Premiere

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Teach Yourself Adobe ® ® Premiere Pro in Jeff Sengstack 24 Hours 800 East 96th St., Indianapolis, Indiana, 46240 USA Sams Teach Yourself Adobe® Premiere® Pro in 24 Hours Copyright © 2004 by Sams Publishing All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of the information contained herein. International Standard Book Number: 0-672-32607-8 Library of Congress Catalog Card Number: 2003094092 Printed in the United States of America First Printing: February 2004 07 06 05 04 4 3 2 1 Trademarks All terms mentioned in this book that are known to be trademarks or service marks have been appropriately capitalized. Sams Publishing cannot attest to the accuracy of this information. Use of a term in this book should not be regarded as affecting the validity of any trademark or service mark. Acquisitions Editor Betsy Brown Development Editor Jonathan Steever Managing Editor Charlotte Clapp Senior Project Editor Matt Purcell Copy Editor Mike Henry Indexer Chris Barrick Proofreader Wendy Ott Technical Editor Doug Dixon Publishing Coordinator Vanessa Evans Designer Gary Adair Warning and Disclaimer Every effort has been made to make this book as complete and as accurate as possible, but no warranty or fitness is implied. The information provided is on an “as is” basis. The authors and the publisher shall have neither liability nor responsibility to any person or entity with respect to any loss or damages arising from the information contained in this book. Bulk Sales Sams Publishing offers excellent discounts on this book when ordered in quantity for bulk purchases or special sales. For more information, please contact U.S. Corporate and Government Sales 1-800-382-3419 [email protected] For sales outside of the U.S., please contact International Sales 1-317-428-3341 [email protected] Production Michelle Mitchell Contents at a Glance Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Part I: Getting Started 1 Touring Premiere Pro and Presenting the DV Workflow . . . . . . . . . . . . . . 7 2 Camcorder and Shooting Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 3 Story Creation, Writing, and Video Production Tips . . . . . . . . . . . . . . . . . 51 4 Premiere Pro Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 5 Scene Selection and Video Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 6 Creating a Cuts-Only Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Part II: Enhancing Your Video 7 Adding Transitions Between Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 8 Tackling Text: Using the Title Designer 161 9 Advanced Editing Techniques and Workspace Tools . . . . . . . . . . . . . . . 187 10 Adding Video Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 11 Putting Video and Still Clips in Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 ................................. Part III: Acquiring, Editing and Sweetening Audio 12 Acquiring Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 13 Editing Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283 14 Sweetening Your Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305 15 Professional Audio Tools: SmartSound Sonicfire and Adobe Audition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325 Part IV: Higher-End Visual Effects and Editing Techniques 16 Using Higher Level Video Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349 17 Compositing Part 1—Layering and Keying Clips . . . . . . . . . . . . . . . . . . . . 389 18 Compositing Part 2—Alpha Channels and Mattes . . . . . . . . . . . . . . . . . 417 19 Tips, Tricks and Techniques—Part 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451 20 Tips, Tricks and Techniques—Part 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479 21 Third-Party Products . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509 Part V: Working with Other Adobe Products and Exporting Your Videos 22 Using Photoshop and After Effects to Enhance Your DV Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 531 23 Exporting Premiere Frames, Clips, and Projects . . . . . . . . . . . . . . . . . . . . . . 559 24 Authoring DVDs with Encore DVD ........................................ 593 Table of Contents Introduction 1 Part I: Getting Started HOUR 1: Touring Premiere Pro and Presenting the DV Workflow Premiere—A Nonlinear Editor ............................................................ Touring Premiere Pro’s Workspace ...................................................... 8 9 ............................................ 12 ........................................................................ 13 ...................................................................................... 13 Premiere Pro’s Workspace Layout Project Window Effects 7 ...................................................................... 14 .................................................................... 15 ............................................................................ 17 Monitor Window Timeline Window Tools Palette History and Info Palettes .......................................................... ............................ 19 .................................................... 19 ...................................................................... 20 Premiere Pro’s Special Features and Technologies Native YUV Video Processing Color Correction 17 New Audio Technologies and Tools .......................................... .......... 22 ............................................................ 23 Tight Integration with Photoshop CS and After Effects 6 Effect Controls Window 20 Customizable Keyboard Shortcuts ............................................ 24 ........................................ 24 Summary ........................................................................................ 26 Q&A ........................................................................................ 28 Workshop ........................................................................................ 28 Diagramming the Digital Video Workflow Exercises .................................................................................. 28 vi Sams Teach Yourself Adobe Premiere Pro in 24 Hours HOUR 2: Camcorder and Shooting Tips Going Digital 29 .................................................................................. Choosing a Camcorder .................................................................... Camcorder Selection Tips ........................................................ Legacy Analog Camcorders ...................................................... 31 34 34 ............................................ 36 ................................................................ 36 Eighteen Tips on Shooting Great Video .................................................... 37 .................................................................. 38 Adhere to the Rule of Thirds Get a Closing Shot 31 ................................ Moving Up (Way Up) to High-Definition Video Stripe Your DV Tapes 29 Get an Establishing Shot .......................................................... ...................................... 39 .......................................... 40 Keep Your Shots Steady—Use a Tripod Let Your Camera Follow the Action ............................ 40 .......................................................... 40 Use Trucking Shots to Move with the Action Try Out Unusual Angles 38 Lean Into or Away from Subjects .............................................. 41 ................................ 41 Try to Match Action in Multiple Shots ...................................... 41 Shoot Sequences to Help Tell the Story ...................................... 41 ............................................ 42 Get Wide and Tight Shots to Add Interest Avoid Fast Pans and Snap Zooms .................. 42 .............................. 43 .................................................... 43 Remember to Shoot Cutaways to Avoid Jump Cuts Make Sure That You Don’t Break the Plane Get Plenty of Natural Sound .................................. 44 ...................................................................... 45 Use Lights to Make Your Project Brilliant Plan Your Shoot .................................................... 45 Summary ........................................................................................ 48 Q&A ........................................................................................ 49 Workshop ........................................................................................ 49 Quiz ........................................................................................ 49 Expert Advice from Karl Petersen .......................................................................... 49 .................................................................................. 50 Quiz Answers Exercises Contents HOUR 3: Story Creation, Writing, and Video Production Tips Getting the Story Right .................................................................... 53 .......................................... 53 ........................................................ 55 .............................................................. 55 Bob Dotson’s Storyteller’s Checklist Keep It Simple…and Short Writing in the Active Voice Mackie Morris’ Writing Tips .................................................... 57 ............................................ 57 .................................................................... 59 The Good Writer’s Dazzlin’ Dozen .................. 59 .............................................................. 61 ........................................................................ 62 Stephen Black and Henry Stern’s Scriptwriting Tips Unblocking Creativity Stepping Up to Film 52 ........................................ Story-Creation Tips from Bob Dotson Storytelling with Video 51 ................ 62 .................................................... 63 Charly Steinberger’s Tips for Prospective Filmmakers The Business of Video Production ...... 63 .................................................. 67 Sam Prigg’s Tips on Starting a Video Production Company Doing the Video Production Thing ................................................ 67 Summary ........................................................................................ 69 Workshop ........................................................................................ 70 Joe Walsh’s Event Shooting Tips Exercises HOUR 4: .................................................................................. Premiere Pro Setup, Video Capture and Scene Selection My System Recommendations 71 .......................................... 71 ................................................ 72 .................................................. 72 Configuring a Powerful DV Workstation Premiere Pro’s Minimum Specs 70 .......................... 75 ........................................ 79 ............................................ 80 .............................................................. 84 ............................................................ 86 Summary ........................................................................................ 88 Q&A ........................................................................................ 89 Video Capture Cards—Adding Video Editing Magic Reviewing the Alienware DV Workstation Starting Premiere Pro for the First Time Organizing the Workspace Use Workspace Pre-sets vii viii Sams Teach Yourself Adobe Premiere Pro in 24 Hours Workshop ........................................................................................ 89 Quiz ........................................................................................ 89 .......................................................................... 89 .................................................................................. 90 Quiz Answers Exercises HOUR 5: Scene Selection and Video Capture Selecting Video Clips 91 ........................................................................ Getting Good Bites .................................................................. 93 ........................................ 93 .................................................................. 93 Listening for Effective Natural Sound Capturing Digital Video 92 Preparing for Video Capture .................................................... ........................ 96 .................................... 99 Using Premiere Pro to Control Your Camcorder Using Video Clip Naming Conventions Tackling Manual Analog Movie Capture 94 ........................................ 104 ................................ 106 .................................................................... 107 Summary ...................................................................................... 109 Q&A ...................................................................................... 109 Workshop ...................................................................................... 110 Quiz ...................................................................................... 110 Using Scenalyzer to Automate Video Capture Managing Your Assets ........................................................................ 110 .................................................................................. 110 Quiz Answers Exercise HOUR 6: Creating a Cuts-Only Video 111 ........................................ 111 ............................................................ 111 Video Editing: From Engineers to Artists Old-Fashioned Editing Using a Storyboard Approach ........................................................ 113 Arrange Your Storyboard ........................................................ 117 .................................................... 120 ............................................................ 121 Taking a Timeline Window Tour Editing Clips in a Sequence ...................................................... 122 .................................................................... 