Transcript
G~2B5D
OPERATOR'S MANUAL 3-HEAD 3-MOTOR AUTOMA1'C REVERSE
- -__ STEREO TAPE
AKAI
DECK .-~
-
MANUFACTURED & DISTRIBUTED BV AKAI ELECTRIC CD., L TD./AKAI TRADING CO., LTD./AKAI AMERICA LTD.
--
.-
...•..
GX (glass & crystal ferrite) HEAD
DOLBY NOISE REDUCTION SYSTEM
Akai has equipped this model with its new and amazing GX Recording and Playback Heads to bring you unequal!ed open reel high fidelity sound. With the GX Head, high frequencies can be recorded in al! their true fidelity covering 25,000 Hz with low noise tape. In other words, with this completely new Glass & Crystal Ferrite Head, high dynamic range and excellent signal to noise ratio are achieved. The secret of this success lies in the head materials , superior processing technique, and the focused field recording system. The core of this quality head is made of single crystal ferrite and is mounted and set in glass. The superior high range characteristics are contrib utable to the structure of the head gap which focuses the magnetic field into a sharp oblong radius. This focused-field recording system minimizes high frequency loss, eliminates undue equalization and achieves a wider dynamic range.
Prior to the Dolby System, tape hiss, amplifier noise from resistors and transistors, induction noise from the head le ad wires, etc., existed regardless of the kind of recorder. Naturally, the degree of such noise depended much upon the design and quality of the unit. Nevertheless, with even the highest quality units, the elimination of those noises, especially tape hiss, was thought to be impossible. With the Dolby System, however, tape hiss is reduced to a corn pletely inaudible level. Basical!y, this system boosts the low level signais before recordjng and lowers them by precisely that same am ou nt at playback time. That is to say, at low signal levels where noise is most apparent, boosting is maximum, and as signal levels rise, boosting is reduced. Then, at playback time, these boosted signais are lowered precisely and proportionately according to the previously boosted level. During this pro cess the extraneous and superimposed noises are eliminated and hissing noise is amazingly reduced. This system cou pIed with the character istics of the GX Head and the Tape Selector Switch enabling employment of low noise tape produces a hereto fore unheard of musical clarity.
INDEX Controls ............. . ............ . . . ......... Voltage & Cycle Conversion ......... . ............ Tape Speed Selection. . . . . . . . . . . . . . . . . . . . . . . . . . .. Fast Forward & Rewind . . . . ... . ....... . ......... Automatic Stop & Shut-Off ....................... Pause Control .. . ........ . .... . .............. . . Direct Function Change Control .......... .. ..... " Remote Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Operating Precautions .......... . . . . . . . . . . . . . . . .. Dolby Noise Reduction System . . . . . . . . . . . . . . . . . . .. Tape Selector Switch . . . . . . . . . . . . . . . . . . . . . . . . . . .. For Better Recording Results ....... . ............. Sound Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . How To Use The Din Jack . ....................... Pinch Wheel & Capstan Cleaning .. . . . . . . . . . . . . . . . .. Head Demagnetizing . . ....... . . . .. .. ............ Tape Erasing ........ .. ... . .............. . ..... Tape Splicing & Editing . . . . . . . . . . . . . . . . . . . . . . . . .. Tape Loading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 4-Track RecordingjPlayback System . ... . . . . . . . . . . . . Playback Of Pre-Recorded Tape ......... . ...... . .. Automatic & Manual Reverse Playback ............ .. Recording Using Microphones ................... .. Recording From An External Amplifier ............. Recording From A Turntable ...................... Tape Dub bing . . . ..... . ...... . ................. Sound-On-Sound Recording ...................... Sound Mixing ........................ . ........ Technical Data ............................... .. Optional Accessories ...... . .....................
2
4
4
4
4
4
5
5
5
6
6
6
6
6
7
7
7
7
8
8
9
10
Il
12
12
12
12
13
13
14
CONTROLS
23. PINCH WHEEL
1. INDEX COUNTER & RESET BUTTON For use in loealing positions on a tape. With the Reset Buttan, se t Index Counter to "0000" before beginning recording or pl.yb.ck.
