRESH ICON Click the Refresh button to set the selected framing preset to the current framing settings. EDIT FRAMING PRESET Edit the selected framing preset. Available options are Import, Export Selected and Export All. IMPORT When selected will open a navigation window to locate and import a saved framing preset.
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EXPORT SELECTED When selected will open a navigation window to export the selected framing preset. EXPORT ALL When selected will open a navigation window to export all look presets in the Framing Preset window. PREVIEW FRAMING PRESET To preview a framing preset, select the desired framing preset from the list in the Framing Presets tool, click, and hold on the Preview button. APPLY FRAMING PRESET To apply a framing preset, select the desired framing preset from the list in the Framing Presets tool and click on the Apply button.
FRAMING CONTROL The Framing Control tool allows cropping from the R3D file during transcoding.
FIT Available fit options are Fit Width, Fit Height, Stretch W/H, Fit Width 2x, Fit Width 1.46x, Fit Width 1.09x, Fit Width .9x, Fit Height .9x, Fit Width .5x, and Fit Height .5x. CROP Selections are No Crop, Center Crop, Custom, and Frame Guide. When crop is set to any value other than No Crop, framing guidelines will be displayed in the Viewer window. No Crop: No Crop Center Crop: Crop will start from the center of the R3D and will use the Width and Height Resolution selected. Custom: Will be using the X/Y axis set as well as the Width and Height Resolution. Frame Guide: Will be using the Metadata Frame Guide.
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FRAMING GUIDELINES The Red framing guidelines can be adjusted by selecting the Viewer window and click + drag to the desired size. The position of the framing selection can be moved without resizing by holding down Command (MAC) or CTRL (Windows) + select with cursor and drag to the desired position. The size of the framing guidelines will be reflected in the Crop values. Center Crop Shown.
SOURCE RESOLUTION This will select what resolution you want the crop settings to be applied to. FLIP Allows you to flip the framing guidelines Vertically or Horizontally. ROTATION Allows rotation of the framing guidelines 90 Degrees Clockwise or 90 Degrees Counter Clockwise. ASPECT RATIO This will select what aspect ratio you want to crop the clip to. By selecting the Lock Aspect Ration box, this forces the framing guidelines to be set to the selected aspect ratio. When resizing the Framing Guidelines, the aspect ratio will be held. Available Aspect Ratio options are 4:3, 3:2, 2:1, 16:9, 1.85:1, and 2.39:1.
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MARKERS Shows the clip markers and allows you to modify them. To add a new marker or delete an existing marker, select the + / - buttons. CAMERA ICON When selected will export the selected markers from the Markers window using the snapshot settings. MARKER ICON May also be known as Frame Flag. When selected will create snapshots of the selected markers from the Markers window using the snapshot settings. EDIT When an existing marker is selected in the Marker window, the Edit button will light up. When selected the Edit Marker dialog box will open, allowing you to edit the name, frame number of the marker itself, assign it a rating, as well as add any comments. Markers can also be edited by performing a double-click on the desired marker in the Markers window. MARKER CONTROL POSTER FRAME Default frame used for thumbnails.
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AUDIO CONTROL
EXTERNAL AUDIO FILE Opens a navigation widow, allowing you to manually locate and choose desired audio files. PLAYBACK Allows muting of audio during playback. PLAYBACK CHANNELS Allows choice of recorded camera audio source (Camera Audio 1-4) or external audio source (External Audio 1-8). Camera Audio 1 and Camera Audio 2 are selected as default. AUTO MATCH Allows synchronizing of external audio files to clips. Options are Folder, Rate Override, Match and Auto Match. FOLDER Opens a navigation widow, allowing you to manually locate and choose desired auto match folder. RATE OVERRIDE Allows you to override the recorded rate of the audio files. Options are None (default), 47952, 48000, 48048, and 96096. MATCH Allows synchronizing of external audio files to clips. Options are Bin (all clips), Bin (selected clips) and Clip in Viewer. Bin (all clips)
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Automatically synchronizes external audio files to all selected clips in the bin. When selected, you will be prompted to select the desired audio files manually to synchronize to the clips in the bin. Bin (selected clips) Automatically synchronizes external audio files to the selected clips in the bin. When selected, you will be prompted to select the desired audio files manually to synchronize to the clips in the bin. CLIP IN VIEWER Automatically synchronizes external audio files to the clip in the viewer. When selected, you will be prompted to select the desired audio files manually to synchronize to the clips in the bin. AUTO MATCH Initiates audio auto matching.
METADATA Displays the current clips Metadata.
