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Pv®10at • Pv®bt

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PV®10AT • PV®BT Compact Mixer 1/4”-Hi-Z CH.4 Only MAIN OUTPUTS USB A L DIRECT OUT DIRECT OUT DIRECT OUT 5 AUX SEND DIRECT OUT L 2 3 4 PV 10AT R R 6 5/6 9 L 10 R R STEREO IN PAIRING 1 L FS 3.5mm STEREO 7/8 Operating Manual 9/10 10 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH AT HI PASS AT HI PASS Auto-TUNE HI PASS ELECTRIC GUITAR PRE-SHAPE L HI PASS PHANTOM POWER 48V USB B min comp GAIN max min comp GAIN max min GAIN max min GAIN 9/10 R PV 10 USB A Bluetooth max min max STEREO IN LEVEL CONTROL ROOM L SOLO/MAIN min COMP max min COMP 0 min - + max HIGH min - - + max min - + high 0 -LOW+ max EQ BYPASS - low + high 0 min + max min - -LOW+ max EQ BYPASS - low + high 0 min + max min - -LOW+ max EQ BYPASS - low GAIN + max min - + high min - -LOW+ max + max min EQ BYPASS + max - max min max LEVEL A/B RECORD LEVEL -LOW+ + max min max min max B/ REC B/REC REC LEVEL USB TO CONTROL ROOM min -LOW+ Press to Select or edit MEDIA SELECT 0 max EFFECts media Press to Select MID 0 min min 0 MID 0 max HIGH 0 MID-MORPH min min 0 HIGH 0 MID-MORPH max 0 HIGH 0 MID-MORPH GAIN 0 HIGH 0 MID-MORPH min 0 HIGH 0 low min max 0 R A A/B SELECT EFX SELECT AutoTUNE max USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK SOLO min AUX max min max min AUX max min max min AUX max min max min AUX max min AUX max min AUX max min max min max MASTER AUX EFX EFX c EFX c EFX c max ANALOG MEDIA CHANNEL DIGITAL MEDIA CHANNEL c c c L CLIP R right PAN MUTE SIGNAL min LEVEL SOLO 1 left CLIP R right PAN MUTE SIGNAL max min 1 L LEVEL SOLO 2 left CLIP R right PAN MUTE SIGNAL max min 2 L LEVEL SOLO 3 left CLIP R right PAN MUTE SIGNAL max min 3 L LEVEL SOLO 4 left CLIP SIGNAL max min 4 L R right BAL MUTE 5/6 LEVEL SOLO left CLIP SIGNAL max min 5/6 L MONO (SUM) R right max RETURN TO AUX L max EFX min R LOW max ENABLE KOSMOS-C BAL MUTE MIC MUTE HEADPHONE/ SOLO/MAIN 7/8 LEVEL SOLO min RETURN TO MAIN STEREO left HIGH EFX MUTE SOLO min min max L SOLO 7/8 MAIN L+R R min LEVEL max SOLO/MAIN www.peavey.com FCC/ICES Compliancy Statement This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation. Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement. Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s authority to use the equipment. Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures. • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer or an experienced radio/TV technician for help. Caution The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment. Features and specifications are subject to change without notice. Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301 (601) 483-5365 • FAX (601) 486-1278 • www.peavey.com © 2015 EX000030 ENGLISH PV®10AT and PV®10BT Compact Mixers Congratulations on purchasing the Peavey PV®10AT or PV®10BT Compact Mixer. The PV®10AT and PV®10BT are studio-quality mixing consoles designed to meet diverse needs while occupying a small space. These are the perfect consoles for small venue performances or home recording environments. PV series mixers feature built-in DSP effects that are useful in real-world recording and sound reinforcement, while parameter controls allow you to tailor each effect to meet your needs. The PV 10 BT includes 4 channels of reference-quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Bluetooth wireless input, high quality digital effects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48 volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge. This amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 10 BT can stream audio directly to a PC. MP3 playback is also available, just plug a flash drive with MP3 files on it into the USB A port and use the LCD to select and playback music. The PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 2 Channels of compression keep signals with difficult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specifically for guitar. Hi pass filters on every channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or power amplifier. The all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reliability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it. In addition to all of these features, the PV10AT features 2 channels of Antares® world-famous Autotune®, which can be set to subtly tighten up vocal harmonies, or it can be set for robotic vocal effects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set. Please read this guide carefully to ensure your personal safety as well as the safety of your equipment. FEATURES: • 4 Combination 1/4" and XLR low noise mic preamps • 2 channels of built-in compression • Stereo 1/4", RCA or 3.5mm input channel • Stereo pan control per channel • Bluetooth wireless connectivity • On-board USB-A MP3 playback • 3-band EQ on all channels • 4 Channels of direct out • 4 Channels of Peavey's Exclusive Mid-Morph • Kosmos -C bass and treble enhancement • 150 Hz low-cut switch on all mic inputs • Channel 9/10 stereo return/input • LED clip and signal present indication • Individual Solo function • Individual channel mutes • Stereo USB-B streaming audio in and out • EQ Bypass per mic channel • High quality master LED meter bridge • On board studio quality digital effects with individual channel control • Master mic mute • Effects and playback LCD display • Studio quality headphone output • One pre-fader AUX send • Peavey's exclusive on-board 1 Meg guitar input • Precision 60 mm faders on master • Antares Auto-Tune with Peavey's exclusive Custom Key feature • Dual selectable control room outputs / Record out with independent level • Global 48V phantom power • Main stereo outputs with balanced 1/4" and XLR connectors • Rugged console design Installation Note: This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12" DIRECT OUT DIRECT OUT DIRECT OUT PV10AT Front Panel (channels 1 and 2) 1 1 1 This combination input jack accepts a ¼” or XLR balanced plug. The XLR balanced input is optimized for a microphone or other low impedance source. The ¼” input is a TRS balanced type, and also accepts ordinary TS guitar cables. 