2. TRACK SELECTOR BUTTONS 1~4/Stereo/3-2
Track Selector Buttons for easy track selection.
Pres.o;;es agains t Capstan 10 lran spO ri tape.
24. SENSING POLE Reverses tape travel direction during playback m ode. Automat ic reverse is effected ""hen the sensing tape (previou sly affixed la outer edge of tape surface) cornes in conlact with this sens ing pol e.
3. SENSING POLE Reverses tape [Cavel dire c ti o n du ring playback mode. Automatic re verse is effected w he n th e sensing foil (affixed to the inner side of the magn e ti c tape) co rnes in co nt ac t with this sensing pole.
4. SUPPLY REEL TABLE
25. AUTOMATIC SHUT-OFF LEVER At the end o f the tape, this lever is released and tape movement is stopped. If the Automatic Shut-Off Button is at depressed position, when the Automatic Shut-Off Lever is released, the power of th e ent ire unit is eut off.
26. REWIND BUTTON 5. REEL RETAINER Pull tip of Retainer on reel shaft outward and turn to left or right to lock reel into place.
6. TENSION ARM T he Tension Arm not only work s ta co rrect tape slack, but also s tabi lizes tape speed. As th e tape advances , proper tension is app lied and tape vibration is e limjn ated. Con ....en ient for use in tempo raril y suspend ing tape movement during recording o r pla ybac k. Oepress fo r pause mode.
8. AUTOMA TIC SHUT-OFF BUTTON The Automat ic Shul-Off Buuon Shut-Off Lever. If this but ton is a l ta pe cornes ta the end, the powe r off. A convenienl safety feature unattended.
i5 linke d 10 the AUlOmatic depresse d position , w h en th e of the en lire unit w ill be cul in case Ihe recorder is leCt
JO. TAPE SPEED SELECTOR BUTTONS 7-1/2 and 3-3/4 ips Speed Selec t or Bultons. Feather touch fo r
easy selection of desir ed speed . Se l to ON positi o n when usi ng Aka i Super Range Tape o r o th er
mak e lo w no ise magnelic lape .
lapes. Sel 10 OFF pos ition
for
regular
Vlhen using microphones for record in g, insert microphone plugs into these jacks.
13. MICROPHONE RECORDING LEVEL CONTROLS (lef! & righ!)
When using microph ones for r eco rding, adjust input with th ese
controls while observing VU Meters.
14. HEADPHONE JACK Connect stereo headphones o f 8 n. ta this jack for monit o rin g so und during re co rding o r for private headphone lis ten in g.
Advanc es tape in forward direction for rec o rding or playback. for r eco r d in g mode, depress this button while depressing the Re co r ding Safety Bulton.
30. SOUND-ON-SOUND BUTTON See So und ·O n-So und re co rding proce dur e, page 12 .
31. MONITOR SWITCH
32. STOP BUTTON 33. DOLBY NOISE REDUCTION SWITCH & DOLBY INDICATOR LAMP
For use in adjusting tin e reco rdin g level. Adjust w hil e observing v u Meters.
16. VU METERS (lert & right) Indicales recordi ng and pl ay bac k leve ls. Normal reco rdîng leve l sho uld not exceed "0" VU le ve l.
17. RECORDING INDICATOR LAMP Recording mode indi ea ta r lamp. When Record and Fo rward Buttons are depress ed, this Reco rding Indicator lamp williight.
18. RECORDING SAFETY BUTTON For effecting recordi ng mode, while depressing this depress Forward Bulton.
bUll on
19. HEAD COVER Revèrse
Playback
For adjus tmenr o f sound leve l during playback mode.
35. CYCLE CONVERS ION SWITCH This Switc h mu s l be sel to 50 H z o r 60 Hz in accordance w ith area powe r sou rce.
36. REMOTE CONT ROL JACK Fo r connecling RC-16 Rem o t e Con tro l unit (optional accesso ry). Enables control of recording, playback, st o p, fast forward , rewind, and reverse playback modes From a di s tance. See Voltage & Cycle Conversion procedure.
38. UNE OUTPUT JACKS (left & right) Fo r p layback, connect thè se jack s la the tape input jacks, or auxiliary jacks of an eXle rnal s tereo arnplifier.