GEAR MENU Select Properties to customize the items displayed in the Metadata window. The Edit Fields dialog box will open, allowing you the ability to turn on or turn off desired parameters to display.
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STEREO 3D ONLY when a 3D clip is in the Bin and being played in the viewer, the Stereo 3D menu will appear as the bottom selection in the Clip Settings Window. RESET Reset is located on the upper right corner of the Stereo 3d window. Reset selections are M to reset to Metadata settings and D to reset to REDCINE-X PRO default settings. FRAME OFFSET Allows offsetting or frames between left clip from right clip. LOCK L / R LOOKS Forces both left and right clips to share same look. SWAP L / R Switches clips between left and right side. COLOR MATCH Disabled at this time. CONVERGENCE (HIT/VIT) These controls how many pixels the images are translated by for converging the stereo 3d image. HIT: Horizontal Image Translation VIT: Vertical Image Translation
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BOTTOM PANEL The bottom panel contains the following elements: •
Project
• Audio
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Timeline
• Export
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Stills
• Status
•
Markers
Select the desired tab for manipulating files.
EXPANDING / MINIMIZING PANEL Located at the lower edge of the bottom panel is one arrow. The arrow will minimize the bottom panel and expand the left, right and center panels (when arrow points down) and return the bottom panel to default size (when arrow points up).
RESIZING The Bottom Panel can be resized by clicking on the bottom right corner and dragging to the desired size. To return to original size, click on the bottom right corner and drag to the original size.
PROJECT Project provides another view of the clips currently being viewed in the Project section of the Left Panel. Select option + click (MAC) for scrubbing of thumbnails in the Project tab.
RIGHT-CLICK ON CLIP IN PROJECT Refer to LEFT PANEL > PROJECT > RIGHT-CLICK ON CLIP IN PROJECT. RIGHT-CLICK ON SEQUENCES IN PROJECT Refer to LEFT PANEL > PROJECT > RIGHT-CLICK ON SEQUENCES.
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TIMELINE The Timeline window displays the clip and allows modification of the beginning, end and length of video. Also allows multiple clips to be compiled into one for export.
ADDING / REMOVING CLIPS ADD To ADD a clip for viewing / editing, perform one of the following: •
Add desired clips from the Browser directly into the Timeline.
•
Click and hold on the desired clip and drag directly into the Timeline.
•
Right-click on the desired clip and select Open in Timeline.
The clip will be displayed in the Timeline. REMOVE To REMOVE clips from the Viewer window (must also be in the Timeline), click the clip in the Timeline (the clip will highlight) and perform one of the following: •
Right-click on the clip and select Ripple Delete from the Menu.
•
Press the Delete key on the keyboard.
FIT TIMELINE TO WINDOW Located under VIEW on the menu bar. When selected, fits the contents of the clip to the timeline.
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TRIM CLIP To trim the clip (change in / out points); click once on the clip in the Timeline window. A Yellow border will highlight the clip. Drag the ends of the Yellow border inward to trim the clip. Refer to VIEWER WINDOW > SET IN / OUT POINTS. IN
OUT
SLICE CLIP TOOL To slice a clip, drag the Yellow bar (default location is to the extreme left of the clip) to the desired position in the clip and select the razor blade icon located in the upper center of the Timeline window.
SLUG TOOL To insert a new slug into the clip, drag the filmstrip (slug) icon into the desired location of the clip in the Timeline window.
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SELECT When selected, options are Select, Zoom, Roll, and Ripple.
SELECT When selected, activates the Select tool. ZOOM When selected, activates the Zoom tool. ROLL When selected, activates the Roll tool. RIPPLE When selected, activates the Ripple tool. REORDER CLIPS When multiple clips are added to the Timeline window, they can be reordered in the Timeline. To reorder, click on the clip you want to move and drag it to the desired location in the timeline. V1 When a right-click is performed in this area, available options are Add Track and Remove Track. RIGHT-CLICK ON CLIP IN TIMELINE Available options are Show in Folder (opens directory where clip is located), Show in Folder, Select All, Zoom In, Zoom Out, Lift, Ripple Delete, Refresh, Reconnect, and Metadata. •
Show in Folder: Opens the directory where the clip and related files are located.
•
Label: Allows you to label the clip by color.
•
Rating: Allows you to rate the clip from None to 5 stars.
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Select All: Selects all clips in the timeline.
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Zoom In: Zooms in on the timeline.
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Zoom Out: Zooms out on the timeline.
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Lift: This will delete the selected clips from the timeline without affecting the position of any adjacent clips.
