Sanctuary Series Brochure

Transcript

SANCTUARY SERIES™ SOUND SOLUTIONS FOR HOUSES OF WORSHIP SANCTUARY SERIES™ Finally—Sound Gear That Addresses Your Church's Needs Church sound is an entirely different world from standard pro audio applications, and our Sanctuary Series makes it easier than ever for church leaders and laypeople to set up and operate their own worship systems. We're proud to offer the only sound solutions tailored specifically for houses of worship. Sanctuary Series maximizes performance and value with keen attention to aesthetics, and includes amplifiers, mixers, loudspeakers and more with exclusive, user-friendly Peavey technologies that make pro sound attainable for all churches. Sanctuary Series is our commitment to you . 4 www.sanctuary-series.com CONTENTS 866-443-2333 Mixers 6 4-Channel Amplifier 8 Speaker Systems 10 Microphones 14 Portable PA Systems 16 Specifications 18 PVF 22 5 MIXERS The Foundation of the Sanctuary Series S-32 ™ S-14 ™ 12-channel, rack-mountable mixer 6 S-14 P Powered version of the S-14 (500 Watts x 2) www.sanctuary-series.com Choosing the Right Audio Mixer These consoles practically run themselves! Sanctuary Series mixers are a line of allnew, innovative audio products dedicated to making pro audio easy and cost-effective for houses of worship. Since many worship centers are unable to staff an experienced sound technician, Peavey developed several unique, user-friendly mixing features to simplify operation so any church leader or choir director can speak and perform with confidence. We've replaced hands-on mixing with our exclusive Automix™ technology, an automatic mixing function that turns down unused channels to give dominance to the main microphone, minimizing unwanted noise. With our built-in Feedback Ferret® automatic digital feedback elimination system, you can forget about interruptive squeals. The Feedback Ferret uses exclusive Peavey technology to eliminate feedback without sacrificing tonal quality. Four-Channel Built-In Automix™ • Will switch from lapel to pulpit microphones automatically • Will turn your microphone down when not in use Two Groups for Song or Sound • Solo group takes low frequency noise out of the system • Both Solo and Choir/Instrument groups have a circuit that turns down the group when not in use, reducing system noise Mid-Morph™ Equalization Technology • Adjust Mid-Morph to the right to add vocal and music clarity • Adjust Mid-Morph to the left to reduce boominess in vocals and music Feedback Ferret® Auto Feedback Elimination • Will automatically seek and eliminate feedback frequencies • Ensures that the message will not be interrupted by loud system squeals Split-Track Mix • Stereo L/R selector switch for split-accompaniment tracks • Monitor Blend controls mix of vocal and music tracks in monitors Digital Reverb • Musical reverb designed specifically for sanctuary sound We developed these mixers as your sanctuary solution, with an unwavering attention to detail and intuitive design. Our compelling Sanctuary Series mixers are investments in creating a flawless audio environment for your worship service. S-24 ™ 24-channel mixing console 866-443-2333 7 AUTOMIXER S-4 Exclusive Automix ™ ™ Technology This new four-channel automixer will vastly improve the quality of your sound system, whether used as a stand-alone unit or a plug-in to add automixing to your existing mixer. Centered around Peavey’s exclusive Automix technology—which is as hands-off a system as you’ll ever find—the S-4 also includes special Mid- Morph™ EQ, priority select, compressors, input gain control, high-pass filters and PFL on each channel. And if you need more than four channels of Automix, up to ten S-4 units can be linked by standard 1/4” TRS cables for 40 gain-shared inputs! 