Transcript
Samplitude Pro X2 Price:
419 € (plus VAT)
Content:
1 Program DVD 2 Independence Library DVDs Hardcover manual (360 pages)
Release:
December 15, 2014
Samplitude Pro X2 Features Feature • Multiple outputs
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Flexible plug-in routing
VCA
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Description In the track output menu, additional outputs can be routed via ctrl+click. This will also be visible in the routing manager. As additional output selections to post fader, pre fader and direct out (after gain section) will be possible. Possibility to have no output selected Internal FX and VST plug-ins can change order freely Many internal FX can have multiple instances on the same object or track Surround FX chain can be changed in order. FX on single channels will be processed before surround master FX. Channel fader can now be controlled via a VCA master fader
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zPlane time stretching technology Automation Elastic Audio on multiple tracks
VST3
Virtual keyboard
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élastique Pro V3 by zPlane as new time stretching and pitch shifting algorithm
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Converting track automation to object now possible Automation points can be edited by right-click
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Option 'sync tracks' allows synchronous pitch shifting of several tracks at once
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Steinbergs new VST3 interface is supported in Samplitude Pro X2. Further improvements are sample accurate automation and enhanced channel assignment, improved performance and surround compatibility.
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Melodies and chords can be played via mouse or a multitouch display
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DN-e1 is a virtual analog synthesizer with electrifying sounds for experimental melodies, arpeggios and dreamy pads
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Bass Machine Rock Drums Vintage Organ
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The project window is now part of the docking Several project windows are displayed in tabs for easy switching projects The project window can be shown on a separate monitor The toolbars can be configured easily via drag and drop New icons in the toolbars can be assigned to any menu function
DN-e1
3 Vita Solo Instruments
Improved arranger
„Go to peak“ function
Description An unlimited amount of tracks can be assigned to a VCA master fader Every channel fader can be converted into a VCA master fader 'Ghost faders' show the volume level of controlled faders according to changes of the VCA master volume
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Allows to jump directly to peaks of all selected objects
Samplitude Pro X2 Suite Price:
839 € (plus VAT)
Content:
1 Program DVD 1 Content DVD 9 Independence Library DVDs Hardcover manual (360 pages)
Release:
December 15, 2014
Samplitude Pro X2 Suite Advantages Function • Analogue Modelling Suite Plus
Vandal
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Description High-quality analog compressor (am|track) with optional simulation of studio tape machine saturation effects Transient designer (am|pulse) for influencing the signal envelope of percussive audio material Tube pre-amp/channel strip (am|phibia) Mastering dynamics tool (am|munition) with compressor, limiter, clipper and M/S editing.
The full version of Vandal: • 41 more presets (than SE) • 20 more stomp boxes (than SE) • scene switching • Bass amp can be selected manually
Function
Description
Independence with 70GB library
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MIDI-Control support
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70 GB premium sound library including drums, percussion, acoustic and electric guitars and basses, pianos, organs, brass, saxophones, synthesizer, a complete symphonic orchestra and many more More than 3000 inspiring instruments, arranger and step sequencer patches
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Cleaning & Restoration Suite
4 additional Vita Solo instruments
Loudness Metering EBU R128/ITU-R BS.1771
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Realtime restoration effects DeClicker/DeCrackler DeClipper DeNoiser Brilliance Enhancer Spectral Cleaning dialog
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Analog Synths Electric Piano String Ensemble Urban Drums
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The loudness metering shows loudness value according to EBU R128/ ITU-R BS.1771 with signalization if the value goes over or under the target values. With the button 'Normalize Master' the master fader is changed accordingly to achieve a loudness conform playback at next playback start.
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• True Peak Limiter
This function enhances the sMax11 with a 'True Peak' function according to ITU-R BS.1770. This means that inter-sample peaks are also taken into account during the limiting of the signal so that the reconstruction of the audio material at the analog output does not clip.
