Transcript
International auction 857
BRUUN RASMUSSEN MODERN ART
MODERN ART
A U C T I O N 8 5 7 • J U N E 2 01 5
MODERN ART International auction 857
AUCTION
9 - 10 June 2015
PREVIEW Thursday
28 May
3 pm - 6 pm
Friday
29 May
11 am - 5 pm
Saturday
30 May
11 am - 4 pm
Sunday
31 May
11 am - 4 pm
Monday
1 June
11 am - 5 pm
or by appointment
Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112
[email protected] · bruun-rasmussen.com
Lot 822
DAYS OF SALE ________________________________________________________ FINE ART + ANTIQUES Tuesday
2 June 4 pm
Paintings and drawings
1 - 134
________________________________________________________ ORIENTAL ART Wednesday 3 June 2 pm
Oriental sale
140 - 296
________________________________________________________ FINE ART + ANTIQUES Thursday 4 June 2 pm
Russian sale Furniture, clocks and bronzes Silver and ceramics Oriental carpets
297 358 477 514
Monday 8 June 2 pm
Jewellery, Hermès and Chanel handbags Wristwatches
556 - 740 741 - 789
Modern paintings and sculptures
790 - 921
Modern paintings and sculptures Prints Photographs
922 - 1024 1025 - 1073 1074 - 1124
-
357 476 513 555
________________________________________________________ MODERN ART Tuesday
9 June 4 pm
Wednesday 10 June 2 pm
________________________________________________________ NORDIC DESIGN Wednesday 10 June after 4 pm
Silver Decorative art
1125 - 1155 1156 - 1186
Thursday
Furniture and lamps
1187 - 1363
11 June 4 pm
________________________________________________________ DEADLINE FOR CLAIMING ITEMS: 24 JUNE Items bought at Auction 857 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 24 June at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. This transportation will cost DKK 100 per item VAT included, and storage will cost DKK 100 per item per week VAT included.
Lot 861
MODERNE KUNST International auktion 857
AUKTION
9. - 10. juni 2015
EFTERSYN Torsdag
28. maj
kl. 15 - 18
Fredag
29. maj
kl. 11 - 17
Lørdag
30. maj
kl. 11 - 16
Søndag
31. maj
kl. 11 - 16
Mandag
1. juni
kl. 11 - 17
Danske katalogtekster kan ses på bruun-rasmussen.dk
Bredgade 33 · 1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112
[email protected] · bruun-rasmussen.dk
Lot 892
AUKTIONSKALENDER ________________________________________________________ FINE ART + ANTIQUES Tirsdag
2. juni kl. 16
Malerier og tegninger
1 - 134
________________________________________________________ ORIENTAL ART Onsdag
3. juni kl. 14
Orientalsk auktion
140 - 296
________________________________________________________ FINE ART + ANTIQUES Torsdag 4. juni kl. 14 Russisk auktion Møbler, ure og bronzer Sølv og keramik Orientalske tæpper
297 358 477 514
Mandag 8. juni kl. 14 Smykker, Hermès- og Chanel-tasker Armbåndsure
556 - 740 741 - 789
-
357 476 513 555
________________________________________________________ MODERN ART Tirsdag
9. juni kl. 16
Onsdag 10. juni kl. 14
Moderne malerier og skulpturer
790 - 921
Moderne malerier og skulpturer Grafik Fotografier
922 - 1024 1025 - 1073 1074 - 1124
________________________________________________________ NORDIC DESIGN Onsdag 10. juni efter kl. 16 Sølv Kunsthåndværk
1125 - 1155 1156 - 1186
Torsdag
1187 - 1363
11. juni kl. 16
Møbler og belysning
________________________________________________________ SIDSTE FRIST FOR AFHENTNING: ONSDAG DEN 24. JUNI Effekter købt på auktion 857 skal være betalt senest 8 dage efter fakturadatoen og afhentet i Bredgade 33 senest onsdag den 24. juni. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej 10 i Københavns Nordhavn for købers regning og risiko. Transporten koster 100 kr. pr. effekt inkl. moms, og opbevaringen koster 100 kr. pr. effekt pr. påbegyndt uge inkl. moms.
SPECIALISTS IN MODERN ART AND DESIGN
Paintings, sculptures and prints Niels Raben +45 8818 1181
[email protected]
Design Peter Kjelgaard +45 8818 1191
[email protected]
Paintings, sculptures and prints Niels Boe Hauggaard +45 8818 1182
[email protected]
Design Ole Ravn +45 8818 1192
[email protected]
Paintings and design Peter Beck – Aarhus +45 8818 1186
[email protected]
Design Amalie Hansen +45 8818 1194
[email protected]
Paintings, sculptures and prints Kathrine Eriksen +45 8818 1184
[email protected]
Design Anna B. Widenborg +45 8818 1187
[email protected]
Paintings, sculptures and prints Annemette Müller Fokdal +45 8818 1196
[email protected]
Design Peter Tholstrup – Aarhus +45 8818 1195
[email protected]
Photographs Christine Almlund +45 8818 1216
[email protected]
Silver and branding Alexa Bruun Rasmussen +45 8818 1091
[email protected]
Paintings and design Frederik Bruun Rasmussen +45 8818 1003
[email protected]
Program for åbningen af eftersynet Torsdag 28. maj kl. 15-18
Auktionssalen, Bredgade 33 i København
Kl. 16.00
Frederik Bruun Rasmussen byder velkommen
Kl. 16.15 ´
”Inspiration, Vision, Architecture” Foredrag ved den prisbelønnede engelske arkitekt og professor Richard Weston, forfatter til monografien ”Utzon – Inspiration, Vision, Architecture” Foredraget bliver afholdt på engelsk
Program for the opening of the preview Thursday 28 May at 3 pm – 6 pm
The Saleroom, Bredgade 33, Copenhagen
4 pm
Welcome – Frederik Bruun Rasmussen
4.15 pm
“Inspiration, Vision, Architecture” Lecture by the award-winning British architect and Professor Richard Weston, author of the monograph “Utzon – Inspiration, Vision, Architecture” The lecture will be held in English
From Utzon’s Private Collection to Quirky Characters in Photography One of this auction’s major attractions is a series of pieces from the Danish architect Jørn Utzon’s private art collection. The collection reflects the Danish architect’s exquisite eye for the greatest artists of his time, including Pablo Picasso, Georges Braque and Fernand Léger. In 1957 Utzon won the international architectural competition for the construction of the Sydney Opera House. He collaborated on the interior of the opera house with the French architect and artist Le Corbusier, and one of the auction’s undisputed highlights is a tapestry by Le Corbusier from 1960 entitled ”Les dés sont jetés” (The dice are cast) (cat. no. 849). Read more about Utzon’s collection on p. 76. Another giant of art history is the creator of the sculpture ”Conjunction XV”. The sculpture was made in 1970 by the British sculptor Lynn Chadwick during his most productive period, where he, inspired by the Easter Island’s original craftwork, worked with a series of unique abstract sculptures. A Danish couple has owned the sculpture up for auction. In connection with their acquisition of the sculpture Chadwick visited the couple and was thrilled with the location of his sculpture in their garden in Charlottenlund. Chadwick’s career truly took off, when he in 1956 took the Venice Biennale by storm and became the youngest artist ever to win the coveted International Sculpture Prize. Today he is exhibited at leading museums such as MOMA, Tate Gallery and Centre Georges Pompidou (cat. no. 866). Danish art is richly represented at the auction as well - including works by Peter Louis-Jensen, Poul Gernes and Per Kirkeby. In the early 1960s they established the Ex-school, which marked a new direction in Danish art. It was conceived as a radical departure from the established Danish modernism, and the goal was to bring art down to the level of a wider public. At this auction the Ex-school’s contribution consists of two of Louis-Jensen’s collage-like ”Structure Panels” from 1964 (cat. no. 887 and 888), a characteristic composition by Gernes from 1961 (cat. no. 884) and ”The Leopard” by Kirkeby (cat. no. 889). Among the Danish artists you can also find Erik Thommesen with five sculptures and a couple of drawings (e.g. cat. no. 842) as well as Jens Adolf Jerichau with a sketch of his major piece ”Sea Gods” from 1916 (cat. no. 810). The section with art photographs is led by a number of images from Paris by the famous photographer Brassaï. In the early 1930s he set out to portray the French capital’s nightlife outside on the dark streets and inside in the city’s entertainment venues. He photographed criminals, prostitutes, pimps and transvestites, and the photographs were collected in the ground-breaking photography books ”Paris de Nuit” from 1933 and ”The Secret Paris of the Thirties” from 1976 (e.g. cat. no. 1075 and 1076). The quirky and alienated characters were also the artistic epicentre for the younger photographer Diane Arbus, who is represented by a portrait of two transgender people (cat. no. 1107) and a portfolio of 12 of her best photographs (cat. no. 1108). On Friday 29 May at 3 pm in Bredgade 33 our Head of Photography, Christine Almlund, will give a lecture on Brassaï.