39. EXTRA AC OUT LET Ex lra un sw itched o utlel. Not int e rl ocked w ith fr o nt panel Po wer Sw it c h.
40. AC CORD 41. DlN JACK HIGH / LOW INPUT SELECTOR SWITCH Wll en using Din Jack for connectiun with an exte rnal amplifier, set thi s Switch to HIGH pos iti on wh en the o utput level of the amp lifier is high, and to LOW po siti on when the output level of the a mplifier is low.
42. UNE INPUT JACKS (lert & right)
20. TAKE-UP REEL TABLE
To record trom an external tun er amp lifi er or record player, con nect the outp ut jacks 10 these Jacks.
21. REEL RETAINER Pull tip of Reta ine r o n ree l sha ft outward and turn right ta Jock reel int o place.
34 . VOLUME CONTROLS (lert & right)
37. UNIVERSAL VOLTAGE SELECTOR & FUSE POST
15. UNE RECORDING LEVEL CONTROLS nef! & right)
Recording , Pla y back and
29. FORWARD BUTTON
Set t a ON position for rec o rdin g o r playback with the Dolby pro cess. In olher cases, the switch much be set ta OFF position.
12. MICROPHONE JACKS (lert & right)
Tran"ports tape.
28. FAST FORWARD BUTTON
De press ta stop tape trave!.
II. TAPE SELECTOR SWITCH
22. CAPSTAN
For effee t ing manual reverse playback. Sensing tape is used for automat ic rev erse.
During record ing mode, set Ihis Swi lch t o SO URCE posilio ll fo r moni[o rÎng sound sourc e, a nd 10 TAPE pos ilion Cor ch ec king recorded signaIs. For p layback, s et Swi lch 10 T A PE po siti on.
9. POWER SWITCH
Erase,
27. REVERSE BUTTON
r:or advilnc in g tape in forwflrd direction J I high speed.
7. PAUSE BUTTON
Houses Head s.
For effee ting manual re ve rse playback. Se ns ing tape is us ed for aUloma tic rever se .
10
lefl o r
43. DlN JACK This jack enables reco rding and pla y baek Ihro ugh an external amplif ier wi th Ihe use of a s ingl e Din co nnection cord. When re co rding us ing Dio Ja c k connec li on. reco rding le vel is- adjus ted with the Microphone Rec o rdin g Level Co n tro is.
VOLTAGE & CYCLE CONVERSION
\
'--voltage Selector Plug
~
Fuse '-----Fuse Post
VOLTAGE Your machine is equipped with a universal voltage selector offering six selections of voltage from 100 V to 240 V AC for worldwide operation. Voltage is preset at the factory according to destination. Please confirm setting prior to operation and if readjustment is necessary, proceed as follows : (A) Disconnect power cord and rem ove the Fuse Post by screwing in direction of arrow. (B) Remove the Voltage Selector Plug and rein sert so that proper area voltage shows through the plug eut-ou t. (C) Change fuse to correspond with voltage and tighten Fuse Post . 100 V to 120 V : 1.5 A, 250 V fuse; 200 V to 240 V: 1 A, 125 V fuse. • Be sure to disconnect power cord before attempting to readjust voltage. • To main tain optimum performance and pro long the Iife of your machine, il is important tha( the line voltage be held within a 10% deviation of standard area voltage.
CYCLE Correct tape speed cannot be obtained if the Cycle Conversion Switch located on the rear panel is not properly set. Set to 50 Hz or 60 Hz according to area power source.
TAPE SPEED SELECTION
AUTOMATIC STOP & SHUT-OFF
The GX-285D opera tes on two tape speeds; i.e., 7-1 /2 and 3-3 / 4 ipso For tape speed selection, simply depress Tape Speéd Selector according to desired speed . The recording time 'using an 1800 ft . tape is as follows : STEREO : 3 hrs. at 3-3/4 ips and 1.5 hrs. at 7-1 /2 ips; MONAURAL : 6 hrs. at 3-3 / 4 ips and 3 hrs. at 7-1 /2 ipso
One of the exclusive features of this model is the automatic stop and shut-off functions of the unit. For automatic stop (to stop reel movement at end of tape), leave the Automatic Shut-Off Button at OUT position. For auto matie shut-off (to eut off the power of the en tire unit at end of tape), depress the Automatic Shut-Off Button. If shut-off is desired after one complete reverse cycle, affix sensing foil on outside of tape at desired reversing point and depress the Shut-Off Button. If automatic continuous reverse is desired, apply sensing foil on the outside of the tape for normal playback to reverse, and on the inside of the tape for reverse to normal playback at desired reversing points and leave the Shut-Off Button at OUT position. If the Shut-Off Button is depressed, automatic shut-off will be effected at the end of one complete reverse cycle.
