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September 2016

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September 2016 © 2016 Atomos Global | atomos.com 1 HDR is here. We’re determined to open it up to everyone. At Atomos we’re proud of our track record at breaking open cutting edge technology to filmmakers of all walks of life. Whether it was the changeover from MPEG to ProRes or the upgrade to 4K, we focus on helping creative professionals grasp the latest technology at a faster rate and at a lower cost. This lets you not only create more powerful stories but through greater efficiencies deliver more profit for your business. This year we’ve focused on ensuring the exciting breakthrough that is HDR becomes part of every filmmakers arsenal by making it easier to use and available at a range of price points. Read on to discover more & we look forward to seeing your creative visions come to life in 2016. Jeromy Young 03 Introduction Co-founder Ian Overliese Co-founder 04 What We Do – Rec / Play / Mon / Edit 10 Field Monitor-Recorders 12 Inferno 14 Flame Series 16 Blade Series 18 Ninja Recorders 20 Power Station 21 G-Technology partnership 22 Calibration with X-Rite 23 HDMI Cable 24 Broadcast & Pro AV 26 Shogun Studio 28 Ronin 30 Converters 32 Accessories / CFast / Warranty / Education 34 Specifications Credit: Abandon Visuals 2 Atomos © 2016 Atomos Global | atomos.com 3 WHAT WE DO RECORDING Atomos partner with brands like Apple & AVID Every camera records, however the internal recording often isn’t camera brands such as Canon, Sony, Panasonic, the limitations professionals face with their camera. to create professional touchscreens for leading Nikon, Arri, JVC & Red. suitable in professional applications. Atomos overcome many of High resolution, calibrated SuperAtom monitor On affordable media Record to ProRes & DNxHR With a single connection, video professionals add recording direct from the camera sensor to Hollywood-ready formats like Apple ProRes and Avid DNxHR onto affordable & high capacity HDD/SSD media. Avoid lossy, MPEG camera compression Higher Resolution 10-bit Color Recording externally to the camera means that the traditional 29m59s barrier imposed by many DSLR cameras does not apply. To limit file size some camera’s only capture frame to frame changes rather than every frame. All Atomos recorders capture full “I” frame information just like film, making manipulation in post production easier and higher quality. Recording to 8-bit only allows for a maximum of 256 gradations in chroma and luminance per channel of RGB. All Atomos monitor-recorders record to 10-bit (1024 gradations) for smoother color transitions. More accurate 4:2:2 color While every pixel’s luminance information is captured, color is sampled for smaller file sizes. With the 4:2:2 standard, Atomos have higher color sampling than conventional 4:2:0 for more accurate colors with increased color resolution. High resolution & High bit rate Along side professional recording, the calibrated touchscreen is an audio and video monitor with an array of shot setup scopes and a playback device with on-board controls for instant shot review, tagging and playout to larger monitors, making it a swiss army knife for Production, Post-production & Digital signage. Professional Recording, Playback, Monitoring & Editing that will unleash the hidden potential of your camera from DSLR to Cinema. 4 Atomos Overcome the DSLR 30min Recording Limit Recording resolution alone isn’t enough. Even 4K might be rejected in Post if the bit rate is too low. Internal camera 4K is typically recorded up to 100Mb/s, whereas with ProRes & DNxHR you can record up to 880Mb/s, maintaining the best possible quality. Record longer & Reduce media costs Cameras use low capacity, high price/ GB media. Atomos uses high volume, high capacity computer SSD’s & HDD’s from the world’s most trusted media brands, allowing easy access anytime, anywhere in the world. Discover the full list of compatible cameras and media: www.atomos.com/cameras www.atomos.com/drives © 2016 Atomos Global | atomos.com 5 MONITORING Atomos combine external recording with a professional touchscreen monitor that is armed with scopes and tools for perfect shot setup. AtomOS AtomOS is our custom-built operating system designed specifically for filmmakers to keep the Atomos feature set a single touch away. Its incredibly fast, intuitive and evolving with regular free updates for new features. TOOLS & SCOPES AtomHDR is a proprietary image processing technology, delivering the high brightness range of Post Production HDR in a field monitor. All you need is the Log output from your camera (Sony, Canon, Panasonic, Arri, JVC, Red) and to activate AtomHDR on the Inferno, Flame, Blade or Studio series to reveal the HDR magic. The Inferno & Flames also have 1500nit brightness panel and 10-bit color processing for HDR with a wider brightness range and smoother color transitions. HDR CONTROLS AtomHDR Select camera log signal type & toggle viewing environment Focus Assist Luma Parade False Color Log to Video Convert Log to Rec709 2:1 Zoom RGB Parade Blue Only Native Video Source Shoot native Rec709 or Log, up to a maximum of 1500nit brightness 1:1 Zoom Vectorscope Anamorphic Zebra Pattern Vectorscope Zoom Safe Area 6 Atomos Custom Looks For SDR shooting upload your own .cube files for custom “Looks” © 2016 Atomos Global | atomos.com 7 PLAY BACK EDITING Instantly review and collaborate on set. Edit on the fly and finalize in post using your NLE of choice. 