4-CH AMP SA-4200 Four-Channel Power Amplifier ™ Keeping with the Sanctuary Series philosophy, this four-channel power amp solves common audio problems with exclusive Peavey technology. Built-in Auto Delay™ automatically measures and sets the proper delay time for fill speakers, greatly improving articulation of the spoken word. 8 The SA-4200 also features four channels rated at 200 watts each into 4 ohms or 70 volts (selectable in twochannel pairs). This versatility makes the SA-4200 ideal for delivering power to both main and balcony/ fill speakers and any application requiring multiple audio zones, such as cry rooms or paging systems in larger houses of worship. www.sanctuary-series.com 866-443-2333 9 SPEAKERS Sanctuary Series Speaker Systems S pe a ke r S e le ct i o n Gu i d e Front-Position SSE 15 • Full-range music and spoken word; 60 ft. throw ™ SSE 12 • Acoustic music and spoken word; 60 ft. throw SSE 10 • Spoken word; 60 ft. throw SSE 26 • Spoken word; 35 ft. throw Under-Balcony, Balcony and Delay SSE 10 • Full-range music and spoken word SSE 26 • Acoustic music and spoken word SSE 6 • Spoken word *delay speakers are needed if your sanctuary is deeper than 60 ft. Monitor SSE 12M • Full-range music and spoken word SSE 10M • Acoustic music and spoken word IMPULSE 6 • Close-up “spot monitor” for praise bands ® natural (no finish) SSE 26 natural ™ SSE 15 natural SSE 12M white SSE 26 white Natural enclosures ship without a finish so you can stain to match your décor. Finishes shown above are only examples. 10 www.sanctuary-series.com S white black SSE 12 natural 866-443-2333 SSE 6 black SSE 10 white Impulse 6 black ® SSE 15 natural 11 SPEAKERS S pe a ke r S e le ct i o n Gu i d e Sanctuary Series Speaker Systems Under-Balcony Array SSE UB2 • 4 x 2” low profile 180° coverage ™ SSE UB4 • 4 x 4” low profile 180° coverage, choir monitor SSE UB2 Under-Balcony Speaker Front-Position SSE S5 • High power, asymmetrical horn, full-range system SSE LA LINE ARRAY* • 60° V x 120° H small signature line array *subwoofer needed for full-range reproduction Subwoofer SSE 110 Woofer • Wall/floor mount subwoofer SSE 210 Woofer • Under riser/wall/floor/flyable subwoofer SSE UB4 Under Balcony Speaker SSE UB SSE LA 12 www.sanctuary-series.com S SSE S5 Full-Range Speaker SSE 110 Woofer SSE LA Array Speaker SSE S5 866-443-2333 SSE 210 Woofer SSE 210 13 MICS PM™18S Electret Condenser Podium Microphone • Cardioid polar pattern • Slender styling • Smooth, extended frequency response for natural speech and music reproduction • Excellent feedback rejection • Simple and versatile positioning adjustments • Collet-type mounting flange with mechanical isolation • Security lock provision to deter unauthorized removal from mic mount • Powered from any 9-52 volt phantom power source VCM™ 3 Minitature Choir Microphone • Back-electret condenser element • Small, unobtrusive design • Cardioid polar pattern • Smooth, wide-range frequency response • 10-meter miniature cable for long drops • Powered from any 9-52 volt phantom power source VCM 3 Element Type Polar Pattern Impedance Frequency Response Sensitivity (open circuit voltage) PM 18S Element Type Polar Pattern Impedance Frequency Response Sensitivity (open circuit volage) Electret Condenser Cardioid Low (500 Ohm Balanced) 50 Hz to 20 kHz -67 dB (0 dB = 1V/microbar) Electret Condenser Cardioid Low (500 Ohm Balanced) 50 Hz to 20 kHz -67 dB (0 dB = 1V/microbar) PVM™ 480 Diamond Series Microphone Super Cardioid Microphone • Diamond-coated diaphragm • Permanently polarized condenser element (back-electret type) • Neodymium magnet • Flat, wide-range frequency response • Superior off-axis rejection • Super-cardioid polar pattern • Smooth, accurate frequency response • Wide dynamic range • Ultra-high sensitivity • Powered from any 9-52 volt phantom power source • Rubberized finish reduces handling noise • Rugged construction PVM 480 Element Type Polar Pattern Impedance Frequency Response Sensitivity (open circuit voltage) 14 PVM™ 22 Permanently polarized condenser Super Cardioid Low (500 Ohm Balanced) 40 Hz to 20 kHz -64 dB (0 dB = 1V/microbar) • Cardioid polar paattern • Drawstring bag, pop filter and stand adapter included PVM 22 Element Type Polar Pattern