Nucoda - Digital Vision

Transcript

Nucoda GRADING | FINISHING 2016.1 R2 www.digitalvision.tv Core Features Overview We understand that our customers need more than just leading toolsets to create sophisticated look enhancements, but more importantly our solutions need to work with multiple camera and file formats, allow collaborative workflows, and deliver finished content for different viewing platforms including high frame rates and High Dynamic Range. Flexible multi-layer timeline Layout and process your material in a natural and flexible way, with multiple video and audio tracks. Timeline and shot bookmarks allow for better organisation and retrieval of information. Easily add different versions of shots to the same timeline. Layers can be selectively cached to streamline operations and greatly enhance user interactivity. ACES 1.0.3 Colour Management Multi monitor support with different resolution configurations makes working on complex timelines a breeze. HDR10 and Dolby Vision support Easy save and recall of notes and tools Perform HDR10 mastering with PQ 2084, HLG or Dolby Vision mastering (additional license required). Import and Conform Easy conform of MXF, ProRes, DPX and any other media using AAF, EDL and FCP/Premiere XML Support for resizes, opacity, dissolves, retimes Library A powerful library for managing all imported and referenced material with sorting, searching and sophisticated metadata handling. Includes reverse find and powerful sifting options. Automatic folder creation and item naming options on file import based on user configurable metadata extraction. Reverse Find to find material on the timeline Interoperability Interoperability with third-party systems supporting industry standard formats like Avid DNxHR, MXF and Apple ProRes - including metadata. Read and write Avid DNxHR, MXF and Apple Prores. Layer based tools Each Nucoda colour layer contains twelve tools to manipulate the colour of your image, these include tools that are designed manipulate in a very intuitive fashion Tools include Balance, Brighness Regions, RGB Curves Printer Lights, Hue Curves, Luma-Sat, Sat-Sat. Advanced layer routing functionality combined with isolation tools that can be matte based, user-defined shape based or undertaken via sophisticated keyer functionality. Nucoda interface Multiple monitor support Save and recall effects using notes, from single effects to complicated multi-layered effects. Nucoda Look Create a library of notes and apply to any segment on any timeline in any project. Nucoda Look is an entry level grading solution based on the industry leading Digital Vision image science technology and Nucoda colour tools. It is ideally suited for use as a pre-grade assist station, either in the facility or on-set. When used as a preparation station for the Nucoda, it can be used to ingest or conform video or film content directly onto the timeline ready for editing and pre-processing. It is also an excellent post grade deliverables system. Access to plugin effect Support for Digital Vision DVO Image enhancement tools and OFX support including Sapphire and Re:Vision effects. Nucoda is the premium colour grading and finishing solution for feature films, commercials and broadcast applications. It combines a creative tool set, and a very tight integration with the Avid workflow including full support for Interplay. Fully automated background caching Unobtrusive background rendering ensures you always have the best results available without interruption. Any project can be rendered on any Nucoda platform. GPU acceleration A realtime Master layer accelerates rendering on Pan & Scan and Colour Correction work. Multiple formats can be used and delivered from the same timeline. Globally apply final crops or resizes. Nucoda Setting new standards in the highest quality, Nucoda supports ACES colour managed workflows, HDR and Dolby Vision. With an industry leading colour toolset, used by clients such as The Farm, Picture Shop and Pixar Animation Studios, Nucoda creates complex looks and visual styles for animation. With over 20 years of image science culminating in the Digital Vision Optics (DVO) suite of enhancement tools, Nucoda ensures the highest quality imagery available. Included with Nucoda is DVO Classic, a selection of image enhancement tools. DVO Grain - DVO Aperture - DVO ReGrain - DVO Brickwall SDI monitoring using AJA Kona 4 PAL NTSC 720p and 1080p 2K 4K UHDTV Support for hight frame rates up to 60p in UHD RAW File Support Sony RAW ARRI RAW RED RAW Phantom CINE Cinema DNG Nucoda- Project setup Today’s post production environment has seen an explosion in the number of cameras, file formats and distribution channels required for many jobs. These new formats also need to coexist and stay compatible with older formats and assets, which can result in much greater