Jesper Bruun Rasmussen
MODERN PAINTINGS AND SCULPTURES Wednesday 10 June 2 pm Lot 922 - 1024
Lot 982
922
922 EDVARD WEIE
923 ERIK HOPPE
b. Copenhagen 1879, d. Frederiksberg 1943
b. Ødis 1896, d. Kvam, Norge 1968
Evening light behind trees, Sletten. Signed on the reverse. Oil on canvas. 38 x 46 cm. Provenance: From the collection of Johan Rohde; Hence by descent in the family. DKK 25,000 / € 3,350
Figure in Søndermarken, Frederiksberg. Signed Hoppe. Oil on canvas. 50 x 69 cm. DKK 20,000-25,000 / € 2,700-3,350
CD
923
160
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924
924 SØREN HJORTH-NIELSEN
925 OLAF RUDE
b. Svostrup near Silkeborg 1901, d. Tempelhuse 1983
b. Rakvere, Estland 1886, d. Frederiksberg 1957
View over Vesterø, Læsø 1956. Signed H.N. Oil on canvas. 90 x 116 cm. DKK 25,000 / € 3,350
Green landscape, Bornholm. Signed Olaf Rude 42. Oil on canvas. 90 x 116 cm. DKK 25,000 / € 3,350
CD
CD
925
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161
926 GOTTFRED EICKHOFF CD
b. Frederiksberg 1902, d. 1982
"Kvindefigur II" (Female figure), 1935. Signed Eickhoff; stamped L.R. Cire Perdue for Lauritz Rasmussen Foundry, Copenhagen. Bronze. H. 60 cm. Literature: Anne Hald: "Gottfred Eickhoff. Dialog med billedhuggeren og tegneren", Copenhagen, 1996, motif mentioned and version ill. p.p. 87-88. DKK 30,000 / € 4,000
927 GOTTFRED EICKHOFF CD
b. Frederiksberg 1902, d. 1982
"Svanger" (Pregnant). Signed Eickhoff 60; stamped L.R. Cire Perdue for Lauritz Rasmussen Foundry, Copenhagen. Bronze. H. 67 cm. Literature: Anne Hald: "Gottfred Eickhoff. Dialog med billedhuggeren og tegneren", Copenhagen, 1996, version ill. p. 130. DKK 30,000 / € 4,000
926
927
928 ADAM FISCHER CD
b. Frederiksberg 1888, d. Ordrup 1968
"Sicilianerinde" (Sicilian), c. 1951. Unsigned; stamped L.R. Cire Perdue for Lauritz Rasmussen Foundry, Copenhagen. Bronze on wooden stand. Total H. 51 cm. Similar figure in the collection of ARoS Aarhus Kunstmuseum. DKK 20,000-25,000 / € 2,700-3,350
162
928
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929 EINAR UTZON-FRANK CD
b. Frederiksberg 1888, d. Asserbo, Melby 1955
Preliminary work for "Dantessøjlen" (The Dante column). Signed Utzon Frank 1924; foundry stamp L. Rasmussen, København. Patinated bronze. H. 101 cm. Preliminary work for the monument placed in front of the Ny Carlsberg Glyptotek on Dantes Plads in Copenhagen. On the occasion of the 600th anniversary of his death, Italy's greatest poet Dante Alighieri (1265-1321) had the square in front of the Ny Carlsberg Glyptotek named after him. A memorial column with a statue of Dante's beloved Beatrice was raised. The ancient column in the finished monument is a gift from the city of Rome, a bronze relief with the laurel-wreathed poet's portrait is created by Libero Andreotti and donated by the city of Florence. The monument's plinth is made after a drawing by Gunnar Biilmann Petersen. The first stone was laid on June 23, 1922 in the presence of Italian King Vittorio Emanuele and King Christian X of Denmark, and the unveiling took place on August 23 august 1924. (Source: Copenhagen Municipality, www.kk.dk/monumenter) DKK 30,000 / € 4,000
929 Detail BRUUN RASMUSSEN BREDGADE AUCTION 857
929
163
930
930 OLUF HØST
931 OTHON COUBINE
b. Svaneke 1884, d. Gudhjem 1966
b. Boskovice 1883, d. Marseille 1969
Still life with fruit and white bowls. Signed monogram. Oil on canvas. 48 x 65 cm. DKK 25,000-30,000 / € 3,350-4,000
Summerday along a river. Signed Coubine. Oil on canvas. 60 x 100 cm. Provenance: Bruun Rasmussen Kunstauktioner, auction 531, Copenhagen, 1989, cat. no. 64. DKK 75,000 / € 10,000
CD
CD
931
164
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932 HANS ØLLGAARD CD
b. Copenhagen 1911, d. s.p. 1969
Portrait of the artist's wife Lilian Kolte Sørensen. Unsigned. Oil on canvas laid down on masonite. 119 x 88 cm. Provenance: The collection of Sven Bagger, Denmark. Provenance: Kunsthallen Kunstauktioner, auction 525, Copenhagen, 2001, cat. no. 16, ill. DKK 30,000-40,000 / € 4,000-5,350
932
933 JENS JACOB BREGNØ CD
b. Hornum 1877, d. Søborg 1946
"Thors kamp mod Midgårdsormen" (Thor's battle with the Midgard serpent). Scratched monogram. Stoneware figure group. Decorated with ochre brown glaze with bluish elements. Made and stamped by Dahl Jensen. H. 44 cm. DKK 20,000 / € 2,700 933
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165
934
934 J . F. W I L L U M S E N CD
b. Copenhagen 1863, d. Cannes 1958
Study for a Champagne Poster. Signed J.F. Willumsen 1896. Watercolour and pencil on paper. 33 x 44 cm. Literature: Draft for the lithograph "Legende Amoriner", (Playful Cupids) Schultz no. 106. There are other variations of the draft, e.g. at the Hirsch sprung Collection and Willumsen's Museum. Provenance: From the collection of Johan Rohde. Acquired directly from Willumsen by Rohde. Hence by descent in the family. DKK 15,000-20,000 / € 2,000-2,700
935 ISAAC GRÜNEWALD CD
b. Stockholm 1889, d. Oslo 1946
Seated girl with a parasol. Signed Isaac. Watercolour on paper. Sheet size 35 x 25 cm. DKK 30,000 / € 4,000 935
166
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936
936 WILLIAM FRIDERICIA CD
b. Frederiksberg 1909, d. s.p. 1996
Prince Paris. Signed William Fridericia 47-48. Oil on canvas. 200 x 250 cm. DKK 40,000 / € 5,350
BRUUN RASMUSSEN BREDGADE AUCTION 854
167
937 OLIVIA HOLM-MØLLER CD
b. Homaa 1875, d. Rungsted 1970
Red sun. Signed OHM. Oil on canvas. 64 x 75 cm. DKK 10,000 / € 1,350
937
938 LAURITZ HARTZ CD
b. Frederiksberg 1903, d. Nykøbing S. 1987
"Landskab, Lumsaas". Signed LH. Oil on canvas. 70 x 100 cm. Exhibited: Corner, Charlottenborg, Copenhagen, 1945, cat. no. 72. DKK 20,000 / € 2,700
938
939 OLIVIA HOLM-MØLLER CD
b. Homaa 1875, d. Rungsted 1970
Rocky landscape. Signed OHM. Oil on canvas. 73 x 87 cm. DKK 10,000 / € 1,350 939
168
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940
940 MOGENS HERTZ
941 HARALD GIERSING
b. Copenhagen 1909, d. Gudhjem 1999
b. Copenhagen 1881, d. s.p. 1927
View with smokehouse and walking figure, Bornholm. Unsigned. Oil on canvas. 96 x 135 cm. DKK 25,000 / € 3,350
"Nybygninger" (New Buildings), Sorø 1916. Unsigned. Oil on canvas. 55 x 64 cm. Exhibited: "Harald Giersing Mindeudstilling", Charlottenborg, Copenhagen, 1927, cat. no. 208. Provenance: The danish artist Siegfred Neuhaus, Sorø. DKK 20,000-25,000 / € 2,700-3,350
CD
941
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169
942 KAI NIELSEN b. Svendborg 1882, d. Frederiksberg 1924
"Kvinderov" (Abduction of women). Signed Kai Nielsen. Oil on canvas. 74 x 83 cm. DKK 20,000 / € 2,700
942
943 KARL ISAKSON b. Stockholm 1878, d. Copenhagen 1922
Nude study. Unsigned. Inscribed on the reverse: "Malet af Karl Isakson. Attesteres Viggo Madsen-Aage Roose". Oil on canvas. 79 x 59 cm. Exhibited: "K. Isaksons Udstilling", Stockholm, 1922. DKK 30,000-40,000 / € 4,000-5,350 943
944 REIDAR MAGNUS CD
b. Leipzig 1896, d. Copenhagen 1968
"Myten om sommeren" (The Myth about the Summer). Signed Reidar Magnus 1965. Oil on canvas. 130 x 162 cm. Literature: Bent Irve: "Hvedekorn XXXVII", 1963 45-47. Literature: Bent Irve in the catalogue for the exhibition in Kunstforeningen, Copenhagen, 1969. Literature: Preben Ramløv in the catalogue for the exhibition, Koloristerne, Copenhagen, 1969. Literature: Troels Andersen: Cras, XLIX, 1987. Literature: Bent Irve in the catalogue for the exhibtion at Kastrupgaard, 1989. Exhibited: Kastrupgårdsamlingen, Copenhagen, 1989. DKK 10,000 / € 1,350 944
170
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945
945 GERDA WEGENER b. Hammelev 1885, d. Frederiksberg 1940
Street scenery. Signed monogram; signed and on a note on the reverse Gerda Wegener, Firenze 1910. Watercolour and pastel on paper. Visible size 27 x 24 cm. Gerda Wegener’s strong stylistic skills are clearly expressed in this composition, in both the structure and the colour scheme, which is reminiscent of the French master Toulouse-Lautrec (18641901). At the same time the composition functions as a portrayal of the 19th-20th century urban life in the metropolis: the decadent ladies pass by a group of men who throw thinly veiled glances towards the beauties. Wegener portrays the condensed flâneur atmosphere and the erotic undertones with both a sharp and humorous empathy. In 1907 Gerda Wegener won a sketching contest in the Danish newspaper Politiken. This marked the beginning of her artistic career that led her to Paris and right into the middle of the 1920s Art Deco environment. Soon she became a sought after illustrator of women's magazines, and she also drew several posters. Her marriage with the painter Ejnar Wegener represents a unique chapter in her life: They lived in an open relationship that allowed Gerda to live as a lesbian. Ejnar received, as the first transgender person in the world, gender corrective surgery, which attracted much attention. The unique story has just been made into a Hollywood film production entitled "The Danish Girl", which will have its premiere in 2016. The composition, which is up for auction, is an interesting early work from the couple's first trip abroad, which took them through Italy to France. DKK 15,000-20,000 / € 2,000-2,700
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171
946
946 ELSE ALFELT CD
b. Copenhagen 1910, d. s.p. 1974
"Manhattan Variation 3". Signed Else Alfelt, New York Nov.Dec. 71. Watercolour on paper. Visible size 30 x 48 cm. Provenance: Galerie de France, Paris. Provenance: "The Finn Birger Christensen Collection of Contemporary Art", Kunsthallen Kunst auktioner, auction 433, Copen hagen, 1993, cat. no. 68. DKK 10,000 / € 1,350
947 ASGER JORN CD
b. Vejrum 1914, d. Århus 1973
Composition, 1950. Signed Asger Jorn 50. Ink. Sheet size 18 x 15 cm. Receipt for a loan of DKK 50. Not redeemed. The composition refers to the lithograph "Return to the Detested City", Van de Loo no. 108. Provenance: Architect Robert Dahlmann Olsen, Dragør, Denmark. DKK 15,000 / € 2,000 947
172
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948
948 ELSE ALFELT CD
b. Copenhagen 1910, d. s.p. 1974
"Digt om Vansai 2". Signed Else Alfelt, New York Nov.Dec. 71. Watercolour on paper. Visible size 30 x 48 cm. Provenance: Galerie de France, Paris. Provenance: "The Finn Birger Christensen Collection of Contemporary Art", Kunsthallen Kunst auktioner, auction 433, Copenhagen, 1993, cat. no. 66. DKK 10,000 / € 1,350
949 CARL-HENNING PEDERSEN CD
b. Copenhagen 1913, d. s.p. 2007
Composition. Signed chp 71. Watercolour on paper. Sheet size 76 x 56 cm. DKK 40,000 / € 5,350 949
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950
950 CARL-HENNING PEDERSEN CD
b. Copenhagen 1913, d. s.p. 2007
"Hvilende fugl" (Resting Bird), 1950. Signed, titled and dated on the reverse. Oil on canvas. 47 x 59 cm. Exhibited: "Kunstcirklerne", February 1958. Label on the stretcher. DKK 60,000-75,000 / € 8,050-10,000
951 CORNEILLE CD
b. Liège 1922, d. 2010
Figure composition. Signed Corneille '76. Mixed media and gouache on paper. Sheet size 30 x 23,5 cm. DKK 20,000 / € 2,700 951