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Ripple Delete: This will delete the selected clips from the timeline, shifting clips located to the right of the removed clips to the left.
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Revert: Reverts the selected clips to their RMD saved state.
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Reconnect: Reconnects the selected offline clips. See CLIP RELINKER NOTIFICATION WINDOW.
•
Metadata: A new window will open showing detailed metadata (clip properties). At the top of the window, the clip file name is displayed. Select the Close button at the top left to close the metadata window. The Gear Button on the Metadata window will allow you to Edit Columns.
ZOOM You can use the scroll wheel on the mouse (on MAC, use the two-finger slide up / down on the touchpad) to zoom in / out on the clips located in the timeline.
STILLS Displays stills taken from the current clip. Still snapshots can be taken while the Viewer is playing. The number of stills is displayed on the tab (as shown).
MARKERS Displays all markers contained in the current clip. The number of markers is displayed on the tab (as shown).
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CAMERA ICON When selected will export the selected markers from the Markers window using the snapshot settings. MARKER ICON May also be known as Frame Flag. When selected will create snapshots of the selected markers from the Markers window using the snapshot settings.
EDIT When an existing marker is selected in the Marker window, the Edit button will light up. When selected the Edit Marker dialog box will open, allowing you to edit the name, frame number of the marker itself, assign it a rating, as well as add any comments. Markers can also be edited by performing a double-click on the desired marker in the Markers window.
AUDIO The panel lets you view a waveform of all clips associated audio tracks, camera and external. Allows you to synchronize external audio clips with video clips.
ZOOM Sets desired audio frames to be displayed in Audio Tool window. TRACK 1 / 2 Allows you to choose the audio source to be synced to the clip. SCRUBBER Displays current position in the audio sample.
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GEAR MENU SET SLATE POINT Sets audio slate point to current scrubber position. FIND SLATE IN VIEW Positions scrubber at highest visible audio peak. SET SLATE OFFSET Allows setting of slate offset position in frames.
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EXPORT When the EXPORT tab is selected, on the right side is the Batch Monitor and on the left is the Export Settings. We will describe the Export Settings first, then the Batch Monitor. The number of exports running is displayed on the tab.
CREATE FOLDER / NEW (+) / DELETE (-) / COPY / EDIT EXPORT SETTINGS •
The folder Icon allows you to create a folder for placing export settings for file management and organization.
•
To add new Export Settings, click the + button located at the lower left. The Export Settings window will open displaying available settings you can tailor to your specific needs. Refer to EXPORT SETTINGS.
•
To delete existing Export Settings or folder, click on the – button.
CAUTION: YOU WILL NOT BE PROMPTED TO CONFIRM THIS DELETION •
When COPY is selected, the Export Settings window will open displaying current values of the copied export setting, allowing modifications if desired.
•
If you want to change export settings, highlight the desired export setting to edit, click the EDIT button and the Export Settings window will open allowing changes to be made.
EXPORT DROP-DOWN The EXPORT drop-down menu allows you to specify what exactly you want to export; Project, Bin (all clips), Bin (selected clips), Clip in Viewer, Timeline (all clips), Timeline (selected clips), and Timeline (separate clips), Stills, and Stills (selected). EXPORT SETTINGS Export Settings allow exporting of the clip to custom tailored settings for your specific needs. The Export Settings window is divided into three (3) separate functions; Format, Burn In and Audio.