Impedance Frequency Response Sensitivity (open circuit voltage) Dynamic Cardioid Low (400 Ohm Balanced) 50 Hz to 16 kHz -68 dB (0 dB = 1V/microbar) www.sanctuary-series.com PRO COMM PCX ® True-diversity wireless systems available in single-channel, 30-channel and 100-channel models PRO WIRELESS PRO WIRELESS 30 WIRELESS PRO COMM PCX V12 VHF VHF true diversity single-channel wireless systems Dynamic Range: >110 dB PRO COMM PCX U12 UHF UHF true diversity single-channel wireless systems Dynamic Range: >110 dB PRO COMM PCX U302 UHF UHF true diversity 30-channel wireless systems Dynamic Range: >119 dB PRO COMM PCX V12-G Wireless guitar system PRO COMM PCX V12-B Lavalier wireless system PRO COMM PCX V12-H Handheld wireless system PRO COMM PCX V12-HS Headset wireless system PRO COMM PCX U12-G Wireless guitar system PRO COMM PCX U12-B Lavalier wireless system PRO COMM PCX U12-H Handheld wireless system PRO COMM PCX U12-HS Headset wireless system PRO COMM PCX U302-G Wireless guitar system PRO COMM PCX U302-B Lavalier wireless system PRO COMM PCX U302-H Handheld wireless system PRO COMM PCX U302-HS Headset wireless system ® ™ AUTO WIRELESS PRO COMM® PCX™ U1002 UHF UHF true diversity 100-channel wireless systems with lock-in program frequency Guitar Wireless Systems • True diversity single-channel wireless system • Four-pin mini-XLR to 1/4" adapter cable for wireless guitar applications • Frequency tracking and muting circuits • Balanced and unbalanced outputs • RF signal level indicator • Audio signal level indicator • Volume control • Front-mount antennas • Squelch adjustment • Low battery indicator Handheld Wireless Systems • True diversity single channel wireless system • Frequency tracking and muting circuits • Balanced and unbalanced outputs • RF signal level indicator • Audio signal level indicator • Volume control • Front-mount antennas • Squelch adjustment • Low battery indicator Lavalier Wireless Systems Headset Wireless Systems • True diversity single-channel wireless system • Four-pin mini-XLR mic input jack on transmitter • Frequency tracking and muting circuits • Balanced and unbalanced outputs • RF signal level indicator • Audio signal level indicator • Volume control • Front-mount antennas • Squelch adjustment • Low battery indicator • True diversity single channel wireless system • Headset mic with multiple pivot points • Four-pin mini-XLR mic input jack on transmitter • Frequency tracking and muting circuits • Balanced and unbalanced outputs • RF signal level indicator • Audio signal level indicator • Volume control • Front-mount antennas • Squelch adjustment • Low battery indicator PRO COMM PCX U1002-G Wireless guitar system PRO COMM PCX U1002-B Lavalier wireless system PRO COMM PCX U1002-H Handheld wireless system PRO COMM PCX U1002-HS Headset wireless system 100-Channel Guitar, Lavalier, Handheld and Headset Wireless Systems • AutoScan™ automatically finds channel with no interference • CCS™ automatically sets channel selection on transmitter • Color LCD on receiver indicates functions and battery status • LCD on transmitters indicate channel and battery status • XLR and 1/4" outputs • Powered antenna connections for optional booster • Metal receiver and body pack • Available in guitar (body pack), vocals (handheld mic) handsfree vocals (headset mic) and presenter (lavalier mic) PV®i 1 Single-Channel VHF or UHF Wireless Systems The economical way to GO WIRELESS for Guitar 866-443-2333 for Vocals for Hands-Free Vocals for Presentations Peavey International PVi 1 wireless microphone systems include: receiver, transmitter, 1/4" audio cable, AC/DC adapter, softshell carring case and two AA batteries 15 PA SYSTE Today’s multi-tasking houses of worship require more than just a superior fixed-installation audio system, but let’s face it: you simply can’t afford to outfit every activity room with that kind of gear. You need a compact, reliable and best of all, portable P.A. to cover those weeknight Bible studies and youth functions. Thankfully, we’ve