174
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952
952 ASGER JORN
953 ASGER JORN
b. Vejrum 1914, d. Århus 1973
b. Vejrum 1914, d. Århus 1973
Two bird figures. Signed Jorn [pre sumably] 49. Watercolour on paper. Visible size 38 x 48 cm. Exhibited: Galerie Moderne, Silkeborg, Denmark, 1972. DKK 30,000-40,000 / € 4,000-5,350
"Dramatisk treklang" (Dramatic triad), 1951. Signed Jorn 51. Indian ink on paper. Sheet size 9 x 14 cm. Drawing in ink send as postcard from Asger Jorn in Surèsnes, stamped 6.1.1951. Copy of the card illustrated on the reverse of the frame. Provenance: Architect Robert Dahlmann Olsen, Dragør, Denmark. DKK 20,000 / € 2,700
CD
CD
953
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954
954 JAN NIEUWENHUYS
955 ANDERS ÖSTERLIN
b. Amsterdam 1922, d. 1986
b. Malmö 1926
"The dance", 1951. Signed Nieuwenhuys; titled an dated on a label on the reverse. Oil on canvas. 62 x 86 cm. Provenance: Galerie Moderne, Silkeborg, Denmark. DKK 25,000 / € 3,350
"Landskab med tecken" (Landscape with signs), 1946. Signed A. Österlin. Crayon on paper. Visible size 50 x 76 cm. Exhibited: "Cobra", Liljevalchs Konsthall and Malmö Konsthall, Sweden 1986-87, cat. no. 148. Exhibited: "Cobra", Museée d'Art moderne et d'Art contemporain, Liège, Belgium 1993. Exhibited: Cobra Museum voor Moderne Kunst, Amstelveen, The Netherlands. Provenance: The collection of Karel van Stujvenberg, Caracas, Venezuela. DKK 10,000-15,000 / € 1,350-2,000
CD
CD
955
176
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956
956 JACQUES DOUCET CD
b. Boulogne-sur-Seine 1924, d. Paris 1994
"Terre de Mer", 1988. Signed Doucet; signed, titled and dated on the reverse. Oil on canvas. 60 x 81 cm. Literature: Andrée Doucet: Jacques Doucet Parcours 1977-1994. Catalogue raisonné Tome III", Éditions Galilée 1999, no. 1685, ill. in colours p. 131 (dated here 1988-89). DKK 30,000 / € 4,000
957 ASGER JORN CD
b. Vejrum 1914, d. Århus 1973
Blue Mask, c. 1945. Unsigned. Watercolour on paper. Visible size 39 x 27 cm. Provenance: Ingvar Aldal. Acquired directly from the artist on February 2nd, 1947. DKK 40,000 / € 5,350 957
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958 ELSE ALFELT CD
b. Copenhagen 1910, d. s.p. 1974
"Døden og Livet - Fortvivlelse" (Death and Life - Despair). Signed Else Alfelt, maj 47. Watercolour on paper. Sheet size 40 x 33 cm. DKK 12,000 / € 1,600
958
959 EJLER BILLE CD
b. Odder 1910, d. 2004
Composition, 1934. Signed Ejler Bille - 34. Pencil on paper. Sheet size 30 x 47 cm. DKK 10,000-15,000 / € 1,350-2,000
959
178
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960 HENRY HEERUP CD
b. Copenhagen 1907, d. s.p. 1993
Hedgehog and sunflower. Signed Heerup 62. Oil on masonite. 53 x 53 cm. DKK 20,000-25,000 / € 2,700-3,350
960
961 CARL-HENNING PEDERSEN CD
b. Copenhagen 1913, d. s.p. 2007
Man/Woman. Signed chp, 15/35. Patinated bronze. H. 20 cm. DKK 12,000 / € 1,600
961
962 HENRY HEERUP CD
b. Copenhagen 1907, d. s.p. 1993
Landscape composition. Signed Heerup. Oil on canvas. 50 x 78 cm. DKK 25,000 / € 3,350 962
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963 KNUD NIELSEN CD
b. Fredensborg 1916, d. 2008
Composition, 1950. Signed and dated on the reverse. Oil on canvas. 136 x 100 cm. DKK 20,000-25,000 / € 2,700-3,350
963
964 JEAN DEYROLLE CD
b. Nogent-sur-Marne 1911, d. Toulon 1967
Composition. Signed J. Deyrolle, 270. Tempera on thick paper. 76 x 56 cm. DKK 20,000 / € 2,700 964
180
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965 GUNNAR AAGAARD ANDERSEN CD
b. Ordrup 1919, d. 1982
Composition, 1950s. Unsigned. Oil on canvas. 60 x 46 cm. Provenance: Private collection, Denmark. Acquired directly from the artist by the present owner's parents. DKK 12,000-15,000 / € 1,600-2,000
965
966 KNUD NIELSEN CD
b. Fredensborg 1916, d. 2008
Composition, 1950. Signed and dated on the reverse. Oil on canvas. 88 x 68 cm. DKK 15,000 / € 2,000 966
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967 PAUL GADEGAARD CD
b. Frederiksberg 1920, d. Copenhagen 1996
Composition, 1963. Signed on the reverse. Oil on board. 60 x 73 cm. DKK 20,000 / € 2,700
967
968 GEORGES COLLIGNON CD
b. Flémalle-Haute 1923, d. 2002
“Composition geometrique”. Signed Collignon 1947. Oil on canvas. 75 x 60 cm. Exhibited: “Cobra”, Musée d’Art Moderne et d’Art Contemporain, Liège, Belgium 1993, ill. p. 95 in the catalogue. Exhibited: Cobra museum voor moderne kunst, Amstelveen, Holland 1996. Provenance: The collection of Karel van Stuijvenberg, Caracas, Venezuela. DKK 40,000-50,000 / € 5,350-6,700
969 GUY DE ROUGEMONT CD
b. Paris 1935
Sculpture. Unsigned. Polychrome painted plastic. Mounted on a black base. H. 235 cm. (incl. base). Provenance: Artcurial, Paris. DKK 15,000 / € 2,000
968
182
969
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970 JEAN LEPPIEN CD
b. Lüneburg 1910, d. Courbevoie, Paris 1991
Composition no. XIV, May 1961. Signed Leppien; signed and dated on the reverse. Oil on canvas. 92 x 60 cm. DKK 20,000 / € 2,700
970
971 JEAN LEPPIEN CD
b. Lüneburg 1910, d. Courbevoie, Paris 1991
Composition no. XII, May 1961. Signed Leppien; signed and dated on the reverse. Oil on canvas. 92 x 60 cm. DKK 20,000 / € 2,700 971
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183
972
972 ALBERT BITRAN CD
b. Istanbul 1929
"Composition ailié de rouge", 1974. Signed Bitran 74; signed, titled and dated on the reverse. Oil on canvas. 37 x 116 cm. DKK 30,000 / € 4,000
973 SELIM TURAN CD
b. Istanbul 1915, d. Paris 1994
Composition. Signed Selim 51. Mixed media and gouache on paper. Visible size 24 x 48 cm. Provenance: Mr. Carl Olsen, Galleri Præstegaarden, Dannemare, Denmark. Acquired directly from the artist in relation to an exhibition in the gallery, March 1990. DKK 10,000-15,000 / € 1,350-2,000 973
974 SELIM TURAN CD
b. Istanbul 1915, d. Paris 1994
Composition. Signed Selim 51. Mixed media and gouache on paper. Visible size 22,5 x 48 cm. Provenance: Mr. Carl Olsen, Galleri Præstegaarden, Dannemare, Denmark. Acquired directly from the artist in relation to an exhibition in the gallery, March 1990. DKK 10,000-15,000 / € 1,350-2,000 974
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975
975 JEAN PIAUBERT CD
b. Feydieu, Le Pian 1900, d. 2002
"Eternel demain" (Eternal tomorrow), 1956. Signed Piaubert. Oil on canvas. 97 x 146 cm. Exhibited: "Art from France", San Francisco Museum of Art, 1956. Exhibited: Kunstforeningen, Copenhagen, 1958, cat. no. 16. DKK 25,000 / € 3,350
976 JEAN PIAUBERT CD
b. Feydieu, Le Pian 1900, d. 2002
"Croisement d'instants" (Crossing instants), 1951. Signed Piaubert. Oil on canvas. 130 x 81 cm. Exhibited: Kunsthalle Bern, Switzerland, cat. no. 310. Exhibited: Kunsthaus Zürich, Switzerland. Exhibited: Musee d'Art Moderne de Sao Paulo, Brazil, 1955. Exhibited: Kunstforeningen, Copenhagen, 1958, cat. no. 4. DKK 25,000 / € 3,350 976
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185
977
977 RICHARD WINTHER CD
b. Maribo 1926, d. 2007
Figure composition. Unsigned. Oil on canvas. 166 x 206 cm. DKK 30,000-40,000 / € 4,000-5,350
978 BJØRN NØRGAARD CD
b. Copenhagen 1947
"Tatlins tårn". Signed B.N. 1/6. Bronze. H. 22 cm. DKK 10,000-12,000 / € 1,350-1,600 978
186
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979
979 ARTHUR KÖPCKE CD
b. Hamburg 1928, d. Brøndbyvester 1977
"Sand-Uhr-Gesang", 1960. Signed, titled and dated on the reverse. Oil on cardboard. 97 x 70 cm. Arthur Köpcke was a Danish/German artist and gallerist in Copenhagen. He was affiliated with the groups Le Nouveau Réalisme and particularly the Fluxus movement in the 1960s, where he remained one of the leading artists until his death in 1977. His art was tachist. Later he painted rebus paintings and "reading works", works, which were to involve the beholder. He also participated in a number of important Fluxus happenings over the years. Literature: Bent Petersen (ed): "Arthur Köpcke", North no. 7/8, North Publisher, Roskilde, 1979. Literature: Lars Rostrup Bøyesen, Gunnar Aagaard Andersen & Alice Fanøe: "Arthur Köpcke", Statens Museum for Kunst (The National Gallery of Denmark), Copenhagen, 1979. Literature: Jon Hendricks: "Fluxus Codex", Harry N. Abrams, Inc. Publishers, New York, 1995. DKK 30,000 / € 4,000
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187
980 VILHELM BJERKE-PETERSEN CD
b. Frederiksberg 1909, d. Halmstad, Sweden 1957
"Landskab fra Norge" (Landscape from Norway), 1928. Signed vbp 28. Oil on canvas. 47 x 52 cm.
980
The present landscape/seascape is one of few paintings known to be painted in Norway. It is clearly influenced by his teacher Axel Revold, like another painting, a harbour scene, also painted in Norway. In 1930 he exhibited in Oslo together with Bjarne Rise and Johannes Rian. In 1932, after his training at Bauhaus, he exhibited again in Oslo at the Artist’s Association (Kunstnerforbundet) together with Bjarne Rise and Karen Holtsmark. DKK 10,000-15,000 / € 1,350-2,000
981 VILHELM BJERKE-PETERSEN CD
b. Frederiksberg 1909, d. Halmstad, Sweden 1957
A surrealistic painting, Woman reaching for Stones, 1946. Signed v.b.-petersen 46. Oil on masonite. 46 x 55 cm. Literature: Troels Andersen (ed): "Vilhelm Bjerke Petersen. Retrospective exhibition", Silkeborg Kunstmuseum, 1986. Literature: Karen Friis Hansen & Dorte Kirkeby Andersen (eds): "Vilhelm Bjerke Petersen", Retrospective exhibition", exhibition catalogue, Silkeborg Kunstmuseum, 2006. Literature: Gitte Tandrup: "ZigZag mod solen", Aarhus University Press, 1998. Exhibited: "Vilhelm Bjerke-Petersen. Retrospective exhibition", Silkeborg Kunstmuseum, Sophienholm, Copenhagen, Fyens Kunstmuseum and Esbjerg Kunstpavillon, Esbjerg, Denmark, 1986. Exhibited: "Vilhelm Bjerke Petersen. Retrospective exhibition", Silkeborg Kunstmuseum, Denmark, 2006. DKK 12,000-15,000 / € 1,600-2,000
981
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982
982 VILHELM BJERKE-PETERSEN CD
b. Frederiksberg 1909, d. Halmstad, Sweden 1957
"Flygtninge" (Fugitives), 1943. Sign. v.b.-p. 43/3. Oil on canvas. 100 x 76 cm. Literature: Niels Th. Mortensen: "Dansk Billedkunst", Copenhagen, 1964. Literature: Karen Friis Hansen and og Dorte Kirkeby Andersen (eds.): "Vilhelm Bjerke Petersen", exhibition catalogue, Silkeborg Kunstmuseum, 2006. Exhibited: Kunsthallen, Copenhagen, 1943. Exhibited: "Vilhelm Bjerke Petersen. Retrospective exhibition", Silkeborg Kunstmuseum, Denmark, 2006, cat. no. 48, ill. p. 75. The painting could be interpreted as frightened refugees fleeing from the war and Nazi ideology, some still hoping to get away others without hope. The black background of the painting enhances the dire circumstances of the refugees. The title of the painting is from the exhibition catalogue from 1943; later it were just called Composition (Komposition). The exhibition in August 1943 was the last exhibition he had during World War II. He fled to Sweden in April 1944. DKK 30,000 / € 4,000
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189
983