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PRESET Enter the desired file name in this box. FORMAT Format tab allows you to modify the File Format and Output Resolution. File Format Available formats are DPX, TIFF, OpenEXR, JPEG (MAC), SGI, QuickTime Wrapper (MAC), QuickTime, Quicktime (Exp), Avid AAF & MXF, R3D Trim, and BWF. DPX is the default selection. DPX Setup When DPX is selected and Setup button is clicked, the DPX Export Settings window will open allowing custom setup to your specific needs. BURN IN and AUDIO are not available. Available options are: •
Bit Depth (10 / 16 Bits Per Channel)
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Byte Order (LSB / MSB)
•
Max Simultaneous Writers controls the number of DPX files being written simultaneously (1-16)
TIFF Setup When TIFF is selected and Setup button is clicked, the TIFF Export Settings window will open allowing custom setup to your specific needs. AUDIO is not available. Available options are: •
Bit Depth (8 / 16 Bits Per Channel)
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Byte Order (LSB / MSB)
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Color Profile – Allows setting color profile
•
Use Compression (ON / OFF)
•
Max Simultaneous Writers controls the number of TIFF files being written simultaneously (1-16)
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NOTE: On MAC, TIFF export uses MAC color profile settings, TIFF enabled “Snapshot” settings use the color profile of the display device. OpenEXR Setup When OpenEXR is selected and Setup button is clicked, the OpenEXR Export Settings window will open allowing custom setup to your specific needs. Available options are: •
Compression – Choose from None, RLE, ZIPS, ZIP, or PIZ
•
Use MultiView
•
Use ACES
•
Max Simultaneous Writers controls the number of OpenEXR files being written simultaneously (1-16)
PSD (Photoshop) When PSD is selected and Setup button is clicked, the PSD Export Settings window will open allowing custom setup. Available options are: •
Max Simultaneous Writers controls the number of PSD files being written simultaneously (1-16)
•
Include XMP (Y/N)
JPEG Setup (MAC) When JPEG is selected and Setup button is clicked, the JPEG Export Settings window will open allowing custom setup to your specific needs. Available options are: •
Quality (1-100)
•
Max Simultaneous Writers controls the number of JPEG files being written simultaneously (1-16)
SGI When SGI is selected and Setup button is clicked, the SGI Export Settings window will open allowing custom setup to your specific needs. Available options are: •
Max Simultaneous Writers controls the number of SGI files being written simultaneously (1-16)
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QuickTime Wrapper (MAC) Creates a QuickTime movie file which references the source R3D files for use with RED QuickTime Codec v41 or greater. FCP XML Generate FCP XML: When checked, generates a FCP XML file for the trimmed sequence. Include Framing: When checked, will include each clip’s framing settings in new XML file. QT Wrapper Type: Used when Generate FCP XML is selected. Specifies the type of wrappers to link to. Available options are F, H, M, and P. QuickTime Creates a QuickTime movie file. Video Setup When Video Setup button is clicked, Quicktime Export Settings will open. Selecting Video Setup will open the Compression Settings (MAC) or Movie Settings (Windows) window will open allowing the QuickTime file export to be custom setup to your specific needs.
FrameRate Override Allows the user to manually override the value we put in the Quicktime file for framerate. NOTE: This does not do any frame re-sampling, it simply changes the playback rate in the Quicktime file to the user's choice. FCP XML
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Generate FCP XML: When checked, generates an FCP XML file. Send to FCP: When checked, sends XML directly to Final Cut Pro. FCP must be open for this to work. Include Framing: When checked, will include each clip’s framing settings in new XML file. QuickTime (Exp) The same as Quicktime except contains experimental functionality which should solve any issues with transcoding files greater than 2GB in size to certain types of network volumes. Avid AAF & MXF Setup When Avid AAF & MXF is selected and the Setup button is clicked, the Avid Export Settings window will open allowing the Avid AAF & MXF file export to be custom setup to your needs. NOTE: If when choosing to export in QuickTime or Avid and OK button is selected without setting up the Compression Settings (QuickTime ) or Avid Export Settings, a notification window will appear prompting you to properly setup the export. Refer to TROUBLESHOOTING >EXPORT SETTINGS NOTIFICATION. R3D Trim Allows trimming of unwanted material off the start and / or end of a clip. RED ONE footage from build 16 onwards is supported. Any audio will be stripped from the trimmed file. Save RMD Sidecar: When checked, generates a new RMD file for the new R3D file. Save Camera Audio (BWF): When checked, saves the internal camera audio to .bwf files. Generate QT Wrappers: When checked, generates new QT Wrappers for new R3D file. FCP XML Generate FCP XML: When checked, generates a FCP XML file for the trimmed sequence. Send to FCP: When checked, opens the result in Final Cut Pro 7 if currently running. Include Framing: When checked, will include each clip’s framing settings in new XML file. Link To BUILD 13
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Specifies how the XML will reference the new R3D files. Available options are QT Wrappers and R3D. QT Wrapper Type Used when “QT Wrappers” is selected. Specifies the type of wrappers to link to. Available options are F, H, M, and P. To trim an R3D file, perform the following: 1. Set IN / OUT points as described in VIEWER WINDOW >SET IN / OUT POINTS. 2. Go to Options in Export Settings window and select Handles (use default or define). 3. Export file. Trim will create an RDC folder under the export folder you specify. NOTE: This function is especially useful for 3D work as the first frame and last frame recorded even when the camera is in Master / Slave mode - isn't always the same (by 1 or 2 frames). R3D trim allows you to TRIM the .R3D's of the Left Eye and Right Eye camera to be the same start / end before exporting to DPX files for post production. BWF Extract's camera audio for export into a BWF file. Output Resolution Allows custom changes to the height and width or selections for standard resolutions. Rotate Based on Clip Settings Rotate based on clip settings means that if the clip for export has framing settings set for rotation, the output resolution width and height will be swapped also. Debayer Settings Debayer Settings allows software to run faster and output files quicker at the loss of quality. Available options are 1/16th, 1/8th, 1/4th, ½ Good, ½ Premium, Full, and Nearest Fit. NOTE: These settings only apply to software debayer. RED Rocket™ will always do the full debayer.