4K UHD to HD downscale Playback controls Tag as you shoot or review Custom Playlist Review with confidence Works with all NLE’s 4K models can downscale to HD for output to lower resolution devices. Create custom playlists using Favorite, entire clip or loop functions for reviewing compilation of dailies for clients or digital signage playout. Review footage on the product or out to a larger monitor. Scrub, slow and fast motion control for detailed edit and review (available with OS7.1) Use the suite of monitoring tools to check color, focus, exposure on recorded or uploaded content. Tag clips during recording or playback to create an FCPX project with tagged footage. Dock and drop files straight into the timeline of all major NLE’s on both Mac and PC. PQ I/O for HDR Editing Take PQ out into larger HDR compatible larger screens or feed HDR from your NLE into the PQ input for HDR grading using your Atomos product. “The footage plays natively without any codec issues and plays instantly without having to do any transcoding” Abandon Visuals 8 Atomos © 2016 Atomos Global | atomos.com 9 FIELD MONITOR RECORDERS CASE STUDY: TESLA “AtomHDR mode needs to be seen to be believed – It’s going to be very difficult to use any other screen besides the Flame now” Cloakroom Media Cloakroom Media & Flying Dragon Aerial teamed up on a TVC production for Tesla Motors Australia. We were given two production days to complete the filming and put together some cutting edge kit to film from the land and the skies (a pair of Freefly ALTA’s coupled with MoVI M15’s & Red Epic Dragons as well as a Freefly TERO). We were delighted to be invited to test out two pre release products labeled the Atomos Ninja Flame & Shogun Flame. Clarity, Detail, Brightness When we began to setup the Shogun Flame, we powered up our video link and instantly we all were taken back from the image we were seeing. The image was so bright and clear; it was hard to believe it was real at first. It’s super impressive, I don’t think there is any monitor that displays such clarity, detail and brightness all in one, let alone function as a 4K recorder. Its a combination of the AtomHDR mode and the 1500nit screen that work together to give you that awesome display. The New Monitoring Standard In conclusion, for this Tesla shoot both the Shogun and Ninja Flames performed beyond our expectation. It can run all day without a hiccup and the monitoring in AtomHDR mode needs to be seen to be believed – It’s going to be very difficult to use any other screen besides the Flame now. I am confident that AtomHDR will be the new monitoring standard among productions of all scales, and I can not wait to get it on set again for my clients to take advantage of this new and innovative technology. SDI and HDMI Flexibility We shot the Tesla from a leading van on the track, which had a Shogun Flame tethered to the RED Dragon via HD SDI. From inside the vehicle we dialed up HDR mode & the beauty of this is that the finer detail in the image becomes more apparent. Our DP for this shoot Matt Wood was in awe! There is something about seeing a DP of Matt’s level getting excited like a little kid – it tends to rub off on the rest of the crew. Long Battery Life Both Ninja Flame and Shogun Flame have dual battery plates so you can hot swap batteries whilst in use. We used the dual Sony L series batteries which lasted well over the entire 4-hour race track sequence even when recording the whole time. This brings me back to my experience with the Ninja Blade with continuous power which I still use with my C100mkII. Credit: Cloakroom Media & Flying Dragon SHOGUN INFERNO 10 Atomos SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR © 2016 Atomos Global | atomos.com 11 SHOGUN INFERNO Shogun Inferno combines the world’s most advanced HDR monitor with high resolution, high frame rate recording. Connect cinema cameras from Arri, Sony, Canon, Panasonic, Red or JVC over the QuadLink SDI or HDMI 2.0 connections to make mastering a high resolution, high frame rate, HDR workflow a reality. Log AtomHDR PERFECT FOR: Music Video: Multi cam HDR/4K from Quad SDI cameras Sports: High frame rate Broadcast: ISO recordings Cinema Latest HDR and 4K 60p technologies SHOGUN INFERNO