developed three specialized, portable P.A. systems, to provide all the power and versatility you’ll need in durable, easily transportable packages. TRIFLEX™ • Compact, three-piece, powered portable P.A. system • 1000 watts total with power morphing technology • Built-in KOSMOS® low-end and spatial processing • 15" Low Rider® Black Widow® subwoofer • Two 8" high efficiency, two-way satellite speakers • Stands and cover with stand/cable pouches included MESSENGER™ • Only 24” wide—the size of a briefcase! • 100 watts of power and five channels with EQ • Split-Track Mix for using split-accompaniment audio tracks • Channel 4/5 accommodates laptop, MP3/CD/cassette player and more • Patented FLS® Feedback Locator System helps eliminate harsh feedback • Comes with premium PV®i microphone and cable • Ready to use • Lightweight, portable high quality audio ESCORT® • Convenient roll-away package with built-in wheels • Two-way speaker system with 10" woofer and piezo horn • Five-channel, 150 watt stereo mixer amplifier • Four XLR mic inputs with 15 volt phantom power • Two stereo line inputs • 60 mm faders • High quality digital reverb • Five-band graphic EQ with FLS (Feedback Locator System) • Two speaker stands, one PVi mic with cable • Two 25' speaker cables • Includes a strong steel stand for ideal operating position TRIFLEX PORTABLE, POWERFUL, 3-WAY SOUND SYSTEM 16 www.sanctuary-series.com EMS A COMPLETE, PORTABLE SOUND SYSTEM THE SIZE OF A BRIEFCASE 100 watts (50 watts per channel in stereo) Split-Track Mix channel (channels 4/5) for AV accompaniment Self-contained, portable professional sound system Ideal for multi-purpose, special events or activity rooms MESSENGER Built-in five-band EQ with patented FLS® Feedback Locating System Split Track Mix™ with Comes with Peavey independent and master microphone and all volume controls and necessary cables three bands of EQ Top lid of the Messenger also functions as a lectern ESCORT 866-443-2333 17 SPECIFICATIONS INPUT CHANNELS AUTOMIX™ MIC/LINE INPUTS S-4 S-14 4 12 4 channels 1 & 4 have priority switch, channels 3 & 4 Automix or manual 4 channels 1 & 2 have priority switch, channels 3 & 4 Automix or manual STANDARD MONO MIC/LINE INPUTS 6 STEREO LINE INPUTS MIC PREAMP 2 stereo channels with stereo/left/right track selector for main outputs and monitor blend control for monitor sends discrete gain adjustable 0 to 70 dB. EIN -128.5 dBu @ 150 Ohms CHANNEL INSERTS channels 1 to 4 1/4” jack switch selectable Insert or direct out DIRECT OUTPUTS channels 1 to 4 1/4” jack switch selectable Insert or direct out PHANTOM POWER switchable 48V channel group 1-4 AMBIENCE MIC INPUT LOW-CUT FILTER CHANNEL EQ CHANNEL DYNAMICS (COMPRESSION) channel switchable 75 Hz or 150 Hz 75 Hz on Automix inputs and solo groups Mid-Morph low shelf, Mid-Morph, high shelf 4 channels 1-4 have a soft-knee compressor with variable threshold control and compression LED. 4 Automix channels have a soft-knee compressor with variable threshold control and compression LED. ™ aux 1-2, post-fader, post-EQ EFFECTS SENDS/CHANNEL 1 Post Fader EFFECTS RETURN Return from Internal Effects CHANNEL MUTE WITH LED INDICATOR CHANNEL BUS ASSIGNMENT CHANNEL MIX LEVEL switchable 48V channel group 1-10 channel 10 selectable choir group or ambience (Ambient feeds only record and remote outputs) MONITOR SENDS/CHANNEL CHANNEL SIGNAL INDICATION discrete gain adjustable 0 to 60 dB. EIN -128.5 dBu @ 150 Ohms YES clip LED monitors at multiple points. signal present LED lights at -20 dB clip LED monitors at multiple points. signal present LED lights at -20 dB mono output Automix group, 2 music groups (solo & choir) and stereo media rotary 60 mm fader HEADPHONE MONITORING SYSTEM main output and channel PFL selector to monitor main L/R monitor sends or media inputs OUTPUT METERING main 7 segment LED meters. main left and right 12 segment LED meters SUBGROUP PROCESSING 2 soft-knee compressors with variable threshold and “easy-off” soft-knee expander on music subgroups. subgroup mutes