See Full Inventory - Whoa! Productions

Transcript

STUDIO EQUIPMENT HIRE INVENTORY MODULA RIG - Full motion control system PLEASE NOTE: This system comes complete with: Dedicated laptop running the latest version of Flair Software 12 metres of track 40 inch Monitor Portable Control Desk Cabling as needed The Full Modula rig is designed to make full use of its modularity by enabling the user to adapt it to any shoot, whether the requirement is something very fast and compact to quickly follow some action or be very portable, or whether it needs a full jib arm system for filming over a product. The Modula rig uses the Ulti-head pan tilt moco head as its basis and then builds up from there. The Ulti-Head it is designed to be the ultimate in low-cost yet precise and portable motion control head. But now it is even more versatile as it is specifically designed to be a very modular motion control system with easy addition of extra axes of motion. In particular by adding the axes of Track, Lift and Rotate when needed, they can add a tremendous degree of freedom to the Ulti-head and any shoot. By adding a high-speed track motor and dolly system, a very sturdy telescopic lift mechanism, and a jib arm (with motorized rotate mechanism), a whole new range of shots can be accommodated. As an added benefit the track axis is “back-driveable” meaning that it can be pushed manually to record the motion**, just like a normal dolly, and then the motion can be repeatedly played back as often as required, or even the data exported to CGI. The Modula Rig The full Modula rig provides: 6 feet of vertical travel. Strength to carry heavy payloads, whether a full film camera package or a 3D Stereoscopic rig High speed vertical motion, with absolute frame accuracy at any speed. A full jib arm and rotate mechanism to get over or under the subject of interest. A wide range of different shots at speeds in excess of 3 metres/sec Full control of lens functions such as focus, zoom and iris. An optional Roll axis Unlimited length of track (subject to cable lengths) The UltiHead and any additional axes, can be controlled using remote hand-wheels, joysticks, or pan-bars. Alternatively it can be programmed from the keyboard and mouse using the advanced Flair software system with a highly graphical and user friendly interface. Flair also gives the operator the ability to pre-visualise the move both numerically and graphically and make adjustments as necessary before committing to the action run, as well as importing and exporting moves to FBX, CGI, such as XSi, Maya or Filmbox. This awesome system boasts several key features to set it apart from anything else currently available on the market, including: Extremely high accuracy and rigidity for use in motion control applications Very high speed of movement Space-saving compact design for high portability Fast return on investment WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY Fully adjustable for any camera or lens Runs from the award winning Flair motion control system Designed for Film, Video and HD cameras Head works directly with the MSA-20 Handwheels or Panbars for Remote head use or dry-hire Roll option For more information please contact [email protected] RED EPIC DRAGON 6K PLEASE NOTE: This system comes complete with: Switchblade Broadcast I/O Module 7” LCD LENS - Zeiss Compact Zoom 28-80 LENS - Zeiss Compact Prime CP.2 21 RT Motion 3 Motor FF System 512GB Mini Mag V Lock Batteries 266Wh V Lock Power Station 4 Batteries V Lock Battery Charger Wooden ™ Camera Handles Tripod not supplied. http://www.red.com/products/epic-dragon With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology. Resolution is more than just attention to detail. From large objects to granule textures, 6K images cultivate the nuance of every image, leaving nothing behind. Improvements to micro-contrast and MTF produce a cleaner image, drastically reducing moiré and aliasing artifacts. When outputting 6K files to 4K or HD, your image will appear more refined and detailed compared to those captured at lower resolutions. The choice is simple; Bigger is better. 