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Full - Will always do a Full debayer then if needed scale to output resolution (best choice for final output quality). Nearest Fit - Will automatically choose the debayer setting that will give you the nearest debayer result size larger than or equal to your output. Then if needed downscale to the final output size (based on chosen output this can be faster than the full setting at the cost of using a lower quality debayer). Examples: 1. Exporting 4k 2:1 4096x2048 clip to 2048x1024 output: •
Full = Full quality debayer first resulting in a 4096x2048 image, then scale it to 2048x1024.
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Nearest Fit = 1/2 Premium debayer resulting in a 2048x1024 image with no scaling required.
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Result = Nearest fit did a faster transcode at the cost of image quality.
2. Exporting 2k 2:1 2048x1024 clip to 2048x1024 output: •
Full = Full quality debayer resulting in a 2048x1024 image with no scaling required.
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Nearest Fit =Full quality debayer resulting in a 2048x1024 image with no scaling required.
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Result = Both settings did a full quality decode and took the same amount of time.
Output Location Allows changes to the file handling upon export. Available selections as follow: •
Ask for Output Filename (default)
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Output with Clip Filename to Clip Folder
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Output with Clip Filename to Selected Folder – includes the ability to select the destination folder.
Sub-Folder Per Clip When checked, a new folder will be created for each clip exported. File Creation Mode Allows you to choose between using a Unique name for each file, Overwrite Existing File or Skip if the file name already exists.
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Output Script Generate REDLine Batch Script When checked, generates a batch script for REDLine that includes all commands. Select RMD Path Select RMD Path sets the master RMD path option for REDline when generating REDline batch scripts. BURN IN General If TIFF, OpenEXR, JPEG (MAC), SGI, QUICKTIME, QUICKTIME (Exp), or AVID AAF & MXF is selected as file format, Burn In allows the ability to embed parameters as text overlays onto the clip. When ENABLED is checked, parameters can be overlaid. Select the Enabled box at the top of the General tab to activate this function and display the chosen parameters on the clip. Up to four (4) different parameters can be displayed at one time from the drop-down menus at the bottom of the Burn In window. This function also allows personalization of the text (Font, Color, and Size) that will be displayed.
Watermark Select the Enabled box at the top of the Watermark tab to activate this function and display the chosen parameters over the rendered files. This function allows personalization of the text (Font, Size, Location, and Color) that will be displayed.
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AUDIO Allows desired channels (Camera Audio 1-4 and External Audio 1-8) to be selected for export with the clip. If the channels are present, they will be exported with the clip to the output file.
OPTIONS Output Framing Provides choices of algorithm for software scaling. Color Allows you to select Use restricted SMPTE range. Handles Allows you to select Use default handle size. When deselected you may choose a handle size from 0 to 10. Other Use REDLine (software only) When selected, REDCINE-X PRO will use REDLine software for exporting files. Frame Only Mode Exports every frame in the clip using a separate REDline process - used to export around bad frames. NOTE: It is expected that some of the started REDline processes will terminate with errors when they process bad frames.
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3D Allows choice of format for left and right images when exporting 3D clips.
FRAMES Allows selection of which frames to export. Markers When Export Markers Only is checked, only exports marked frames when checked.
COPY Once export preferences are set, you may highlight the desired settings in the Export Settings and select Copy. The Export Settings window will open and you will be prompted to provide a name for the settings. The selected settings will be copied and displayed in the Export Settings. EDIT Allows the highlighted export setting to be modified. When selected, the Export Settings window will open allowing you to make changes. EXPORT (EXPORTING FILES) When the desired export properties are set and you are ready to export the files, highlight the desired export settings and select the Export button. You will be prompted to provide a filename (single file export) or folder name (multiple file export) and the option to select a location for the files to be exported to. The Batch Monitor section of the Export Drawer will display the current export. Refer to BATCH MONITOR for additional information. NOTE: On MAC with Growl installed, when files finish exporting, a notification will confirm the export has been successful or has failed also described under BATCH MONITOR.