MASTER PROCESSING vocal enhancer can be engaged on the main outputs. digital effects processor with 4 church reverbs. MAIN OUT PROCESSING microphones to main left and right outputs and monitor 1 output have: Feedback Ferret (automatic feedback eliminator) ADDITIONAL OUTPUTS Stereo “Record” and “Remote” outputs have Auto-Level Compressors that can be engaged. These outputs also include Room “Ambience” signal if used. USB AUDIO OUTPUT CONNECTORS main: XLR Balanced & TS 1/4” unbalanced 1/4” TRS link input and output L,R main: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced aux 3: 1/4” unbalanced record outputs: RCA unbalanced remote output: TRS balanced rotary main left, right & monitor 1 & 2: 60mm 1 U rack mount package 8 U rack mount package or table top mount internal linear mode internal linear mode OUTPUT INSERTS OUTPUT MASTERS LAMP JACKS INSTALL FEATURES POWER SUPPLY POWER AMPLIFIER 18 www.sanctuary-series.com SPECIFICATIONS S-14P S-24 S-32 12 21 30 4 channels 1 & 2 have priority switch, channels 3 & 4 Automix or manual 4 channels 1 & 2 have priority switch, channels 3 & 4 Automix or manual 8 all channels have priority/Automix/manual and bus assignment switches 6 14 20 2 stereo channels with stereo/left/right track selector for main outputs and monitor blend control for monitor sends 3 stereo channels with stereo/left/right track selector for main outputs and monitor blend control for monitor sends 2 channels with input selector for 3 sources each. inputs A & B have individual input trim controls. stereo/left/right track selector for main system and monitor blend control. discrete gain adjustable 0 to 60 dB. EIN -128.5 dBu @ 150 Ohms discrete gain adjustable 0 to 60 dB. EIN -128.5 dBu @ 150 Ohms discrete gain adjustable 0 to 60 dB. EIN -128.5 dBu @ 150 Ohms 4 Automix channels 1-4 28 all mono channels direct output on all channels post EQ/post mute, pre-fader switchable 48V channel group 1-10 switchable 48V channel group 1-18 switchable 48V channel in 3 groups channel 10 selectable choir group or ambience (Ambient feeds only record and remote outputs) separate ambience mic input with mute (Ambient feeds only record and remote outputs) separate stereo ambience mic inputs with EQ and 2 level mute (Ambient feeds broadcast, record and USB outputs and can be added to the remote and local processed outputs) 75 Hz on Automix inputs and solo groups 75 Hz on Automix inputs and solo groups variable low cut filter on all mono inputs. off to 300 Hz low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, mid sweepable 100 Hz to 5 kHz, high shelf 4 Automix channels have a soft-knee compressor with variable threshold control and compression LED. 4 Automix channels have a soft-knee compressor with variable threshold control and compression LED. 8 Automix channels have a soft-knee compressor with variable threshold control and compression LED. aux 1-2, post-fader, post-EQ aux 1-2, pre-fader, post-EQ aux 1-4, pre-fader, post-EQ 1 Post Fader 1 Post Fader 2 post faders Return from Internal Effects Return from Internal Effects return from internal effects external aux ret. with left/mono right 1/4” phone. full bus assign, send to mon 1 & 2, mute & PFL YES YES programmable mute group system with 8 groups plus automatic subgroups clip LED monitors at multiple points. signal present LED lights at -20 dB clip LED monitors at multiple points. signal present LED lights at -20 dB clip LED monitors at multiple points. signal present LED lights at -20 dB Automix group, 2 music groups (solo & choir) and stereo media Automix group, 2 music groups (solo & choir) and stereo media Automix group, 3 music groups and stereo media 60 mm fader 60 mm fader 100 mm fader selector to monitor main L/R monitor sends or media inputs selector to monitor main L/R monitor sends or media inputs main L&R with PFL on inputs, AFL on subgroups and outputs. additional inputs for external stereo monitoring. main Left and right 12 segment LED meters main left and right 12 segment LED meters