Where 4K increases the number of pixels, HDR increases the brightness range – displaying brighter and darker parts in a scene at the same time. In consumer terms it means scenes are more vivid and life-like while in filmmaking terms you no longer clip highlights or sacrifice shadow detail. With AtomHDR shoot in Log from your camera and preview post production HDR on the monitor to judge exposure perfectly for final delivery in either HDR or SDR in Post. INFERNO SERIES CORE FEATURES RECORD 12 Atomos PLAY MONITOR EDIT The Quad SDI inputs let you connect from cameras with multiple 1.5/3/6/12G SDI outputs without the need for converters. Apart from 4K recording, high frame rate HD from 50p to 240p can be recorded from cameras with these outputs. Create playlists easily, either entire clips or tagged parts of clips, for playback on the unit or out to a larger screen. Record the high brightness range of your camera’s Log profile while monitoring the final, vibrant post production HDR result (Canon, Sony, Panasonic, Arri, JVC, Red). The high resolution 7” calibrated monitor, boasts 1500nit brightness which makes it perfect for hood-free outdoor monitoring. Record to visually lossless Apple ProRes or AVID DNxHD as an edit friendly, visually lossless industry benchmark independent of the camera brand used. Record and play out pristine ProRes/ DNxHR in 4K resolution and 24/25/30/50/60p frame rates. Capture HDR Log or Raw as ProRes, DNxHR or CDNG. Works with Arri, Canon, Panasonic, Sony (Raw & Log) & JVC, Red (Log) Our patent pending Continuous power system automatically swaps to the second battery when power is low for uninterrupted recording in the field. 10-bit monitor processing increases the number of colors from 16.7 million for standard 8-bit panels to 1.07 billion, minimizing color banding on screen. Apply a custom look to SDR footage by uploading and applying “.cube” 3D LUT’s. View in full/half mode on screen, output it to a monitor or record into the footage. Playout HDR as PQ or HLG to larger HDR compatible screens or feed HDR as a PQ or HLG signal in for mobile HDR grading Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 13 SHOGUN FLAME NINJA FLAME NINJA FLAME FLAME SERIES The Flame series will change the way you shoot PERFECT FOR: with Log from the camera, combining 3 core monitor technologies - AtomHDR, a High Brightness 1500nit panel and 10-bit color processing - to get the brightness range of HDR Log but with bright, natural colors. This lets you monitor the way you see and record direct to 4K/HD 4:2:2 ProRes / DNxHR Log for HDR or SDR processing in post production. Corporate Outdoor/studio monitor, faster ProRes workflow Indie As director’s monitor, on gimbals or with DSLR’s Gaming 4K/HD from the console, live audio monitoring & tagging for edit Underwater 3rd party housings that bring 4K HDR underwater Wildlife Pre-roll cache recording, long record times MODEL COMPARISON SHOGUN FLAME Perfect for RAW and SDI cameras NINJA FLAME Perfect for HDMI mirrorless/DSLR cameras 1.5/3/6/12G SDI & HDMI in/out HDMI in/out Sony & Canon Raw recording N/A Bi-directional SDI/HDMI conversion N/A XLR in/out (cable included) Line audio in / out Genlock / LTC input N/A FLAME SERIES CORE FEATURES RECORD 14 Atomos PLAY MONITOR EDIT The SDI/HDMI Shogun Flame and HDMI only Ninja Flame can input from cameras, PC’s, game consoles etc and output for larger monitors and TV’s. Apart from 4K recording, high frame rate HD up to and including 50/60/120p can be recorded from cameras that output these high frame rates. Create playlists easily, either entire clips or tagged parts of clips, for playback on the unit or out to a larger screen. Record the high brightness range of your camera’s Log profile while monitoring the final, vibrant post production HDR result (Canon, Sony, Panasonic, Arri, JVC, Red). The high resolution 7” calibrated monitor, boasts 1500nit brightness which makes it perfect for hood-free outdoor monitoring. Record to visually lossless Apple ProRes or AVID DNxHD as an edit friendly, visually lossless industry benchmark independent of the camera brand used. Record and play out pristine ProRes/ DNxHR in 4K resolution and 24/25/30p frame rates. Edit friendly Apple ProRes & AVID DNxHD in 422 for improved color accuracy & 10-bit for the extended color depth demanded in post production. Our patent pending Continuous power system automatically swaps to the second battery when power is low for uninterrupted recording in the field. 