Optimod-tv 8382

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television OPTIMOD-TV 8382 2 When we were faced with solving the problem of overly loud TV commercials — we couldn’t turn it down. 3 overview The all-digital OPTIMOD-TV 8382 Audio Processor can help you achieve excellent audio quality and loudness consistency in analog television broadcasting that uses FM aural carriers with 75 µs or 50 µs pre-emphasis. Because all processing is performed by high-speed mathematical calculations within Motorola DSP56362 Digital Signal Processing chips, the processing has cleanliness, quality, and stability over time and temperature that is unmatched by analog processors. Designed specifically for the demands of television audio, the programmable OPTIMOD-TV 8382 digital audio processor meets all requirements of the various mono, stereo and dual-language systems in use around the world. The 8382 controls program dynamics to maintain a comfortable range for the typical home viewer, and, using its built-in CBS Loudness Controller™, it tames subjective loudness to prevent commercials from becoming overly obtrusive. Optimod-TV 8382: Designed for the demands of television audio OPTIMOD-TV 8382 is fully compatible with all monaural and stereo broadcast systems: BTSC, NICAM, EIAJ and IEC dual-carrier. In addition to its usual stereo mode, it can be operated in dual-mono mode to accommodate dual-language programming and it can switch between stereo and dual-mono modes without mutes or interruptions in the program. Both analog and AES3 digital inputs and outputs are supplied standard; the digital I/O can accept and emit samplerates between 32 and 96 kHz and the output samplerate can be synchronized to the 8382’s intern al clock, to its digital input or to an AES11 signal appearing at its sync input. An internal stereo generator is not included; the 8382 is well matched to BTSC stereo generators from Orban (model 8185) and CRL (model TVS-3003). 4 details Bright, legible LCD display allows you to recall, edit, and save presets, and to set up system technical parameters like input and output levels. Input level meters. Full featured, full-time LED metering makes it easy to set up the 8382. Next and Previous buttons scroll display horizontally to access hidden menu items. Left and right output meters. Dedicated keys for Escape, Recall Preset, Edit Preset, and System Setup. LCD contrast adjustment optimizes the display to your preferred viewing angle. Four context-sensitive soft keys repurpose themselves for the task at hand. Gain reduction meters for AGC and multiband compression. Knob lets you easily customize presets and tweak system setup parameters. The 8382 is remote controllable via eight programmable GPI ports, which can be used to recall presets and change operating modes. It is also equipped for remote control via RS232 serial or Ethernet ports and it comes with a full-featured remote control application that runs on Windows 2000 or XP. Finally, the 8382 features the ability to have its input AES3 “channel mode” bits determine its operating mode (stereo or dual-mono), and it can send this information to downstream equipment via the AES3 connection. The 8382 can also be controlled via its built-in clock-based automation, which can be programmed to change presets and operating modes at preset times. The internal clock can automatically be set via the Internet. It can also be reset to the hour via GPI contact closure to ensure that it remains accurately synchronized with the facility’s master clock. unmatched cleanliness, quality here and stability 5 If you wish to place level protection prior to your studio / transmitter link (STL), use an Orban studio level control system expressly designed for this purpose. At the time of this writing, these are Optimod-PC 1100V2 (a PCI card that works in Windows XP computers) and Optimod 6300 (a stand-alone processor). Either can be adjusted so that it substitutes for the broadband AGC circuitry in OPTIMOD-TV, which is then defeated. 8382TV excellent audio quality... and loudness consistency details 100Mbps Ethernet connector. RS232 serial connector for computer control. RFI suppressed power connector. Stereo analog input. AES11 sync input. AES3 input & output. Stereo analog output. Eight GPI inputs on DB25 connector. Line voltage selector. 