main left and right 12 segment LED meters. subgroups have 6 segment meters 2 soft-knee compressors with variable threshold and “easy- off” soft-knee expander on music subgroups. subgroup mutes 2 soft-knee compressors with variable threshold and “easy-off” soft-knee expander on music subgroups. subgroup mutes 3 soft-knee compressors with variable threshold and “easy-off” soft-knee expander on music subgroups. vocal enhancer can be engaged on each group. vocal enhancer can be engaged on the main outputs. digital effects processor with 4 church reverbs. vocal enhancer can be engaged on the main outputs. digital effects processor with 4 church reverbs. studio style effects processor with up to 3 simultaneous effects blocks, effect libraries and full parametric editing. microphones to main left and right outputs and monitor 1 output have: Feedback Ferret (automatic feedback eliminator) microphones to main left and right outputs and monitor 1 output have: Feedback Ferret (automatic feedback eliminator) main left and right outputs have: Feedback Ferret, 1.3 octave graphic equalizer or 7 band parametric. digital delay and dynamic processing. digital crossover for mono two-way or main/subwoofer operation. Stereo “Record” and “Remote” outputs have Auto-Level Compressors that can be engaged. These outputs also include Room “Ambience” signal if used. Stereo “Record” and “Remote” outputs have Auto-Level Compressors that can be engaged. These outputs also include Room “Ambience” signal if used. 2 Stereo outputs (“Record” and “Broadcast”) and 2 Mono outputs (“Remote” and “Local”) have Auto-Level Compressor that can be engaged. These outputs can also include Room “Ambience” signal. The Mono outputs additionally have digital delay and 1/3 Octave EQ. streaming audio for stereo recording and playback USB “B” for connection to PC. L,R main: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced aux 3: 1/4” unbalanced record 0utputs: RCA unbalanced remote 0utput: TRS balanced power amp out: Speakon® L, R main: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced aux 3: 1/4” unbalanced record outputs: RCA unbalanced remote output: TRS balanced L, R main: XLR balanced & TS 1/4” unbalanced monitor sends 1 - 4: XLR balanced aux 5 & 6: 1/4” unbalanced record outputs L & R: RCA unbalanced broadcast outputs L & R: XLR balanced remote & local outputs: XLR balanced left, right & monitor 1 & 2: 60mm left, right & monitor 1 & 2: 60mm sub-groups, left and right: 100 mm 1-12V DC BNC 2-12V DC BNC 10 U rack mount package or table top mount table top mount table top mount internal linear mode internal liner mode universal input switch mode TRS inserts on subgroups 2 x 600 watts into 4 ohms 2 x 475 watts into 8 ohms 866-443-2333 19 SPECIFICATIONS SPEAKERS SSE™ 10/10M SSE 12/12M SSE 15 SSE 26 SSE 6 1x 10" 1x 12" Woofer+ Woofer Vented Woofer+ Woofer Vented 1x 15" 2x 6.5" 1x 6.5" Sheffield 1500+ Woofer Vented Woofer+ Woofer Vented Woofer+ Woofer Vented 14XT™ Titanium Comp. Driver 14XT Titanium Comp. Driver 14XT Titanium Comp. Driver 14XT Titanium Comp. Driver 14XT Titanium Comp. Driver ±3 dB -10 dB 80 Hz - 17 kHz 79 Hz - 17 kHz 74 Hz - 17 kHz 100 Hz - 17 kHz 100 Hz - 17 kHz 60 Hz - 21 kHz 60 Hz - 21 kHz 54 Hz - 21 kHz 80 Hz - 21 kHz 80 Hz - 21 kHz (1W @ 1m) (dB SPL) 95 dB SPL 98 dB SPL 98 dB SPL 94 dB SPL 90 dB SPL IMPEDANCE: 8 ohms 8 0hms 8 0hms 8 ohms 8 ohms Continuous 200 250 250 150 75 Program 400 500 500 300 175 COVERAGE ANGLE: 90x60 90x40 90x40 100˚ conical 100˚ conical CONNECTORS 1x two position terminal strip 1x two position terminal strip 1x two position terminal strip 1x two position terminal strip 1x two position terminal strip 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector CABINET TYPE (shape) Trapezoid Trapezoid Trapezoid Trapezoid Trapezoid ENCLOSURE MATERIALS Dado Joined 13 mm Birch Dado Joined 13 mm Birch Dado Joined 13 mm Birch Dado Joined 13 mm Birch Dado Joined 13 mm Birch LF SUBSYSTEM: HF SUBSYSTEM: FREQUENCY RESPONSE: (1 W @ 1m) SENSITIVITY: (ohms) POWER