2 DIRECT OUT DIRECT OUT 1 HI PASS 7 150 Hz HI PASS FILTER min COMP HI PASS max max HIGH max min HI PASS min COMP min + max HIGH -LOW min + - + high MID-MORPH 0 min min max min - 16 17 left max -LOW - low min L c 1 R right SIGNAL min max LEVEL 1 SOLO min LEVEL SOLO + high 0 min min AUX -LOW+ max min L 1 R right EFX left L 2 PAN MUTE 19 R righ PAN MUTE max EFX L CLIP 2 min 3 LEVEL SOLO max min 2 3 R right PAN MUTE SIGNAL LEVEL SOLO left max LEVEL2 SOLO L SIGNAL R right SIGNAL min min CLIP max c 18 CLIP AUX left 15 SIGNAL max min 1 min PAN MUTE max min CLIP max EFX c max left max max EQ BYPASS 13 AUX 14 c PAN MUTE CLIP min max MID-MORPH max EFX -LOW+ - low max AUX -LOW+ + max HIGH EQ BYPASS + high min min - min0 MID-MORPH 12 R right EFX SIGNAL min + max min 0 max PAN MUTE max CLIPmin 0 c AUX L MID-MORPH 10 HIGH + hig low0 + max c left - + high 0 EQ BYPASS EFX min max 0 EQ BYPASS min - COMP + max max 0 MID-MORPH max AUX -LOW+ - GAIN min HIGH 11 EQ BYPASS EQ BYPASS low min 9 low 0 + max 0 min Low EQ This control adjusts the level of the channel signal sent to the Aux output. The signal is taken before the channel level (18) but after the channel EQ, meaning that changes to the EQ settings will affect the aux mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors, when used in a live performance, or to feed headphone amplifiers in a recording situation. - 0 HIGH 0 MID-MORPH EQ (CH. 1-7) AUX SEND max + high 0 max HI PASS max 8 - MID-MORPH Hi EQ EQ BYPASS - GAIN Auto-TUNE min max compminGAIN max 0 COMP min 6AT 0 low max GAIN 0 -GAIN+ min comp min Compressor LED Engaging this button bypasses the equalization of the channel, allowing you to easily hear the effect of the EQ settings. 12 min comp COMPRESSION CONTROL (Channels 1 and 2 only) This active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage. 11 max GAIN 0 Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument definition can be achieved. 10 min comp HI PASS This active tone control (shelving type: ±15 dB) varies the level of the high frequency range. 9 4 HI PASS AT This LED illuminates when the compressor is actively compressing a signal. 8 Auto-TUN 5 Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. The compressor ratio is in the 4:1 range, varying with signal levels and the amount of compression. This is useful for controlling peak levels from live sources, and has been designed to subtly tame the levels of live vocals without noticeable artifacts. The compressor is after the gain control (5) and the hi pass filter (4), but before the direct out (2), so it can be patched to external equipment. 7 3 3 AT AT The hi pass filter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing low frequencies that make a mix sound muddy. This feature is especially useful when playing outside on a windy day or on a hollow-sounding‚ noisy stage. These kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power where needed. 6 2 GAIN The Input Gain control is used to establish proper gain structure in the channel. For best results, use the Solo system (19) to monitor the channel while you set the gain. The goal is maximum gain without distortion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (16,17) can be used for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain. 5 DIRECT OUT PV 10A AUTO-TUNE ACTIVATION BUTTON AND LED (PV10AT only) Pressing this button activates the PV10AT's onboard AUTO-TUNE feature. The button illuminates when in AUTO-TUNE mode (SEE Effects Select {50} and the following page). 4 DIRECT OUT 2 This impedance-balanced TRS output signal is taken after the mic preamp, hi pass filter, and compressor, but before the EQ stage. 3 2 PV 10A MIC/LINE INPUT (CH.1-8) LEVEL SOLO m 3 max 3 PV10AT Front Panel (channels 1 and 2) 13 EFX SEND This control adjusts the level of the channel signal added to the effects mix. The signal is sent to the internal effects processor. Turning the knob to the left (min) will turn off effects on the associated channel, while turning the knob to the right will increase the amount of the selected effect. The effects send signal is taken after the channel level (18) so that adjustments made to the fader will also affect the send level. 14 PAN CONTROL This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise‚ the signal is present only on the left channel; when rotated completely clockwise‚ only in the right channel. This control functions as a balance control to adjust the relative level of the left and right signals on stereo channels 5/6 and 7/8. (Note 1/4" inputs on ch 5-6 and 9-10 are mono unless both are connected, then they switch to stereo) 15 MUTE SWITCH Pressing this switch will silence the channel signal going to the main mix, aux send, and effects. The mute switch will not affect the signal sent to the solo system. 16 CLIP/MUTE LED This LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. The clip indicator circuit monitors the signal after the gain control, after the EQ, and after the main level; because clipping can be caused by high settings of any of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e. piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting of input gain + EQ will result in this LED flashing briefly on the loudest peaks. 17 SIGNAL LED The signal LED lights when the channel level reaches approximately -20 dBu. This not only indicates which channels are active, but also serves as a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source. 18 CHANNEL LEVEL CONTROL This is the channel's output control, which sets the signal level sent to the left and right mix and the effects send control. The gain is 0 dB (unity gain) when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the signal /clip LED's and the main meter array. As additional sources are added, it is normal to turn this knob down slightly to prevent overdriving the main mix bus. 19 SOLO SWITCH AND LED 1/4”-Hi-Z CH.4 Only When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master section, indicating that the Solo system is now active. The Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to 3.5mm STEREO the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed L 5 channel(s). PV10AT Front Panel (channel 4) 20 MIC/LINE INPUT (CHANNEL 4 ONLY) DIRECT OUT DIRECT OUT 1 2 Electric Guitar Pre-Shape Engaging this button optimizes the on board equalization for electric guitar. 3 DIRECT OUT PV 10BT DIRECT OUT DIRECT OUT DIRECT OUT 4 R 1/4”-Hi-Z CH.4 Only 20 This input is the same as channels 1-3 unless Guitar Shape is pressed. When ELECTRIC GUITAR PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplifier input. 