6 features & benefits USER-FRIENDLY INTERFACE LCD and full-time LED meters Makes setup, adjustment and programming of OPTIMOD-TV easy — you can always see the metering while you’re adjusting the processor. Navigation is by dedicated buttons, soft buttons (whose function is context-sensitive), and a large rotary knob. The LEDs show all metering functions of the processing structure (Two-Band or Five-Band) in use. ABSOLUTE CONTROL OF PEAK MODULATION Universal transmitter protection & audio processing for TV broadcast Can be configured to interface ideally with any commonly found transmission system in the world, including EIAJ stereo, BTSC stereo, and dual-carrier. Pre-emphasis limiting for the two standard pre-emphasis curves of 50µs & 75µs Its pre-emphasis control is seldom audibly apparent, producing a clean, open sound with subjective brightness matching the original program. (For AM aural carriers without pre-emphasis, we recommend Orban‘s Optimod 6300 processor, which also includes a CBS Loudness Controller.) Tight peak control at all its outputs Analog left/right and AES/EBU left/right. Bandwidth limiting & overshoot compensation By providing 15 kHz low-pass filters ahead of the 8382’s audio outputs and stereo encoder, the 8382 prevents aliasing distortion in subsequent stereo encoders or transmission links. Anti-aliased clippers Running at 256 kHz samplerate, they prevent any trace of “digital clipper” sound. FLEXIBLE CONFIGURATION Analog & AES/EBU digital inputs & outputs Both digital input and digital output are equipped with samplerate converters and can operate at 32 kHz, 44.1 kHz, 48, 88.2 and 96 kHz samplerates. The pre-emphasis status and output levels are separately adjustable for the analog and digital outputs. The analog inputs are transformerless, balanced 10 kΩ instrumentation-amplifier circuits, and the analog outputs are transformerless balanced, and floating to ensure highest transparency and accurate pulse response. Precise control of audio bandwidth to 15 kHz Prevents overshoots in uncompressed digital links operating at a 32 kHz-samplerate and helps avoid interference to the pilot tone and any subcarriers. Because the stopband of these filters begins at 16 kHz, they are well matched to BTSC stereo generators — the stereo generator will need to remove very little energy to protect the pilot tone, minimizing peak modulation overshoot. Dual-mono mode Allows entirely separate mono programs to be processed, facilitating dual-language operation. Rigorously RFI-suppressed input, output & power connections Orban’s traditional exacting standards ensure trouble-free installation. Certified Meets all applicable international safety and emissions standards. outstandingly clean speech reproduction 7 features & benefits ADAPTABILITY THROUGH MULTIPLE AUDIO PROCESSING STRUCTURES Rides gain over an adjustable range of up to 25 dB Compresses dynamic range and compensates for both operator gain-riding errors and gain inconsistencies in automated systems. Two processing structures A processing structure is a program that operates as a complete audio processing system. Only one processing structure can be on-air at a time. OPTIMOD-TV realizes its processing structures as a series of high-speed mathematical computations made by Digital Signal Processing (DSP) chips. Use the Five-Band for a spectrally consistent sound with good loudness control. se Two-Band with CBS Loudness Controller for a transparent sound that preserves the frequency balance of the original program material while also effectively controlling subjective loudness. (The CBS Loudness Controller is not needed with the Five-Band processing because its spectral consistency creates consistent loudness as a desirable byproduct.) A special TwoBand preset creates a no-compromise “Protect” function that is functionally similar to the “Protect” structures in earlier Orban digital processors. The Five-Band and Two-Band structures can be switched via a mute-free crossfade. The 8382’s Two-Band processing structure is phase-linear to maximize audible transparency. Orban’s next generation look-ahead technology Achieves outstandingly clean speech reproduction. CONTROLLABLE Eight programmable, optically isolated “general-purpose interface” (GPI) ports Allows the 8382 to be remote-controlled by 5-12 V pulses applied to these ports. 