123 Changing a Clip’s Length Removing a Clip Closing the Gaps—Ripple Delete ............................................ 123 Contents Using the Ripple Edit Tool ...................................................... 124 Lifting and Moving a Clip ...................................................... 125 Using a Keyboard Modifier to Extract and Move .................... 125 .............. 127 ...................................................... 128 Summary ...................................................................................... 130 Q&A ...................................................................................... 131 Workshop ...................................................................................... 131 Quiz ...................................................................................... 131 Adding a Clip Inside a Sequence—Overlay or Insert Using Other Editing Tools ........................................................................ 131 ................................................................................ 132 Quiz Answers Exercises Part II: Enhancing Your Video HOUR 7 : Adding Transitions Between Clips .................................................... 135 ................................................................ 137 Using Transitions with Restraint Trying Some Transitions 135 A Plethora of Transitions ........................................................ Manipulating Transitions in the A/B Window ................................ Using the A/B Mode to Fine-tune a Transition ........................ 139 147 149 .......... 151 .............................................. 154 Summary ...................................................................................... 158 Q&A ...................................................................................... 159 Workshop ...................................................................................... 159 Quiz ...................................................................................... 159 Dealing with Inadequate (or No) Head or Tail Handles Using Transitions on Your Clips ........................................................................ 159 ................................................................................ 160 Quiz Answers Exercises HOUR 8: Tackling Text: Using the Title Designer Using Supers to Help Tell Your Story 161 .............................................. Using a Template to Examine Properties ........................................ Working with the Template’s Geometric Shapes ...................... 162 162 168 ix x Sams Teach Yourself Adobe Premiere Pro in 24 Hours Creating Text ................................................................................ .................................... 177 .......................................................... 179 ................................................................ 179 Adding Motion and Putting Text on a Path Creating Crawling Text Using the Path Tool 171 ............................................................ 181 Summary ...................................................................................... 183 Q&A ...................................................................................... 184 Workshop ...................................................................................... 184 Quiz ...................................................................................... 184 Creating Geometric Objects ........................................................................ 184 ................................................................................ 185 Quiz Answers Exercises HOUR 9: Advanced Editing Techniques and Workspace Tools .................................. 188 ........................................................ 188 ............................................................ 188 Adding a Professional Touch to Your Project Using Establishing Shots Using Matching Shots 187 .................................................. 188 Sequences .............................................................................. 188 Cutaways .............................................................................. 189 Using Wide and Tight Shots .... 189 ...................................... 189 ...................................................................... 192 Playing Clips Backward, Changing Speed, and Freezing Frames Going in Reverse and Altering Speed Unlinking Clips Using Freeze Frames .............................................................. 194 ........................................................ 197 Rolling, Slip, and Slide Edits .......................................................... 199 Creating Special Transitions .......................................................... 203 Adding News-Style Cutaways Using the Image Mask Transition .......................................... Creating a Gradient Wipe Transition ...................................... 203 207 ................................ 209 Summary ...................................................................................... 212 Q&A ...................................................................................... 213 Editing Tips from an Expert—John Crossman Contents Workshop ...................................................................................... 213 Quiz ...................................................................................... 213 ........................................................................ 213 ................................................................................ 214 Quiz Answers Exercises HOUR 10: Adding Video Effects 215 Introducing Premiere Pro’s Video Effects ........................................ ...................................... 223 ........................................................ 226 Changing Effects Over Time—Keyframing Keyframe Manipulation 215 ............................................ 227 .......................................... 227 ........................................................ 231 Summary ...................................................................................... 232 Q&A ...................................................................................... 233 Workshop ...................................................................................... 233 Quiz ...................................................................................... 233 Multiple Keyframable Attributes Using Keyframe Interpolation Controls Non-Keyframable Effects ........................................................................ 233 ................................................................................ 234 Quiz Answers Exercises HOUR 11: Putting Video and Still Clips in Motion 235 Applying Motion and Changing a Clip’s Size ................................ .............. 241 .................................................................. 245 Enhancing Motion—Changing Size and Adding Rotation Giving Clips a 3D Look 235 Layering Clips in Motion ........................................................ Working with Still Images—Special Issues ...................................... 248 248 ................................ 249 Summary ...................................................................................... 251 Q&A ...................................................................................... 252 Workshop ...................................................................................... 252 Quiz ...................................................................................... 252 Zooming in on a High-Resolution Image ........................................................................ 253 ................................................................................ 253 Quiz Answers Exercises xi xii Sams Teach Yourself Adobe Premiere Pro in 24 Hours Part III: Acquiring, Editing, and Sweetening Audio HOUR 12: Acquiring Audio 257 .................................................. 257 Handheld Mic ........................................................................ 258 Lavaliere Mic ........................................................................ 259 .......................................................................... 260 Selecting the Right Mic for the Job Shotgun Mic .......................................... 261 .................................................................... 261 Boundary or Surface Mount Mics Wireless Systems .................................... 262 .................................................... 262 .................................................................. 262 Connecting Mics to Your Camcorder or PC Making the PC Connection Simple Approach Not-So-Simple Approach ........................................................ Getting the Most from Your Mics—Expert Audio Tips ...................... 264 .............. 267 ................................................................ 268 ........................................................................ 269 Building a Simple and Inexpensive Voice-Recording Area Voicing Solid Narrations Ripping Music CDs 263 .............. 273 Summary ...................................................................................... 279 Q&A ...................................................................................... 280 Workshop ...................................................................................... 280 Quiz ...................................................................................... 280 Creating Custom Music with SmartSound Movie Maestro ........................................................................ 281 ................................................................................ 281 Quiz Answers Exercises HOUR 13: Editing Audio 283 .......................................... 283 Audio Track Layout ................................................................ 284 Conforming Audio ................................................................ 284 Premiere Pro—A New Aural Experience .................................................. 286 .................................................................. 289 Basic Premiere Pro Audio Editing Adjusting Volume Contents Higher-Level Audio Editing ............................................................ News-Style Audio Editing: Using J-Cuts and L-Cuts .................. 292 294 .......... 299 Summary ...................................................................................... 301 Q&A ...................................................................................... 302 Workshop ...................................................................................... 302 Quiz ...................................................................................... 302 Making an Automated Music Video Using Timeline Markers ........................................................................ 302 ................................................................................ 303 Quiz Answers Exercises HOUR 14: Sweetening Your Sound 305 ............................ 305 .............................................. 309 .................................................................... 311 Sweetening Sound—Premiere Pro’s Audio Effects Revealing the Power of VST Plug-ins Other VST Effects .................................. 312 .................................... 313 .......................................... 313 .............................................. 315 Adding Multiple Audio Effects to a Clip Following Premiere Pro’s New Audio Tracks Adding and Sending Audio Tracks Working with the New Audio Mixer .............................. 318 ...................................................... 319 Summary ...................................................................................... 321 Q&A ...................................................................................... 322 Workshop ...................................................................................... 322 Quiz ...................................................................................... 322 Changing Track Gain and Balance or Pan Surround Sound Panning ........................................................................ 322 ................................................................................ 323 Quiz Answers Exercises HOUR 15: Professional Audio Tools: SmartSound Sonicfire and Adobe Audition ................................ 326 .......................................................... 328 ............................................................ 329 ................................................................ 332 Making Music with SmartSound Sonicfire Pro Introducing Adobe Audition Auditioning Audition Audition’s Audio Effects 325 xiii xiv Sams Teach Yourself Adobe Premiere Pro in 24 Hours Using Audition to Craft a Tune Loopology Creation ...................................................... 336 ................................................................ 341 .................................... 342 Summary ...................................................................................... 344 Q&A ...................................................................................... 345 Workshop ...................................................................................... 345 Quiz ...................................................................................... 345 Audition—An Audio Recording Studio ........................................................................ 345 ................................................................................ 346 Quiz Answers Exercises Part IV: Higher-End Visual Effects and Editing Techniques HOUR 16: Using Higher-Level Video Effects 349 ................................ 350 ...................................................................... 351 Making Sense of the Plethora of Video Effects Technical Fix Effects .................................. 351 ...................................................... 