FAST FORWARD & REWIND To effect fast forward or rewind, depress Fast Forward or Rewind Button of control panel. This feature permits rapid selection of recordings on the tape.
PAUSE CONTROL For momentarily suspending tape travel during recording or playback. Pause Control is especially useful for editing tapes. Simply depress Pause Button when certain portions of the pro gram are not desired. Depress again to release. • Pause control does not function d uring fast forward or rewind mode.
DIRECT FUNCTION CHANGE CONTROL Your unit features a completely automatic function change system for easy and speedy changing of operating modes. It is not necessary to depress the Stop Button before changing modes .
REMOTE CONTROL All operating functions of the GX-285D can be remote controlled by using Akai Remote Control Unit RC-I·6 option al accessory. Plugs into Remote Control Socket at rear of recorder.
OPERATING PRECAUTIONS The co nditions listed below do not ind icate mechanical failure of your unit. If your machine exhibits any of the following , please check for trouble as indicated. Loss of sensitivity or tone quality * When using tapes recorded with the Dolby process, it is imperative that the Dolby Noise Reduction Swit ch be set to ON position during playba ck. * A.C. power voltage lower than the voltage to which your mahcine is adjusted . * Magnetized heads. See Head Demagnetizing procedure. * Wrong side of tape facing the heads. * Defective or worn tape. Machine will not operate * Check posi tion s of controls, input -and output connec tions and plugs. * Incorrect tape loading. Refer to Tape Loading. * Machine is set to automatic stop or auto matie shut-off, or to pause mode. Irregularity of tape transport * Oil adhering to Capstan. Refer to Pin ch Wheel and Ca pstan Cleaning. * S ticky or dirty tape surface. * Bent reels. * Incorre ct tape loading.
Will no t reverse pla y * Sensing foil affixed improperly.
The following notes are provided for your convenience .
* Place your unit on a fiat horizontal surface and operate in either horizontal or vertical position. Do not set anything on top of the unit which will obstruct the ventilator. * The front panel of your machine may become rather warm during operation, but this is normal. * Your machine requires constant voltage for optimum performance. * If the sound sources are so far away from the microphones that the microphone recording level controls must be turned to maximum, sorne hum or noise will inevitably be recorded. A test recording is recommended before attempting a final recording.
Should there be a problem with your machine , write down the model and seriai numbers and ail pertinent data regarding warrant y coverage as well as a clear description of the existing trouble and contact your nearest authorized Akai Service Station or the Service Department of Akai Company, Tokyo, Japan.
DOLBY NOISE REDUCTION SYSTEM
TAPE SELECTOR SWITCH
The inclusion of the well-known Dolby Noise Reduction Circuit in this unit complements the characteristics of the GX Head for clearer sound reproduction. Depressing the Dolby Noise Reduction Switch to ON position activates the Dolby circuit to expand low level signaIs before they are recorded and lowers them by precisely the sa me amount during playback, thus reducing the extraneous and super imposed noise by as much as 10 dB for the reduction of tape hiss to an inaudible level.
Depress this switch when using Akai Super Range Tape or other make low noise tape. This fea ture brings out the maximum response of low noise tape and works to change the recording equalization according to the tape. Although this machine exhibits a good frequency response with regular tape, this is further extended with low noise tape.
• When using a tape on which the Dolby System has been utilized during recording, it is imperative that the switch be depressed to ON position du ring playback also.
With the recorder set to recording mode , the input level is registered on the VU Meters, but the recording level can be more precisely set by adjusting the volume controls while monitoring input signaIs through stereo headphones. Depress SOURCE Monitor Switch and adjust the input level so that the VU Meters register normally. For recording with the least possible distortion, keep the recording level as high as possible within the green part of the VU Meter scale.
