Transcript
L U
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Active Monitor Series
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Sat Series
Sat 5 & Sāt 10S
Index: 1. .........................................................................................................Introduction. 2. .........................................................................................................Features at a Glance. 3. .........................................................................................................Operation. 4. .........................................................................................................Setup Diagrams. 5. .........................................................................................................Speaker Placement. 6. .........................................................................................................SPL Curves. 7. .........................................................................................................Technical Specifications.
1. Introduction Thank you for purchasing the Studiomaster Professional Sat Series, Active Reference Monitors. To ensure maximum performance and safety, please follow this instruction manual carefully. Please retain this manual for future reference. For any complaint, feedback or testimonials please contact our distributor / dealers. The Studiomaster Professional Sat series is a range of high quality active reference monitors. The series consist of Sāt 5 & Sāt 10S. The Sat series strikes a right balance between the growing demands for better monitor performance at more realistic prices. • •
Sāt 5: Ultra Linear Full Range Monitor Speaker. Sāt 10S: Punchy Powered Subwoofer.
This active monitor set has a flat frequency response with a very natural and transparent sound. The speakers are bi-amplified and have an integrated electronic crossover for lower Signal to Noise Ratio & Total Harmonic Distortion. Sāt in Sanskrit means ‘the absolute truth’! In the same essence the Studiomaster Professional Sāt Series is designed to reveal absolute truth of your mixes!
2. Features at a Glance •
High quality Aramid Glass Fiber Cone LF speaker.
•
Soft Dome HF speaker.
•
Balanced TRS/XLR & Unbalanced RCA input connectors.
•
Bi-Amplified design for maximum efficiency & linearity.
•
Magnetic shielding allows placement near computer monitors.
•
Wattage: Sāt 5 (50W), Sāt 10S: (100W).
•
Ideal mixing solution for DJ’s, Musicians, Studios, Hirers, Installations. 2
3. Operation Sāt 5 :
VOLUME 0 VOLUME 0 RCA
-6dB
+3dB
-30dB
+6dB
-6dB
+3dB
UNBALANCED
3
JACK
-1dB -2dB
BALANCED
0dB
+1dB
-30dB -1dB -2dB
4
+6dB 0dB
+1dB
BALANCED
HF ADJUST
XLR
Sāt 5
5 HF ADJUST
POWER
2
ON
OFF
FUSE FUSE 0.8AL250V
RISK OF FIRE REPLACE FUSE AS MARKED
1
SER.NO. 220~240V AC~50Hz 65 Watts
Sāt 10S :
9 3
4
6
7
2 150 Watts
1
8
1. Power Input: Connect the supplied power cord to the unit & make sure the right power is being supplied. As an additional safety measure please use a stabilizer like the Studiomaster Professional SVC series, to protect the product from spikes & surges. 2.On/Off: This switch is used to on or off the speaker. 3
3. Input Connectors: There are 3 input options available on the Sāt 5, Balanced TRS/XLR & Unbalanced RCA input connectors. Connect output from your mixer in to one of these inputs. Audio Input (10K ? Balanced) Pin 3 + Ring = Low
Pin2 + Tip = High
Pin 1 + Sleeve = Ground
Sleeve XLR CONNECTOR (MALE OR FEMALE) Ring Tip
1/4 INCH STEREO PHONO PLUG (TRS aka Tip, Ring, Sleeve) Pin 1
Sleeve (Shield)
Pin 2
Tip
Pin 3
Ring (or sleeve) Normal “Pin-2 Hot” Diagram For “Pin-2 Hot” Reverse Pins 2 and 3