983 WILHELM FREDDIE CD
b. Copenhagen 1909, d. s.p. 1995
Still life, 1932. Signed Freddie. Oil on canvas. 56 x 96 cm. DKK 20,000 / € 2,700
984 BALDER OLRIK CD
b. Virum 1966
"Gående mand" (Walking Man). Signed on the reverse Balder Olrik. Oil on canvas. 120 x 100 cm. DKK 10,000 / € 1,350 984
190
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985
985 VILHELM BJERKE-PETERSEN
986 MANUEL MARÍN
b. Frederiksberg 1909, d. Halmstad, Sweden 1957
b. Cieza, Murcia 1942, d. 2007
"Fargarnes födelse - I landskapet" (The birth of colours-in the landscape). Signed v.b.p. - 46. Oil on masonite. 67 x 82 cm. DKK 25,000 / € 3,350
Untitled. Stamped M. Marín. Hanging mobile in red painted iron. H. c. 70 cm. W. c. 155 cm. Unique. Provenance: Mrs. Monika Rabassa, the artist's widow. DKK 20,000 / € 2,700
CD
CD
986
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191
987 HANS HENRIK LERFELDT CD
b. Århus 1946, d. Copenhagen 1989
Seated model in a sofa, 1975. Signed and dated on the reverse. Oil on cardboard. 35 x 27 cm. Exhibited: Kunstforeningen, Copenhagen, 1990, cat. no. 30. DKK 25,000 / € 3,350
987
988 HANS HENRIK LERFELDT CD
b. Århus 1946, d. Copenhagen 1989
"It's a blue world around us". Signed Lerfeldt 81. Mixed media on paper. Visible size 30 x 22 cm. Exhibited: Kunstforeningen, Copenhagen, 1990, cat. no. 86. Provenance: Galerie Asbæk, Copenhagen. DKK 20,000 / € 2,700 988
192
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989
989 HANS HENRIK LERFELDT CD
b. Århus 1946, d. Copenhagen 1989
"Folded Model". Signed Lerfeldt 83. Watercolour and mixed media on paper. Sheet size 35,5 x 49,5 cm. Literature: Hans Henrik Lerfeldt: "Blue World - og en samtale med Christian Kampmann", Copenhagen, 1985, no. 77, ill. full page in colours p. 96. DKK 40,000-50,000 / € 5,350-6,700
990 HANS HENRIK LERFELDT CD
b. Århus 1946, d. Copenhagen 1989
A girl with a fly in a montre. Signed Lerfeldt 83. Watercolour and mixed media on paper. Visible size 30 x 22 cm. DKK 30,000-40,000 / € 4,000-5,350 990
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193
991 OLE AHLBERG CD
b. Copenhagen 1949
"Mødet" (The Meeting). Signed Ahlberg 02. Oil on canvas. 41 x 35 cm. Provenance: Galerie Bram, Hobro. DKK 40,000 / € 5,350
991
992 JØRGEN BOBERG CD
b. Roskilde 1940, d. 2009
"Kogt kartoffel (Pas på hovedet Hr!") (Boiled potato, Mind your head, Sir). Signed Boberg Solario juli 1989. Oil on board. 109 x 70 cm. DKK 20,000 / € 2,700 992
194
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993
993 ROJ FRIBERG CD
b. Uddevalla 1934
Landscape with lake. Signed monogram, RF 74. Charcoal on paper. Sheet size 89 x 123 cm. Provenance: Acquired directly from the artist in 1974. DKK 15,000-20,000 / € 2,000-2,700
994 JENS-FLEMMING SØRENSEN CD
b. Copenhagen 1933
"Andromeda's liberation". Signed Jens-Flemming 1974. Partially green patinated bronze on a stand of marble and wood. H. 50 cm. H. incl. base 174 cm. DKK 40,000 / € 5,350 994
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195
995 HENRY MILLER b. Yorkville 1891, d. Pacific Palisades 1980
"Frühlings Erwachen", 1957. Signed Henry Miller 5/57. Watercolour on paper. Visible size 34 x 28 cm. DKK 10,000-12,000 / € 1,350-1,600
995
996 ALEXANDRE ISTRATI CD
b. Dorohoi, Romania 1915, d. Paris 1991
Composition. Signed A. Istrati 56. Oil on canvas. 64 x 53 cm. Provenance: Mr. Knud Pedersen, Kunstbiblioteket (The Art Library), Nikolaj Plads, Copenhagen. DKK 12,000-15,000 / € 1,600-2,000
996
997 PABLO PICASSO CD
b. Malaga 1881, d. Mougins 1973
"Personnages", 1956. Bowl. Signed. Picasso, Edition Madoura, 22/100. White faience decorated in black and red. Diam. 27 cm. H. 10,5 cm. Literature: Ramié no. 355. DKK 20,000 / € 2,700 997
196
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998 JEAN DEYROLLE CD
b. Nogent-sur-Marne 1911, d. Toulon 1967
Composition. Unsigned. Tempera on paper laid down on cardboard. 73 x 55 cm. DKK 20,000 / € 2,700
999 MANUEL MARÍN CD
b. Cieza, Murcia 1942, d. 2007
Untitled. Stamped M. Marín. Standing mobile in painted iron. H. c. 110 cm. W. c. 150 cm. Unique. Provenance: Mrs. Monika Rabassa, the ar tist's widow. DKK 20,000-25,000 / € 2,700-3,350 998
999
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197
1000
1001
198
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1002
1000 JENS BIRKEMOSE CD
b. Copenhagen 1943
Composition, 2003. Signed monogram; signed and dated on the reverse. Oil on canvas. 101 x 120 cm. DKK 20,000-25,000 / € 2,700-3,350
1001 KAI LINDEMANN
1002 WILIAM SKOTTE OLSEN
b. Copenhagen 1931, d. 2007
b. Copenhagen 1945, d. s.p. 2005
Landscape, 1987. Signed Lindemann; signed and dated on the reverse. Oil on canvas. 97 x 131 cm. DKK 15,000 / € 2,000
Skriget (The Scream). Signed W.S.O. 78. Oil on canvas. 111 x 133 cm. DKK 25,000 / € 3,350
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BRUUN RASMUSSEN BREDGADE AUCTION 857
CD
199
1003 JEAN DEYROLLE CD
b. Nogent-sur-Marne 1911, d. Toulon 1967
Composition. Signed J. Deyrolle, 253. Tempera on thick paper laid down on canvas. 74 x 55 cm. DKK 20,000 / € 2,700
1003
1004 ROBERT JACOBSEN CD
b. Copenhagen 1912, d. Egtved 1993
"Le chevalier sans peur", 1966-67. Signed RJ. Patinated iron. H. 38 cm. W. 44 cm. D. 21 cm. Provenance: Galerie Birch, Copenhagen. DKK 25,000-30,000 / € 3,350-4,000
1004
200
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1005 KEHNET NIELSEN CD
b. Copenhagen 1947
Composition, 2000. Signed and dated on the reverse. Oil on canvas. 100 x 100 cm. DKK 25,000-30,000 / € 3,350-4,000
1005
1006 KEHNET NIELSEN CD
b. Copenhagen 1947
Composition, 2004. Signed and dated on the reverse. Oil on canvas. 150 x 120 cm. DKK 30,000 / € 4,000 1006
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201
1007
1007 WILIAM SKOTTE OLSEN CD
b. Copenhagen 1945, d. s.p. 2005
Composition with figures, houses and bird. Signed WSO. Oil on canvas. 98 x 137 cm. DKK 20,000 / € 2,700
1008 JENS BIRKEMOSE CD
b. Copenhagen 1943
Composition, 1999-2001. Signed and dated on the reverse. Oil on canvas with collage. 150 x 120 cm. Unframed. DKK 30,000 / € 4,000 1008
202
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1009
1009 JENS BIRKEMOSE CD
b. Copenhagen 1943
Composition, Dublin. Signed on the reverse. Oil on canvas. 114 x 146 cm. Unframed. DKK 40,000 / € 5,350
1010 M A J A L I S A ENGELHARDT CD
b. Frederiksberg 1956
Composition, 1985. Signed M.L.E.J. 85; signed and dated on the reverse. Oil on paper laid down on canvas. 148 x 115 cm. DKK 30,000 / € 4,000 1010
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203
1011 OLE SCHWALBE CD
b. Brønshøj 1929, d. Copenhagen 1990
"Sensommer" (Late Summer), 1986. Signed, titled and dated on the reverse. Oil on canvas. 92 x 83 cm. DKK 15,000 / € 2,000
1011
1012 OLE SCHWALBE CD
b. Brønshøj 1929, d. Copenhagen 1990
"Kings Arms II", 1976. Signed, titled and dated on the reverse. Oil on canvas. 80 x 72 cm. DKK 8,000-10,000 / € 1,050-1,350 1012
204
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1013
1013 JENS JØRGEN THORSEN CD
b. Vinkel near Viborg 1932, d. Copenhagen 2000
"New Heaven og Syvende Disneyland Sexomanisk Mickey Mouse" (New Heaven and 7th Disneyland - Sexomanic Mickey Mouse). Signed at all four edges Thor sen. Acrylic on canvas. 100 x 140 cm. DKK 25,000-30,000 / € 3,350-4,000
1014 JULIO LE PARC CD
b. Mendoza, Argentina 1928
"Modulation 983", 1987. Signed, titled and dated on the reverse. Acrylic on canvas. 55 x 46 cm. DKK 25,000-30,000 / € 3,350-4,000 1014
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205
1015 CLAUS CARSTENSEN CD
b. Sønderborg 1957
"Litteratur er ikke kun noget der står i bøgerne" (Literature is not only what's written the books), 1987. Signed, titled and dated on the reverse. Mixed media on board. 130 x 100 cm. DKK 15,000-20,000 / € 2,000-2,700
1015
1016
1016 JÖRG IMMENDORFF CD
b. 1945
"Kriegsbemalung (Café de Flore)", 1990. Signed Immendorff 90. Mixed media on cardboard. 47 x 34 cm. DKK 20,000-25,000 / € 2,700-3,350
1017 JOSEPH BEUYS CD
b. Krefeld 1921, d. Düsselforf 1986
"Küchenschneiderbrett", 1976-84. Signed Joseph Beuys. Pencil, stamp and label on a cutting board. 41 x 20 cm. Provenance: Galerie Moderne, Silkeborg, Denmark. DKK 20,000 / € 2,700 1017
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1018
1018 CARSTEN REGILD CD
b. Sverige 1941, d. 1992
"The Opening of the Coconuts. Consumatum est. Fan nga jogay". Signed C. Regild 83. Oil on canvas. 203 x 310 cm. Unframed. Carsten Regild worked with collage, painting, film og music. He was inspired by popart, DADA and surrealism. In 1990 Carsten Regild had a large exhibition at Kulturhuset in Stockholm with the title Terra Incognita Tur o Retur. A large retro spective exhibition with the same title took place at the Art Academy (Kunst akademiet) in Stockholm in 2006. DKK 20,000 / € 2,700
1019 TJORG DOUGLAS BEER CD
b. 1973
Composition. Signed T.D. Beer. Mixed media on canvas. 158 x 123 cm. DKK 30,000 / € 4,000 1019
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207
1020
1020 CHRISTIAN SCHMIDT-RASMUSSEN CD
b. Copenhagen 1963
"The End (first day of school)", 2007. Signed, titled and dated on the reverse. Oil on canvas. 200 x 160 cm. Exhibited: "Speak Up!", Den Frie Udstillings Bygning, Copenhagen, 2007. DKK 20,000 / € 2,700
1021 MICHAEL KVIUM CD
b. Horsens 1955
"U.T." (Untitled). Signed MK 02-04. Stoneware sculpture, decorated with white glaze on an iron base. L. 57 cm. W. 32 cm. Base H. 85 cm. L. 56 cm. W. 33 cm. DKK 40,000 / € 5,350 1021
208
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1022
1022 SHARA HUGHES b. Atlanta, Georgia 1981
"Sink", Vejby Strand, Denmark, 2008. Signed, titled and dated on the reverse. Oil on canvas. 130 x 120 cm. Provenance: Galerie Mikael Andersen, Copenhagen. DKK 25,000 / € 3,350
1023 FREDRIK RADDUM CD
b. 1973
1023
BRUUN RASMUSSEN BREDGADE AUCTION 857
"Tree Nose". Signed Fredrik Raddum 2004, 2:4. Painted polyester on a sheep skin. 50 x 85 x 50 cm. DKK 25,000-30,000 / € 3,350-4,000
209
1024
1024 GUNNAR MØLLER CD
b. Copenhagen 1946, d. s.p. 1991
"Vejen hjem" (The way home). Signed and titled on the reverse. Oil on canvas. 206 x 200 cm. DKK 20,000 / € 2,700
210
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PRINTS
Wednesday 10 June Lot 1025 - 1073
Lot 1025
Prints from Jørn Utzon’s Collection Lot. no. 1025-1036
1025
1025 FERNAND LÉGER CD
b. Argentan 1881, d. Gif-sur-Yvette 1955
"La grande Margot", 1951. Signed Leger, 47/75. Lithograph in colours. Sheet size 65 x 50 cm. Literature: Saphire no. 111. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 30,000-40,000 / € 4,000-5,350
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1026 FERNAND LÉGER CD
b. Argentan 1881, d. Gif-sur-Yvette 1955
"Paysage", 1948. Signed Leger, 61/75. Lithograph in colours. Sheet size 65 x 50 cm. Literature: Saphire no. 23. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 15,000-20,000 / € 2,000-2,700
1027 FERNAND LÉGER CD
b. Argentan 1881, d. Gif-sur-Yvette 1955
"Nature morte aux fruits", 1948. Signed Leger, 2/75. Lithograph in colours. Sheet size 50 x 65 cm. Literature: Saphire no. 18. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 15,000-20,000 / € 2,000-2,700