. .,
• .•.~•
u
1 ••.
.'1.•.\ .. \ .
==;:;:;;;;;<
• •
•••••
• Do not depress this switch when using regular tape.
FOR BETTER RECORDING RESULTS
SOUND MONITORING For monitoring sound source during recording, set Monitor Switch to SOURCE position. If the Monitor Switch is set to TAPE position, the recorded signaIs can be monitored as the tape passes the playback head. When headphones are used for private listening, this switch must be set to TAPE position.
HOW TO USE THE DIN JACK The Din Jack at the rear of the recorder is for use in inter-connecting the unit with an external stereo amplifier. This one-co rd connection system facilitates easy recording or playback through an external amplifier as the complex connection and disconnection of separate plugs and cords is not necessary. When recording from an external amplifier, if the output level of the amplifier is more than 50 mV, set the Din Jack Input Selector Switch to HIGH position, and if less than 50 mV, set to LOW position. • When using the Din Jack connection, the input level is controlled with the Microphone Recording Level Con troIs.
PINCH WHEEL & CAPSTAN CLEANING Magnetic particles from the tape or oil adhering to Pinch Wheel or Capstan will cause irregularity in tape transport as weil as deterioration of sound quality . Jt is, therefore, recommended that these parts be wiped clean occasionally . For Pinch Wheel and Capstan cleaning, use Akai cleaning fluid (from Head Cleaning Kit HC-SOO) or alcohol. • While the GX Head usualJy requires no deaning, when an old tape or spliced tapes are used, head cleaning is recommended. In such an instan ce, clean heads with a cotton swab stick soaked in Akai cleaning fluid or a!cohol. • Do not use such chemicals as chlorothane, etc., as the rubber parts will deteriorate.
HEAD DEMAGNETIZING Normally , the steel pole pieces which form part of the heads bec orne slightly magnetized. As magnetization results in noise or distortion and loss of high freq uency response it is recommended tha t the heads be demagnetized periodi caBy. This can be accomplished by bringing the prongs of a bulk demagnetizer close to the heads and making several small circular movements over ail head surface area s as weil as the head housing. • Be sure to turn off the power· of your recorder prior ta demagneti zi ng the heads . • Do not use magnetized to ols in the vicinity of the heads . • Read d e magneti ze r ins truction s carefully before attempting ta demagnetize heads.
TAPE ERASING Any signaIs previously recorded on the tape will be automatically erased as a new recording is made. For erasing only , thread tape and set machine to recording mode. No plugs should be connected to the input jacks and the recording level controls should be kept at mini mum. For quick and complete erasure , a bulk tape eraser is recommended. * Be sure ta depress the proper track se lect o r butt on for erasure. If STEREO Button is depressed, bath the left and right channels will be erased. .
CD 1
@ 1
@
1
TAPE SPLICING & EDITING
/.'
/
/
/
J
1
grl ~
//
~
1
Cut tape diagonally with an overlap so that the ends are lined up. Cutting tape on the diagonal eliminates detection of the splice in recording. Cover aligned ends with splicing tape, exerting pressure to secure ends evenly. Trim off excess splicing tape . Cutting into magnetic tape very slightly will elirninate the possibility of a sticky spIice. Splicing tape using scissors requires skillful work. For smooth and easy splicing, Akai Tape Splicer model AS-3 is recommended.
TAPE LOADING Place a full reel of tape on the Supply Reel Table and an empty reel on the Take-Up Reel Table. Lock reels into place pulling tip of retainer on reel shaft outward and turning to left or right. Thread the tape as illustrated by the dotted line in the figure.
..
-
a ~
.....
..
~~ " • ~~
4-TRACK RECORDING/PLAYBACK SYSTEM This model employs a 4-track system which can be used for either stereo or' monaural. Select desired track(s) with Track Selector Buttons.