6K resolution translates to over 19 MP, packing the same detail you expect from your DSLR into a cinema camera. When you can capture motion and stills in 6K 2.4:1 at up to 100 frames per second (fps), or 6K Full Format at 75 fps, you get up to 100 chances per second to capture the perfect picture. Every still is raw and Adobe Photoshop compatible, which means your workflow doesn’t need to change—even if technology does. The RED DRAGON sensor blurs the line between motion and still cameras, giving you the best of both worlds. Just because your specs changed, doesn’t mean your gear has to. All existing accessories, rail components, and modules designed for EPIC-X or M are compatible regardless of what sensor is installed. Instead of making your accessories obsolete, RED proudly takes great care in making sure your equipment lasts as long as possible. Change has never been so easy. WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY A new sensor means a new look, and REDCINE-X PRO gives you all tools you need to dial in your image the way you want it. With its latitude at 6K resolution, you can play with color, curves, and composition with less limitations than ever before. Now with the introduction of the RED ROCKET-X card, your RED workflow just got 5x faster than ever before. REDCINE-X PRO harnesses the power you need to tame your 6K EPIC DRAGON footage and is available for free only on RED.com. Click here to learn more about REDCINE-X PRO. EPIC DRAGON Specs Sensor Resolution: 6144 x 3160 Signal to Noise Ratio: 80db Dynamic Range: 16.5+ stops Lens Coverage: 30.7mm (h) x 15.8mm (v) x 34.5 mm (d) (5K on DRAGON is about the same size as it is now, 6K is slightly larger at a 1.173x crop) Formats:6K (2:1, 2.4:1, Anamorphic) 5K (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) 4.5K (2.4:1) 4K (16:9, HD, 2:1 and Anamorphic 2:1) 3K (16:9, 2:1 and Anamorphic 2:1) 2K (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9) Frame Rates (same as EPIC except for 6K): 1-100fps 6K 1-120fps 5K, 4.5K 1-150fps 4K 1-200fps 3K 1-300fps 2K Monitor Output: HD-SDI/HDMI Frame Guides and Look Around Monitor Output Formats: 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 CINEO LIGHTING (10 Available) PLEASE NOTE: This system comes complete with: Interchangable Phorsphor Panels (5600k, 3200k, Daylight, Warm, Green, Blue) Cineo DX450 Power Supplies Cabling as needed Cineo® HS™ from Cineo Lighting is the first colour- accurate digital soft source designed specifically to meet the strict standards of motion picture and broadcast production. With more than twice the output of a 2K incandescent soft light, TruColor HS delivers an extended CRI over 95, generates a 160-degree beam spread, and uses less than 500 watts of AC power. Remote Phosphor Technology (RPT) eliminates the colour-accuracy limitations inherent in LED fixtures. Instead of relying on LEDs as the source of illumination, Cineo HS’ independent phosphor panels emit high-quality light when excited by the high-frequency wavelengths from blue LEDs. WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY The interchangeable phosphor panels allow you to achieve a variety of colour temperatures with a single fixture. The CCT of the Cineo HS is extremely consistent fixture to fixture, and will not change over time like other lighting technologies. Features Utilises Remote Phosphor Technology (RPT) for accurate, consistent output Optimised output for film, video and still photography Interchangeable CCT for maximum flexibility 160° light spread Small and lightweight Flicker-free Completely silent operation Local and DMX dimming with no colour shift 10-100% Field serviceable components Built-in filter tray to attach accessories Accessories include gel frame, louvers, egg crates, barn doors, snap grid, soft box Interchangeable CCT 2700K @ 98CRI = 50fc @ 10’ (538 lx @ 3m) 3200K @ 98CRI = 56fc @ 10’ (603 lx @ 3m) 4300K @ 97CRI = 65fc @ 10’ (700 lx @ 3m) 5600K @ 94CRI = 66fc @ 10’ (710 lx @ 3m) 6500K @ 93CRI = 66fc @ 10’ (710 lx @ 3m) Power Consumption 500 watts max Dimming: Local and DMX dimming with no colour shift 0-100% Input voltage: 100-240 VAC 50/60 Hz Environmental temperature range: -20° C – +50° C Max temperature