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BATCH MONITOR During and after exporting files, the exported files will be listed in the Batch Monitor section of the Export Drawer. When files are exporting, the destination folder of the exporting / exported files can be accessed by clicking the desired file in the Batch Monitor, right-click the file - Show in Folder option will appear.
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Click on Show in Folder to automatically be taken to the folder where the exported files are located.
The following functions can be performed during and after exporting files. PAUSE (RESUME) Allows you to pause the exporting of the selected file(s) during export. When selected, the button will change to display RESUME to allow resumption of export. When CANCEL is selected, PAUSE button will change to display PAUSE / RESUME. CANCEL Allows you to cancel the exporting of the selected file during export. When selected, PAUSE button will change to display PAUSE / RESUME.
Cancel Export Notification Window If you attempt to EXIT the REDCINE-X PRO program while exporting files, the following notification will be displayed. •
If Yes is selected, exports will be cancelled and REDCINE-X PRO will exit.
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If No is selected, REDCINE-X PRO will continue running.
ABORT ALL Allows you to abort the exporting of the all files during export.
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CLEAR LIST Allows you to clear the exported files list after exporting is complete. BATCH LIST ORDER Files are processed in order from top to bottom in the Batch Monitor window. The order of the items can be changed as desired. At the lower left of the Batch Monitor window to the left of the PAUSE button are up and down arrow buttons. By highlighting the desired batch file and selecting the Up arrow, the file will be moved up in the list. By selecting the Down arrow, the priority of that file will be moved down in the list. BATCH COMPLETION When batch jobs are completed, a BATCH FINISHED notification will appear (MAC). BATCH STATUS REPORTS Batch jobs now record the time of completion and status to a separate file located at: •
Mac: /Users/username/Library/Application Support/red/REDCINE-X PRO/Batch
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Windows: In the application data REDCINE-X PRO folder
STATUS Displays important messages to the user.
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RED WATCHDOG (MAC) RED Watchdog is only available on MAC. RED Watchdog automatically installs and runs in the background when you install REDCINE-X PRO. You have the ability to set the REDMAG as Read-Write but it is set to Read-Only by default and mounts REDMAGs as Read-Only to reduce the possibility of file corruption. The RED Watchdog icon is located in the menu bar.
VOLUMES (REDMAG) If no REDMAGs are connected to the computer (mounted), “No RED Volumes” will be displayed. If REDMAG (s) is connected to the computer (mounted), the name will be displayed and you will be allowed to Remount Read/Write or Read-Only (depending on preferences) and Eject or Mount (depending if the REDMAG is mounted or ejected already).
PREFERENCES Preferences allow you to change Settings, Notifications and Updates.
SETTINGS Settings allow you to designate if the REDMAG will be Rear-Only or Read-Write when it is connected to the computer. You can also designate to start RED Watchdog when you login.
NOTIFICATIONS Allows you to select to be notified by a Growl message when a REDMAG is mounted or Unmounted (Ejected).
UPDATES You can select to automatically check for updates and to download the new updates if found. You can set the frequency of the updates to Hourly, Daily (default), Weekly, or Monthly.
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CHECK FOR UPDATES When selected, RED Watchdog will check for updates. If updates are found you will be prompted to download and install. If no updates are found, you will be notified you are up to date.
RED LAUNCHER RED LAUNCHER is a program associated with .R3D files. When you double-click on an R3D file, the selected file will open in RED PLAYER. If REDCINE-X Pro running, the file will open in REDCINE-X Pro.
RED PLAYER RED PLAYER is a stand-alone Player for R3D files with the following features: •
Metadata Viewer - Opens a window containing the metadata viewer used in REDCINE-X PRO
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Snapshot - saves the current frame of the clip to the selected snapshot preference file type
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Open in REDCINE-X PRO - Closes the player, opens REDCINE-X PRO and loads the clip the REDCINE-X Pro viewer
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SAMPLE WORKFLOWS STANDARD 2D The following is a recommended workflow for using the REDCINE-X PRO software. NOTE: The higher the resolution of the clip / project, the slower the program will run. This is to be expected. 1. Connect REDFLASH, RED-DRIVE or RED-RAID to computer. If desired, copy files from external drive to computer. Refer to DOWNLOAD / INSTALL / UPDATE > DOWNLOADING CLIPS FROM MEDIA TO COMPUTER. NOTE: Files can be edited directly on the RED-DRIVE, REDMAG or RED-RAID if desired. 2. Start REDCINE-X PRO. 3. Locate external drive / files or local files using the browse option in the Browser. On MAC machines, the external drive will be located under VOLUMES folder. 4. Select desired clips to edit from the Browser Drawer and drag and drop to add to the desired Project. 5. Select desired editing function: •
For editing dailies, double-click or drag desired clips from the Browser directly into the Viewer.