10-bit monitor processing increases the number of colors from 16.7 million for standard 8-bit panels to 1.07 billion, minimizing color banding on screen. Apply a custom look to SDR footage by uploading and applying “.cube” 3D LUT’s. View in full/half mode on screen, output it to a monitor or record into the footage. Playout HDR as PQ or HLG to larger HDR compatible screens or feed HDR as a PQ or HLG signal in for mobile HDR grading Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 15 SAMURAI BLADE NINJA BLADE NINJA FLAME BLADE SERIES PERFECT FOR: Weddings Calibrated monitor, long recordings on affordable media The Blade series adds the professional video functionality missing in HDMI and SDI cameras. Monitor on a larger 5” calibrated screen with Indie Films Proxy recorder & focus pulling monitor for Cinema cameras waveform and focus assist tools, bypass the internal lossy MPEG recording by capturing 10bit 4:2:2 ProRes or DNxHD and even play back Documentary Lightweight ProRes & Monitor add on to DSLR’s and start tagging footage immediately on set to make post production more efficient. MODEL COMPARISON SAMURAI BLADE Perfect for Proxy and SDI cameras NINJA BLADE Perfect for HDMI DSLR cameras HD/SD SDI in/out D-Tap adapter included HDMI in/out Canon & Nikon battery plates included BLADE SERIES CORE FEATURES RECORD 16 Atomos PLAY MONITOR EDIT The SDI Samurai Blade and HDMI Ninja Blade have an input for connection with cameras, PC’s, game consoles etc and output for larger monitors and TV’s. Frame accurate timecode and start/ stop triggers from the leading camera brands over SDI (Samurai) or HDMI (Ninja). We support affordable HDD or SSD from the world’s leading media brands. HDD is the most affordable option, while SSD is suitable for vibration sensitive shoots. AtomHDR brings post production HDR images to the field. The Blade series previews HDR on the 8-bit, 400nit panel (Inferno & Flame feature 10-bit, 1500nit brightness range and PQ/HLG in/out). The 5” SuperAtom IPS capacitive touchscreen is 1280 x 720 with 325ppi and overlay to ensure you see your image crisply & cleanly as you monitor. Record to visually lossless Apple ProRes or AVID DNxHD as an edit friendly, visually lossless industry benchmark independent of the camera brand used. Compatible with HD and SD video for recording and playout. Edit friendly Apple ProRes & AVID DNxHD in 422 for improved color accuracy & 10-bit for the extended color depth demanded in post production. Our patent pending Continuous power system automatically swaps to the second battery when power is low for uninterrupted recording in the field. Colors you can trust with both out of the box and ongoing calibration (optional X-Rite unit) to SMPTE Rec.709 & D65 white point. Suite of monitor tools including waveform, RGB parade, luma parade, vectorscope, focus peaking, false color & blue only. Mark content in recording or playback using 10 different tags and save as an XML file with your content for faster editing in FCPX. Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 17 NINJA STAR NINJA 2 NINJA RECORDERS These lightweight Ninja models are the most PERFECT FOR: affordable and compact way to record professional, visually lossless Apple ProRes direct from the sensor of your DSLR camera or any HDMI source. They also extend the record time beyond the 30min DSLR barrier and offer an affordable playout solution for reviewing with larger monitors on set. Underwater Small footprint, low buoyancy ProRes recorder Youtube ProRes HD recording & talent monitor combined Education Add ProRes to older MPEG video cameras. Perfect for Canon 5DMKIII MODEL COMPARISON NINJA STAR Perfect for Drones & recording with existing monitors HDMI (micro) in/out No monitor 95 x 60 x 25mm, 3.7 x 2.4 x 1.0” Apple ProRes CFast 2.0/1.0 media NINJA 2 Perfect Recording Upgrade for DSLR’s HDMI (Full) in/out 4.3” touchscreen 115 x 87 x 41mm, 4.5 x 3.4 x 1.6” Apple ProRes & AVID DNxHD 2.5” SSD / HDD media NINJA RECORDERS CORE FEATURES 18 Atomos Record to visually lossless Apple ProRes as an edit friendly, visually lossless, camera independent industry benchmark. DNxHD available as well on the Ninja 2. Edit friendly Apple ProRes & AVID DNxHD in 422 for improved color accuracy & 10-bit for the extended color depth demanded in post production. Recording externally to the camera means that the traditional 29.59min barrier imposed on many DSLR cameras does not apply. Extract 24P/30P from 60i & 25P from 50i or pSF equivalents in real time. Recorded footage can be played back and controlled on screen (Ninja2) or out to larger monitors for client viewing. Ninja2 only; The 4.3” resistive touchscreen is 800 x 480 with 220ppi. Perfect to navigate menu options and as a comfort monitor on set. Frame accurate timecode and start/stop triggers from the leading camera brands. Compatible with HD and SD video for recording and playout. Synchronize with the camera’s timecode via HDMI embedded for independent external recording. The HDMI input and output allows you to connect and record from any HDMI device or loop out to larger monitors for client review. Our low power design means that long battery life (5hrs+) is realized. Ninja Star only; The world’s smallest, lightest Apple ProRes recorder at only 130g (4.6oz) and 95mm wide (3.7”). Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 19 POWER STATION G-TECHNOLOGY POWER STATION EXTEND CAMERA RUNTIME. CHARGE 3x FASTER. CONTINUOUS POWER. G-TECHNOLOGY An exciting partnership with G-Technology expands the affordability and workflow speed of our patented Master Caddy system by directly integrating it into the G-Technology range of ev Series solutions. POWER STATION CORE FEATURES G-TECHNOLOGY & ATOMOS WORKFLOW Continuous Power Our patented Continuous Power dual battery system allows batteries to be hot swapped ensuring you will never be without power in the field. 3x Faster Charge The DC input lets you connect to AC power to charge the provided batteries up to 3x the rate of conventional chargers. Power Extend Run Time Extend your camera run time beyond the manufacturers own battery capacity. DC Battery Adapters Dummy batteries to power Sony A7s/ A7RII, Panasonic GH4, Nikon 800/810, Canon 5D MKIII and Sony camcorders using NP-F L series sold separately. Weight DC power output 2 DC outputs at 8.4V, 4A Max Total Without batteries 143g / 5oz USB Charging output 2 USB outputs at 5V, 3A Max Total With batteries 719g / 25.4oz Max total output power 32W Dimensions (W x H x D mm) 160 x 55 x 35mm Operational temperature 0°C - 40°C (32°F 104°F) DC input voltage 12V to 19V Battery input voltage 7.4V System (8.4V Max), 2 slots Compatible Batteries Sony NPF series mount. Nikon and Canon batteries via optional Battery Management Battery Charging (on DC power only) 1 2 x 1.6A fast chargers (approx 3 hours to simultaneously charge a 2x NP-F570 batteries) Atomos adapters 20 Atomos Specifications correct at time of printing E&OE Choose SSD 2 Insert into Master Caddy (G-Technology Edition) 3 Record in the field 4 Slide into ev Series reader (Atomos Caddy Edition) 5 Dock & drop files using ev series Raid & Desktop Systems © 2016 Atomos Global | atomos.com 21 CALIBRATION HDMI CABLES Ensure your HDMI cables aren’t the weakest link Every brand of monitor in the field and in the editing suite on set. Featuring high quality connectors, naturally drifts in color over time. Atomos have partnered high speed HDMI 2.0a for the latest high frame with calibration leader X-Rite to open up professional rate recordings and a coiled cable for neater cable monitor calibration to all filmmakers. management on the rig. These are the only HDMI cables specifically designed for filmmakers. FIELD MONITORS EDITING MONITORS USB TO SERIAL FAST AND ACCURATE Make judgments on color and luminance in the field with the confidence of a calibrated monitor. Final editing decisions need to be made on a calibrated screen. The same X-Rite model used in the field can also be used to calibrate monitors in the editing suite. Use the same X-Rite i1Display Pro model already trusted by professionals around the world. There is no “special” model, simply purchase the Atomos USB to serial cable and get to work calibrating the monitors in your workflow. The X-Rite i1Display Pro model is renowned for its speed and accuracy – a simple 3 step process is all it takes to ensure your Atomos monitor-recorders are always color accurate. HDMI 2.0 READY HDR READY 4K 60p READY ATOMFLEX COILED CABLE Passes the high speed tests laid out in HDMI 2.0. 4K 60p and HD 240p are fully supported. Compatible with High Dynamic Range (HDR) product line up. The perfect cable for Atomos Inferno and connecting other high frame rate 4K 60p infrastructure. Coiled cable to give flexibility on the rig, extending & retracting as you need to minimize clutter. HDMI Cables STUDIO FLAME BLADE INFERNO 22 Atomos Part number Connector (Atomos) Connector (Camera) Cable type Length (cm) Length (inches) ATOM4K60C1 HDMI Full HDMI Micro (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended) ATOM4K60C2 HDMI Full HDMI Micro (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended) ATOM4K60C3 HDMI Full HDMI Mini (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended) ATOM4K60C4 HDMI Full HDMI Mini (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended) ATOM4K60C5 HDMI Full HDMI Full (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended) ATOM4K60C6 HDMI Full HDMI Full (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended) i1Display Pro supported on Atomos Inferno, Flame, Blade and Studio series © 2016 Atomos Global | atomos.com 23 BROADCAST & PRO AV CASE STUDY: WORLD MUSIC TOUR “The perfect solution for recording 4K Multi-cam large scale events” Gearhouse Broadcast were commissioned to facilitate the 4K production of the Sydney leg of what proved to be one of the top grossing tours of 2015. To have an understanding of the scale of this event, the size of the production crew was 300 – and that was just the Recording/OB crew alone! Chris Davies, Senior Broadcast Engineer, Gearhouse Broadcast Client Demanded ProRes Delivery The client requested that the production was to be captured in 