rise: +45° C Lamp Life: 35,000 hours, L70 rated Certification: ETL, cETL listed CE Compliant Dimensions: 12”H x 21”W x 3.8”D (290mm x 532mm x 96.5mm) Weight: 14 lbs. (6.3 kg) Power Supply dimensions 4.5” H x 7”W x 15”D (115mm x 176mm x 380mm) Power Supply weight 14lbs (6.3kg) Head to power supply cable 10’, 30’, 100’ The Cineo DX450 Power Supply has been designed and optimised to work more effectively in both studio and location work with the TruColor™ series remote phosphor light sources for image capture applications. The size of this Cineo Power Supply has been reduced 35% from the previous TruColor HS™ PSU and now includes compatibility with the TruColor LS™ series LED fixtures. The DX450 powers a single TruColor HS fixture or up to three TruColor LS fixtures using an optional breakout cable. Both local and DMX dimming from 10% to 100% are provided without imparting any colour shift or flicker, even at high frame rates. The DX450 supports individual remote control of multiple lamp heads when used with TruColor LS units. All controls and connections are located on one side of the PSU, allowing the DX450 to be orientWHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY ed horizontally, vertically or attached to a stand using the clamp assembly. Up to 400 feet of cable can be used between the DX450 and any TruColor lamp head. SOURCE FOUR LIGHTING (30 LED, 30 TUNGSTEN AVAILABLE) Lustr+ The Source Four LED Lustr®+ luminaire maximizes the superior mixing capabilities of the x7 Color System™ to offer the most flexible range of color. From high-intensity whites to soft tints and supple, vibrant colors, the Source Four Lustr+ achieves theater-worthy color rendering. You can smoothly transition from one color to another on the fly, vary the feeling of a scene, or go bold with effects. The Source Four LED Lustr+ also produces an adjustable white light that flatters any skin tone - in person or on screen. And new opportunities arise when the Source Four Lustr+ is layered with Source Four incandescent fixtures on a rig, seamlessly blending in with the tungsten lighting. Tungsten The super-efficient Source Four LED Tungsten™ luminaire creates stunning warm-spectrum white light with a 3000K color temperature. The high-light-volume, low-energy fixtures replicate the light of conventional tungsten sources while requiring less power to run. Source Four LED Tungsten fixtures can be a stand-in for or used alongside tungsten units for large quantities of rich, warm white light. SlimBANK UV-18 (6 AVAILABLE) SlimBANK UV-18 is a powerful blacklight with 18 high-power UV LEDs, perfect for every setting, from Halloween parties to amusement parks. Make your next event glow with the effect that is always a hit with the crowd. Specifications DMX Channels: 2 or 5DMX Connectors: 3-pin XLRLight Source: 18 LEDs (UV) 1 W (350 mA), 50,000 hours life expectancy Strobe Rate: 0 to 20 Hz Coverage Angle: 65° Power Linking: 22 units @ 120 V; 39 units @ 230 V Input Voltage: 100 to 240 VAC, 50/60 Hz (auto-ranging) Power and Current: 42 W, 0.4 A @ 120 V, 60 Hz 46 W, 0.2 A @ 230 V, 50 Hz Weight: 7.4 lb (3.4 kg)Size: 15.3 x 7.7 x 7.4 in (389 x 197 x 187 mm) Approvals: CE Wavelength: 400 to 410 nm Tour Pro Magic Par 818 lights, 4 channel RGBW (70 AVAILABLE) The MagicPar 818 light produces high-intensity, exquisite and rich color by utilizing a powerful LED light source. As a high performance beam light, it can be used for multiple functions such as an effects light, key light, fill light, front lighting, side lighting, the possibilities are endless. The RGBW color mixing LED light provides high quality light with precise and vivid colors; suitable for theaters, studios and other high intensity applications. WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY The MagicPar 818 has 18 - 10w quad color RGBW LEDs allowing for a wide spectrum of color including saturated colors, pastels, white and warm white. A 20 degree beam angle makes it perfect for every job. Control is not just limited to DMX512, MagicPar comes with standalone static colors, auto program and sound activation. Light Source:18 x 10w RGBW High-power LEDs 12400 Lux Beam angel: 15° Field