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For timeline / grading editing, drag and drop or right-click to add to Timeline window.
6. Perform grading (color correction etc…) as desired. 7. Perform timeline modifications and grading (color correction etc…) as desired. 8. Export clips in desired formats.
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MANUAL AUDIO SYNC 1. The following is a recommended workflow for manually synchronizing audio using the REDCINE-X PRO software. 2. Auto sync external audio files to selected clips. 3. When prompted, select folder containing audio files. 4. Place desired clip for manual synchronizing into Viewer. 5. Locate slate frame. 6. Click Set Video Slate Point button on Viewer to set slate point for video. 7. Go to Audio Tool. 8. Select external audio track to synchronize. 9. Locate slate point (clap) in audio track and place scrubber at this point. 10. Click on Set Slate Point in Audio Tool window. NOTE: Before exporting, verify the following:
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Export Audio is enabled in Export presets.
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External audio tracks are enabled in Export presets.
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TROUBLESHOOTING LOG FILES When a problem while using REDCINE-X PRO occurs, you may be requested to send in the log files via email to:
[email protected]. The log files will need to be located and compressed in size to send to the support team properly. If you are requested to send log files, ensure you can recreate the problem. Enable Verbose logging through MENU BAR > REDCINE-X PRO > PREFERENCES > GENERAL.
LOCATING LOG FILES Log files can be accessed as follows: •
Go to MENU BAR > HELP > Show Log Folder. This will open up the log file folder directory.
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When exporting a file, right click on the file in the Batch Monitor and select Show Log in Folder.
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Locate log files manually: MAC The log files will be located under: (User folder)/Library/Application Support/Red/RedCineX/Logs WINDOWS The log files will be located under: WINDOWS XP: C:\Documents and Settings\(User Folder)\Local Settings\Application Data\REDCINE-X PRO\logs WINDOWS VISTA AND WINDOWS 7: C:\Users\(User Folder)\AppData\local\REDCINE-X PRO\logs
COMPRESSING LOG FILES The LOG FILE FOLDER will need to be compressed into a manageable size that can be sent via e-mail.
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Log files can be compressed as follows: •
Go to MENU BAR > HELP > Save Report. This will allow you to save a compressed copy of all log files for your computer in a location of your choice. Send this file to the support team:
[email protected].
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Compress log files manually: MAC 1. Right-click on the logs folder. 2. Select COMPRESS “LOGS”. 3. A LOGS.zip folder will be created in the same directory. Send this file to the support team:
[email protected]. WINDOWS 1. Right-click on the logs folder. 2. Select SEND TO. 3. Select COMPRESSED (ZIPPED) FOLDER. 4. A LOGS.zip folder will be created in the same directory. Send this file to the support team:
[email protected].
EXPORT SETTINGS NOTIFICATION ERROR If your export formats require advanced settings this window will appear.
To correct the error perform the following: 1. Click CLOSE in the error window.
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2. Click on the FORMAT tab in the Select Exporter window. 3. Select the SETUP button to open the settings window. 4. Choose your desired extended export format settings and click ok.
ROCKET SETUP FAILED “Use for Decoding” and “Use for video out” must both be enabled (either both on the same board or one each on different boards if multiple Red Rocket boards are installed). If only one (1) is enabled, and you select “OK” a “Rocket Setup Failed” message will display indicating this issue. Ensure “Use for Decoding” and “Use for video out” are checked on the same board; or one each on separate boards.
ROCKET WARNING AT REDCINE-X PRO STARTUP This warning may appear under the following circumstances: •
If the RED rocket card is installed in a slot slower than 8x.
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If multiple RED Rockets are installed and one is installed in a slot slower than 8x.
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When using a mobile RED Rocket with a laptop computer, when starting up REDCINE-X PRO after booting up the laptop and mobile RED Rocket. No action is necessary, click OK.
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CLIP RELINKER DURING OPEN PROJECT If files in the project in the *.rcx file (when last saved) have been moved or deleted, the Clip Relinker will open and you will be prompted to relink the files manually. A. Double click on the file and browse for the missing file. B. Locate the missing file and click OPEN. If multiple files are missing, when you select the first file, RCX will automatically attempt to locate the remaining missing clips using this path. C. The remaining clips not found will be listed. D. Repeat this process until all files are linked. E. Search for the missing files by selecting SEARCH button and identify directories to locate clips.