1026
1027
213
1028
1028 LE CORBUSIER
1029 GEORGES BRAQUE
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
b. Argenteuil 1882, d. Paris 1963
La femme rose" (Pink Woman), 1932/61. Signed Le Corbusier, 68/75. Lithograph in colours. Sheet size 68,5 x 98,5 cm. Literature: Weber p. 71. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 25,000 / € 3,350
"Hommage à J.-S. Bach". Signed G. Braque, 141/300. Etching in colours. Sheet size 56 x 77 cm. Literature: Valier, Maeght no. 1019, ill. p. 293. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 20,000 / € 2,700
CD
CD
1029
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JØRN UTZON’S COLLECTION 1030
1030 HENRI MATISSE CD
b. Cateau-Cambrésis 1869, d. Nice 1954
"Nu assis dans un fauteuil au décor fleuri", 1924. Signed Henri Matisse, 7/250. Lithograph. Sheet size 56,7 x 39,6 cm. Literature: Duthuit no. 445, the numbers 1-225 were executed especially for the "Club artistique de Copenhague". Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 50,000-75,000 / € 6,700-10,000
215
1031 LE CORBUSIER CD
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
"Autrement que sur terre" (Otherworldly), 1963. Signed in the print Le Corbusier, and L-C 63. Lithograph in colours. Sheet size 72,2 x 50 cm. Unframed. Literature: Weber p. 72. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 6,000-8,000 / € 805-1,050
1031
1032 LE CORBUSIER CD
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
Composition. Signed in the print L-C, 108/125. Lithograph in colours. Sheet size 69,5 x 54 cm. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 6,000-8,000 / € 805-1,050 1032
1033 1033
216
JØRN UTZON’S COLLECTION 1034
1033 LE CORBUSIER
1034 LE CORBUSIER
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
“Série Panurge”, 1961/62. Complete portfolio with five rhoroid etchings. Signed on the colophon Le Corbusier, 25/150. Each sheet signed L-C in the print. Le Corbusier engraved these five prints at Cap Martin in summer 1961. Printed by Mourlot in Paris in 1962. Sheet sizes 56 x 45,5 cm. In original portfolio. (5) Literature: Weber p. 48-51. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 15,000-20,000 / € 2,000-2,700
Portrait, 1940/43/60. Signed Le Corbusier, 74/75. Lithograph in colours. Sheet size 83 x 66 cm. Literature: Weber p. 69. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 25,000 / € 3,350
CD
CD
217
1035
1035 LE CORBUSIER CD
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
"Petite Confidences", 1957. Complete portfolio with ten rhoroid etchings. Signed on the colophon Le Corbusier, no. 127. Each sheet print signed L-C. Le Corbusier engraved these ten prints at Cap Martin in summer 1957. Printed by Mourlot in Paris in 1960. Sheet sizes 56,7 x 45,7 cm. In original portfolio. (10) Literature: Weber p. 44-47 (Rhoroid: This special technique of engraving was invented by Le Corbusier. He used a thick film of cellulose acetate on which he applied black colour, into which he etched the lines, forms or composition. It was then ready to copy). Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 20,000-25,000 / € 2,700-3,350
218
JØRN UTZON’S COLLECTION 1036
1036 ASGER JORN CD
b. Vejrum 1914, d. Århus 1973
16 compositions from Jubilæumsserien (The Jubilee series). All signed Jorn, 63. Various numberings, resp. 45/50, 46/50, 47/50, 48/50, 48/50, 13/50, 47/50, 47/50, 46/50, 47/50, 45/50, 47/50, 40/50, 37/50, 45/50 and 46/50. Lithographs in colours. Sheet sizes 62 x 46 cm. Unframed. Not complete. (16) Literature: The complete series is illustrated in Van de Loo pp. 267-287. Provenance: In the mid 1960s the architect Jørn Utzon made some drawings for a new museum in Silkeborg after request from Asger Jorn. Asger Jorn gave Jørn Utzon lthese 16 lithographs as payment for the drawings. Provenance: Architect Jørn Utzon, hence by descent in the family. DKK 60,000-80,000 / € 8,050-10,500
219
1037 HENRI MATISSE CD
b. Cateau-Cambrésis 1869, d. Nice 1954
"Le bonnet fleuri", 1929. Signed Henri Matisse, 21/25. Engraving on Chinese paper laid down on Arches. Visible size 27 x 33,5 cm. Literature: Duthuit-Garnaud no. 143. Exhibited: Kunstforeningen, Co penhagen, 1967, cat. no. 86. DKK 25,000 / € 3,350
1037
1038 MARC CHAGALL CD
b. Vitebsk 1887, d. St. Paul de Vence 1985
"Les Danseurs a la lune", 1967. Signed Marc Chagall, 15/35. Engraving. Sheet size 50 x 37 cm. DKK 20,000 / € 2,700 1038
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1039 GEORGES BRAQUE CD
b. Argenteuil 1882, d. Paris 1963
"Perséphone", 1948. Signed G. Braque, 14/50 and signed in the print. Woodcut in colours. Visible size 47 x 35 cm. Literature: Valier no. 38. DKK 20,000 / € 2,700
1039
1040 MARC CHAGALL CD
b. Vitebsk 1887, d. St. Paul de Vence 1985
"Granada", 1962. Signed Marc Chagall, 4/15. Printed by J. Frélaut. Etching in seven colours on Japan paper. Visible size 37 x 27 cm. Literature: Kornfeld no. 121 III c. DKK 25,000-30,000 / € 3,350-4,000 1040
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1041 EDVARD MUNCH b. Løten, Hedmark 1863, d. Ekely 1944
Fru Marie Linde" (Mrs Marie Linde). Signed Edv. Munch. Lithograph. Visible size 64 x 50 cm. Literature: Woll no. 222. Literature: Schiefler no. 190. Exhibited: Kunstforeningen, Copenhagen, 1967, cat. no. 87. DKK 30,000 / € 4,000
1042 J . F. W I L L U M S E N CD
b. Copenhagen 1863, d. Cannes 1958
"Frugtbarhed" (Fertility). Signed in the print J.F. Willumsen jvier 1891. Etching and aquatint. Visible size 30 x 37 cm. Literature: Sigurd Schultz: "Willumsens grafik", Copenhagen, 1961, no. 17. Literature: J.F. Willumsen: "Mine erindringer fortalt til Ernst Mentze", Copenhagen 1953, ill. p. 77. Literature: Merete Bodelsen: "Willumsen i halvfemsernes Paris", Copenhagen, 1957, ill. p. 33. Literature: Henrik Wivel: "Ny Dansk Kunsthistorie. Bind 5. Symbolisme og impressionisme", Copenhagen, 1994, ill. and mentioned p. 26. Provenance: The work is the original version that was shown in Copenhagen at Den Frie Udstillings first exhibition in 1891. The artist gave the work to Johan Rohde, and since by descent in the family. DKK 12,000-15,000 / € 1,600-2,000
1041
1042
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1043
1043 MAURITS CORNELIS ESCHER CD
b. Leeuwarden 1898, d. Laren 1972
"Day and Night", 1938. Signed M.C. Escher, eigendruck and in the print monogram, II38. Woodcut on Japan paper. Visible size 48,5 x 76 cm. Literature: Bool no. 303. Provenance: Acquired by the present owner from the artist's son, Arthur Escher, in connection with his stay in Denmark in the 1960s. DKK 125,000 / € 16,500
1044 NIKOLAI ASTRUP I b. Bremanger 1880, d. Førde 1928
"Sct. Hans" (Midsummer bonfire). Signed N.A. Woodcut on rice paper. Visible size 35 x 33 cm. Provenance: Acquired in Bergen by the present owners grand parents. DKK 20,000-30,000 / € 2,700-4,000 1044
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1045
1045 SERGE POLIAKOFF
1046 SERGE POLIAKOFF
b. Moskva 1900, d. Paris 1969
b. Moskva 1900, d. Paris 1969
"Composition verte, bleue a rouge", 1965. Signed Serge Poliakoff, 59/75. Lithograph in colours. Sheet size 48 x 64 cm. Literature: Schneider no. 48. DKK 25,000 / € 3,350
"Composition jaune, verte, bleue a rouge", 1956. Signed Serge Poliakoff, 56/220. Lithograph in colours. Visible size 36 x 53 cm. Literature: Schneider no. 10. DKK 20,000 / € 2,700
CD
CD
1046
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1047
1047 SERGE POLIAKOFF
1048 PIERRE SOULAGES
b. Moskva 1900, d. Paris 1969
b. Rodez 1919
"Composition jaune, bleue a rouge", 1969. Signed Serge Poliakoff, 22/80. Lithograph in colours. Visible size 71 x 102 cm. Literature: Schneider no. 73. DKK 60,000-70,000 / € 8,050-9,400
"Lithographie No. 39", 1977. Signed Soulages, 40/115. Lithograph in colours. Sheet size 56 x 76 cm. Literature: Pierre Encrevé & Marie-Cécile Miessner, cat. 88. DKK 20,000 / € 2,700
CD
CD
1048
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1049
1049 PABLO PICASSO CD
b. Malaga 1881, d. Mougins 1973
"Peinture a Modèle", 1963 (18/11/63). Signed Picasso, 15/50. Etching. Sheet size 45 x 55 cm. Literature: Bloch no. 1132. DKK 25,000-30,000 / € 3,350-4,000
1050 LE CORBUSIER CD
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
Composition. Signed Le Corbusier, XXII/XXX and in the print L-C 16, 13/8/53. Engraving and aquatint in colours. Visible size 45 x 33,5 cm. DKK 15,000-20,000 / € 2,000-2,700 1050
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1051
1051 F R I E D E N S R E I C H HUNDERTWASSER CD
b. Wien 1928, d. New Zealand 2000
"Regen auf Regentag" (A rainy day on the Regentag), 1971/1972, Opus 676A. Signed Hundertwasser, 59/300 (585/3000). Silkscreen in colours. Visible size 45 x 65 cm. Literature: Koschatzky no. 48. DKK 20,000 / € 2,700
1052 LUCIO FONTANA CD
b. Argentina 1899, d. Varse 1968
"Concetto Spaziale". Signed L. Fontana, Provo d'artiste III/X. Etching with vertical cut executed by the artist. Sheet size 20 x 14 cm. Literature: Ruhé & Rigo no. E-2. DKK 8,000-10,000 / € 1,050-1,350 1052
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1053
1053 CARL-HENNING PEDERSEN CD
b. Copenhagen 1913, d. s.p. 2007
"The H.C. Andersen Suite". Portfolio with 24 lithographs in colours. All signed Carl-Henning Pedersen 1985, 164/250. Sheet sizes 76 x 56 cm. Unframed. (24) DKK 50,000 / € 6,700
1054 ASGER JORN CD
b. Vejrum 1914, d. Århus 1973
"Komiteen til udbredelse af dansk skønhed i udlandet" (Council for the propagation of Danish beauty in foreign countries). Signed Jorn 53. Edition of 25. Woodcut in colours. Sheet size 46 x 52 cm. Literature: Van de Loo no. 124. DKK 25,000-30,000 / € 3,350-4,000 1054
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1055 ASGER JORN CD
b. Vejrum 1914, d. Århus 1973
"Occupations 1939-1945", 1960. Complete portfolio. All sheets signed Jorn, 39-45 resp., 42/50. Published by Galerie Rive Gauche, Paris. Printed by R. Tamburro, Paris. Engravings. Sheet sizes 28 x 38 cm. (23) Literature: Van de Loo no. 45-67. DKK 100,000-125,000 / € 13,500-16,500
1056 KAREL APPEL CD
b. Amsterdam 1921, d. Zürich 2006
"Paysage mystérieux". Signed Appel 59, épreuve d'artiste. Lithograph in colours. Visible size 52 x 65 cm. DKK 10,000 / € 1,350 1056
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1057 PIERRE ALECHINSKY CD
b. Bruxelles 1927
Composition. Signed Alechinsky, 48/99. Etching with pochoir. Visible size 55 x 44 cm. DKK 15,000 / € 2,000
1057
1058 PIERRE ALECHINSKY CD
b. Bruxelles 1927
Composition. Signed Alechinsky, 90/99. Etching in colours with pochoir. Visible size 71 x 56 cm. DKK 15,000 / € 2,000 1058
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1059 MARTIN KIPPENBERGER CD
b. Dortmund 1953, d. Wien 1997
"Arthur Køpcke i Landlyst", 1996. Unsigned, 3/25. Signed Nachlass Martin Kippenberger with embos sed stamp. Printed by Niels Borch Jensen, Copenhagen. Published by "Arthur Køpckes Mindefond", Copenhagen, 1997. Etching. Sheet size 49 x 38 cm. Unframed. DKK 12,000-15,000 / € 1,600-2,000