8382 PC Remote software A graphical application that runs under Windows 2000 and XP. It communicates with a given 8382 via TCP/IP over modem, direct serial, and Ethernet connections. You can configure PC Remote to switch between many 8382s via a convenient organizer that supports giving any 8382 an alias and grouping multiple 8382s into folders. Clicking an 8382’s icon causes PC Remote to connect to that 8382 through an Ethernet network, or initiates a Windows Dial-Up or Direct Cable Connection if appropriate. The PC Remote software allows the user to access all 8382 features (including advanced controls not available from the 8382’s front panel), and allows the user to archive and restore presets, automation lists, and system setups (containing I/O levels, digital word lengths, GPI functional assignments, etc.). Bypass Test Mode Can be invoked locally, by remote control (from either the 8382’s GPI port or the 8382 PC Remote application), or by automation to permit broadcast system test and alignment or “proof of performance” tests. Built-in line-up tone generator Facilitates quick and accurate level setting in any system. Upgrade software OPTIMOD-TV's software can be upgraded by running Orbansupplied downloadable upgrade software on a PC. The upgrade can occur remotely through the 8382’s Ethernet port or serial port (connected to an external modem), or locally (by connecting a Windows® computer to the 8382’s serial port through the supplied null modem cable). Versatile real-time clock Allows automation of various events (including recalling presets) at pre-programmed times. 8 processing about the 8382’s audio The signal flows through the 8382 through the following blocks: Input Conditioning: Despite myths circulating in the marketplace regarding the alleged superiority of higher samplerates in TV stereo processors for 15 kHz bandwidth channels, 32 kHz is, in fact, preferable to higher rates as a basic samplerate for these devices. 32 kHz allows us to use DSP horsepower more efficiently, adding features that really improve the sound. By strictly limiting the output bandwidth to 16 kHz, it also makes it easier to spectrally protect the BTSC stereo pilot tone and SAP subcarrier. The 8382’s digital output will pass through any uncompressed digital STL (including those operating at 32 kHz samplerate) without added overshoot and without the need for distortion-producing overshoot compensation schemes. A defeatable 30 Hz 18 dB/octave highpass filter and a defeatable phase rotator complete the input-conditioning block. These have both been features in Orban TV processors for many years. Most users will defeat the 30 Hz filter and leave the phase rotator in-circuit, although the choice is always yours. Stereo Enhancement: The 8382 provides a stereo enhancement algorithm based on Orban’s patented analog 222 Stereo Enhancer, which increases the energy in the stereo difference signal (L–R) whenever a transient is detected in the stereo sum signal (L+R). By operating only on transients, the 222 increases width, brightness, and punch without unnaturally increasing reverb (which is usually predominantly in the L–R channel). Gating circuitry detects “mono” material with slight channel or phase imbalances and suppresses enhancement so this built-in imbalance is not exaggerated. It also allows you to set a “width limit” to prevent over-enhancement of material with significant stereo content, and will always limit the ratio of L–R / L+R to unity or less. Two-Band Gated AGC: The AGC is a two-band device, using Orban’s patented “master/ bass” band coupling. It has an additional important feature: target-zone gating. If the input program material’s level falls within a user-settable window (typically 3 dB), then the release time slows to a user-determined level. It can be slow enough (0.5 dB/second) to effectively freeze the operation