21 DIRECT OUT 6 5/6 U 3.5mm STEREO 10 INPUT STEREO WITH DIGITAL EFFECT L 5 R 6 DIRECT OUT P 1 2 3 PV 10BT 21 ELECTRIC GUITAR PRE-SHAPE HI PASS min comp HI PASS GAIN max min comp GAIN HI PASS max min GAIN 4 10 INPUT STEREO WITH DIGITAL EFFECT L HI PASS max ELECTRIC GUITAR PRE-SHAPE min GAIN 5/6 max R USB A USB A FS 3.5mm STEREO PV10AT/PV10BT Front Panel (channels 5, 6, 7 and 8) DIRECT OUT 22 DIRECT OUT L DIRECT OUT DIRECT OUT 22 4 PV 10BT STEREO INPUTS DIRECT OUT DIRECT OUT USB MEDIA JACK R USB A 6 5/6 7/8 3.5mm STEREO L BLUET L DIGITAL EFFECTS, 5 WITH MEDIA PLAYBACK AND AUX SEND R 6 5/6 7/8 WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUET HI PASS L PHANTOM POWER 48V 27 max -0 max COMP+ high low MID-MORPH 0 BLUETOOTH PAIRING BUTTON AND LED min comp max -0 min min max COMP+ high low MID-MORPH 0 low max -0 min + high low MID-MORPH -0 + high MID-MORPH 0 0 0 USB A Bluetooth max 0 + max + max + max + max min min min min The Bluetooth Pairing Button is used to turn on/off the The + max + max “Bluetooth -Bluetooth. -LOWblue -LOW+ maxActivemin HIGH -LOW+ max min HIGH min HIGH min HIGH LOW 0 the Bluetooth 0 LED” indicates the status of the Bluetooth connection. If 0the LED is off, module 0 EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS is powered off. If the LED is slowly flashing, the PV mixer is not paired with any device, but is available for connection. When the LED is lit solid, the source device is properly paired to the + high + high + high + high low low low low mixer and ready to play. MID-MORPH MID-MORPH MID-MORPH MID-MORPH 0 L LAUX max R right PAN MUTE CLIP min left LAUX max R right PAN MUTE CLIP min left LAUX max R right min left PAN MUTE CLIP LAUX max R right PAN MUTE CLIP The RCA inputs to channel 5/6 accept a stereo source such as an MP3 player, CD player, SIGNAL SIGNAL SIGNAL SIGNAL tape deck or other similar device. This input is optimized for portable handheld devices min max min max min max min EFX EFX EFX EFX 1 2 3 and therefore has very high sensitivity. c c c c max GAIN min USB0B 0 min - + max HIGH - max 0 - ++ -LOW max min HIGH max 0 min - + max MID min - min + max HIGH min max AUX max GAIN+ max min 0 MID left L R right left L R right left L R right left PAN PAN This switch selects between USB A (24), USB B (68), and the internalPAN Bluetooth receiver. min CLIP MUTE max CLIP min LEVEL SOLO SIGNAL 11 MUTE max CLIP min LEVEL SOLO SIGNAL 22 MUTE max CLIP min LEVEL SOLO SIGNAL 33 L min - ++ -LOW max min HIGH max max max LEVEL A/B LEVEL SOLO max min LEVEL SOLO max min LEVEL 4 R right SOLO min - MEDIA SELECT min max RECORD LEVEL + max min min AUX -LOW+ E m min MEDIA SELECT MASTER max max c SOLO min max RETURN TO MAIN 30 STEREO LAUX BAL MUTE ma SOLO max c max R right min TO CONTROL RO Press to Select MID DIGITAL MEDIA CHANNEL min left LAUX max R right BAL MUTE CLIP ANALOG SIGNAL MEDIA CHANNEL DIGITAL SIGNAL MEDIA CHANNEL c c left LEVEL LEVEL SOLO ma m REC LEVEL 0 5/6 7/8 L R right left L min MASTER SOLO MONO (SUM) max MIC MUTE min max RETURN TO MAIN LEVEL 44 SOLO SIGNAL max min 5/6 5/6 LEVEL SOLO LEVEL SOLO SIGNAL max min L MIC MUTE SOLO R 7/8 7/8 MAIN L+R LEVEL SOLO MONO (SUM) R right PAN BAL BAL MUTE MUTE MUTE max CLIP min max CLIP min max SOLO SIGNAL max min min SOLO max Stereo channels' midrange is +/-20 dB @ 440Hz ; the HIGH (8) and LOW (10) controls are described above. min ma E Select min 0 ANALOG MEDIA CHANNEL CLIP min STEREO IN LEV min m TO CONTROL RO max RECORD LEVEL 0 -LOW+ min left m REC LEVEL Press to - min 0 min min 0 GAIN+ max min 0 MID min min max PHANTOM POWER LEVEL A/B 48V USB A Bluetooth 0 min max GAIN STEREO DIGITAL SOURCE SELECTOR m 9/10 R min 29 min left min STEREO IN LEV 0 min max min max max min max The PV Mixer will remember up to 10 devices that it was previously paired withminand AUX AUX AUXwill AUX automatically connect to the last device with which it was paired when turned on. To clear the + max + Bluetooth + max + max paired device memory, make sure Bluetooth is on and press and hold Pairing min min - themax min min LOW LOW LOW LOW Button for 5 seconds. The PV mixer will ask if you would clear the Bluetooth EQ BYPASSlike to EQ BYPASS EQ BYPASSmemory. EQ BYPASS min max min max min max min max Select "Y" using the Media Select knob to clear the memory. will go through the EFX The PV mixer EFX EFX EFX c c c c process of clearing the memory, which should take approximately 15 seconds. MID CONTROL 9/1 R 26 USB B min 28 9/1 10 INPUT STEREO MIXER First, slide the input selection switch (27) to the USB GAIN A position. The the LCD GAIN GAIN bottom of GAIN display will say “Insert USB drive”. Insert your USB drive into theGUITAR USB Media Jack (24) ELECTRIC PRE-SHAPE at the top of channel 7/8. The Media Player will now enter "Folder Navigation Mode". In HI PASS HI PASS HI PASS this mode, you can scroll through a list of all folders on the USB drive. Once you selectHI PASS min max min max COMP COMP a folder, the Media Player will enter "Song Navigation Mode" which allows you to scroll 0 0 0 0 through a list of all songs contained in the selected folder. If there are no songs in the selected folder, the LCD will display "No Songs". To return to Folder Navigation Mode, scroll min max min max min comp GAIN comp GAIN + max + max to the very beginning of the list and select the option. - +maxmax minminGAIN - +maxmax min min min GAIN HIGH HIGH HIGH HIGH Once a song is finished playing, the Media Player will automatically start playing the0 next 0 0 0 song. Once the Media Player reaches the last song, it will automatically loop back to the 28 beginning of the list. 27 R ELECTRIC GUITAR PRE-SHAPE min comp RCA MEDIA INPUTS STEREO IN 25 USB PLAYBACK: 26 9/ FS 10 INPUT STEREO MIXER 4 PV 10BT A-type USB connector that a removable data storageHIdevice can be connected HItoPASS playback PASS HI PASS music 25 R 24 PAIRING Channels 5 and 6 also feature 1/4" inputs. If only one jack is used, it behaves as a mono 2 serve3as a source with a pan control. When both jacks are connected,1these connections stereo source with a balance control; 5 is Left and 6 is Right. 24 STEREO IN PAIRING 23OUT DIRECT DIRECT OUT L AUX SEND 1/4”-Hi-Z CH.4 Only 3.5mm STEREO INPUT The 3.5mm input to channel 5/6 accepts a stereo input from1the output 2 of an MP3 player, 3 CD player, tape deck or other similar device. This input is optimized for portable handheld devices and therefore has very high sensitivity. 