HANDLING: (watts) FINISH GRILLE Textured acrylic polyurethane. Textured acrylic polyurethane Textured acrylic polyurethane. Finished with a textured Finished with a textured Available in black, white or Available in black, white or Available in black, white or acrylic polyurethane. Available in acrylic polyurethane. Available natural finishes. natural finishes. natural finishes. black, white, and natural finishes in black, white, and natural finishes Powder Coated Expanded Metal Powder Coated Expanded Metal Powder Coated Expanded Metal Powder Coated Expanded Metal Powder Coated Expanded Metal covered with an acoustical fabric covered with an acoustical fabric covered with an acoustical fabric covered with an acoustical fabric covered with an acoustical fabric DIMENSIONS inches (SSE 10 only) inches (SSE 12 only) inches inches inches HEIGHT (front) 19.63 24.50 27.00 23.25 16.41 WIDTH (front) 15.09 17.44 18.00 9.93 9.95 WIDTH (rear) 11.09 13.14 12.14 5.23 5.23 DEPTH 12.12 13.20 17.75 9.47 9.47 TRAPEZOID ANGLE 10 Degrees 10 Degrees 10 Degrees 10 Degrees 10 Degrees WEIGHTS 29 lbs. 40 lbs. 46 lbs. 28 lbs 21 lbs. MOUNTING INSERTS 20 (6) 3/8”-16 threaded mounting (6) 3/8”-16 threaded mounting (6) 3/8”-16 threaded mounting Includes (1) Mounting bracket Includes (1) Mounting bracket suspension points (three each suspension points (three each suspension points (three each and associated hardware for and associated hardware for top and one each side and back). ttop and one each side and back). top and one each side and back). attaching to SSE 6. This bracket attaching to SSE 6. This bracket Use only forged shoulder Use only forged shoulder Use only forged shoulder will allow for horizontal mounting will allow for horizontal mounting machinery eye bolt, Mil Spec machinery eye bolt, Mil Spec machinery eye bolt, Mil Spec to walls and ceilings.(4) 1/4”-20 to walls and ceilings.(4) 1/4”-20 MIL51937-3. (1) 1/4”-20 thread MIL51937-3. (1) 1/4”-20 threaded MIL51937-3. (1) 1/4”-20 threaded threaded mounting points on threaded mounting points on mounting point on back bottom mounting point on back bottom mounting point on back bottom bottom to accommodate use of bottom to accommodate use of for angle adjustments.(4) 1/4”-20 for angle adjustments.(4) 1/4”-20 for angle adjustments.(4) 1/4”-20 Versamount™ 35 adjustable Versamount 35 adjustable threaded mounting points on threaded mounting points on threaded mounting points on mounting bracket mounting bracket bottom to accommodate use oF bottom to accommodate use of bottom to accommodate use of VersaMount™ 70 adjustable VersaMount 70 adjustable VersaMount 70 adjustable mounting bracket. mounting bracket. mounting bracket. www.sanctuary-series.com SPECIFICATIONS SSE-LA WOOFERS TWEETER SSE-UB2 SSE-UB4 SSE-S5 SSE-210 Woofer SSE-110 Wooofer Sixteen 2’’ Wideband Full-range Four 2’’ Wideband Full-range Four 4” Wideband Full-range 15’’ Scorpion® Plus Two 10’’ woofer One 10” woofer 1” VC Neodymium magnet 1” VC Neodymium magnet 1” VC Neodymium magnet HO woofers 2.375” VC & 50 Oz. magnet 2.375” VC & 50 Oz. magnet N/A N/A N/A RX 22 compression driver N/A N/A coupled to an asymmetrical horn with Sound Guard III tweeter protection FREQUENCY RESPONSE 120 Hz-18 kHz, ±3 dB POWER HANDLING 400 watts program 800 watts peak SENSITIVITY 93 dB 1w/1m NOMINAL IMPEDANCE 160 Hz-14 kHz, ±3 dB 120 Hz-12 kHz, ±3 dB 69 Hz-17 kHz, ±3 dB 57 Hz-800 Hz, ±3 dB 59 Hz-3.8 kHz, ±3 dB 100 watts program 320 watts program 800 watts program 800 watts program 400 watts program 200 watts peak 640 watts peak 1,600 watts peak 1,600 watts peak 800 watts peak 90 dB 1w/1m 92 dB 1w/1m 99 dB 1w/1m 96 dB 1w/1m 92 dB 1w/1m 8 ohm 8 ohm 4 ohm 8 ohm 4 ohm 8 ohm WEIGHT 18 lbs. 4 lbs. 9 lbs. 63 lbs. 53 lbs. 25 lbs. DIMENSIONS 40.0’’ H x 3.8’’ W x 11.0’’ D 3.0’’ H x 12.88’’ W x 6.5’’ D 5.13’’ H x 19.0’’ W x 9.5’’ D 27.375’’ H x 20.625’’ W x 16.5’’ D 26.5’’ H x 24.0’’ W x 9.8’’ D ESCORT® 17.0’’ H x 13.0’’ W x 10.5’’ D SIGNAL/NOISE RATIO: 85 dB mic input typical OUTPUT POWER: 75 watts per channel into 4 ohm load FREQUENCY RESPONSE: 30 Hz to 25 kHz +0/-3 dB measured at 1 watt REVERB: Digital AC POWER: 115 VAC 60 Hz or 230 VAC 50/60 Hz OVERLOAD PROTECTION: DDT WEIGHT ASSEMBLED: 65 lbs.