project complexity and data management headaches for the production. ACES solves this problem by delivering a single post production workflow that keeps all production assets at their maximum possible quality and providing the full benefit of High Dynamic Range (HDR) production pipelines. Precision Control Panel The Precision control surface includes three ergonomic and functional control panels that can be arranged to suit the needs of any colourist. Using a combination of traditional trackballs with rings and high-quality knobs and buttons, operators can move quickly to complete the work in the shortest time possible. Full Precision Brochure Download the Precision brochure from digitalvision.se ACES Output Transform Selection Nucoda comes with ACES support and a full HDR grading capability, including a rich toolset for dealing with colour critical workflows such as HDR capture from ARRI and RED cameras. Tangent Element Support Full mappable support for the Element Panel from Tangent. Flexible Workflows; Easy Integration Nucoda offers the widest range of creative tools, built into the most flexible non nonlinear workflow for digital film or video post production. From ingest, editing, picture enhancement, colour correction, compositing and visual effects, to multi-delivery for any delivery format from HD to 3D. Ingest using an EDL, AAF, XML or Cut list, then conform data directly from a SAN, or capture from tape. Support for a wide range of file formats such as EXR, DPX, R3D, ARRI RAW, Sony RAW, ProRes and MXF means you can bypass copying and transcoding completely. Comprehensive conforming tools prepare your timeline with cuts, transitions and varispeed commands. Or use the powerful automated scene detector to quickly analyse your reels in the background. Full support for the new ACES colour space which includes support and real time playback of the new SMPTE ACES EXR file format. Timeline overview Expansive, High-end Colour Tools Lionel Kopp, Senior Colourist at Film Factory “It was all about the color palette and choosing visuals that we wanted in the story. If you have to worry about how the pipeline is going to work, that takes time away from what is important. Nucoda has freed us from those concerns. That is why we started with one, and now have three.” Nucoda creative and corrective colour tools combine a traditional approach to grading with the power and flexibility of digital technology. Select the colour tool that suits the task best; from Printer Lights through Colour Curves to Brightness Regions. With the unlimited multi-layer timeline you can combine capabilities, using different isolation layer tools including the new ‘I-Keyer’ to produce complex looks quickly. Achieve dynamic grades and Keyer animation of effects parameters, and manipulate and track individual shapes on a individual transform or per-point basis, to refine that look over the whole shot. List Management With Nucoda you can view all the events in a composition as thumbnails, as a contact sheet list view in either source or record order, giving direct access to any track, playhead, or event. From here any part of a grade or its dynamics can be copied to the current shot. Easily-accessible Memories speed the workflow, offering different ways to store and recall, all or part of your grades and dynamics from shot to shot. Notes enable you to save unlimited numbers of these snapshots in folders so that you can assemble libraries of looks and access them in any project. A QuickNotes feature give you direct access for up to eight Notes from the control panel with a single key press. The DI Suite Known for presenting the best image manipulation tools for restoration, enhancement and format conversion, they are only available on the Nucoda and Phoenix platforms. DVO Classic is included as standard with Nucoda. DVO Tools You can view, render and exchange Nucoda projects in all Digital Vision software applications, releasing the system for further client work. Add a Nucoda Look preparation workstation, sharing the same SAN, and you have a truly collaborative suite. Add our unique Digital Vision Optics (DVO) tools to the assist stations to off-load preparation tasks such as grain management or dust busting. Image courtesy of NASA Access to the Industry standard DVO image processing toolset* S3D Colour & Align Tool Jet Omeshebi, Colourist at Encore London “The way that the colourist works is changing with the advanced technology that grading systems provides. Using the Nucoda we’re increasingly adding vfx such as lens flares and sky replacements as part of the grading process where previously these would have been completed in the online/fx suites. Integrating these tools as part of the grade enables us to seamlessly blend these elements into the rest of the programme.” Effect DVO Alias Removes line-flicker