4K for archiving and a future 4K delivery. The specific requirement was 4K ProRes HQ, making the footage 10bit, low compressed and edit ready for Final Cut Pro. We set out to achieve the best possible image capture which required technologies that we would not usually use for a multi-cam recording. Best of the Best in Multi-cam The camera of choice was the Sony PMW-F55 CineAlta, 20 of them to be exact. The large sensor, low light and 4K capabilities made this camera a no brainer. We also had two Phantom Flex 4K cameras and a few Arri Alexa’s for additional stylized shots. These cameras were paired with Fujinon and Canon cinema zoom lenses. To add to the list of toys we had 4x techno cranes, a Helicopter with a Cineflex stabilizer and 6x remotely operated hot heads, that, coupled with some of the best camera operators Australia has to offer. Easy to use Rack-based Monitoring & Recording This rack set up was the most impressive in the production, it seemed to be a favorite for the producers and the client. Having such a vivid image displayed on these monitors with all of the tools just a touch away was instrumental in our success. The fact that this rack was our 4k Record seemed to be just a bonus. Making the Complex, Simple The Shogun Studio integrated perfectly to our ecosystem, locking signal and timecode flawlessly. The simplicity of the Atomos system in such a complex environment makes it a breath of fresh air once that record button is tapped. The Shogun studio proved to be the perfect solution for recording 4k Multi-cam large scale events. We can now take on any 4K event knowing that we can confidently capture pristine footage that is immediately edit-ready. Challenge; 4K Data Wrangling With all of these camera rigs equipped to capture amazing pictures, the next challenge was to get them feeding back to the OB compound. We ran fiber from each camera back to the OB into the Sony Baseband processors and then distributed the 4K signal into the final link of the chain, the Atomos Shogun Studio. In fact we used a combination of Shogun and Shogun studios just in case we decided to get some units mobilized. Credit: Gearhouse Broadcast SHOGUN STUDIO RONIN SHOGUN INFERNO CONNECT-AC CONNECT PAGE 12 24 Atomos Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 25 SHOGUN STUDIO SHOGUN STUDIO Harnessing the latest 4K/HD recorder, monitor and playback technologies the Shogun Studio enhances existing HD workflows and provides an affordable rack mount solution for creating 4K Masters. PERFECT FOR: Event Playout 4K/HD playout with GenLock and Playlist Multi camera 4K ProRes record Sports  with Waveform OB Vans 3RU all in one record/monitor/test/ convert/playout SHOGUN STUDIO CORE FEATURES RECORD 26 Atomos PLAY MONITOR EDIT Record camera ISO feeds directly from the sensor via HDMI or SDI turning any camera into a studio head. Increased quality 4:2:2 10-bit ProRes/DNxHR/HD with file naming & Metadata. Shogun Studio provide continuous 4K/HD recording with the ability to automatically record onto the 2nd drive when the first is full. In Playback mode customer playlists can be created from Favorites (even respecting subclip i/o points), selected clips or a combination of the two. AtomHDR brings post production HDR images to the field. Shogun Studio previews HDR on the 8-bit, 400nit panel (Inferno & Flame feature 10-bit, 1500nit brightness range). Spectacular 7.1” 1920x1200 over 320PPI SuperAtom IPS capacitive touch-screen & record indicators. Calibrated in the factory to Rec.709 & calibrate anytime using the optional X-Rite unit. Record to visually lossless Apple ProRes or AVID DNxHR as an edit friendly, visually lossless industry benchmark independent of the camera brand used. Shogun Studio has both HDMI and 12G SDI in/out (back compatible with 1.5/3/6G SDI). You can convert between HDMI and SDI (both ways) and downscale from 4K to HD on the outputs. SDI & HDMI Rec Start / Stop triggers that can be cascaded across multiple devices as well as the ability to remotely control the Studio via 9pin RS422 Machine control or AMP over Ethernet. Shogun Studio benefits from redundant dual auto load balancing power supplies and industry standard IEC connectors making it easy to connect to your rack PDU or UPS. Supports up to 12 tracks 24-bit 48k Audio on SDI, 2 channels XLR in at mic or line level, 48V phantom and Audio Delay as well as 2 XLR outputs per Recorder. Monitor more than just the composition of the shot with wave form Luma, RGB parade and vector scope. Check exposure, focus and critical focus with 2:1 zoom. Playout HDR as PQ or HLG to larger HDR compatible screens or feed HDR as a PQ or HLG signal in for mobile HDR grading. Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 27 RONIN RONIN PERFECT FOR: Concerts – High capacity, affordable media for long run times. Designed for fixed facility studios and OB vans, Ronin lets you standardize ISO, Live and Switched HD or SD recording feeds direct to Broadcast – standardize iso, live and switched recordings Apple ProRes or Avid DNxHD ready immediately for post production. OB Vans - Continuous recording with dual Ronins test/convert/playout Dual Ronin also available RONIN CORE FEATURES RECORD 28 Atomos PLAY MONITOR EDIT Ronin is compatible with HD and SD video for recording and playout. Record to visually lossless Apple ProRes or AVID DNxHD as an edit friendly, visually lossless industry benchmark independent of the camera brand used. Synchronize with the camera’s timecode & record run, free run, time-of-day time codes for independent external recording. A 5” resistive touchscreen (800 x 480) to navigate menu options and as a comfort monitor during recording. SDI input for connection with cameras & broadcast infrastructure and output for larger monitors and TV’s. We support affordable, readily available HDD or SSD. For mastering and archiving, they outperform DVD’s and Blu-ray significantly in size of cost. Edit friendly Apple ProRes & AVID DNxHD in 422 for improved color accuracy & 10-bit for the extended color depth demanded in post production. Dual Ronins provide continuous recording for extra long shoots. Loop out to the second Ronin and start recording as the first drive fills. Recorded footage can be played back and controlled on screen or out to larger monitors for client viewing. 2 channels of XLR balanced analog (48kHz 16-bit) in addition to the 12 channels embedded in the SDI signal. Forget buttons & tape, move to touchscreens & HDD/SSD. Adjust audio channels on screen & monitor feeds with intuitive feedback. AC power drives the Ronin with continuous battery backup for emergency situations. Specifications correct at time of printing E&OE © 2016 Atomos Global | atomos.com 29 CONVERTERS CONNECT THE WORLD’S SMALLEST BATTERY POWERED VIDEO CONVERTER. 10 HRS BATTERY H2S S2H CONNECT-AC THE WORLD’S SMALLEST AC POWERED VIDEO CONVERTER. External Battery H2S D-Tap/AC Power Rack Mountable S2H They are stackable too. With the AC power The internal battery lasts 2 hours and with a fully supply included, you can charge up to three There is an optional rack mount kit to charged battery mounted lasts 10 hours. Connect units simultaneously. hold up to 4 Connect AC converters. CONNECT/CONNECT-AC CORE FEATURES Internal battery Test Pattern & Audio Tone Generator 3:2 & 2:2 Pulldown A test pattern & audio tone generator is built in to use as a line testing tool. A time saver for system technicians & system integrators in the field or in the studio. CONNECT H2S/S2H SPECS Weight & Dimensions 113g (without battery) / 213g (with battery) 45.0mm (w) x 76.5mm (l) x 34.0mm (h) Power Consumption 2W while converting Batteries • Internal up to 1 hour • 2600mAh - 10hrs (included) • 5200mAh (NP Series, 7.4V - 16.8V) - 20hrs (optional) • 7800mAh - 30hrs (optional) • AC Power Supply 100-240V (included) • D-Tap Adapter (optional) Continuous Power (Patent Pending) Connect acts as a battery, feeding continuous power into your Ninja, Samurai, or another Connect. Built-in 3:2 Pulldown Removal • 25PSF (50i)>25P • 30PSF (60i) >30P • 24p (3:2-60i) >24P Test Pattern Generator SMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological, Audio Tone 1kHz @ -20dBfs 30 Atomos Timecode & Trigger pass through Extract 24P/30P from 60i & 25P from 50i or pSF equivalents in real time. Flash light Allow for pass through of timecode and start/stop trigger between devices. A built in LED torch so you can see what you’re connecting to in the dark. CONNECT-AC S2H / CONNECT-AC H2S SPECS USB Interface Firmware Update Interface ONLY Video Input H2S: HDMI x 1 Video Out H2S: 3G/HD/SD-SDI x 2 S2H: 3G/HD/SD-SDI x1 and HDMI x1 S2H: 3G/HD/SD-SDI x1 Audio (In/Out) Embedded Audio 2ch, 24, 20 or 16-bit Timecode & Rec Trigger Exchange SDI: Sony, Canon, Panasonic, Arri, RED HDMI: Sony, Canon Timecode, Canon Start/Stop Supported Formats (In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94, 1080i50, 1080p30, 1080p29.97,1080p25, 1080p24, 1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25, 1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50, 486i59.94, 480i59.94, 576i50 Weight & Dimensions 115g (without battery) / 215g (with battery) 85.0mm (w) x 90.0mm (l) x 25.0mm (h) AC Power 100-240VAC, 0.2A, 50-60Hz Power Consumption 2W while converting 2:2 Pulldown Removal • 25PSF (50i)>25P • 30PSF (60i) >30P • 24PSF > 24P Test Pattern Generator SMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological, Audio Tone 1kHz @ -20dBfs USB Interface Firmware Update Interface ONLY Video Input S2H: 3G/HD/SD-SDI x 1 H2S: HDMI x 1 Video Out S2H: 3G/HD/SD-SDI x 1 and HDMI x 1 H2S: 3G/HD/SD-SDI x 2 Audio (In/Out) Embedded Audio 2ch, 16, 20 or 24-bit Timecode & Rec Trigger Exchange SDI: Sony, Canon, Panasonic, Arri, RED HDMI: Sony, Canon Timecode, Canon Start/Stop