STEREO RECORDING & PLA YBACK Track 1 2 3 4
••
Stereo L 1 __ R2_ Stereo R1L2_
Track 1 2 3 4
MONAURAL RECORDING & PLA YBACK
• •
L1_ R2 R1 L2
Stereo recording and playback requires the simultaneous use of two tracks. For stereo operation, depress the STEREO Track Selector Button. The first stereo recording (playback) takes place on tracks 1 and 3, and the second on tracks 2 and 4 after the reels have been inverted.
Track 1
2 3 4
Track 1 2
3 4
• Il
Mono 1 --
43 2
Mono 1
Il
•
4 3 2-
ri
• • Cl
Monaural recording and playback sequence is 1-4-3-2. Depress 1-4 Track Selector Button. The. first monaural recording (playback) takes place on track l, and the second on track 4, after the reels have been inverted. Invert reels and depress 3-2 Track Selector Button. The third monaural recording takes place on track 3, and the fourth on track 2 after the reels have been inverted. • This model do es not record in reverse direction. For reverse play back, use sensing tape or Reverse Button provided on front panel, or invert reels.
PLA YBACK OF PRE-RECORDED TAPE
* *
*
Please read operating precaution s carefully before attempting operation. Connect the Line Output of this model to the tape inputs of your stereo amplifier and connect a pair of speakers to the amplifier. Connect power cord and load a pre-recorded tape.
STEREO PLA YBACK A. Turn on Power Switch. B. Depress STEREO Track Selector Button. C. Depress Tape Speed Selector according to desired speed. D. Set Monitor Switch to TAPE position. E. Depress Forward Button to begin playback. F . Adjust left and right Volume Controls of the GX-285D and volume controls, etc. of the external amplifier. G. Depress Manual Reverse Button for reverse playback, or in vert reels.
MONAURALPLAYBACK For monaural playba ck, substitute the following step s for steps Band F of stereo playback procedure. Tracks 1 and 4 Only 'the left channel amplifier is used for playback on tracks 1 and 4 . B. Depress 1-4 Track Selector Button. F . Adjust left Volume Control of the GX-285D and left volume control , etc . of the external amplifier. Tracks 3 and 2 Only the right channel amplifier is used for playback on tracks 3 and 2 . B. Depress 3-2 Track Selector Button. F. Adju st right Volume Control of the GX-285D and right volume control, etc . of the external amplifier.
.
AUTOMATIC & MANUAL REVERSE PLAYBACK For automatic reverse playback , affix about a 2.5 cm (1 ") long piece of metallic sensing foil to the outside of the recorded tape at desired reversing point. If continuous reverse between two points is desired , affix another piece of sensing foil to the insid e of the re co rded tape at desired reversing point. As the sensing fo il passes th e Sensing Po les , reverse is effected. This Akai reversing system differs from ordinary reversing systems in that when reverse is being effected, the motor revolu tions are reversed and the Pinch Wheel automatically separa tes from the Capstan , su spend ing reel movement momentarily until th e exact tape speed to which the machine is set is reached. At this time, the Pin ch Wheel again aut o matically contacts the Capstan and the tape begins to trave l. Thus, tape speed is always acc urately ma intained and annoying noise as the tape reverses is completely eliminated. This model is also equipped with a manual reverse button for your co nven ience.
* See
AUTOMATIC STOP & SH UT-OFF proc edur e .
RECORDING USING MICROPHONES
* *
Please read operating precautions carefully before attempting operation. Connect power cord and load a tape.
STEREO RECORDING
A. Turn on Power Switch. B. Depress STEREO Track Selector Button. C. Depress Tape Speed Selector according to desired speed. D. With Reset Button, set Index Counter to "0000". This Index Counter provides an easy reference for locating positions on the tape . E. Connect microphones to Microphone Jacks. Maintain at least 2 meters (7 ft.) between microphones. F. Set Monitor Switch to SOURCE position. G. Adjust and balance microphone input level with Microphone Recording Level Con troIs while observing VU Meters. Normal recording should not exceed zero VU on either meter. H. When an optimum recording level has been determined, while holding Recording Safety Button at depressed position, depress Forward Button to begin recording. The Recording Indicator Lamp will light to indicate recording mode. 1. Depress Stop Button to stop recording.