23 5 max L SOLO R PV10AT/PV10BT Front Panel (channel 4) 32 1/4”-Hi-Z CH.4 Only MAIN OUTPUTS USB A FS 3.5mm STEREO L ECT OUT 5 31 AUX SEND DIRECT OUT L 3 0BT 29 4 R 6 5/6 9 L 10 R R STEREO IN PAIRING R L 7/8 9/10 10 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH 33 34 35 ANALOG BALANCE CONTROL Controls the balance between the analog channels 5/6. 30 Controls the balance between the digital channels 7/8. SHAPE S DIGITAL BALANCE CONTROL 31 L HI PASS 9/10 R AUX SEND XLR and 1/4" OUT PHANTOM POWER 48V USB B GAIN POWER Ground compensated balanced output fed by the AUX SEND master level (52). The XLR is internally in parallel with the TRS. You will PV 10 get better hum and noise USBrejection A Bluetoothby using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will L R min max min max CONTROL ROOM GAIN STEREO IN LEVEL SOLO/MAIN also work. max A A/B SELECT 32 FOOTSWITCH min GAIN + max min HIGH 0 HIGH max min HIGH 33 0 PASS AUX HIGH min max min max LEVEL A/B min max min max B/ REC B/REC REC LEVEL max RECORD LEVEL USB TO CONTROL ROOM 0 1/4" STEREO INPUTS min -LOW+ max min -LOW+ max 34 EQ1/4" STEREO OUTPUTS BYPASS EFFECts media Press to Select Press to Select or edit min -LOW+ max USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK Ground compensated balanced output fed by the master L and R Faders (60). The TRS jacks are internally in parallel with the XLR's. You will get better hum and noise rejection by using SOLO balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will also work. min max min max min max min max min max max AUX 35 EFX min max + max a stereo + max of 1/4" jacks that can be used for an aux input, or effects return from an external processor. Channel pair + high9 and min -10 are min low MID IfMID-MORPH only one jackMID is0 used, it behaves as a mono source. it behaves as a stereo source; 9 is Left and 10 is 0 0 MEDIA SELECT Once both jacks are connected, EFX SELECT Right. + high D-MORPH + max max GAIN 0 0 LOW min This0 TRS jack is 0designed for0use with Peavey's 2 Button Special Use Momentary Footswitch, Item # 03014070. The tip of this TRS jack, switch 1, remotely actuates the EFX Mute switch. The ring of the TRS jack, switch 2, remotely turns off the Auto-Tune on AT models. This the-use+ of Auto-Tune + - makes - + inconspicuous; by using the footswitch, your between-songs spoken banter won't be Auto-Tuned. 0 - max max c AUX AUX XLR STEREO OUTPUTS ANALOG MEDIA CHANNEL SOLO DIGITAL MEDIA CHANNEL PAN MUTE 3 HIGH EFX MUTE min maxcompensated balanced output minR Faders max minfed by maxthe master L and min max are internally in parallel with the TRS's. Ground (60). The XLR jacks EFX EFX RETURN TO MAIN RETURN TO AUX LOW c c c You will get better hum and noise rejection by using balancedL interconnects (either XLR or TRS). R STEREO R right AUX MASTER left CLIP L R right PAN MUTE SIGNAL 4 left L CLIP SIGNAL R right BAL MUTE 5/6 left L CLIP SIGNAL MONO (SUM) R right BAL MUTE 7/8 ENABLE KOSMOS-C MIC MUTE HEADPHONE/ SOLO/MAIN 0AT 10 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH PV10AT Front Panel 36 Auto-TUNE HI PASS ELECTRIC GUITAR PRE-SHAPE L HI PASS GAIN max min GAIN 9/10 R PHANTOM POWER 48V USB B min 37 PV 10 USB A Bluetooth max min max STEREO IN LEVEL CONTROL ROOM L SOLO/MAIN A/B SELECT min 0 min - 0 + max HIGH 0 - + max min HIGH - + max min - max + max HIGH 0 min max min max LEVEL A/B max AUX39 EFX c 39LEVEL RECORD 40 ROOM 41 TO CONTROL 44 USB 42 EFFECts media Press to Select or edit min max min max min -LOW+ AutoTUNE max USB MEDIA PLAYBACK min max min LEVELAUX A/B AUX max min AUX max min MASTER AUX max min HIGH max Controls the level of both A and B control room outputs.SOLO The active output is selected with A/B SELECT switch (41), when B/REC switch (42) EFX MUTE is up. When B/REC switch is DIGITAL down, only output A is controlled. ANALOG max 40 min EFX max MEDIA CHANNEL MEDIA CHANNEL c c c REC LEVEL min min max RETURN TO MAIN max RETURN TO AUX L MONO EFX min R LOW max ENABLE (SUM) outputs. Note: When B/REC switch is up, this control is inactive. WhenLB/REC switch isRdown, controls the level at the B/REC R L L R R right left right PAN PAN MUTE CLIP MUTE 41 A/B SELECT SIGNAL min max B/ REC 0 STEREO CLIP min B/REC EQ BYPASS Controls the level of input jacks 9 and 10. If only one jack is connected,DIGITAL it is sentEFFECT/MEDIA to both L andPLAYBACK R. If both jacks are connected, 9 is L and 10 is R. The Aux output could be fed to an external effects processor, and these jacks could be used as the effects return. Or a second mixer could be daisy-chained in here. SOLO EQ BYPASS left max REC LEVEL If phantom power isMID used, do notMID connect unbalanced dynamic microphones or other devices to the XLR MID-MORPH 0 0 0 MEDIA SELECT EFX SELECT inputs that cannot handle this Voltage. max L min Press to Select + STEREO + LEVEL -9/10+ -LOW37 -LOWIN LOW min GAIN Switch +48+VDC voltage to the input XLR connectors to power microphones requiring phantom power. + max + highThislow - + highapplies min max min - 0 min min 43 0 HIGH PHANTOM POWER MID-MORPH min min max 0 0 36 - low GAIN R A SIGNAL left CLIP right BAL MUTE SIGNAL left CLIP right KOSMOS-C BAL MUTE MIC MUTE HEADPHONE/ SOLO/MAIN SIGNAL this switch is up, output A is on and output B is off. When this switch is down, output B is on and output A is off. Use this switch to 3When 4 5/6 7/8 evaluate a mix on 2 different pairs of monitors, such as near field and far field monitors. By setting the level controls on both monitoring sys- tems the same, a rapid A/B comparison can be made. Overall monitor level is controlled by LEVEL A/B. NOTE: When the B/REC switch (42)is down, this switch is disabled , and the A output remains on at all times, fed by LEVEL A/B (39). LEVEL 42 SOLO max min max min B/RECLEVEL SWITCH SOLO LEVEL SOLO max min LEVEL max L SOLO R min LEVEL max SOLO of the B/REC output. When up, B/REC jack functions as monitor B output, selected by A/B select and controlled by 3Determines 4the function 5/6 7/8 MAIN L+R SOLO/MAIN LEVEL A/B. When down, B/REC jack is an independent record output, with level controlled by REC LEVEL. 43 CONTROL ROOM MONITOR OUTPUT A Connect powered monitors, or an amplifier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal when the A/B switch is toggled. The signal sent to this output is normally the Left/Right mix. The USB "To Control Room" pot (47) feeds the USB return signal to these Monitor Outputs for use in a DAW recording setup. When the Solo LED is lit (62), only the soloed source(s) will be heard. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the LEVEL A/B control. T h x t E 2 Auto-TUNE HI PASS L HI PASS min GAIN max min GAIN 9/10 R B PV10AT FrontUSB Panel PHANTOM POWER 48V USB A Bluetooth max PV 10 min min 0 min - + max min - - MID-MORPH 0 min + max min - -LOW+ max EQ BYPASS - low GAIN + max min - + high min - -LOW+ + max 45 min min EQ BYPASS + max - max min max LEVEL A/B RECORD LEVEL min max min max R A A/B SELECT B/ REC B/REC REC LEVEL USB TO CONTROL ROOM -LOW+ + max min -LOW+ Press to Select or edit MEDIA SELECT 0 max EFFECts media Press to Select MID 0 max min 48 L SOLO/MAIN 0 MID 0 max HIGH 0 MID-MORPH min min 47 CONTROL ROOM 0 HIGH 0 + high max 0 HIGH 0 low GAIN 0 HIGH max STEREO IN LEVEL 46 50 EFX SELECT AutoTUNE max 51 USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK SOLO min AUX 44 left max min AUX max min AUX max min AUX max min MASTER 49 max CONTROL ROOM MONITOR OUTPUT B / RECORD OUT AUX min HIGH max EFX MUTE SOLO ANALOG DIGITAL This pairminof outputs can either serve as your "B" Record Monitor Output; or, withmaxthe B/REC switch (42)max down, as an independently controlled max max min min max min EFX MEDIA CHANNEL MEDIA CHANNEL EFX EFX RETURN TO MAIN RETURN TO AUX LOW Record Output. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the c c c c L R B/REC control. min 45 L STEREO USB RECORD LEVEL KNOB R L R L R right left right left right left L R right MONO (SUM) ENABLE KOSMOS-C PAN PAN BAL Controls the level signal sent to theBAL USB B connector on the back of the mixer. The recommended setting is near 12:00, but a wide range is MUTE MUTE ofCLIP MUTE MUTE MIC MUTE HEADPHONE/ CLIP CLIP CLIP available to accommodate varying levels and sensitivites. SIGNAL 46 SIGNAL SIGNAL CONTROL ROOM 3 4 LEVEL 5/6 SIGNAL SOLO/MAIN 7/8 Controls the level of signal returning from the USB B connector on the back of the mixer. The signal is routed to the control room and headphone outputs, for multitrack recordings on a DAW. The recommended setting is near 12:00. 47 max min 2 ELECTRIC GUITAR PRE-SHAPE MEDIA AND EFFECTS LCD DISPLAY max min max min max min max L R min max LEVELthe MP3 Player, which can be used for LEVEL LEVEL LEVEL The top row of this LCD displays theLEVEL currently selectedSOLO Effect and the bottom row displays the statusof SOLO 48 SOLO the folders SOLO navigating on the USBSOLO drive or displaying the current song playing. The bottom line will also briefly display the Bluetooth status during and memory clearing. 3 power on,4 power off, 5/6 7/8 MAIN L+R SOLO/MAIN MEDIA SELECT Once a USB device is connected in channel 8, you can use the “Media Select” encoder to navigate through the folders/songs on the drive. Once the desired file is displayed on the screen, press the Media Select knob to cue that file. Use the controls on the mixer for play, pause, forward and reverse. 49 EFX SELECT KNOB See detailed description on the following page. 50 MEDIA PLAYBACK CONTROLS These controls allow you to play, pause and scroll though digital media via USB jack. 51 AUTO-TUNE ACTIVATION BUTTON (PV10AT ONLY) Pressing this switch changes the top line of the LCD between Auto-Tune Edit Mode and EFX Edit Mode. This funtion is not available in the PV10BT. PV10AT Front Panel EFX Select Knob: EFX Mode: In EFX Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the EFX presets. Turning the knob changes the EFX preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new effect. Once the effect has been selected, you can now edit the effect. To do this, press the EFX Select knob and the display will change to the current parameter setting of the preset. Turn the EFX Select knob to edit the parameter. Press the knob again to exit EFX preset edit mode. To restore the EFX presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted. Auto-Tune Mode: In Auto-Tune Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the Auto-Tune presets. Turning the knob changes the Auto-Tune preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new Auto-Tune preset. Once the preset has been selected, you can edit the preset by pressing the EFX Select knob. The display will change to the current Key setting. Turn the EFX Select knob to change the key and push the EFX Select knob when you have chosen the key you desire. The Key setting determines which notes are enabled in the Auto-Tune process. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all other notes are disabled. To see which notes are enabled or disabled for each key, see the Key Table below. Note: If Custom Key is selected, the display will enter Custom Key Edit Mode. In this mode, you can create a custom Auto-Tune Key. Use the EFX Select knob to select the Root (labeled "RT"). This will be the note off which the custom key is based. Then use the Media Select knob to move the cursor and use the EFX Select knob to activate or deactivate the 12 notes in the key. Once you have finished editing the custom key, press the EFX Select knob to exit Custom Key Edit Mode. The mixer is capable of storing 9 different custom keys, one for each preset slot. The scale degrees are numbered across the top, with half-steps indicated by a dash. RT=Root or Key RT * *indicates the root or key is C "+" indicates the note will be allowed. "-" indicates the note will not be allowed. By looking at the sequence of allowed and disallowed notes above, this is a whole tone scale. There are only two of those, so you can have the other one just by changing the root to C# or B. *This screen cap shows an A blues scale. You don't have to edit the whole scale to change keys - just change the root. Once you have selected the key and pressed the EFX Select knob, the display will change to the current Speed setting. Turn the EFX Select knob to change the Speed setting. The Speed setting determines how quickly and aggressively the Auto-Tune will correct the pitch. The range for this setting is 0 to 25, where 0 is the quickest and 25 is the slowest. Push the EFX Select knob when you are done editing the speed parameter. The display will now change to the current Detune setting. Turn the EFX Select knob to change the Detune setting. The Detune setting determines how the Auto-Tune pitch correction is calibrated. When the Detune setting is 0 cents, this means the Auto-Tune is calibrated to the standard A440, or where the note A4 equals 440 Hz. The range of the Detune setting is -64 to 63 cents, a width of 128 cents. The