1059
1060 GEORG BASELITZ CD
b. Deutschbaselitz 1938
Composition. Signed Baselitz 84-87, 5/20. Woodcut in colours. Sheet size 124 x 87 cm. DKK 20,000 / € 2,700
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1061 MARTIN KIPPENBERGER CD
b. Dortmund 1953, d. Wien 1997
"1/2 Køpcke; 1/2 Kippenberger", 1996. Unsigned, 7/25. Signed Nachlass Martin Kippenberger with embossed stamp. Printed by Niels Borch Jenen, Copernhagen. Published by "Arthur Køpcke's Mindefond", Copenhagen. Etching. Sheet size 49 x 38 cm. Unframed. DKK 15,000-20,000 / € 2,000-2,700 1061
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1062 JIM DINE b. Cincinnati, Ohio 1935
"Picabia I (Cheer)". Signed Jim Dine, 1971, 1/75. Lithograph with hand colouring/collage. Sheet size 137 x 92 cm. DKK 15,000-20,000 / € 2,000-2,700
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1063 JIM DINE b. Cincinnati, Ohio 1935
"Picabia II (Forgot)". Signed Jim Dine, 1971, 1/75. Lithograph with hand colouring/collage. Sheet size 137 x 92 cm. DKK 15,000-20,000 / € 2,000-2,700
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1064 JIM DINE b. Cincinnati, Ohio 1935
"Picabia III (Groans)". Signed Jim Dine, 1971, 1/75. Lithograph with hand colouring/collage. Sheet size 137 x 92 cm. DKK 15,000-20,000 / € 2,000-2,700 1064
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1065 PETER DOIG CD
b. Edinburgh 1959
"Paragon", 2005. Signed Doig 05, 23/35. Aquatint in colours. Sheet size 57 x 45 cm. Provenance: Galleri Bo Bjerggaard, Copenhagen. DKK 20,000-25,000 / € 2,700-3,350
1065
1066 DONALD JUDD b. Excelsior Springs, Missouri 1928, d. Manhattan, New York 1994
"Untitled": one plate, 1974. Signed Judd, 24/70. Aquatint on Etching paper. Sheet size 106,7 x 74,9 cm. Literature: Editions Schellmann no. 84. DKK 15,000-20,000 / € 2,000-2,700 1066
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1067 JOAN MIRÓ CD
b. Barcelona 1893, d. Palma de Mallorca 1983
Composition, Exposition à la Galerie Matarasso, Nice. Signed Miro 1957, 95/125. Lithograph in colours. Sheet size 63 x 48 cm. Literature: Maeght no. 179. Provenance: Private collection, Denmark. DKK 8,000-10,000 / € 1,050-1,350
1067
1068 JOAN MIRÓ CD
b. Barcelona 1893, d. Palma de Mallorca 1983
Composition from the series "Album 19", 1961. Signed M, 15/75. Lithograph in colours. Visible size 65 x 50 cm. Literature: Maeght no. 248. DKK 15,000-20,000 / € 2,000-2,700
1068
1069 JOAN MIRÓ CD
b. Barcelona 1893, d. Palma de Mallorca 1983
"Arlequin Circonscrit", 1973. Signed Miró, 64/75. Lithograph in colours. Sheet size 75 x 52 cm. Literature: Maeght/Cramer no. 887. DKK 20,000 / € 2,700 1069
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1070 JAMES COIGNARD
1071 JOAN MIRÓ
b. Tours 1925, d. Cannes 2008
b. Barcelona 1893, d. Palma de Mallorca 1983
Composition. Signed J. Coignard, 46/50. Carborundum double print with applications. Sheet size 66 x 98 cm. DKK 15,000 / € 2,000
"La Gréve Noire", 1973. Signed Miró, 40/50. Editeur Maeght, Paris and printed by Morsang, Paris. Etching, aquatint and carburundum in colours. Sheet size 60 x 138 cm. Literature: Dupin no. 576. DKK 50,000 / € 6,700
CD
CD
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1072 MAURICE ESTÈVE CD
b. Culan, Cher 1904, d. 2001
Grisandes", 1966. Signed Esteve, 63/100. Lithograph in colours. Visible size 69 x 52 cm. Literature: Prudhomme & Moestrup no. 39. DKK 15,000 / € 2,000
1072
1073 HANS SCHERFIG CD
b. Copenhagen 1905, d. Fredensborg 1979
"Elefant". Signed Scherfig 1971, 42/150. Lithograph in colours. Sheet size 74 x 54,5 cm Literature: Lamberth p. 155 no. 738. DKK 10,000 / € 1,350 1073
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PHOTOGRAPHS
Wednesday 10 June Lot 1074 - 1124
Lot 1633
BRASSAï / by night The section of fine photography opens with a selection of notable photographs by the influential Hungarian-French photographer Guyla Halasz (1899-1994), better known as Brassaï. Among the selection of photographs by Brassaï are a number of his iconic images from nocturnal Paris in the early 1930s. Brassaï was infatuated with Paris and used the camera to explore the city, when he started photographing in the late 1920s. Like many other Hungarian artists and intellectuals he had moved to Paris in the mid 1920s. His friend, the renowned photographer André Kertész, introduced him to photography and with the camera at hand he began wandering the streets at night, visiting the dance halls, cafés, street fairs and brothels. He got close to the prostitutes, customers, homosexuals and criminals inhabiting these venues and won their confidence. In turn they gave him permission to photograph their ‘secret’ life, work and leisure time in the Parisian night. One of the photographs presented is known from his first, influential and groundbreaking work “Paris de Nuit” (catalogue number 1075) and others from his ‘Secret Paris’ project (catalogue number 1076, 1077 and 1078) – a project he had wanted to realize since “Paris de Nuit” in 1933. However his collection of photographs of the secret nightlife of Paris were not published until 1976 in “The Secret Paris of the Thirties”. Where “Paris de Nuit” was a photographic walk through the Parisian streets at night, “The Secret Paris of the Thirties” revealed the Parisian night-life of the decade from within, focusing on its vast variety of people and lifestyles, that thrived in the darkness of night. The British Magnum photographer Martin Parr has noted in his history of photobooks that “Brassaï’s nocturnal vision of Paris is so well known, and his book Paris de Nuit (Paris by Night) has been so influential – the first in a long line of noctambulations by photographers [...] one should think of it as amongst the best produced and influential photobooks ever.” (Martin Parr, 2014. p. 134). Brassaï’s photographic vision and method have inspired a wide range of photographers, e.g. Robert Doisneau, Diane Arbus and Weegee, whose work is also presented at this auction. Specialist in photography, Christine Almlund, will be giving a short talk about Brassaï and the works presented on Friday 29 May at 3 pm at the preview in Bredgade.
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1074
1074 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
Place de l'Opéra, Paris, c. 1930-32. Vintage gelatin silver print, with artist's Rue de Faubourg credit stamp. Printed before 28 may 1939. Framed. Visible size 16,5 x 22,2 cm. Exhibited at Fotografisk Center, Copenhagen. 2001. Literature: Den Svenska Bildtidningen (SE), # 21, 28 May 1939; Schwander: Skønhed. 2001, p. 30-31. Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. Kurt Ernst Schneider was apprenticed to the famous film instructor Fritz Lang as film photographer. In 1936 he moved to Copenhagen, married a Danish woman and founded Ifot photo agency. He visited many of the best photographers in the world, including Brassaï and the Magnum founders, Capa, Chim and Cartier-Bresson and assisting in editing photographs for photo stories in photographic magazines. By 1938 Ifot was supplier of photographs to e.g. the Danish magazine Billedbladet and the Swedish magazine Den Svenska Bildtidningen. DKK 50,000 / € 6,700
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1075
1075 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
"Place d'Italie/Fete Foraine", c. 1931. Vintage gelatin silver print, entitled in pencil and with artist's Rue de Faubourg credit stamp on verso. Printed in reverse. Printed before 1939. Framed. Visible size 16,5 x 22,5 cm. The photograph here presented is a rare variant copy of one of Brassaï's iconic photographs published in his pioneering book "Paris de Nuit" from 1933 (photograph number 22). The publisher of this important book kept the negatives of Brassaï's photographs after it was printed and they were not found again until 1984, thus vintage prints of Brassaï's photographs from this work are extremely rare and almost only exist in variant copies, like this one. Exhibited at Fotografisk Center, Copenhagen. 2001. Literature: Brassaï: Paris de Nuit. 1933, photo # 22; Brassaï: The Secret Paris of the 1930s. 1976, The Street Fairs of Place d'Italie, n.p.; Lars Schwander: Skønhed. 2001. p. 32; Martin Parr, The Photobook, vol. I, 2014. p. 134; Anne Wilkes Tucker: "The Eye of Paris". Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. DKK 50,000 / € 6,700
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1076
1076 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
"Bal de la Montagne Sainte-Geneviève", c. 1931. Vintage gelatin silver print, with the artist's Rue de la Glaciere credit stamp. Printed before 1936. Framed. Visible size 20,8 x 14,2 cm. The photograph here presented is from Brassaï's 'Paris intime' (Secret Paris) project which took him more than 40 years to realise. It was taken at Bal de la Montagne Sainte-Geneviève in 1931: "When the music wasn't playing, the place was like an ordinary popular dance hall, the customers chatting and sipping varicolored drinks - pink, green, purple. But when the band launched into a java, a waltz, however, the ambiguity knocked one over. On the floor were only couples of men or couples of women... never a woman and a man [...] The high season at this dance hall occurred at Mardi Gras and Mid-Lent. The hall would be packed with costumed customers, men dressed as women, women dressed as men, jostling each other and fighting the crush on the tiny dance floor until dawn." Brassaï, The Secret Paris of the Thirties, 1976, n.p. Exhibited at Fotografisk Center, Copenhagen. 2001. Literature: Brassaï: The Secret Paris of the 1930s. 1976, The Ball de la Montagne Sainte-Geneviève, n.p.; Schwander, Skønhed. 2001, p. 36; Wilkes Tucker: Eye of Paris. 1999, p. 38-47. Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. DKK 50,000 / € 6,700
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1077 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
"Homosexual ball at Magic City, Rue Cognac-Jay", c. 1932. Vintage gelatin silver print, entitled in pencil and with artist's Rue de la Glacière credit stamp on verso. Printed before 1936. Framed. Visible size 22,7 x 16,5 cm. The photograph here presented is a variant of one of Brassaï's famous photographs from the homosexual balls at Magic City in 1932-33: "I attended a strange ball: the last of the big homosexual ball at Magic City. The cream of Parisian inverts was to meet there, without distinction as to class, race, or age. And every type came, faggots cruisers, chickens, old queens, famous antique dealers and young buthcerboys, haridressers and elevator boys, well known dress designers and drag queens, The Duchess Zoé, the Peruvian, Mimosa and Peaches, Mignon and Divine, the Blonde and Notre-Dame-des-Fleurs, the Baron de Charlus and the tailor Jupien, every Albert and André metamorphosed for this great night into Andrée and Albertine." Brassaï: The Secret Paris of the Thirties", 1976. n.p.