MONAURAL RECORDING
For monaural recording, substitute the following steps for steps B, E, and G of stereo recording procedure and add step J. Tracks 1-4 Only the left channel is used for monaural recording on tracks 1 and 4. B. Depress 1-4 Track Selector Button. E. Connect microphone to left Microphone Jack. G. Adjust and balance microphone input level with left Microphone Recording Level Control while observing left VU Meter. Normal recording level should not exceed zero VU. J. Invert reels to record on track 4. Tracks 3-2 Only the right channel is used for monaural recording on tracks 3 and 2. B. Depress 3-2 Track Selector Button. E. Connect microphone to right Microphone Jack. G. Adjust and balance microphone input level with right Microphone Recording Level Control while observing right VU Meter . Normal recording level should not exceed zero VU . 1. Invert reels to record on track -2.
RECORDING FROM AN EXTERNAL AMPLIFIER If an external amplifier or tuner amplifier is used connect the tape outputs of the amplifier to the Line Inputs in step E of recording procedure. • The recording level is controlled with the Line Recording Level Con trois . • If the Din Jack is used for this con ne ct ion, VU leve l is controlled with Microphone Recording Level Contro is.
RECORDING FROM A TURNT ABLE To record from a stereo or monaural dise, a crystal pick-up or a ceramic pick-up can be connected directly to the Line Inputs in step E of recording procedure. If a magnetic cartridge is used, it must connected to the Une Input Jacks through an external amplifier. • The recording leve l is controlled with the Line Recording Level Con trois.
TAPE DUBBING When recording from another tape recorder, connect the line outputs or external speaker jacks of the playback machine to the Line Inputs instead of step E of recording procedure . • The recording level is controlled wit h the Line Reco rding Level Con trois.
SOUND-ON-SOUND RECORDING For transfer of previously recorded material from one track to another, accumulating as many individual recordings on one track as is desired. Can be applied to language training, interesting musical compilations, etc. First Recording A. Confirm that there are no connections to the Line Input Jacks. B. Depress 1-4 Track Selector Button for recording on track 1. C. Connect microphone to left Microphone Jac:k. D. Set Monitor Switch to SOURCE position. E. Adjust left Microphone Recording Level Control while observing left VU Meter. F. Depress Reset Button and set Ind ex Counter to "0000". G. While holding Recording Safety Button at depressed position, depress Forward Button to begin first record ing; i.e., Do-Re-Mi. H. When the first recording is completed, rewind tape to starting point. Second Recording 1. Confirm that the Monitor Switch is at SOURCE position and depress Sound-On-Sound Button.
J. Depress 3-2 Track Selector Button for recording on track 3 while listening to track 1 through headphones. K. Connect microphone to right Microphone Jack. L. Increase right Line Recording Level Control to about mid-range. M. Connect stereo headphones for monitoring the first recording on track 1. While holding Recording Safety Button at depressed position, depress Forward Button to begin second recording; i.e., Do'-Re'-Mi'. O. Adjust right Microphone Recording Level Control while observing right VU Meter. P. Reset right Line Recording Level Control 50 that the sound being transferred from track 1 is the same level as the present recording. * The second recording Do'-Re'-Mi' is made on track 3 as the firs t recording Do - Re-Mi is heard through he adphones. The two recordings will comp letely merge on Irack 3; i.e., Do -Do -Re-R e ' Mi-Mi' . * The third and subsequen t recordings are made in the same \Vay as the s econd by switching Track Selector Buttons to and from 1-4, 3-2. For p layback, set Track Selector Button to track on wh ich the last recording was made and se l Monitor Switch to TAPE position .
SOUND MIXING Another important feature of this model is the built-in microphone-line mixing circuit. Independent line and microphone recording level controls and input jacks enable signais from microphone and signais from other sources to be blended and recorded simultaneously on the tape. For mixing line and microphone signaIs, follow Recording Using Microphones procedure substituting the following steps for steps E and G. E. Connect microphones to Microphone Jacks and connect the line outputs of external source to the Line Input Jacks . G. Adjust microphone volume level with Microphone Recording Level Controls and line input level with Line Recording Level Controls. • Mixing can also be effected by using the Din Jack and Line Input connections si multaneou sly. In this case , Din Jack in put is controlled with Microphone Recording Level Con troIs. • For playbac k, o perate Track Selector Button according to tracks used in making recordings.