DURING IMPORT When selected will display file types available for import. May include EDL and FCP XML files. If files referenced in the EDL or FCP XML cannot be auto relinked, depending on the settings under PREFERENCES > IMPORT one of the following will occur: •
A slug will be placed in the location for the missing file(s).
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The Clip Relinker will open and you will be prompted to locate the files manually.
A. Double click on the file and browse for the missing file. B. Locate the missing file and click OPEN. If multiple files are missing, when you select the first file, RCX will automatically attempt to locate the remaining missing clips using this path. C. The remaining clips not found will be listed. Repeat this process until all files are linked.
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DOWNLOAD / INSTALL / UPDATE DOWNLOAD AND INSTALL REDCINE-X PRO is located at www.RED.com/support/all/downloads. •
Select Release for current production software
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Select Beta for new, pre-production software
MAC 1. Click on Download to download REDCINE-X PRO. 2. At the license agreement page, if you agree with the license agreement, click the ACCEPT button. 3. The download will start automatically. 4. Once the file is downloaded, locate and click on the REDCINE-X_PRO_Build_14.pkg file. 5. Follow screen prompts to load the softwre.
WINDOWS 1. Click on DOWNLOAD to download REDCINE-X PRO. 2. At the license agreement page, if you agree with the license agreement, click the ACCEPT button. 3. On pre-Windows 7, you will be prompted to Open, Save or Cancel. Select Save. 4. On Windows 7, you will be asked to either Open, Save or Save As. Select Save As. 5. You will next be prompted to select a destination for the REDCINE-X PROFESSSIONAL_Build_xx_Beta_Win.zip file. Select your destination and click SAVE. 6. Navigate to and open the downloaded zip file and select “Extract all files” to the desired location. 7. Open the unzipped REDCINE-X PROFESSSIONAL_Build_xx_Beta_Win folder and locate the REDCINE-X_PRO_Build_1_32-bit.msi and the REDCINE-X_PRO_Build_1_64-bit.msi files. 8. Double click appropriate .msi file depending on if your system is 32 or 64-bit. 9. An “OPEN FILE – SECURITY WARNING” dialog box will open. Select “Run” to begin installation of REDCINE-X PRO. 10. The REDCINE-X PRO Build xx Beta (XX-bit) Setup window will open. Read the license agreement. If you agree with the license agreement, place a checkmark next to ACCEPT and click INSTALL. BUILD 13
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11. The program will install. When complete, select FINISH. 12. When complete a shortcut to REDCINE-X PRO Beta (XX-bit) will be placed on your desktop. Doubleclick the Icon to open REDCINE-X PRO.
UPDATING REDCINE-X PRO REDCINE-X PRO can be manually updated without downloading and installing an updated program on both MAC and Windows systems.
MAC On the Menu Bar, under REDCINE-X PRO, select Check for Updates. If connected to an internet connection, the program will automatically check or updates. If updates are available, the program will prompt you to install. 1. Follow the prompts to update REDCINE-X PRO to the latest version. 2. When prompted, select Install and Relaunch. 3. Your current version of REDCINE-X PRO will now be updated. If updates are not available, the system will inform you that you are up to date. If at any time if you need to modify the automatic updates interval or enable / disable the feature, go to MENU BAR > REDCINE-X PRO > PRFERENCES > UPDATES.
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WINDOWS On the Menu Bar, under HELP, select Check for Updates. If connected to an internet connection, the program will automatically check or updates. If updates are available, the program will prompt you to install. 1. Follow the prompts to update REDCINE-X PRO to the latest version. 2. When prompted in the downloads window, select RUN. 3. When the download box states that this program could harm your computer, select “Actions”. 4. When the download box states that this program might harm your computer, select “Run Anyway”. 5. Your current version of REDCINE-X PRO will now be updated using similar prompts to installing it for the first time. Refer to DOWNLOAD AND INSTALL > WINDOWS. If at any time if you need to modify the automatic updates interval or enable / disable the feature, go to MENU BAR > EDIT > PREFERENCES > UPDATES. NOTE: If you select “Check for Updates” the first time REDCINE-X PRO is used, the program will not check the first time the app is run. The second time the program is ran, you are prompted to allow the system to check automatically or not. At this time, YOU WILL ONLY HAVE ONE CHANGE TO MAKE THIS SELECTION through this dialog box. If you choose to “Check Automatically”, the system will check Daily by default. If you choose “Don’t Check”, you will need to manually check for updates.
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