353 .................................................................. 354 My Favorite Technical Fix Effect: Levels Other Technical Fix Effects Blur & Sharpen Effects Convolution Kernel Overview ................................................ ........................................ 355 .............................................. 357 ................................................................................ 357 My Favorite Blur & Sharpen Effects Duplicate Blur/Sharpen Effects Distort Effects 355 Pinch, Shear, Spherize, and ZigZag ........................................ ................................ 359 ...................................... 361 .......................................... 363 Bend, Lens Distortion, Ripple, and Wave Mirror, Polar Coordinates, and Twirl Horizontal Hold and Vertical Hold .............................. 363 ........................................................................ 364 Noise—Give Your Clips That Old VHS Feel Camera View 358 Basic 3D—Create That Glint Shot .......................................... ............................ 366 ........................................................ 372 Bevel Alpha, Bevel Edges, and Edge Feather Duplicate Distort Effects 365 Contents Color and Appearance Effects ........................................................ Color and Appearance—Painting Effects ................................ 372 .............. 374 ............................ 376 .............................................................................. 376 Color and Appearance—Color-Manipulation Effects Color and Appearance—Color Shift Effects Find Edges 372 .................. 378 .............................................. 379 My Favorite Color and Appearance Special Effects Introducing the Color Corrector ............................ 380 ................................ 380 Color and Appearance Effect—Limited Use Adobe After Effects: Astounding Visual Effects Adding Multiple Action Images Using Echo ............................ Giving Your Project Flash with the Strobe Light Effect .............. 381 383 .......... 384 Summary ...................................................................................... 385 Q&A ...................................................................................... 386 Workshop ...................................................................................... 386 Quiz ...................................................................................... 386 Adding Dazzle to Your Project with the Lightning Effect ........................................................................ 387 ................................................................................ 387 Quiz Answers Exercises HOUR 17: Compositing Part 1—Layering and Keying Clips Making Compositing Part of Your Projects ...................................... 391 .......................................................... 396 ................................ 398 .................................................... 399 .......................................................... 401 .................................................................................. 402 Your Assignment: Grab Shots for Compositing Working with the Opacity Effect Superimpose Two Clips Keying Clips 390 .......................... News-Style Cutaways and Multitrack Audio Rules Multitrack Audio Rules 389 ................................................ 403 .......................................................... 405 .............................................................. 406 Using the RGB Difference Key Using the Chroma Key Using the Luma Key Using the Multiply and Screen Keys ........................................ 409 xv xvi Sams Teach Yourself Adobe Premiere Pro in 24 Hours Using the Blue Screen and Green Screen Keys ........................ 409 .......................................................... 412 Summary ...................................................................................... 413 Q&A ...................................................................................... 414 Workshop ...................................................................................... 415 Quiz ...................................................................................... 415 Using the Non-Red Key ........................................................................ 415 ................................................................................ 415 Quiz Answers Exercises HOUR 18: Compositing Part 2—Alpha Channels and Mattes Working with Alpha Channel Transparencies ................................ 418 ................................ 420 ................ 422 ........................................ 422 Using Video Effects with Alpha Channel Transparencies Video Effects with Alpha Channels 418 ............................ Alpha Channels—Straight or Premultiplied Put Alpha Channel Graphics in Motion 417 Effects That Work Well with Graphics That Have Alpha Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428 Using the Motion Effect to Make Pictures-in-a-Picture .................... 432 Two Multiple Track Video Effects: Blend and Texturize .................... 436 ........................................ 436 Using Blend to Combine Two Clips .... 436 ................................................ 438 ........................................................ 441 Using Texturize to Add an Embossed Look to Another Clip Creating and Working with Mattes Using a Track Matte Key Using Mattes to Build Split Screens ................................................ Working with the Garbage Matte Key .................................... 443 443 .............. 444 ........................................................ 446 Summary ...................................................................................... 448 Q&A ...................................................................................... 449 Workshop ...................................................................................... 449 Quiz ...................................................................................... 449 Using the Garbage Matte Key to Make a Split Screen Using a Difference Matte ........................................................................ 449 ................................................................................ 450 Quiz Answers Exercises Contents HOUR 19: Tips, Tricks, and Techniques—Part 1 Highlighting a Portion of Your Clip 451 ................................................ .................... 455 .................................... 456 Applying Realistic Drop Shadows to Rotating Objects Applying Drop Shadow to Transform .................................. 456 .................................................... 458 Using Camera View with Drop Shadow Working with Nested Sequences .............................. 460 ...................................... 465 ............................................ 469 ........................................................ 