of the AGC. This prevents the AGC from applying additional, audible gain control to material that is already well controlled. It also lets you run the AGC with fast release times without adding excessive density to material that is already dense. The AGC contains a compression ratio control that allows you to vary to ratio between 2:1 and essentially ∞:1. Lower ratios can make gain riding subtler on critical formats like classical and jazz. The AGC has its own silence-gating detector whose threshold can be set independently of the silence gating applied to the multiband compressor. Equalization: The 8382 has steep-slope bass shelving equalizer and three bands of fully parametric bell-shaped EQ. You can set the slope of the bass shelving EQ to 6, 12 or 18 dB/octave and adjust the shelving frequency. The 8382’s bass, midrange, and high frequency parametric equalizers have curves that were modeled on the curves of Orban’s classic analog parametrics (like the 622B), using a sophisticated, proprietary optimization program. The curves are matched to better than 0.15 dB. This means that their sound is very close to the sound of an Orban analog parametric. They also use very high quality filter algorithms to ensure low noise and distortion. The 8382 HF Enhancer is a program-controlled HF shelving equalizer that intelligently and continuously analyzes the ratio between broadband and HF energy in the input program material. It can equalize excessively dull material without over-enhancing bright material. It interacts synergistically with the five-band compressor to produce sound that is bright and present without being excessively shrill. Multiband Compression: The multiband compressor can be operated in five-band or twoband mode. In addition to using a special high-frequency limiter, the 8382 controls high frequencies with distortion-canceled clipping. This clipper operates at 256 kHz-samplerate and is full anti-aliased. STEREO ENHANCER 2-BAND AGC EQUALI HF ENHA 9 processing Ordinarily, the gain reduction in band 5 follows the gain reduction in band 4 (as determined by the setting of the B4>B5 Couple control); these bands are only independent from the viewpoint of the downward expander and multiband clippers. However, a high frequency limiter causes additional gain reduction in band 5 when band 5 multiband clipping alone would be insufficient to prevent HF distortion. The HF limiter uses a sophisticated analysis of the signal conditions in the 8382’s clipping system to do this. A clipper, embedded in the crossover, protects bands 1 and 2 from transient overshoot. This clipper has a shape control, allowing you to vary the “knee” of its input/output transfer curve from hard (0) to soft (10). Loudness Control: The Two-Band structure contains a CBS Loudness Controller algorithm, which controls the loudness of most commercials well enough to eliminate viewer annoyance. It works by constantly monitoring the subjective loudness of the 8382’s output. When subjective loudness would otherwise exceed a preset threshold, the Loudness Controller enhances the normal gain control produced by the processing with further gain reduction, preventing loudness from exceeding the threshold. The user can adjust this threshold from the Full modify screen of any Two-Band preset. The Loudness Controller may reduce the dramatic effect of certain sounds in entertainment programming, like gunshots, explosions, or screeching tires. Operators may therefore want to turn the Loudness Controller on during commercial breaks and off during normal programming. Most Two-Band presets have the Loudness Controller on. The easiest way to turn the Loudness Controller off is to recall the 2B GEN PUR NO LC preset. If you have created a custom preset, you can save two variations — one with the loudness controller on and one with it off — and recall these by remote control via the 8382’s GPI inputs. The Five-Band structure does not have extra loudness control because its multiband processing will automatically re-equalize and condition program material to control loudness variations. “Intelligent” Clipping: The 8382 prevents excess clipping distortion by dynamically reducing