(29.5 Kg) (Stands Included) DISTORTION: Less than 0.8% THD at rated output SPEAKERS: Woofer 10” (254 mm) MAX GAIN: 86 dB mic input to speaker output MICROPHONE: Dynamic, Cardioid (Unidirectional) (Distortion Detection Technology) limits the power amplifier input to prevent clipping distortion that can damage speakers. ™ TRIFLEX™ POWERED SUBWOOFER AND STEREO SATELLITE SYSTEM FREQUENCY RESPONSE 45 Hz to 120 Hz USABLE POWER AMPLIFIER (at 120 VAC line) SUBWOOFER SECTION 1500 watts peak dynamic power, bridged mode 1000 watts coninuous at less than 0.3% distortion L & R OUTPUT SECTION ALONE 750 watts peak dynamic power either channel ALL CHANNELS FULLY LOADED SUBWOOFER SECTION 750 watts peak dynamic power 500 watts continuous L & R OUTPUT SECTION 375 watts peak dynamic power either channel 250 watts continuous NOMINAL SENSITIVITY (1W at 1M, swept-sine input in anechoic environment) 95 dB MAXIMUM SOUND PRESSURE LEVEL 128 dB peak TRANSDUCER COMPLEMENT 1508-8 HPS 15" Low Rider® bass woofer BOX TUNING FREQUENCY (FBox) 40 Hz ELECTRONIC CROSSOVER FREQUENCY 120 Hz CROSSOVER TYPE Internal electronic two-way crossover with bass boost and 24 dB/octave subsonic filtering with active softknee limiter on level-controlled low pass. Variable high-pass output. CROSSOVER SLOPES DIMENSIONS: 14.5” H x 36.75” W x 15.5” D (36.8H x 93.3W x 39.4D cm) Piezoelectric Horn Tweeter FULL-RANGE OUTPUT CONNECTIONS One male XLR balanced thru connector High-pass output connections One male XLR connector LEFT AND RIGHT OUTPUT CONNECTIONS One Neutrik® Speakon® four-pin connector each; minimum speaker impedance 8 Ohms each Enclosure Materials and Finish Plywood and MDF, scuff-resistant black speaker carpet MOUNTING Four large rubber feet for floor use (not designed for overhead suspension); satellite speaker mounting via tripod pole stands DIMENSIONS 20.75" (52.71 cm) W x 23.25" (59.06 cm) D x 52.75" (133.99 cm) H NET WEIGHT 127 lbs. (57.61 Kg) SHIPPING WEIGHT AND DIMENSIONS 146.3 lbs. (66.36 Kg) 26.75" (67.95 cm) W x 23.5" (59.06 cm) D x 55.25" (140.34 cm) H Electronic Input Impedance (nominal) Primary balanced input: 10 k Ohms unbalanced, 20 k Ohms balanced INFRASONIC FILTER PROTECTION 48 dB/octave roll-off with active soft-knee limiter NOMINAL AMPLIFIER FREQUENCY RESPONSE +0, -1 dB from 10 Hz to 30 kHz HUM AND NOISE Greater than 90 dB below rated power ACTIVE LOW FREQUENCY LIMITER DYNAMIC RANGE Greater than 60 dB DDT™ DYNAMIC RANGE Greater than18 dB THD AND IM Typically less than 0.3% 24 dB/octave (4th order) Linkwitz-Riley low-pass and driver EQ. 24 dB/octave (4th order) Linkwitz-Riley high pass. DAMPING FACTOR FULL-RANGE INPUT CONNECTIONS POWER REQUIREMENTS of TriFlex System (domestic) One combo female XLR & 1/4" phone jack providing balanced operation Greater than 100 at 1000 Hz, 8 Ohms 1300 Watts, 120VAC, 60 Hz Specifications are subject to change without notice. 866-443-2333 21 Continuing Our Commitment to You: Special Leasing through PVF Terms 2 to 5 years Fast credit approval Lease a proven, quality sound system from your Peavey dealer and hear His message loud and clear Benefits of Leasing: Preserves existing credit lines for repairs and improvements to your church Preserves your cash reserves for emergencies, benevolence and leadership No large down payments required Allows your church to get the equipment it needs now and budget for it rather than wait for special collections and fundraising Low monthly payments—calculate instantly at www.sanctuary-series.com/pvf Flexible terms to match seasonal fluctuations in tithing Upgrade your sound system as your church grows and needs change Contact your local Peavey dealer or Call PVF to discuss further 601.483.0559 PVF 22 711 A Street • Meridian, MS • 39301 • Phone: 866.443.2333 • Fax: 601.486.1278 • 80307157 • ©2005 Sanctuary-Series.com