distance between two notes, or semitones, is 100 cents, which means that the Auto-Tune can be detuned to fit any possible environment. Note: Detuning the Auto-Tune can be very useful, especially when being used in conjunction with an instrument that is not easily tuned on-the-fly. For example, if a piano is accompanying Auto-Tuned vocals and the piano is slightly out of tune from the A440 stan dard, simply change the Detune setting in the Auto-Tune setting. This is much easier and takes much less time than having some one tune the entire piano! Also, although the Detune setting is changed in the Auto-Tune preset edit mode, this is a global param eter. This means if you change the Detune setting and then later change the Auto-Tune preset, the Detune setting will not change. Once you have selected the appropriate Detune setting, press the EFX Select knob to exit Auto-Tune preset edit mode. To restore all AutoTune presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted. Note: Preset 9 is chromatic with speed set to 7. It is recommended for general purpose, safe, easy use of Autotune, without having to adjust any settings. The slower speed setting does not produce a robotic effect on the voice, and all twelve semitones are allowed. Just remember to use footswitch #2 to bypass Autotune between songs, otherwise your speaking will be Autotuned! Auto-Tune Key Table Auto-Tune Key Table Key Display Note Number (n)= Key 0 1 2 3 4 5 6 7 8 9 10 11 Chrom C C# D D# E F F# G G# A A# B C Maj C D E F G A B C Mnr C D D# F G G# A# C#Maj C C# D# F F# G# A# C#Mnr C# D# E F# G# A B D Maj C# D E F# G A B D Mnr C D E F G A A# D#Maj C D D# F G G# A# D#Mnr C# D# F F# G# A# B E Maj C# D# E F# G# A B E Mnr C D E F# G A B F Maj C D E F G A A# F Mnr C C# D# F G G# A# F#Maj C# D# F F# G# A# B F#Mnr C# D E F# G# A B G Maj C D E F# G A B G Mnr C D D# F G A A# G#Maj C C# D# F G G# A# G#Mnr C# D# E F# G# A# B A Maj C# D E F# G# A B A Mnr C D E F G A B A#Maj C D D# F G A A# A#Mnr C C# D# F F# G# A# B Maj C# D# E F# G# A# B B Mnr C# D E F# G A B ax gh H ax ax ax ht TE 2 min + max HIGH min - - low min - + high 0 -LOW+ max EQ BYPASS - low min - + high max min min MID max min MID 0 min EQ BYPASS max RECORD LEVEL min USB max TO CONTROL ROOM 0 -LOW+ min MEDIA SELECT 52 -LOW+ Press to Select or edit max 0 max EFFECts media Press to Select PV10AT + - + Front- Panel 0 -LOW+ + max HIGH 0 MID-MORPH min + max HIGH 0 MID-MORPH min + max HIGH 0 53 max 54 EFX SELECT 55 USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK SOLO min AUX max min AUX max min AUX max min AUX min max MASTER min EFX max min EFX c max DIGITAL MEDIA CHANNEL c c left R right PAN MUTE CLIP SIGNAL 3 left L CLIP R right PAN MUTE SIGNAL 4 left L CLIP SIGNAL R right BAL MUTE 5/6 left L CLIP 59 SIGNAL min max RETURN TO MAIN STEREO MONO (SUM) R right max RETURN TO AUX L 58 L min min HIGH max 57 EFX MUTE SOLO ANALOG MEDIA CHANNEL c AUX max 56 EFX min R LOW max ENABLE KOSMOS-C BAL MUTE MIC MUTE HEADPHONE/ 60 SOLO/MAIN 7/8 61 max min 2 - LEVEL SOLO 52 max min 3 LEVEL SOLO max min 4 LEVEL SOLO max min 5/6 LEVEL 62 SOLO max L SOLO 7/8 MAIN L+R R min LEVEL max SOLO/MAIN AUX MASTER CONTROL KNOB Controls the overall level of the signal coming out of the Aux Output (31). This Auxiliary output is typically fed to a power amplifier to drive stage monitors so singers can hear themselves amidst amplified instruments, or to a headphone amplifier to give vocalists a monitor feed that will not be picked up by microphones while recording. 53 AUX MASTER SOLO BUTTON AND LED Allows you to listen to just the Auxiliary mix. The setting of the AUX MASTER knob determines the level you will hear when this button is pressed. 54 EFX RETURN SOLO BUTTON AND LED Allows you to listen to just the effects return. The setting of the Return to Main knob determines the level you will hear when this button is pressed. 55 RETURN TO AUX CONTROL KNOB This control determines the level of the internal digital effects processor being sent to the Aux output. One possible use is to put reverb in the headphones of a vocalist, to give them a confidence boost for recording, without putting any reverb on the actual recorded track. Or in a live situation, the same can be done by feeding a delay or reverb to the monitors. 56 EFX RETURN TO MAIN This control determines the level of the internal digital effects processor being sent to the main L and R outputs. 57 EFX MUTE BUTTON AND LED/CLIP LED When depressed, the output of the internal digital effects is shut off. Muting the effects is an easy way to determine what a particular effect is doing to your mix. LED remains lit when EFX MUTE is engaged. When EFX MUTE is not engaged, this LED functions as a clip indicator for the internal digital effects. If the digital effects are clipping, reduce the level of the EFX SEND pots. PV10AT Front Panel 58 STEREO/MONO MODE SWITCH In the mono position, the left and right buses are summed together after the faders. In this position, the L fader controls the level of the L bus, and the R fader controls the level of the R bus, allowing you to use the L and R buses as groups. For example, all vocals could be panned L and all instruments panned R. Then the L fader becomes the vocal master level and the R becomes the instruments master level. 59 MIC MUTE BUTTON AND LED Depressing this button mutes all of the mic inputs channels (1-4) and the effects return. The media input channels are still "live". This allows you to play break music, while muting all of the microphone inputs. 60 MAIN LEVEL FADERS The Master Faders control the levels sent to the Main Left/Right outputs (34, 35). Best results are obtained when these controls are set near the midpoint of the enclosed rectangle. 