and unwanted patterning DVO Aperture High quality spatial sharpener DVO Brickwall Sharp frequency cut-off to eliminate artefacts DVO Chroma Fixes chromatic aberration or chroma artefacts DVO Clarity The best grain & noise reducer available today DVO Cross-colour Removes chroma or dot crawl from video DVO De-Interlace Accurate creation of progressive frames DVO Dry Clean Superb automated large artefact removal DVO Dropout +Fix Highly accurate removal of video dropout DVO Dust Automatic highly developed dust removal DVO Flicker Automatic flicker removal DVO Grain Motion estimated grain & noise management DVO Line-Sync Removes line jitter from edges of video material DVO Noise Removes unwanted noise on video materials DVO Pixel Automated dead pixel dectetion and repair DVO Print Align Automatically aligns RGB separation prints DVO RGBRegrain Add realitic, custom grain to images DVO Regrain Adds grain to video to match with film sequences DVO Scratch Removes vertical and continuous scratches DVO Sharpen Sharpens picture detail and not the noise or grain DVO Steady Removes camera shake or other unsteadiness DVO Steady II Removes Film weave and Splice jumps DVO Stereo Fix Corrects colour variations and image alignment DVO Twister High quality standards conversion DVO Zoom Optimized up and down scaling of film or video DVO Warp Removes warping associated with line scanners DVO Upscale Upscale SD to HD - Sharpen and Interlace Enh DVO Warp Remove Telecine splice warps automatically DVO Dust and Fix Automated Dust removal with manual Fix Conv Enh Rest l l l l l Cam Video Classic l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l Nucoda product options Software Multi Track Timeline Conform AAF and XML Background Scene Detection EDL handling Video I/O SD/HD 444 2K / 4K / UHDTV / HFR SD / HD / HFR RAW Camera Support Advanced Codec Support DVO Classic DVO Camera DVO Video DVO Convert DVO Enhance DVO Restore Input FX Layer Single CC & FX Tools Base Layer Multi Colour Tool Layers Master Layer Dolby Vision HDR PQ2084 LUT Support .cube and cms Pan & Scan Notes & Composition Notes Event View Precision Panel Support2 Tangent Panel Support2 Vallhal Panel Support Stereoscopic (DVO Stereo Fix) PQ2084 and HLG HDR Support ACES 1.0.3 Avid Interplay Support Key: l Included as standard in product Look Technical specifications/Features l l l l l l l l l ¡ ¡ Ð Ð Ð Ð l l1 Ð Ð l ¡ l l l l l l l ¡ l l l • • l l l l l l l l l l ¡ ¡ ¡ ¡ ¡ l l l l l ¡ l l l l l l l ¡ l l l ¡ Optional extra Video IO Application Nucoda Auto Backup project with history restore Cache and Proxy drives assignable per project Timeline • • • • • • • • • • • • • • • • • • • • • • • Trim, add and remove edit, ripple Multiple tracks for easy versioning and comparisons Fast and accurate background scene detection Apply and work with dissolves transparently during the grading process. Shared project and GUI structure of main Nucoda finishing solutions for collaborative workflow Conforming, editing & finishing, with unlimited video and audio tracks High speed foreground and background rendering and export Audio support (sync check against picture) import of WAV and MXF audio with automatic audio caching. Easy to do sanity check against original material in virtually any format. Timeline thumbnails Specialist clip scrubbing functionality Specialist restoration clip and frame review options Adjustment segments allow for any tools to be applied locally or globally Automated cache generation and ability to specify multiple cache nodes on a per layer basis. Apply effects and tools to entire image, or use mattes, shapes, keys to apply processing to isolated areas of the material. Manual and automatic tracking (Shape and Deformation) Manual and automatic keyframing Track naming Sophisticated conform ability with EDL processing Import AVID Locators from EDL Coloured, annotated markers on clip and timeline can be exported to spreadsheet, EDL. Save complex Notes for re-use in other compositions and projects Recall/Append notes on a per layer basis including keyframes] Conform XML and AAF - including locators External Colour Panel (Please see overview for availability) Ð 1 Colour Management and Gamma Matrix tools only 2 Panel Support does not include the panels - they are seperate purchase items Not Available • • Precision Colour Panel Tangent Element Panel -(Fully mapping to Nucoda) (Video, Refine & Finish) • • • • • • • • • Support for Kona 3G, Kona4 VTR capture/layback (capture not supported on AJA) 422 Control Support for embedded audio ingest and layoff Source order layoff SMPTE and Full Range Preview BVB, BBB. 4:4:4: Ingest & Layback Remote control of Nucoda timeline Monitoring (Atomix, Kona 3G/Kona4) • • • • • • • SD PAL/NTSC HD 1080 and 720 P and I Formats RGB and YUV 444 and 422 UHDTV 3840x2160p 23.98 ,24, 25, 29.97, 30, 50p, 59.94p and 