1077
"Brassaï never felt an obligation to print the full negative of his original image and sometimes printed only a small portion of the whole [...] Brassai often changed his mind about how to crop a picture, leaving more of the image on the sides or top in different prints. "Wilkes Tucker: The Eye of Paris", 1999, p. 158. Exhibited at Fotografisk Center, Copenhagen. 2001. Literature: Brassaï: The Secret Paris of the Thirties, 1976. n.p.; Schwander: Skønhed. 2001. p. 35; Wilkes Tucker: The Eye of Paris, 1999, p. 158. Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. DKK 50,000 / € 6,700
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1078 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
"Couple at the Bal Nègre, Rue Blomet", c. 1932. Vintage gelatin silver print, lacking artist's stamp, but with stamp from Den Svenska Bildtidningen, dated 28 may 1939. Printed before 28 May 1939. Framed. Visible size 17,2 x 13,4 cm. This famous photograph is from the black dance hall at Rue Blomet in Paris, a place that became much sought after in a period after World War I, especially by the Parisian women, Brassaï claims: "As though the carnage of the war had inspired a sudden sexual frenzy, white women - drunk on their own bodies and forgetting that contact with a Negro had once been schocking were irresistibly drawn to the Vth arrondissement, the Harlem of Paris." Literature: Brassaï: The Secret Paris of the Thirties. 1976. Bal Nègre de la Rue Blomet, n.p.; Den Svenska Bildtidningen, no. 21, May 28, 1939. Frontcover. Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. DKK 50,000 / € 6,700
1078 1079
1079 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
"Prelude aux course de chevaux", c. 1936-1938. Vintage gelatin silver print, with artist's Rue de Faubourg credit stamp on verso. Framed. Visible size 23 x 17,5 cm. Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. DKK 15,000-20,000 / € 2,000-2,700
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BRASSAï / by day Brassaï’s photographs of Paris in the 1930s broke new ground and made him world famous almost instantaneously after the publication of his first nocturnal photographs. His friend the author Henry Miller named him “The Eye of Paris”. This sympathetic eye for composition, place and not least people was sought after and Brassaï became a highly respected commercial photographer working for several of the pictorial magazines like VU, The Picture Post, Harpers Bazaar and others that had become exceptionally popular all over Europe and in the US since the mid-1920s. On the next pages we present a selection of his day-time photographs from travels to various regions of France in the 1930s and early 1940s. The photographs all have a humanistic and positive atmosphere and as with his nocturnal photographs they were well prepared, focusing on the characteristics of the region or city. In the photo sequences of the cocardieres in Provence, the pedalo pick-up on Cote d’Azur as well as in the photographs of the glacier climbers and mountaineers in the Alps (catalogue number 1080 - 1083) Brassaï distinctly captures an activity that is essential to each region’s culture or daily life – without superfluous details, but with his characteristic, poetic eye for the situation.
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1080
1080 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
"La course à cocarde en Provence", Les Saintes-Marie-de-la-Mer, c. 1936. Series of 7 photographs. Vintage gelatin silver prints, with artist's Rue de Faubourg credit stamp on versos. Printed in the late 1930s. All Framed. Visible sizes: 3 photos measure 22 x 28 cm, 4 photos measure 23 x 17 cm. Enclosed typewritten manuscript for an article accompanying the photographs entitled "La course à cocarde en Provence", no date. 1 page with handwritten corrections. All framed. (8) In this action filled photo secquence from Provence in Southern France, Brassaï captures the intense atmosphere of the cocarde run - the region of Provence's version of bull-fighting. The cocardieres young men dressed in white - has to fetch the cocarde with a comb from between the bull's horns. A milder and more elegant version of bull fighting, according to the manuscript accompanying the photographs. Provenance: From the artist to the German-Danish photographer and photo agency owner Kurt Ernst Schneider (1914-1981), to the present owner, a Danish collector. DKK 80,000 / € 10,500
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1080
1080
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1080
1080
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1081
1081 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
Glacier climber, Glacier de Bossons, c. 1937. Vintage gelatin silver print, with artist's credit stamp on verso. Printed no later than 1938. 22,3 x 17,8 cm. DKK 10,000 / € 1,350
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1082
1082 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
Glacier climber, Glacier de Bossons, c. 1937. Vintage gelatin silver print, with artist's stamp on verso. Lower right corner cut. Printed no later than 1938. 23,1 x 17,4 cm. DKK 10,000 / € 1,350
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1083
1083 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
Pedalo Pick-Up at the Beach, no date. Series of 6 vintage gelatin silver prints, all with artist's credit stamp on versos. Printed no later than 1943. All c. 17,1 x 23,3 cm. (6) DKK 30,000 / € 4,000
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1083
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1083
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1084 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
Bears, no date. Vintage gelatin silver print, with artist's Rue de Faubourg credit stamp. Annotated: "Coll.Florent Fels". 23,3 x 17,8 cm. DKK 10,000 / € 1,350
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1085
1085 BRASSAÏ CD
b. 1899, d. 1994, pseud. for photographer Gyula Halász
Mountaineer, no date. Vintage gelatin silver print, with artist's credit stamp on verso. Some wear to edges and corners. Printed no later than 1943. 23,6 x 17,8 cm. DKK 10,000 / € 1,350
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1086 LOUIS-RÉMY ROBERT b. 1810, d. 1882, photographer
La gouvernante Manufacture de Sèvres, c. 1850. Salted paper negative. 28,4 x 22 cm. This rare paper negative photograph by the French artist and photography pioneer Louis-Rémy Robert of the governess of the Sèvres Porcelain Factory is from the earliest years of photography. Robert grew up at the Royal Porcelain Factory in Sèvres on the outskirts of Paris, where his father was head of the glass painting atelier. A position he later assumed himself. The village and it's countryside attracted artist's who inspired each other including Robert, who began experimenting with paper print photography around 1850, around the time this paper negative is from. In 1852 the well known chemist and pioneering photographer, Regnault, became director of the factory. The two men inspired each others work. His pioneering work concentrated on portraits of friends and families, still lifes of the products from the factory and landscape and architectural studies. Literature: Malcolm Daniel: "Louis-Rémy Robert (18101882)". The Metropolitan Museum of Art, 2000. DKK 50,000-60,000 / € 6,700-8,050
The image shows the paper negative as a developed print.
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1087
Karl Struss The American photographer and cinematographer Karl Struss is probably most known for his work as camera man on many notable films, including Charles Chaplin’s “The Great Dictator” and “Limelight”. But he was also a notable photographer and part of the pictorialists group called Photo-Secession, founded by the avantgarde modernist photographer Alfred Stieglitz, which sought to promote photography as a fine art. Eight of his photographs were published in the April 1912 issue of “Camera Work”, one of the most well respected avantgarde publications on photography, published from 1903-1917 and edited by Steiglitz. Struss’s series “The Female Figure” was created in the same period and published in 1917.
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1087 KARL STRUSS
1088 KARL STRUSS
b. 1886, d. 1981, photographer
b. 1886, d. 1981, photographer
Untitled, from the series "The Female Figure", 1913-1917. Vintage gelatin silver print on tissue, with copyright mark in the negative, mounted on board. Board with Karl Struss Estate stamp on verso. 23,1 x 18,5 cm. DKK 10,000-15,000 / € 1,350-2,000
"Nude with a fan" from the series "The Female Figure", 1917. Vintage gelatin silver print on tissue, with copyright mark in the negative, mounted on board signed by the artist. Board with Karl Struss Estate stamp on verso. 24,1 x 18,2 cm. DKK 10,000-15,000 / € 1,350-2,000
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1089 LOUIS-RÉMY ROBERT b. 1810, d. 1882, photographer
Marie Antoinette's Cottage, Parc de Versailles. c. 1852. Waxed paper negative. 34,5 x 26,5 cm. This photograph of Marie Antoinette's cottage is from the very early years of photography by the French artist Louis-Rémy Robert. His pioneering photographs from the early 1850s concentrated on portraits of friends and families, still lifes of the products from the factory and landscape and architectural studies like the one here presented. DKK 15,000-20,000 / € 2,000-2,700 The image shows the paper negative as a developed print.
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1090 LUCIA MOHOLY CD
b. 1894, d. 1989, photographer
Bauhaus architecture, c. 1926/1927. Vintage gelatin silver print, with annotations in pencil on verso. 22,8 x 16,2 cm. This photograph is from the Bohemian-born British photographer Lucia Moholy's series of Bauhaus photographs documenting the architecture, interiors, lives and works of the leading artists of the Bauhaus school. It was taken during her and her husband, the groundbreaking photographer Lazlo Moholy-Nagy's, stay at the Bauhaus school in the mid 1920'ies. They worked close together and she co-wrote the work on Bauhaus photography "Malerei, Photografie, Film" (1925/1927), which was published solely under her husbands name. "Her documentary practice was representative of a 'New Objectivity' which aimed to capture a subject as closely as possible to reality, without subjecting it to selfrepresentation by the artist." Literature: Helen Trompeteler: National Portrait Gallery / Lucia Moholy. Photomonitor.uk; Jeannine Fiedler (ed.): Photography at the Bauhaus. 1990, ill. p. 193. Provenance: The Neumann-Hug Collection, Switzerland. DKK 10,000-15,000 / € 1,350-2,000
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1091 GERMAINE KRULL b. 1897, d. 1985, photographer
2 landscapes taken from a church clock tower, from the "Métal" portfolio, c. 1925-1927. 2 vintage gelatin silver prints, mounted on cardboard. Mount annotated in pencil on verso "Plate 10, Métal". Both 12,2, x 17,2 cm.
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The two photographs here presented are from The German-Polish photographer Germaine Krull's now very sougth after work, the modernist photobook Métal (1927) which introduced German 'New Objectivity' (Neue Sachlichkeit) photography to France, sharply emphasizing the abstract forms of industry. "She was one of the first women photographers to create a new type of technical product without spectacular imaging rhetoric." Misselbeck: Reinhold Misselbeck: 20th Century Photography. Taschen 2012, p. 365.
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"Compared to the classical, somewhat static studies of Charles Sheeler or Albert Renger-Patzsch, Krull's views of industrial structures in Holland and Paris - including that icon of modern engineering, the Eiffel Tower - seem more fluid and poetic, much more 'modern', reproducing the jagged angles of New Vision photography and the fractured spaces of the futurists [...] Métal is several steps ahead of her nude portfolio, and sealed her international reputation as a leading modernist." Martin Parr: The Photobook. 2014, p. 95. DKK 40,000-60,000 / € 5,350-8,050
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1092 ANDRÉ KERTÉSZ CD
b. 1894, d. 1985, photographer
Hay Stacks on a Riverside and Church Decorations, c. 1929-1931. 2 vintage gelatin silver prints, with the artist's Montparnasse credit stamp on versos. Annotated in pencil on versos. Printed 1929-1931. 22,6 x 16,6 cm and 16,3 x 21,6 cm. (2) The photographs here presented are from the world renowned photographer and master of composition, André Kertész's, French period. Like so many other Hungarian artists and intellectuals in the mid-1920s Kertész chose to move to Paris in 1925. He lived there until 1936 before moving to USA. Both photographs are stamped with his Montparnasse credit stamp which he used between 1929 and 1931. DKK 15,000-20,000 / € 2,000-2,700 1092
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1093 ANDRÉ KERTÉSZ CD
b. 1894, d. 1985, photographer
The Arc-un-Ciel Marionette Theater, Montparnasse, c. 19291930. Vintage gelatin silver print, no artist's credit stamp. Annotated in pencil on verso. 20,9 x 17,9 cm. This photograph is from André Kertész's French period. In 1930 he lived in the Montparnasse area where he became friends with Geza Blattner who was leader of the local experimental marionette theatre group Arc-un-Ciel. He shot a series of photographs of the members and their working process. The photograph is also presented in the collection of The Taft Museum of Art, Cincinnati, Ohio. DKK 10,000-15,000 / € 1,350-2,000
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Robert Doisneau The French “street” photographer Robert Doisneau is particularly famous for his humanistic photographs of the life of the Parisian suburbs in the 1940s and 50s. Like the slighly older photographer Brassaï he liked to record the night life, the café routines as well as every day life on the streets. The photographs here presented show one of his favorite themes: local wedding receptions and processions in the cafés and streets of Paris.