the drive level to the clippers as required, using an intelligent analysis of the clipping distortion produced in the final clipper and overshoot compensator. HF LIMITER FEEDBACK TV PROCESSING 5-BAND COMPRESSOR AES/EBU OUT 5-BAND LIMITER HEADPHONE MONITOR PROCESSING CLIPPING DISTORTION CONTROLLER FEEDBACK COMPRESSOR/LIMITER CONTROL COUPLING 5-BAND IZER ANCER 2-BAND CLIPPING DISTORTION CONTROLLER DISTORTION CANCELLED CLIPPER TV PROCESSING OVERSHOOT COMPENSATOR CBS LOUDNESS CONTROLLER 2-BAND COMPRESSOR 2-BAND LIMITER COMPRESSOR/LIMITER CONTROL COUPLING HIGH FREQ LIMITER HF LIMITER FEEDBACK ANALOG OUT 10 specifications specification It is impossible to characterize the listening quality of even the simplest limiter or compressor based on specifications, because such specifications cannot adequately describe the crucial dynamic processes that occur under program conditions. Therefore, the only way to evaluate the sound of an audio processor meaningfully is by subjective listening tests. INSTALLATION INSTALLATION PERFORMANCE Certain specifications are presented here to assure the engineer that they are reasonable, to help plan the installation, and make certain comparisons with other processing equipment. Specifications apply for measurements from analog left/right input to stereo composite output and to TV analog left/right output. Follows standard 50 µs or 75 µs pre-emphasis curve ±0.10 dB, 2.0 Hz – 15 kHz. Frequency Response Analog left/right output and Digital output can be user configured for flat or pre-em(Bypass Mode) phasized output. Output noise floor will depend upon how much gain the processor is set for (Limit Drive, AGC Drive, Two-Band Drive, and/or Multi-Band Drive), gating level, equalizaNoise tion, noise reduction, etc. The dynamic range of the A/D converter, which has a specified overload-to–noise ratio of 110 dB, primarily governs it. The dynamic range of the digital signal processing is 144 dB. Total System Distortion <0.01% THD, 20 Hz – 1 kHz, rising to <0.05% at 15 kHz. <0.02% SMPTE IM (de-emphasized, Distortion. 100% modulation) Total System L/R Channel >80 dB, 20 Hz – 15 kHz; 90 dB typical. Separation Polarity Absolute polarity maintained. Positive-going signal on input will result in positive-going (Two-Band and Bypass Modes) signal on output. The 8382 is a “multirate” system, using internal rates from 32 kHz to 256 kHz as apProcessing Sample Rate propriate for the processing being performed. Audio clippers operate at 256 kHz. Internal processing has 24 bit (fixed point) or higher resolution; uses Motorola Processing Resolution DSP56362 DSP chips. The minimum available input / output delay is approximately 20 ms, as determined Delay by the advanced “look-ahead” processing algorithms employed. This can be padded to exactly one frame of 24, 25, 29.97 or 30 frames / second video. Stereo or dual-mono. In dual-mono mode, both processing channels have the same Operating Mode subjective adjustments (as determined by the active preset) but are otherwise independent, making this mode appropriate for dual-language transmissions. Analog Audio Input Configuration Stereo / Dual-Mono. >10 kΩ load impedance, electronically balanced. Impedance (No jumper selection available for 600Ω. Through-hole pads are available on I/O module for user-installed 600 Ω termination.) Nominal Input Level Software adjustable from –4.0 to +13.0 dBu (VU). Maximum Input Level +27 dBu. Two XLR-type, female, EMI-suppressed. Pin 1 chassis ground, Connectors Pins 2 (+) and 3 electronically balanced, floating and symmetrical. 24 bit 128x oversampled delta sigma converter with linear-phase anti-aliasing filter. A/D Conversion Converter outputs 64 kHz samplerate, which the 8382 then decimates to 32 kHz in DSP using an ultra-high-quality image-free synchronous samplerate converter. Filtering RFI filtered, with high-pass filter at 0.15 Hz (-3 dB). Analog Audio Output Configuration Stereo. Flat or pre-emphasized (at 50 µs or 75 µs), software-selectable. Source Impedance 50 Ω, electronically balanced and floating. 