angel: 23° Full RGBW Color Mixing LED Average Life Span over 50,000 hours Features: Black OLED display user interface for auto programs execution, static colour mode, creation of custom shows, colour calibration presets DMX selectable configurations (4, 6, 10 channels) 4 selectable dimming curves available Auto mode: built-in programs with execution speed adjustment Static color mode Manual color mode Master/Slave mode: for synchronized operation of more units linked in a chain Linear and “stepless” transition between DMX values TV safe flicker free operation Power Supply: Power unit: 100-240V 50/60Hz Average power consumption: 124W IN / OUT wiring signal and power connections through XLR3p/Powercon Body: Sturdy die-cast aluminium body : IP30 Silent operations, due to natural cooling of heat sink chassis Double hanging bracket suitable for safe hanging and for floor positioning Weight: 5.6 kg Dimensions (WxHxD): 349x368x93 mm GIO Lighting Console Need an energetic desk for a large touring show with a complex rig? Looking for a board that saves space in control rooms without scrimping on power? Want a desk compact enough to carry from the control booth to the tech table every day? ETC's Gio® is an onthe-go road warrior in a tidy footprint that can handle shows of any size with ease. Boasting the programming capacity of the Eos Titanium (Eos Ti ® ) desk, Gio is ready to hit the road. Gio has a fast, accessible control surface, with an easy-to-navigate backlit keypad. It includes two integral, articulating multi-touch displays and supports up to three external monitors, all of which can also be multi-touch. Gio can integrate into an Eos Ti, Eos® or Ion® system with ease, acting as a primary, backup or client console in combination with the rest of the family. All of the accessories available for Ti, Eos WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY and Ion service Gio as well. And the keypad layout is virtually identical to Ti, making moving between platforms a snap. From 2,048 to 32,768 outputs with no co-processing Dedicated master-playback fader pair 10 definable motorized faders, with 30 pages of control 8 user-definable buttons Four pageable haptic encoders Two integral articulating 12.1" LCD multi-touch displays. Supports 3 external high resolution Display Port monitors; can be single- or multi-touch Three user-definable workspaces per monitor, each with discrete split-screen controls and frame management. Additionally, single- or multiple-screen snapshots allow instant reconfiguration. Custom-design your control interface using Magic Sheets, with topographical or abstract layouts. Full interaction with the command line allows command instructions - from the simplest and most immediate to the most complex - accessed from a mouse or single- or multi-touch displays. Configure and program a pixel-map layout, using integral or custom-designed content. Device discovery and troubleshooting via RDM ETC Sensor® CEM+, CEM3™ and FDX dimmer feedback and controls ETCNet3™ (ACN- based), ETCNet2™, Artnet and Avab® UPD protocol output Backlit keyboard Multiple MIDI and SMPTE Inputs OSC and UDP Transmit and Receive Client/server networking and synchronized backup Client and Offline programming on PC (Windows 7 or 8) and native on Macintosh (Intel only, OS X), via Nomad™ Data-laundering from Obsession™, Express™, Expression®, Emphasis®, Congo®, Cobalt™, Transtechnik NT, Avab VLC, Grand MA1, Grand MA2 and Strand 500/300 series show files. 12 discrete online users with partitioned control SPECIFICATIONS SYSTEM CAPACITY 2,048 to 32,768 outputs, upgradeable in 1,024, 2,048 and 4,096 increments* 16,000 Control Channels (devices) 10,000 Cues 999 Cue Lists 200 Active Playbacks 999 Submasters 30 Fader Pages 4 x 1000 Palettes (Intensity, Focus, Color, Beam) 1000 Presets (all palette) 1000 Groups 1000 Effects (relative, absolute or step) 1000 Macros 1000 Snapshots 1000 Curves 1000 Color Paths WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY Solid state hard drive USB ports for flash drives, pointing devices, keyboards *Devices with 3 DVI connectors on the back panel can upgrade to 16,384 outputs. Those with 3 Display