61 MAIN L+R METER ARRAY Displays the level of the L and R outputs, or, when solo is active, displays the soloed channel(s). The top green LED corresponds to an output level of +4dBu. The red LED is a clip warning indicator. The range of the meter is from -17 dBu to + 15 dBu. 62 MAIN SOLO LED Lights when any solo button is pushed, to indicate that the solo system is active. - low + high MID-MORPH 0 min -LOW+ 63 MID-MORPH 0 max EQ BYPASS - low + high min -LOW+ max EQ BYPASS low - + high MID-MORPH 0 low - + high MID-MORPH min - + max MID 0 max EQ BYPASS min max - min min EQ BYPASS -LOW+ Press to Select or edit MEDIA SELECT 0 max EFFECts media Press to Select MID 0 PV10AT Front Panel -LOW+ -LOW+ -LOW+ min min + max EFX SELECT max USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK KOSMOS-C HIGH CONTROL A very selective high frequency filter with a high Q. The effect varies with source material, so some experiSOLO mentation is required for optimum results. min max AUX 64 min min AUX max min AUX max min AUX KOSMOS-C LOW CONTROL max min AUX max min AUX max min MASTER EFX SOLO This Kosmos-C Low enhancement works by creating harmonics of signals in the bottom ocave, where MUTE ANALOG DIGITAL aremaxusually The harmonics are more easily reproduced, resulting in a perception ofmax maxspeakers min min ineffective. max min max min min max EFX MEDIA CHANNEL MEDIA CHANNEL EFX EFX EFX RETURN TO MAIN RETURN TO AUX strongercbass. The effect is source dependent; obviously a source with little energy in the bottom c c c c L octave will R not create booming bass. EFX c STEREO left L R L R L R left right left right 65rightKOSMOS-C ENABLE PAN PAN PAN MUTE CLIP MUTE CLIP MUTE left L R right PAN MUTE left L R right BAL MUTE left L SIGNAL SIGNAL 66 SIGNAL SIGNAL 1HEADPHONE 2 SOLO/MAIN 3 LEVEL4 SIGNAL 5/6 SIGNAL MONO (SUM) R right min HIGH max 64 min LOW max 65 ENABLE KOSMOS-C BAL MUTE MIC MUTE CLIP CLIP Allows you to easily A/B the effects of yourCLIPKosmos Settings. CLIP 63 AUX max HEADPHONE/ SOLO/MAIN 7/8 Controls the level of the headphones. The headphone is normally fed by the main outs, unless the solo system is active. Always start with the headphone level at "min" to avoid hearing damage. min LEVEL SOLO max min 1 LEVEL SOLO max min 2 LEVEL SOLO max min 3 LEVEL SOLO max min 4 LEVEL SOLO max min 5/6 LEVEL SOLO max L SOLO 7/8 MAIN L+R R 66 min LEVEL max SOLO/MAIN PV10AT/PV10BT 67 67 68 69 DC POWER INLET Use to connect the included power supply. Be sure the power supply is connected to the PV®10 before connecting to a power source. Use 15VDC, 1A adapter only. Replace only with Peavey part number 30908119. 68 POWER SWITCH This is the main power switch. 69 USB PORT TYPE B The USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer. The USB port sends the mixer’s main/tape stereo out to the computer. The USB port receives digital audio from the computer; it can then be assigned through the selector switch (27) to the main left/right output, if the computer is being used for playback only. For recording, use the USB TO CONTROL ROOM control (47), to avoid creating a loop. Compatible with Windows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0 or later, and iOS devices. 4 3 2 CHANNEL 9/10 RIGHT LEFT ON/OFF STATUS BLUETOOTH INPUT USB B Streaming Input USB A Media Player Input CHANNEL 7/8 3.5mm In RIGHT LEFT RIGHT LEFT CHANNEL 5/6 LINE XLR PHANTOM CHANNEL 4 LINE XLR 3 3 1 PHANTOM CHANNEL 1 - 3 2 1 2 1 A +48V A Gain MIC PRE Input Selector Gain MIC PRE Guitar EQ Guitar In HI PASS HI PASS Threshold COMP Ch 1-2 Only Threshold COMP Ch 1-2 Only HI 400Hz 4kHz 12kHz MID-MORPH HI 12kHz EQ 400Hz 4kHz MID-MORPH 80Hz LO 80Hz LO EQ EQ LO EQ LO EQ EQ AUTO-TUNE MID HI B LEVEL LEVEL Direct Output CH 1-2 ONLY AUTO-TUNE ON/OFF Direct Output CH 1-2 ONLY MID HI EQ Bypass EQ Bypass ON/OFF B Mute Mute BALANCE Solo AUX BALANCE EFX AUX EFX Solo Mute Solo Mute Solo LEVEL LEVEL SIGNAL CLIP SIGNAL CLIP AUX EFX PAN SIGNAL CLIP AUX EFX PAN SIGNAL CLIP EFX Return To AUX EFX Return To Mains Solo MIC MUTE MIC MUTE C C EFX Out MUTE EFX SELECTOR EFFECTS MEDIA PLAYER Record Level Record Level A/B Select Headphone Level Mono B/ Record Out EFX DEFEAT Solo To USB B Streaming Output Right Master Left Master Control Rm Level MEDIA SELECTOR EFX In CLIP Solo LOW HIGH KOSMOS - C KOSMOS ENABLE 2 2 3 3 2 1 1 3 AUX OUT D D Sheet 2 of 2 Date: 4-9-2015_11:36 PV10_BLOCK 5022 Hartley Peavey Drive Meridian, MS 39305 Peavey Electronics Corp. Sheet Title: Title: FOOTSWITCH T = EFX Mute R = AutoTune Bypass (AT Models) CONFIDENTIAL 1 Control Rm B/ Record Out Control Rm A Headphone RIGHT OUT LEFT OUT D 4 3 2 1 Block Diagram-PV®10AT & PV®10BT SOLO Left Right EFX AUX Left 1-4 Right 1-4 PV®10AT & PV®10BT Series Specifications Mic pre EIN = -126 dBu @ max gain with 150 ohm source Inputs Function Microphone (150 ohms) Min** Input Levels Nominal* -71 dBu -51 dBu Min Gain (4 dB) -17 dBu +5 dBu +16 dBu Input Z Input Gain Setting 2 kΩ Max Gain (59 dB) (ohms min) Max Bal/ Unbal Connector -39 dBu Bal XLR Pin 1 Gnd Pin 2 (+) Pin 3 (-) Bal 1/4" TRS; Tip (+) Ring (-) Sleeve Ground Unbal 1/4" TS; Tip (+) Sleeve Ground Unbal 3.5mm; Tip=L, Ring = R, Sleeve Ground RCA: Tip (+), Sleeve Ground Line (10 k ohms) 10 kΩ Max Gain (40 dB) -52 dBu -32 dBu -20 dBu Line 4 TS, GTR SHAPE ON 1 Meg Ω @ ≤ 200 Hz, like 12AX7 input. Min Gain (-15 dB) +2 dBu +23 dBu > +32 dBu Stereo Input 5/6 10 kΩ Max Gain (18 dB) -31 dBu -12 dBu +1 dBu Nominal -13 dBu +6 dBu +19 dBu Max Gain ( 18 dB) -23 dBu -13 dBu +3dBu Nominal -15 dBu -5 dBu +12 dBu Max Gain (18 dB) -43 dBu -23 dBV -10 dBu Nominal -24 dBu -5 dBu +8 dBu Stereo Input 9/10 3.5mm, RCA 6.8 kΩ 2.8 kΩ 0 dBu=0.775 V (RMS) ** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain. * Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot which is as specified. Outputs Function Min Load Z (ohms) Main Left/Right 600 Output Levels Nominal Max +4 dBu +20 dBu Bal/ Unbal Connector Bal XLR Pin Ground Tip Pin 2 (+), Pin 3 (-) 1/4" TRS: Tip (+), Ring (-) Sleeve Ground Effects and Monitor Sends 600 +4 dBu +20 dBu Bal 1/4" TRS: Tip (+), Ring (-) Sleeve Ground Control Room 600 +4 dBu +20 dBu Unbal RCA: Tip (+), Sleeve Ground Headphone 8 +4 dBu (no load) +20 dBu Unbal 1/4" TRS; Tip Left, Ring Right Sleeve Ground 0 dBu=0.775 V (RMS) Gain Mic Input Gain Adjustment Range: 4 dB to 59 dB Mic Input to Left/Right Balance Output 79 dB (max gain) Line Input Gain Adjustment Range: -16 dB to 40 dB Line Input to Left/Right Balance Output 60 dB (max gain) Stereo 5/6 1/4" Gain Adjustment Range: Off to +18 dB Stereo 5/6 1/4"to Left/Right Output 42 dB (max gain) Stereo 5/6 3.5mm / RCA Gain Adjustment Range: Off to +28 dB Stereo 5/6 3.5mm / RCA to Left/Right Output: Stereo 9/10 Gain Adjustment Range: Stereo 9/10 to Left/Right Output 47 dB (max gain) Off to +18 dB 28 dB (max gain) Frequency Response Mic Input to Left/Right Output, Max Input Gain Mic Input to Left/Right Output, input gain 12:00 14 Hz to 25 kHz +0 dB/-1 dB 9.5 Hz to 29 kHz +0 dB/-0.8 dB Total Harmonic Distortion <0.006% Typical, Mic to Left/Right Output (22 Hz to 22 kHz BW) Hum and Noise Output Residual Noise S/N Ratio (Ref: +4dBu) Test