600 Ω or greater, balanced or unbalanced. Load Impedance Termination not required or recommended. Output Level Adjustable from –6 dBu to +24 dBu peak, into 600 Ω or greater load, (100% peak modulation) software-adjustable. ≥90 dB unweighted (Bypass mode, de-emphasized, 20 Hz – 15 kHz bandwidth, Signal-to-Noise referenced to 100% modulation). L/R Crosstalk ≤ –70 dB, 20 Hz – 15 kHz. Distortion ≤0.01% THD (Bypass mode, de-emphasized) 20 Hz – 15 kHz bandwidth. Two XLR-type, male, EMI-suppressed. Pin 1 chassis ground, Connectors Pins 2 (+) and 3 electronically balanced, floating and symmetrical. D/A Conversion 24 bit 128x oversampled. Filtering RFI filtered. 11 specifications pecification Digital Audio Input Configuration Sampling Rate INSTALLATION INSTALLATION INSTALLATION INSTALLATION Connector Input Reference Level J.17 De-emphasis Filtering Digital Audio Output Configuration Sample Rate Word Length Connector Stereo or Two-Channel (dual-mono) per AES3 standard, 24-bit resolution, software selection of stereo or dual-mono. Unit can detect Stereo or Two-Channel status bits and switch modes appropriately. 32, 44.1, 48 or 88.1 kHz, automatically selected. XLR-type, female, EMI-suppressed. Pin 1 chassis ground, pins 2 and 3 transformer balanced and floating, 110 Ω impedance. Variable within the range of -30 dBFS to -10 dBFS. Software-selectable. RFI filtered. Stereo or Two-Channel per AES3 standard. Output configured in software as flat or pre-emphasized to the chosen processing pre-emphasis (50 µs or 75 µs), with or without J.17 pre-emphasis. Internal free running at 32, 44.1, 48, 88.1 or 96 kHz, selected in software. Can also be synced to the AES/EBU digital input at 32 , 44.1, 48 , 88.1 or 96 kHz, as configured in software. Software selected for 24, 20, 18, 16 or 14-bit resolution. First-order highpass noise-shaped dither can be optionally added; dither level automatically adjusted appropriately for the word length. XLR-type, male, EMI-suppressed. Pin 1 chassis ground, pins 2 and 3 transformer balanced and floating, 110 Ω impedance. Output Level (100% peak modulation) Filtering Remote Computer Interface –20.0 to 0.0 dBFS, software controlled. Configuration TCP/IP protocol via direct cable connect, modem, or Ethernet interface. Suitable null modem cable for direct connect is supplied. Modem is not supplied. 115 kbps RS–232 port DB–9 male, EMI-suppressed. 100 Mbit/sec on RJ45 female connector. RFI filtered. Serial Port Ethernet Port Remote Control (GPI) Interface Configuration Eight (8) inputs, opto-isolated and floating. 6 – 15 V AC or DC, momentary or continuous. Voltage 9 V DC provided to facilitate use with contact closure. Connector DB-25 male, EMI-suppressed. User-programmable for any eight of user presets, factory presets, bypass, test tone, Control stereo or mono modes, analog input, digital input. Filtering RFI filtered. Power 100 – 132 V AC or 200 – 264 V AC, switch-selected on the rear panel, Voltage 50 – 60 Hz, 40 VA. Connector IEC, EMI-suppressed. Detachable 3-wire power cord supplied. Circuit ground is independent of chassis ground, and can be isolated or connected with Grounding a rear panel switch. Safety Standards ETL listed to UL standards, CE marked. Environmental Operating Temperature 32 to 122 °F / 0 to 50 °C for all operating voltage ranges. Humidity 0 – 95% RH, non-condensing. Dimensions (W x H x D) 19” x 3.5” x 14.25” / 48.3 cm x 8.9 cm x 36.2 cm. Two rack units high. RFI / EMI Tested according to Cenelec procedures. FCC Part 15 Class A device. Shipping Weight 22 lbs. / 10.0 kg Warranty Two Years, Parts & Service Subject to the limitations set forth in Orban’s Standard Warranty Agreement. Because engineering improvements are ongoing, specifications are subject to change without notice. www.orban.com r14-2010_LS/Lo ORBAN Headquarters 8350 East Evans, Suite C4 | Scottsdale, AZ. 85260 USA [p] +1 480.403.8300 | [f] +1 480.403.8301 | www.orban.com Northern California Design Center Group 14798 Wicks Blvd. | San Leandro CA 94577 USA [p] +1 480.403.8300 | [f] +1 480.403.8301 | [e] [email protected] ORBAN Europe GmbH Businesspark Monreposstr. 55 | 71634 Ludwigsburg Germany [p] +49 7141 22 66 0 | [f] +49 7141 22 66 7 | www.orban-europe.eu ORBAN Netherlands B. V. Signaal 74 | 1446 XA Purmerend, Netherlands [p] +31 299 40 25 77 | [f] +31 299 40 29 04