Port connectors can upgrade to 32,768. INTERFACES Two individually configurable ethernet ports, 802.3af compliant PSE ETCNet2™, Net3™ (powered by ACN), and Artnet and Avab UDP output protocols Two DMX-512 / RDM Ports Contact closure triggers via D-Sub connector Three Display Port connectors support high-resolution external displays (1280x1024 minimum) with optional single-touch or multi-touch screen control. Display port to DVI adapters are provided. USB multipurpose Radio Focus Remote (RFR) MIDI In/Out (MIDI timecode, MIDI show control) MIDI Timecode, MIDI Show Control through Gateway OSC Transmit and Receive UPD Transmit and Receive SMPTE Timecode through Gateway Contact closure (12 analog inputs, 12 SPDT contact outputs, RS-232) through Gateway PHYSICAL Gio Dimensions* MODEL HEIGHT WIDTH DEPTH inches mm inches mm Gio Console Gio in Shipping Container Gio in Road Case Gio Weights* inches mm 11.61 295 30.5 34.5 876.3 27.3 34 863.6 36.2 MODEL WEIGHT lbs kgs Gio Console 45 Gio in Shipping Container 60 Gio in Road Case 80 *Weights and dimensions typical. 774.7 23.2 692.2 10.1 919.5 9.3 20.5 27.2 36.3 SOUNDCRAFT VI3000 SOUND DESK The Soundcraft Vi3000 features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono/stereo busses and a sweeping black screen panel with four Vistonics II™ touchscreen interfaces with sleek, updated 3D graphics. Because the Vi3000 has four touchscreens, it's the only console in its class that can be used by two engineers at the same time. The Soundcraft Vi3000 offers extensive rear panel connectivity. In addition to a full complement of analog and digital inputs and WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ 589.28 257.2 234.2 STUDIO EQUIPMENT HIRE INVENTORY outputs, the console provides MIDI, USB, Ethernet, DVI out, Dante/MADI record feed outputs, redundant power supply and other connections. The Vi3000 has two expansion bays that can be fitted with MADI Stagebox cards, to connect multiple Soundcraft Stagebox input expander modules. The Vi3000 can also accommodate the new Soundcraft Realtime Rack, a hardware/software unit designed in collaboration with plug-in manufacturer Universal Audio that provides access to 74 industry-standard UAD plug-ins. The Vi3000 is the first Soundcraft console to incorporate a Dante interface as standard, for seamless digital audio networking with Dante-enabled devices. Along with its greatly expanded functionality, the Vi3000 retains all the features that have made the Soundcraft Vi Series the consoles of choice for live sound engineers worldwide, such as FaderGlow™ illuminated faders that display different colors according to function, the ability to store and recall snapshots and cues, compatibility with Soundcraft's ViSi app that allows remote control from an iPad, built-in Lexicon reverb/delays, dbx compression, effects and more. Features Virtual Vi offline set up - Set up your shows offline and load them into the Vi3000 via USB VM2 radio mic status monitoring - Monitor the status of SHURE ULX-D and QLX-D and HiQnet-compatible AKG radio mics directly from the console surface with realtime visual displays of battery life, RF status, mic muting and internal clipping. BSS DPR901ii Dynamic EQ - this acclaimed industry-standard DEQ is built in as standard with 8 instances available for inserting on any input or output channel. The DEQ can be used at the same time as the existing channel EQ and Dynamics sections. Copy/Paste channel bus and FX settings - Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be copied and pasted, dramatically cutting down the set up time. Copy/Paste processing elements - Operators can drill down to copy and paste even single processing elements, and the last paste operation can always be quickly reversed with an UNDO function. Settings Library - Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to a USB memory stick, making initial set up and transition between shows even easier. Sophisticated Cue List Management - Allows changes to be applied to multiple cues and recall scope to be set per snapshot. Advanced events integration - Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman's HiQnet Venue recall