471 Enhancing Two Effects Using Nested Sequences Giving Motion to Two Immovable Effects A Slicker Means to the Same End Obscuring Someone’s Identity 452 .................................... 472 Summary ...................................................................................... 475 Q&A ...................................................................................... 476 Workshop ...................................................................................... 476 Quiz ...................................................................................... 476 Fine-tuning Keys Using a Nested Sequence ........................................................................ 477 ................................................................................ 477 Quiz Answers Exercises HOUR 20: Tips, Tricks, and Techniques—Part 2 479 ............................ 480 ............................................ 481 Adjusting Color—Three Color-Correcting Effects Using the Broadcast Colors Effect ........................ 483 .............................................. 484 ........................................................ 486 Creating a Consistent Look with Color Match Venturing into Color Correction Working in the Trim Window .................................................... 488 ...................................................... 489 .......................................................... 489 .......................................................... 490 Trim Window Rolling Edits Trim Window Ripple Edits Four Fun Editing Techniques Fixing a Slanted Scene ................................ 490 ............................................ 492 ........................................................ 493 Creating Real Animated Mirrored Effects Using the Razor Tool with Effects Creating Animated Text xvii xviii Sams Teach Yourself Adobe Premiere Pro in 24 Hours Five Fast Editing Tips ...................................................................... 494 Set Your Ending Keyframe First .............................................. 494 Using Title Designer for Tinting .............................................. 494 ...................................................... 495 Working with Still Images .......................................... 496 ................................................ 496 Reducing Noise in Low-Light Clips Using Multiple Transparencies ............................................ 497 .................................................... 498 Timeline Window Keyboard Shortcuts Timeline Window Shortcuts Checking Out Several Workspace Shortcuts and Tools .................... 501 .................. 502 Summary ...................................................................................... 506 Q&A ...................................................................................... 507 Workshop ...................................................................................... 507 Quiz ...................................................................................... 507 Tips from an Adobe Corporate Premiere Pro Evangelist ........................................................................ 507 ................................................................................ 508 Quiz Answers Exercises HOUR 21: Third-Party Products 509 ............................................ 509 ........................................................ 510 Exciting Effect and Transition Plug-ins Red Giant—Movie Looks .................................. 511 ........................................ 512 .......................................................... 515 2d3—SteadyMove and SteadyMove Pro Plugin Galaxy from The Plugin Site ViviClip Video Filters 3 Other Third-Party Plug-in Providers ........................................ ................ 517 ................................ 521 ........................................ 523 Innovative Graphics—Editor’s Toolkit from Digital Juice High-Definition Video—Cineform’s Aspect HD Multiple-Camera Editing with Multicam Creating Multimedia Movies with CyberCam ................................ 524 ............ 525 ...................................................................................... 526 Speeding Up Editing with Contour Design’s ShuttlePRO V.2 Summary 516 Exercises ................................................................................ 527 Contents Part V: Working with Other Adobe Products and Exporting Your Videos HOUR 22: Using Photoshop and After Effects to Enhance Your DV Project Introducing Photoshop CS .............................................................. 532 ........................................ 535 ............................................................................ 535 Using Photoshop CS in Video Production Expert Tips 531 Introducing After Effects ................................................................ .............................. 544 .................................................. 546 ...................................................... 547 Tight Adobe Video Collection Integration Animating Text with After Effects Per-Character Animation .................................. 550 .......................................................... 550 .................................................................... 552 Creating Motion Graphics with After Effects Vector Paintbrush Tools Animated Effects 543 New Professional Edition Tools .............................................. 553 .................................. 554 Summary ...................................................................................... 556 Q&A ...................................................................................... 557 Workshop ...................................................................................... 557 Quiz ...................................................................................... 557 Follow Action with the Motion Tracker ........................................................................ 558 ................................................................................ 558 Quiz Answers Exercises HOUR 23: Exporting Premiere Pro Frames, Clips, and Sequences Introducing Exporting .................................................................... Two Other Export Options ...................................................... 560 561 .......................................... 562 ............................................................ 565 .................................................................. 569 ........................................................................ 570 Recording Your Sequence to Videotape Creating Basic Media Files Exporting a Movie Video Options 559 .......................................... 572 .................................................... 573 QuickTime ............................................................................ 576 RealMedia .............................................................................. 576 Keyframe and Rendering Options Using the Adobe Media Encoder xix