4. Volume Control: This knob is used to control the output level of each speaker. The input sensitivity can be adjusted (counterclockwise reduces sensitivity) with this rear panel mounted system gain control. Adjustment range is from -30dB to + 6dB (Sat 5) & -80dB to + 6dB (Sāt 10S), which should suffice for most conditions. 5. HF Adjustment: This knob is used to control the high frequency adjustment of this speaker. Room acoustics may dictate which type of adjustment you need to make to retain a flat frequency response from the monitor. (Only Available In Sāt 5) 6. Crossover: This knob adjusts the crossover frequency for the built-in 24dB/octave variable crossover. The crossover frequency can be adjusted from 50Hz to 150Hz. Frequencies below the crossover frequency are sent to the sub-woofer. 7. Auto Power: If set to the AUTO position the subwoofer will go into STANDBY mode (mute) if Idle for more than 45 minutes it resumes working immediately after an input signal is received. If set to the ON position it will be on constantly, & the OFF position allows you to use the subwoofers power switch manually. 8. Phase Switch: This switch reverses the polarity of the signal going to the subwoofer amplifier by 180°. It has no effect on the signal at the Left & Right out or the Master out. There is no right or wrong setting for this switch. Listen to the overall blend of the subwoofer with the rest of the system, and select the switch position that gives you the best sound. 9. Peak LED: The Peak LED will illuminate if the input channels are being overloaded or distorted. 4
4. Setup Diagrams Without Subwoofer:
1
2
3
MIC
MIC
LINE
MIC
LINE
L
L
R
R
MONO
GAIN
ON
Phantom - 11
PEAK
PEAK
60db
60db GAIN
GAIN
L
L
R
R
MONO
R
60db GAIN
AiR 4
LINE
L
60db
PHONES
PLAY BACK / RECORD
4
MIC
LINE
LINE 3/4
LINE 5/6
MAIN
PEAK
PEAK
PORER POWER HF
HF
HF
HF
MF
MF
MF
MF
GAIN
CD
GAIN
6
POWER
4
OFF
-60
0
-60
0
HF
0
10
0
10 REPEAT
2
SEND
HF
0 2
LF
LF
LF
LF
LF
LF
4 7 10 15
0
PUSH
EFX
EFX
EFX
EFX
EFX
0 PAN
PAN
0
BAL
PAN
PAN
20
10 DELAY
EFX
LEFT
RIGHT
10 PAN
BAL
PHONES
-10dB
AC18V
OUTPUT
INPUT
SM 900C
0
10
0
10
0
LEVEL
10
0
LEVEL
LEVEL
2
1
3
10
0
10
0
LEVEL
10
0
LEVEL
5/6
4
0
10
LEVEL
LEVEL
7/8
EFX
0
10
10
LEVEL
MAIN
With Subwoofer: PLAY BACK / RECORD
4
PHONES
MIC L
L
R
R
AiR 4
LINE
L MONO
MONO
LINE 3/4
LINE 5/6
R
60db GAIN
L
L
R
R
MAIN
150 Watts
Sāt 10S (Back) 5
5. Speaker Placement Positioning your monitors correctly in the studio is critical to their performance. Typically, they should be placed so that the listening position is fully “covered” with all monitors resting on the same horizontal plane. A great way to test a monitor for its imaging capability is to play back a CD or DVD recorded acoustically in stereo (or one recorded in surround sound if you have a surround sound set up). We recommend acoustic music because it represents the spectrum of sound. You can adjust the angle of each monitor by listening for dead spots. Keep in mind, changing the angle or position of a monitor will change the sound.
Without Subwoofer:
60°
60°
ListeningPosition
With Subwoofer:
Subwoofer
Rig
t
Lef
ht
Listening Position
6
6. SPL Curves Sāt 5
Sāt 10S
7
7. Specifications: Sāt 5 53Hz -20kHz +/- 2.0dB Frequency Response 1” Soft Dome High Frequency Driver Low frequency Driver 5” Aramid Glass Fiber Amplifier 50 Watts Power Output 82dB/90dB Signal to Noise (HF/LF) .05/.02 T.H.D. (HF/LF) Input Impedance 10K ? Balanced 10K ? Unbalanced Crossover 3KHz Crossover Frequency Subsonic Filter 45Hz Dimensions (HxWxD) cm 27.5 x 18.5 x 22.5 Net Weight 7.2Kg FUSE Rating (5mm x 20mm) 0.8A 220V - 240V
Sāt 10S 35Hz -150Hz N/A 10” Aramid Glass Fiber 100 Watts 90dB 1 10K ? 10K ? 160Hz 35Hz 38.2 x 35.5 x 39.8 17Kg 1A
Other recommended products from Studiomaster Professional: For Studio: • • • • • •
SM 900C - High Quality Condenser Microphone. Phantom 11 - External Phantom Power Supply Unit. SM 300I - Dynamic Instrument Microphone SM 600XLR - High Quality Dynamic Vocal Microphone Club 2000 Series - Compact Mixers Air Series - Compact Mixers
For DJ’s: • •
DMX 5 - 5 Channel DJ Mixer with 8 EFX. MP 4000 - Dual CD/USB Media Player.
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REV01/SMSAT/Nov2011
* Design and specification are subject to change without notice.