function is tightly integrated within the Cue List. Automated microphone mixing - STUDER vMIX processing is built-in, with ability to seamlessly process up to two separate groups of 16 inputs, with clear and intuitive metering showing gain reduction. Snapshot crossfades - Snapshot recalls can use crossfades to transition smoothly from one setting to the next. ViSi Remote iPad® app - Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage. Includes control of EQ Dynamics and metering overview. WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY All busses to stereo - All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability – perfect for mixing large monitor applications. 4 Aux send points - With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to performers' requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus basis. Aux VCA mode - VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow illuminating in white to indicate the VCA's operation on the current mix. Monitor engineers can retain control of important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is controlling the global channel level to all mixes. Auto-increase of ambient mic levels in monitor mixes between songs - Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases automatically when the performers stop playing. Specifications Frequency Response - Stagebox Mic input to Line output +0/-1dB, 20Hz-20kHz AES/EBU In to AES/EBU Out +0/-0.2dB, 20Hz-20kHz THD 22Hz-22kHz Stagebox Mic In (min gain) to Local Line Out <0.003% @ 1kHz Stagebox Mic In (max gain) to Local Line Out <0.020% @ 1kHz Local Line In to Line Out <0.003% @ 1kHz Mic Input E.I.N <-126dBu (150Ω source) Residual Noise -91dBu Stagebox line output; no inputs routed, Mix fader @0dB CMRR 80dB @ 1kHz Sampling Frequency 48kHz Latency: Stagebox Mic Input to Local Line output < 2ms @48kHz AES/EBU Input Sample Rate 32-108kHz (with SRC enabled) DSP Resolution 40-bit floating point Internal Clock Accuracy < +/- 50ppm Internal Clock Jitter < +/- 2ns External Sync BNC Wordclock Input & Output Levels - Mic Inputs +28dBu max Input & Output Levels - Line Inputs +22dBu max Input & Output Levels - Line Outputs +22dBu max Input & Output Levels - Nominal Operating Level +4dBu (-18dBFS) Input & Output Impedances - Mic Inputs 2k7Ω Input & Output Impedances - All other analogue Inputs >10kΩ Input & Output Impedances - Line Outputs <75Ω Input & Output Impedances - AES/EBU Outputs 110Ω Oscillator 20Hz to 20kHz/Pink/White Noise, variable level Oscillator - Stagebox HP Filter 80Hz fixed, 12dB per octave Oscillator - Channel HP Filter 20Hz-600Hz, 18dB per octave Oscillator - Channel LP Filter 1kHz-20kHz, 18dB per octave WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ STUDIO EQUIPMENT HIRE INVENTORY EQ (Inputs and Bus Outputs) - HF 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving EQ (Inputs and Bus Outputs) - Hi-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7 EQ (Inputs and Bus Outputs) - Lo-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7 EQ (Inputs and Bus Outputs) - LF 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving Metering Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s. Mains Voltage Operating Range 90-264V, 47-63Hz, auto-ranging Mains Power Consumption 300W Temperature/Humidity Range - Operating Temperature Range 0°C to 45°C (32°F to 113°F) Temperature/Humidity Range - Relative Humidity 0% - 90%, non-condensing Ta=40°C (104°F) Temperature/Humidity Range - Storage Temperature Range -20°C to 60°C (-4°F to 140°F) Height (Console Only) 351mm (13.8") Width (Console Only) 1446mm (56.9") Depth (Console Only) 803mm (31.6") Weight (Console Only) 54kg (119lb) Height (with standard shipping carton) 595mm (23.5") Width (with standard shipping carton) 1580mm(62.2") Depth (with standard shipping carton) 950mm(37.4") Weight (with standard shipping carton) 96kg (212lb) Height (with factory flightcase) 1117mm(44.0") Width (with factory flightcase) 1530mm(60.3") Depth (with factory flightcase) 530mm(20.1") Weight (with factory flightcase) 141kg(311lb) WHOA! PRODUCTIONS 8-14 HENDERSON VALLEY ROAD, HENDERSON, AUCKLAND,NZ [email protected] / WWW.WHOAPRODUCTIONS.CO.NZ