Principles Of Digital Audio - Rs Components International

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Principles of Digital Audio (McGraw-Hill Video/Audio Professional) by Ken C. Pohlmann Paperback - (February 14, 2000) 736 pages Table of Contents Preface to the Fourth Edition Sound and Numbers Physics of Sound Sound Pressure Level Harmonics Digital Basics Number Systems The Binary Number System Binary Codes Weighted Binary Codes Unweighted Binary Codes Two's Complement Boolean Algebra Analog Versus Digital Fundamentals of Digital Audio Discrete Time Sampling The Sampling Theorem The Nyquist Frequency Aliasing Prevention Quantization Signal-to-Error Ratio Quantization Distortion Other Architectures Dither Types of Dither Conclusion Digital Audio Recording Pulse-Code Modulation Dither Generatior Input Lowpass Filter Sample-and-Hold Circuit Analog-to-Digital Converter Successive Approximation A/D Converter Oversampling A/D Converter Record Processing Channel Codes Simple Codes Group Codes Code Applications Digital Audio Reproduction Reproduction Processing Digital-to-Analog Converter Weighted-Resistor Digital-to-Analog Converter R-2R Ladder Digital-to-Analog Converter Zero-Cross Distortion High-Bit D/A Conversion Output Sample-and-Hold Circuit Output Lowpass Filter Impulse Response Digital Filter Noise Shaping Output Processing Alternate Coding Methods Floating-Point Systems Block Floating-Point Systems Nonuniform Companding Systems μ-Law and A-Law Companding Differential PCM Systems Delta Modulation Adaptive Delta Modulation Companded Predictive Delta Modulation Adaptive Differential Pulse-Code Modulation Timebase Correction Jitter Eye Pattern Interface Jitter Versus Sampling Jitter Jitter in Storage Media Jitter in Data Transmission Jitter in Converters Error Correction Sources of Errors Objectives of Error Correction Error Detection Single-Bit Parity ISBN Cyclic Redundancy Check Code Error-Correction Codes Block Codes Convolutional Codes Interleaving Cross-Interleaving Reed-Solomon Codes Cross-Interleave Reed-Solomon Code Error Concealment Interpolation Muting Duplication Magnetic Tape Storage Recording Bandwidth Digital Magnetic Tape Intersymbol Interference Longitudinal Magnetic Recording Vertical Magnetic Recording Stationary Head Tape Recorders The DASH Format Rotary Head Tape Recorders Operation of a Videotape Recorder The Digital Audio Processor Professional Digital Video Formats ADAT Modular Digital Multitrack Tascam Modular Digital Multitrack Advantages and Disadvantages of Rotary Head Design Digital Audio Tape (DAT) DAT Cassette DAT Modes DAT Hardware Design Rotary Head Track Format Azimuth Recording Automatic Track Following Eight-to-Ten Modulation DAT Error Correction Serial Copy Management System Prerecorded DAT Professional DAT DAT Interfacing DAT Timecode Professional DAT Features Optical Disc Storage Optical Phenomena Diffraction Resolution of Optical Systems Polarization Design of Optical Media Performance of Optical Media Nonerasable Optical Storage Read-Only Optical Storage Write-Once Optical Storage Erasable Optical Storage Magneto-Optical Recording Phase-Change Optical Recording Dye-Polymer Erasable Optical Recording Digital Audio for Theatrical Film The Compact Disc Invention of the Compact Disc Compact Disc Overview Disc Encoding Disc Specifications Data Encoding Player Optical Design Optical Pickup Autofocus Design Autotracking Design One-Beam Pickup Pickup Control Player Electrical Design EFM Demodulation Error Detection and Correction Output Processing Subcode Disc Manufacturing Tape Mastering Disc Mastering Electroforming Disc Replication Alternative CD Formats CD-ROM CD-R CD-RW CD-MO CD-i Photo CD CD+G and CD+MIDI CD-3 Video CD Super Audio CD DSD Modulation Player Design Perceptual Coding Psychoacoustics Physiology of the Human Ear and Critical Bands Threshold of Hearing, and Masking Rationale for Perceptual Coding Data Reduction Coding Subband Coding Transform Coding Filter Banks MPEG-1 Audio Standard Psychoacoustic Models Layer I Example of Layer I Algorithm Layer II Layer III MPEG-2 Audio Standard MPEG-2 AAC AC-3 (Dolby Digital) Coder apt-X100 Coder Perceptual Coding Performance Evaluation Conclusion DVD Introduction DVD Physical Specifications Disc Manufacturing and Playback Data Coding Universal Disc Format (UDF) DVD-Video Video Coding Audio Coding Playback Features DVD-Video Copy Protection DVD-Video Developer's Summary DVD-Audio Coding and Channel Options Disc Contents Copy Protection DVD-Audio Developer's Summary Data Compression Entropy Coding Audio Data Compression Meridian Lossless Packing (MLP) Other DVD Disc Formats The MiniDisc System Overview Signal Format Disc Design Optical Pickup MO Recording and Field Modulation ATRAC Data Reduction Disc Mastering and Manufacture Interconnection Audio Interfaces SDIF-2 Interconnection Alesis Multichannel Optical Digital Interface AES3 (AES/EBU) Professional Interface Channel Status Block Implementation AES 10 (MADI) Multichannel Interface S/PDIF Consumer Interconnection Serial Copy Management System AES11 Digital Audio Reference Signal AES 18 User Data Channels AES24 Control of Audio Devices Sample Rate Converters Fiber-Optic Cable Interconnection Fiber-Optic Systems Fiber-Optic Cable Implementation Interconnection and Installation Economics of Fiber Optics PC Audio PC Buses and Interfaces IEEE 1394 ``FireWire'' Universal Serial Bus (USB) Sound Cards Musical Instrument Digital Interface (MIDI) Music Synthesis Surround Sound Processing Audio Codec '97 (AC '97) Windows Multimedia API and DirectX API MMX File Formats Digital Audio Extraction Hard-Disk Recording System Features Hard-Disk Drives PC Audio Software Applications Hard-Disk Editing Audio for Video Workstations Internet Audio Computer Networks and File Transfers Telephone Services ISDN Asymmetric Digital Subscriber Line (ADSL) Computer Networks ATM MediaNet The Internet and Internet Audio MP3 SDMI Streaming Audio RealAudio G2 Music Codec Audio Webcasting MPEG-4 Interactivity Audio Coding Encryption and Watermarking Digital Radio and Television Broadcasting Satellite Operation Digital Transmission Direct-Broadcast Satellites Digital Audio Radio Transmission Methods Spectral Space Data Reduction Technical Considerations Eureka 147/DAB In-Band Digital Radio USA Digital Radio Lucent Digital Radio (LDR) Perceptual Audio Coding (PAC) Algorithm Direct Satellite Radio Digital Television (DTV) MPEG Video ATSC Digital Television ATSC Standard DTV Implementation Digital Signal Processing Fundamentals of Digital Signal Processing DSP Applications Discrete Systems Linearity and Time-Invariance Impulse Response and Convolution Complex Numbers Where's My Stuff? • Track your recent orders. • View or change your orders in Your Account. 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