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1094 ROBERT DOISNEAU CD
b. 1912, d. 1994
"La stricte Intimité", [1945]. Vintage gelatin silver print, with artist's credit stamp on verso. Printed no later than 1952. 24,5 x 18 cm. Doisneau's "La stricte Intimité" depicts a very private situation of a newly wed couple on their way to a nearby cafe to celebrate their union. The famous photograph was published in Blaise Cendrar's and Robert Doisneau's important photobook "La Banlieu de Paris" from 1949 (photograph #19) and is today presented in the collections of MoMa, New York and Stedelijk Museum, Amsterdam. DKK 8,000-10,000 / € 1,050-1,350
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1095 ROBERT DOISNEAU CD
b. 1912, d. 1994
Bride and groom kissing, no date [c. 1952]. Vintage gelatin silver print, with artist's credit stamp on verso. Printed no later than 1952. 24,5 x 18 cm. DKK 8,000-10,000 / € 1,050-1,350
1096 ROBERT DOISNEAU CD
b. 1912, d. 1994
Wedding procession, no date [c. 1952]. Vintage gelatin silver print, with artist's credit stamp on verso. Printed no later than 1952. 24,5 x 18 cm. DKK 8,000-10,000 / € 1,050-1,350 1096
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1097 ROBERT DOISNEAU
1098 ALFRED EISENSTAEDT
b. 1912, d. 1994
b. 1898, d. 1995
Men of the French resistance printing posters during the war, c. 1940-1945. 2 vintage gelatin silver prints printed on Agfa-Brovira wartime paper, with artist's credit stamp on versos. Annotations on versos. Both c. 20 x 18 cm. (2) DKK 12,000-15,000 / € 1,600-2,000
"Lessons at La Scala's ballet school", Milan, 1934. Ed. 46/250. Gelatin silver print, signed and numbered on recto. Printed at Life Photo Lab 1994. Framed. Visible size 30 x 46 cm. Provenance: Private Danish collection. DKK 50,000 / € 6,700
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Weegee The American photographer known as Weegee is regarded as the American counterpart to Brassaï. His photographs of the nightlife, bars and crime scenes in the streets of New York in the 1930s and 1940s are today iconic. In the late 1940s he began working insistently with new developing techniques and made a series of distortion photographs of notabilities made with a kaleidoscope in front of the lens. These distortions include this sequence of Picasso - an interesting photographic experiment that parallels Picasso’s own multi-facetted paintings. “The results go far beyond fun-house mirror distortions. They demonstrate both the surface elasticity and inner lives of images, showing them to be wildly polymorphus and bubbling with conflict emotions [...] for the most part his late work parlayed the visceral, somewhat nasty edge of his street work into a suitable physical, rough-and-tumble darkroom technique. The images resonate with Surrealism, animation, political cartooning and, most recently, photo appropriation. They give further expression to the instinct for brutality and beauty, often in tandem, that made him famous in the first place.” Roberta Smith: Art in Review; Weegee. New York Times, 7 July 2000. Photographs from Weegee’s “Picaso-Monster” series are also in the collections of International Center of Photography, New York and Indianapolis Museum of Art, Indiana.
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1099 WEEGEE (PSEUD. FOR ARTHUR FELLIG) b. 1899, d. 1968, photographer
"Series 2, Picaso Abstract Peri", c. 1960. 2 vintage gelatin silver prints, one titled by the artist on recto and signed on verso. The other with no credit stamps or annotations. 25,3 x 18,9 cm and 23,8 x 17,6 cm. (2) DKK 10,000-15,000 / € 1,350-2,000
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1100 WEEGEE (PSEUD. FOR ARTHUR FELLIG) b. 1899, d. 1968, photographer
"Picaso-Monster Periop", c. 1960. Vintage gelatin silver print, titled by artist on recto and with artist's credit stamp on verso. 24,4 x 18,4 cm. DKK 10,000-15,000 / € 1,350-2,000
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1101 WEEGEE (PSEUD. FOR ARTHUR FELLIG) b. 1899, d. 1968, photographer
"Series 2, Picaso Head up Periop", c. 1960. Vintage gelatin silver print, titled by artist on recto, signed on verso. 24,6 x 18,2 cm. DKK 10,000-15,000 / € 1,350-2,000
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Duane Michals The American photographer Duane Michals works with photographic seqcuences or narratives that present the viewer with series of photographs were the viewer is challenged by the realistic use of the photographic media in a dreamlike or surreal world with an often suprising plot, revealing that nothing is what it seems.
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1102 DUANE MICHALS b. 1932, photographer
"Girl asleep beeing observed", c. 1968. Gelatin silver print, signed by the artist on recto and with artist's credit stamp on recto. Printed 1970. 20,3 x 25,4 cm. The signature has earlier been verified by DC Moore Gallery, New York on behalf of Daniel Cooney Fine Art, New York. Provenance: The Halsted Gallery, Franklin, Michigan; in a private American collection; Daniel Cooney Fine Art, New York; The Neumann-Hug Collection, Switzerland. DKK 8,000-10,000 / € 1,050-1,350
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1103 DUANE MICHALS b. 1932, photographer
"Magritte at His Easel (in the little room next to his bedroom)", 1965. Gelatin silver print, mounted on board, signed, titled and dated by artist in margin on recto. 12 x 17,5 cm, paper size 18,3 x 24,7 cm. Duane Michals' portrait of the great surrealist Réné Magritte at his easel is featured in Michal's book "A Visit with Magritte", 1981, n.p. The signature has earlier been verified by DC Moore Gallery, New York on behalf of Daniel Cooney Fine Art, New York. Provenance: The Halsted Gallery, Franklin, Michigan; Daniel Cooney Fine Art, New York; The Neumann-Hug Collection, Switzerland. DKK 20,000-25,000 / € 2,700-3,350
1103
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1104 ARNOLD NEWMAN b. 1918, d. 2006, photographer
Andy Warhol, (c. 1973). Vintage gelatin silver print, with artist's credit stamp on verso. 15,5 x 12,2 cm, paper size 20,3 x 24,1 cm. The American portrait photographer Arnold Newman's environmental portraits captures the portraitee - typically a well known artist - in a situation that encapsulates the essence of the artist's life and work. This close-up photograph of Warhol from a worm's eye view is one of a series that has been used in a photographic collage portrait of Warhol. Provenance: The Neumann-Hug Collection, Switzerland. DKK 8,000 / € 1,050
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1105 ANDY WARHOL b. Philadelphia 1930, d. New York 1987,
GERARD MALANGA b. 1943
"Couch", 1964. Movie-still, marked "courtesey of ARCHIVES MALANGA", printed later. Framed. Visible size 18,7 x 24 cm. Literature: Murphy: The Black Hole of the Camera: The Films of Andy Warhol. 2012, p. 42-46. Provenance: The Neumann-Hug Collection, Switzerland. DKK 8,000-10,000 / € 1,050-1,350
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1106 HANS NAMUTH CD
b. 1915, d. 1990, photographer
Andy Warhol, 1982. Gelatin silver print, with artist's studio stamp on verso. Printed later. 20,3 x 20,3 cm. The German photographer Hans Namuth is most famous for his portraits of action painter Jackson Pollock in action, which contributed in a major way to Pollock's fame. He went on to portray a number of important modernist artist including de Kooning, Rauschenberg, Rothko and Warhol. Provenance: The Neumann-Hug Collection, Switzerland. DKK 8,000-10,000 / € 1,050-1,350
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1107 DIANE ARBUS b. 1923, d. 1971, Photographer
"Two Female Impersonators Backstage", 1961. Gelatin silver print, estate stamped, titled, dated printed by Neil Selkirk, signed by Doon Arbus. Printed after 1971. Framed. Visible size 22 x 14,5 cm. The notable American photographer Diane Arbus shot a series of photographs of transvestites from the late 1950s and early 1960s. This photograph was taken at Club 82, a "female-impersonator's club" in Lower Manhattan in 1961. Arbus was excellent at gaining the trust and getting access to the intimate spheres of the people she wanted to photograph. "I really believe there are things which nobody would see unless I photographed them," she said. Diane Arbus: Aperture Monograph. 2011-2012, p. 15. This resulted in a very direct and often unsettling honest expression in her work, revealing the 'unseen' sides of the people in front of her camera. It is also this 'unseen' gap between the intention and effect we as human beings have on others - the idea of self - that gives her work a unique edge. Critics have called her the photographer of freaks, but her photographs of twin girls, upper class ladies and middle class couples in lawn chairs as well as giants, midgets, transvestites and nudists reveal - regardless of background and appearance - the flaws in all of us. Arbus is today regarded as the most influential female photographer of the 20th century. A copy of this photograph was part of MoMA's exhibition "Recent Aquisitions" in New York in 1965 as one of three works by Arbus. It is also in the joint collection of Tate Museum, London/The National Galleries of Scotland, Edinburgh. Literature: Patricia Bosworth: Diane Arbus. 2005. Provenance: The Neumann-Hug Collection, Switzerland. DKK 25,000 / € 3,350
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1108 DIANE ARBUS b. 1923, d. 1971, Photographer
"Portfolio of 12". Milan: Electa Editrice 1979. 1st edition. Folio. Num. copy (# 758/1000). Collection of 12 photographic prints by Diane Arbus. Loose leaves as issued, housed in folder. A portfolio of 12 prints published to commemorate 'Venezia '79 - La Fotografia'. Provenance: The Neumann-Hug Collection, Switzerland. DKK 10,000-15,000 / € 1,350-2,000
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Roger Ballen The American photographer Roger Ballen is famous for his depiction of people on the edge of society, especially in South Africa where he has lived most of his life. He was early on inspired by the documentary style of the Magnum photographers, but through the years he has developed his own style trying to get closer to his objects than a traditional documentary photographer, giving his work a more disturbed even surreal or absurd expressiveness.
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1110
1109 ROGER BALLEN b. New York 1950, Johannesburg, South Africa since the 1970s.
"Wife of Abattoir Worker Holding Three Puppies", 1994. Signed, numbered and titled on verso. Ed. 14/35. Gelatin silver print, framed. 36 x 36 cm. DKK 12,000-15,000 / € 1,600-2,000
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1110 ROGER BALLEN b. New York 1950, Johannesburg, South Africa since the 1970s.
"Constitution", 2003. Signed, numbered and titled on verso. Ed 4/20. Gelatin silver print. Framed. 36 x 36 cm. DKK 12,000-15,000 / € 1,600-2,000
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1111 ROGER BALLEN b. New York 1950, Johannesburg, South Africa since the 1970s.
"One Arm Goose", 2004. Signed, numbered and titled on verso. Ed. 14/20. Gelatin silver print. Framed. 36 x 36 cm. DKK 10,000-12,000 / € 1,350-1,600
1112 ROGER BALLEN b. New York 1950, Johannesburg, South Africa since the 1970s.
"Man Holding Small Puppy", 1999. Signed, numbered and titled on verso. Ed. 11/35. Gelatin silver print. Framed. 36 x 36 cm. DKK 10,000-12,000 / € 1,350-1,600
1113 ROGER BALLEN b. New York 1950, Johannesburg, South Africa since the 1970s.
"Eugene on the Phone", 2000. Signed, numbered and titled on verso. Ed. 19/35. Gelatin silver print. Framed. 36 x 36 cm. DKK 10,000-12,000 / € 1,350-1,600
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1113
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1114 HIROSHI SUGIMOTO CD
b. Tokyo 1948, photographer
"Hall of Thirty-Three Bays", 1995. Ed. 2/25. Gelatin silver print, with artist's blind stamped number on recto. Framed. 54 x 42 cm. The New York based Japanese photographer Hiroshi Sugimoto is a tecnically as well as philosophically equilibristic artist. This photograph of Sanjûsangen-dô ("Hall of Thirty-Three Bays") in Kyoto - of some of the 1,000 life size bodhisattvas in the temple - is shot from a high vantage point with a large format camera and long exposure time, which is typical of his work method. His work is presented in the collection of major art museums in London, New York, Paris, Tokyo and Stockholm. Literature: Elliott & Brougher: Hiroshi Sugimoto. 2005, p. 165-179; Sugimoto: Sea of Buddah. New York: Sonnabend Sundell Editions 1997. Provenance: Sonnabend, New York; Galleri Faurschou, Copenhagen; Private Danish collection. DKK 60,000-80,000 / € 8,050-10,500
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1115 HELMUT NEWTON b. Berlin 1920, d. Hollywood 2004
Helmut Newton SUMO. London: Taschen 1999. Large folio. 70 x 50 cm. Numbered and signed by Helmut Newton, 01694/10.000. Publisher's pictorial blue lettered cloth, pictorial dust jacket. With bookholder designed by Philippe Starck. Original packaging included. SUMO is a tribute to Helmut Newton - one of the 20th century's most influential, intriguing and controversial photographers. Measuring 70 x 50 cm (20 x 27.5 inches) and weighing approx. 30 kg (66 lb.), the book contains 464 pages and a wide selection of over 400 pictures, most of which were published for the first time in this work, covering every aspect of Newton's career in photography: from his fashion photographs, which pointed the way for generations of photographers, to his nudes and celebrity portraits. DKK 30,000 / € 4,000
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1116 NOBUYOSHI ARAKI CD
b. Tokyo 1940
"Pola Eros", no date. 2 polaroids. Signed on recto. In one frame. Visible size 8 x 10 cm.