60p 4K 4096x2160p 23.98, 24 3G monitoring support • 12 Bit 444 Support for HDR and Dolby Vision File I/O • • • • • • • • • • • • • • • • • • • • • • OpenEXR with header T/C support OpenEXR Compressed formats ACES EXR Audio Retime on export BWAV File export 16/24 Bit / Poly, Stereo and Mono 8 / 10 /12 /16 bit DPX file B & W Single channel DPX support 12 Bit DPX support YUV colour space export. CIN TIF SGI TGA JPG PIC EXR PNG Completely configurable Render Output Path with user definable presets and Preset variables Export with Source or Record timecode and as source clips. Export with configurable text burn-in Canon EOS MXF (XDCAM50) • • • • • • • • • • • • • • • • • • • • • • • • • • • Canon 5D/ 7D /C300 AVC Intra 100 DVCPro Panasonic P2 Sony SR Master (SSTP MPEG-4) F65 MXF Quicktime - Import and Export. (All types) Export of Audio with Quicktime files Export of MXF OP-Atom Export of MXF OP1A Import AAF - Including audio tracks. Import Avid’s Multi-layer timeline. Export AAF Avid Interplay Support MXF Import and export (OP1a) Uncompressed MXF RGB 4:4:4:Uncompressed MXF DNxHR all formats XDCAM HD DVCAM Arri RAW RED RAW RED R3D - EPIC HDRx Blending support Panasonic RAW (DNG) VLog Sony RAW F55 and F65 Silicon Imaging SI-2k support Phantom Camera support Sony F65 (incl XML) Colour Tools - Base Layer* • • • • • • • • • • • • • • • • • Channel Mixer Saturation SOP (Slope Offset Power - CDL Data Export) Printer Lights RGBM Levels (including Auto level) Lift Gamma Gain Balance Colour Curves (Differential Corrections) Brightness Contrast RGBM Curves Brightness Regions Soft Clip Klevin Tint HueCurvesRGBCurves HLS Correction Hue - Sat and SatSat Blur Colour Tools - Master Layer* • • Balance Channel Mixer • • • • • • • • • • • • • • • Gamma Matrix HLS - incl Sat over Luma control Hue curves Saturation SOP (Slope Offset Power - CDL Data Export) Printer Lights Levels (including Auto level) Lift Gamma Gain Colour Curves Brightness Contrast RBG Curves Brightness Regions Soft Clip Kelvin Tint Effects - Including Isolation Tools* • • • • • • • • • • • • • • • • • • • 3:2 Pulldown Auto 3:2 with broken cadence detect/remove Blur Channel Extract (RGB) Channel Align Convert Fade Colour Field Dominance Correction Field remove Field swap Invert Keyer (HLS / Luma / RGB / IKeyer) Paint Re-Flicker Reinterlace Retime Composite tools • Blend - Incl. Blending Modes • Channel Combiner • Over Transition • Dissolve Generators • Source generator • Test Pattern Effects Layers - Isolation tools* • • • • • • • • External Matte Support Matte Paint Matte Difference Shapes (Circle, Square, Bezier, Auto Bezier) Softness in/out and variable shape softness) Auto tracking of shapes Auto tracking by shape deformation • • • Point tracking Point based stabilisation HLS / Luma / RGB and IKeyer • • • Transform Tools • • • • • • • Pan & Scan Blanking Rotation Warp 9 - Nine point warper Warp 4 - Four point warper User Definable Mesh Warper Lens Distort / undistort Stereo Tools - DVO Stereo Fix* • • • • • • • • Anaglyph & Checkerboard comparison modes User Dedicated L&R tracks Mono tracks Advance grade merging functionality Track grouped grading Floating window support P & S - Interocular adjustment incl Rotation DVO Stereo Fix Auto Colour & align Tool with localised colour matching and auto deformation AVID ALE Export - incl Audio Support for standard CMX and enhanced characters for tape name export Export Locators as comments Viewer Tools • • • • • • • • • Histogram User definable Grids User definable Frames User definable Metadata overlay R /G /B Channel isolation Matte and Alpha view User definable Masks Source/Output/Selected User definable HUD for frame burn-in including graphic files. Plug-ins • • • • OFX Compatible Sapphire OFX Beauty Box OFX ReVision FX Colour Management Specialist Comparison Modes • • • • • • • • • Diff Red Diff Diff multiply Mono Checkerboard Split screen Dual screen Blend Anaglyph Checkerboard • Butterfly Comparison Sources • • • • • • Playheads (ABC or D) Notes Tracks Events View Source Revert List support • • • AAF and XML CMX 3600 EDL import Enhanced EDL (CDL, File path support) • • • • • • • Full support for the ACES (SMPTE 2065) Version 1.0.3 ACES Standard Input and Output Transforms ACES LMT CMS Layer FX LUT I/O Support for .cube and .cms 1D & 3D LUT Support The following DVO packages make up the complete suite* • DVO Classic (Included) • • • • • DVO Restore DVO Enhance DVO Convert DVO Video DVO Camera *Refer to the product matrix for availability Digital Vision (UK) 11 Wardour Mews London, W1F 8AN United Kingdom Tel:+44(0)20 7734 8282 Fax:+44(0)20 7292 6969 Digital Vision (SE) Telefonvägen 30 126 26 Hägersten Sweden Tel:+46 (0)8 546 18200 Fax:+46 (0)8 546 18209 Digital Vision (US) 6464 Sunset Blvd Suite 830 Hollywood CA 90028USA Tel:+1 818 769 8111 Fax:+1 818 769 1888 www.digitalvision.tv