TECHNICAL DATA Track System ....... 4-track 2-channel stereo/monaural
system Reel Capacity .. . .... Up to 7" reel Tape Speed ......... 7-1/2 and 3-3/4 ips (±0.5%) Wow & Flutter ...... Less than 0.08% RMS at 7-1/2 ips Less than 0.12% RMS at 3-3/4 ips Equalization ........ Correct equalization for playback of tapes recorded to NAB curve. Frequency Response . 20 Hz to 25,000 Hz (±3 dB) at 7-1/2 ips (Akai SRT Tape), 30 Hz to 20,000 Hz (±3 dB) at 3-3/4 ips (Akai SRT Tape), 30 Hz to 23,000 Hz (±3 dB) at 7-1 /2 ips (Regular Tape), 30 Hz to 19,000 Hz (±3 dB) at 3-3/4 ips (Regular Tape) Distortion ...... .. .. 0.8 % (1,000 Hz "0" VU) with Akai SRT Tape Signal to Noise Ratio . 63 dB with Dolby process (Using Akai SRT Tape) 55 dB without Dolby process (Using Akai SRT Tape) Erase Ratio ......... Better than 70 dB
Cross-Talk ......... Better than 70 dB (monaural)
Better than 50 dB (stereo) Bias Frequency ...... 100 kHz Heads ....... .. .... (3) : 4-track stereo/monaural Glass & Crystal ferrite recording and playback heads; 4-track erase head. Motors .......... _ . (3) : Outer-rotor 2-speed motor with servo-control circuit for direct
capstan drive ; two 6-pole eddy current outer-rotor moto rs for supply and take-up reel drive Fast Forward & Rewind Time ..... 60/75 sec . using a 1200 ft. tape at 60/5 0 Hz Recording Capacity .. 2 hours stereo recording using a 1200 ft. tape at 3-3/4 ipso Output Jacks . . ..... Line (2): 0.775 V (" 0" VU)/1 00 r2 Req uired load impeda nce : more than 20 kr2 Phone (1): 30 to 40 /8 r2 Input Jack . . ....... Mi crophone (2): 0.8 mV/IO kn Lin e (2): 150mV jl50kn Din Jack ... .. . ..... 0.4 V/5 0 mV (High)/ 2 mV (Low), 68 kn Semi-Conductors .... Transistors: 75 (PET 4) Diodes: 55 Power Requirements . 100 V to 24 0 V A.C., 50/60 Hz Power Consumption . . 90 W Dimensions ......... 435 (W) x 460(H) x 26 0(0) mm (17 .1 x 18.1 x 10 .2 ") Weight ... .. . ...... 22 kg (48.4 lbs)
*
For improv ement purposes, specifications and design are subject to change withou t notice.
*
Dolby is a trade mark of Dolby Laboratories, Inc.
OPTIONAL ACCESSORIES UM-IOI
DM-13
Uni-Direc tional Dynami c Microphone
RC-16
ATE-7
Non-Directional Dynamic Microphone
HC-SOO
AS-3
Remote Con tr ol
Tape Splicer
ASE-20
ASE-22
Stereo Headph ones
Tape Era ser
. Stereo Headphones
Head Cleaning Kit
STEREO AMPLIFIERS AA-S800
AA-8500
J
. ... a~ "l'
AA-SSOO
'
~ ~nTî'
Stereo Tuner Amplifier
~,
++
Stereo Pre-Main Amplifier
Stereo Pre·Main Amplifier
SPEAKER SYSTEMS SW-175
SW-161
5-Way 6-Speaker System
SW-155
4-Way 4·Speaker System
4-Way 4-Speaker System
MEMO
r
MANUFACTURED & DISTRIBUTED BY
AKAI ELECTRIC CO., LTD. AKAI TRADING CO., LTD. 1 2.14, 2.chome, Hignshi.Kojiyn, Ohta.ku, Tokyo, l apan
AKAI AMERICA LTD. 2139 E. Del Amo Blvd., Comp ton, Cnlif., 90220, U.S.A. TELEPHONE: (213) 537·3880 TELEX: 67·7494
,...
N