Conditions Master Left/Right -97 dBu 101 dB Master Fader Down, Channel Levels Down -90 dBu 94 dB Master Fader Nominal, Channel Levels Down -83 dBu 87 dB Master Fade Nominal, Channel Faders Nominal, Panned Odd Channels (left), Even Channels (right) Monitor Send -95 dBu 99 dB All controls off -80 dBu 84 dB All channel sends nominal, masters nominal (Hum and noise measurements: 22 Hz to 22 kHz BW) Equivalent Input Noise -128 dBu (input terminated with 150 ohms, bandwidth 20 kHz) Crosstalk/Attenuation Adjacent Input Channels (1 kHz) >90 dB Mute Button Attenuation (1 kHz) >90 dB Left to Right Outputs (1 kHz) >70 dB Channel Fader Kill (1 kHz) >85 dB Common Mode Rejection Ratio (Mic Input) 50 dB minimum (20 Hz to 20 kHz) 70 dB typical @ 1 kHz Meters Signal/Overload Indicators 6 segment, peak reading (0 db = +4 dBu) Red LED lights 5 dB below clipping Dimensions 12.75" wide x 15.1" deep x 2.1875" high (32.39 cm x 38.35 cm x 5.56 cm) Weight PV10BT: 8.22 lbs (3.73 kg) PV10AT: 8.26 lbs (3.75 kg) Power Requirements 100-240 VAC 50/60 Hz 15 Watts PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY Effective Date: 11/01/2011 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada. What This Warranty Does Not Cover The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not purchased from an Authorized Peavey Dealer. Who This Warranty Protects This Warranty protects only the original purchaser of the product. How Long This Warranty Lasts The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows: Product Category Duration Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers 2 years *(+ 3 years) Drums 2 years *(+ 1 year) Enclosures 3 years *(+ 2 years) Digital Effect Devices and Keyboards and MIDI Controllers 1 years *(+ 1 year) Microphones 2 years Speaker Components (incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers) 1 year Tubes and Meters 90 Days Cables Limited Lifetime AmpKit Link, Xport, Rockmaster Series, Strum’n Fun, RetroFire, GT & BT Series Amps 1 year Marvel Jr. Guitar 90 Days [* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.] What Peavey Will Do We will repair or replace (at Peavey’s discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges. How To Get Warranty Service (1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center. OR (2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address. Limitation of Implied Warranties ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY. Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you. Exclusions of Damages PEAVEY’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY’S OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International Service Center at (601) 483-5365. Features and specifications are subject to change without notice. Logo referenced in Directive 2002/96/EC Annex IV (OJ(L)37/38,13.02.03 and defined in EN 50419: 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005 U.S. CUSTOMER WARRANTY REGISTRATION Optional Product Extended Warranty Registration Give us some information and put your extended warranty into effect! Please take a few minutes to fill out this information/survey sheet to help us get to know and serve you better. To save time, submit your warranty registration online at www.peavey.com/support/warrantyregistration 1. 7. How did you learn about this Peavey product? (select best answer) First Name Initial ❒ ❒ ❒ ❒ ❒ ❒ Last Name Street Address Magazine review Newspaper review Radio advertisement Advertised special Friend/Relative’s recommendation Salesperson’s recommendation ❒ ❒ ❒ ❒ ❒ Teacher’s recommendation Catalog or flyer Saw in store Use by professional Other 8. Which other brands/models did you consider? City State/Province Postal Code ( ) Telephone Number E-mail Address 9. How would you describe your level of musicianship/technical expertise? ( ) Fax Number Date of birth ❒ Beginner - Never played or taken less than one (1) year of lessons ❒ Intermediate - One (1) to five (5) years of lessons or playing ❒ Advanced - More than five (5) years of lessons or playing; play professionally Gender ❒M ❒F 10. Education: (select best answer) 2. Model ❒ ❒ ❒ ❒ Serial # Date of Purchase 11. Which best describe your family income? (select best answer) Price Paid ❒ ❒ ❒ ❒ ❒ 3. Name of store where purchased City Availability of product Friend/Relative’s recommendation Store credit card Knowledgeable staff Availability of lessons Technical instruction ❒ ❒ ❒ ❒ ❒ ❒ Past favorable experience Best price Advertised special Convenient location Received as a gift Other 5. Where do you most often shop for music and sound products? ❒ Independent retailer ❒ Mass market retailer ❒ Mail order magazines Under $15,000 $15,000 - $24,999 $25,000 - $34,999 $35,000 - $49,999 $50,000 - $74,999 ❒ $75,000 - $99,999 ❒ $100,000 - $149,999 ❒ Over - $150,000 12. Which of the following is your primary source of information on musical products: (select best answer) State 4. Top two (2) reasons why you purchased from this store/dealer: ❒ ❒ ❒ ❒ ❒ ❒ High school Some college Completed college Graduate school ❒ Newspaper ads ❒ Internet/Web sites ❒ Other ❒ ❒ ❒ ❒ ❒ Television Radio Internet Newspaper Magazines ❒ ❒ ❒ ❒ Mail order catalogs Direct mail Literature from manufacturer Other 13. What is your main motivation for buying new equipment? ❒ Replacing old product ❒ Want new and leading edge equipment ❒ Fullfill a specific need ❒ Supplement existing products ❒ Value ❒ ❒ ❒ ❒ ❒ Impulse Need for improved performance New technology Availability of product Other 6. What two (2) factors most influenced your purchase of this product? ❒ ❒ ❒ ❒ ❒ Peavey brand name Craftsmanship Features for price Bundled accessories Sound quality ❒ ❒ ❒ ❒ ❒ Product appearance Durability Prior experience with Peavey Packaging Other 14. Please list your three most frequently visited Web sites. 1. http://__________________________________________ 2. http://__________________________________________ 3. http://__________________________________________ 15. In your opinion, what could Peavey do to improve its products and/or service? Please use the space below to tell us your answer. Revised 1/11 Thank you for taking the time to fill out our survey! Don’t forget to fold and tape (with Peavey address facing out), affix postage stamp and drop in the mail! Logo referenced in Directive 2002/96/EC Annex IV (OJ(L)37/38,13.02.03 and defined in EN 50419: 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005