Supported Formats (In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94, 1080i50, 1080p30, 1080p29.97,1080p25, 1080p24, 1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25, 1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50, 486i59.94, 480i59.94, 576i50 All specifications correct when published, subject to E&OE. All specifications correct when published, subject to E&OE. © 2016 Atomos Global | atomos.com 31 ACCESSORIES SUNHOOD Optional sun hood available for Shogun, Ninja Assassin, Samurai/Ninja Blade, Ninja 2. Replacement available for hoods included with Inferno and Flame models POWER STATION BATTERY ADAPTERS ARMOR BUMPER LCD PROTECTOR Protection from bumps and knock on Shogun and Ninja Assassin Matte protector sheet for 7” models Power Station battery adapters for Sony FW-50, Panasonic BLF19, Canon LP-E6, Sony NP-F570, Nikon EN-EL15 2600mAh 2 cell & 5200mAh 4 cell battery BATTERIES HDD/SSD CADDIES x 5 AC POWER ADAPTER FAST BATTERY CHARGER DC TO D-TAP COILED CABLE Replacement AC power for all monitor-recorders CFast Media CFast speed & size, made affordable by Atomos For all recorders Fast single battery charger for Atomos and Sony NP style batteries For all 7” recorders Specs ATOMCFT64 ATOMCFT128 Size 64GB* 128GB* CFast version CFast 1.0 Write Speed 80MB/s Read Speed 200MB/s Operating temperature -25 to 45 degrees Celsius -13 to 113 degrees Fahrenheit * Some of the listed storage capacity is used for formatting and other purposes and is not available for data storage TRAVEL CASE HARD CASE USB TO SERIAL CABLE Smaller footprint travel case for Shogun, Ninja Assassin and Blade series Hard carry case and replacements foams available Calibration cable to connect with optional X-Rite calibration unit DOCKING STATION CFAST READER DOCK CANON & NIKON BATTERY ADAPTER Dock SSD/HDD to Mac/PC CONNECT-AC RACK KIT Fits four Connect-ACs 10 % EDUCATION D I S C O U N T 3 YEAR WARRANTY R E G I S T E R E D P R O D U CT S Dock CFast to Mac/PC RONIN RACK KIT Fits two Ronins XLR BREAKOUT CABLE Replacement breakout XLR cable for Shogun For students just starting out on their filmmaking career, Atomos offer a generous 10% discount off product over US$500 MSRP. The education discount is available to students and institutions alike and can be claimed directly from authorized Atomos education resellers. Institution with more complex needs are welcome to contact their local Atomos office (atomos.com/contact) to design a customized Atomos bundle. For more details visit:  www.atomos.com/school Registering your Atomos product is easy and rewarding. You’ll be the first to know about new features and firmware and your warranty will be tripled from the standard 1 year to 3 years warranty (extended warranty applies to Atomos product greater than $500 MSRP on products registered within 1 year of purchase) Learn more and register your product at: www.atomos.com/registration 32 Atomos © 2016 Atomos Global | atomos.com 33 SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR Weight Without batteries & media 709g / 25.0oz 650g / 22.9oz 620g / 21.9oz 345g / 12oz 311g / 11oz 300g / 11oz 130g / 4.6oz With batteries & media 1153g / 40.7oz 1094g / 38.6oz 1064g / 37.5oz 696g / 25oz 662g / 23oz 651g / 23oz 249g / 8.8oz Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 153 x 87 x 48mm, 6.0 x 3.4 x 1.9” 136 x 87 x 48mm, 5.4 x 3.4 x 1.9” 115 x 87 x 41mm, 4.5 x 3.4 x 1.6” 95 x 60 x 25mm, 3.7 x 2.4 x 1.0” Construction High quality lightweight ABS Polycarbonate for durability & portability High quality lightweight ABS Polycarbonate for durability & portability High quality lightweight ABS Polycarbonate for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Built-in armor protection Built-in armor protection Built-in armor protection Operating power (including SSD) 10 - 27W 10 - 24W 10 - 24W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.0W (Rec, Mon, Play) 3.5W / 4.5W (Rec,Play) Compatible batteries NP-F series and supporting accessories NP-F series and supporting accessories NP-F series and supporting accessories NP-F series, D-Tap and supporting accessories NP-F series, D-Tap and supporting accessories NP-F series, D-Tap and supporting accessories NP-F series, D-Tap and supporting accessories Input voltage (battery) 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V Power Battery time (based on 7.4V) - - - 2600mAh - up to 4hrs 2600mAh - up to 4hrs 2600mAh - up to 5hrs 2600mAh - up to 5hrs 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 8hrs 5200mAh - up to 8hrs 5200mAh - up to 9hrs 5200mAh - up to 9hrs 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 12hrs 7800mAh - up to 12hrs 7800mAh - up to 14hrs 7800mAh - up to 14hrs DC In 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) - - - - Continuous power * Patent pending Primary-secondary battery system Change batteries without losing power Loop batteries continuously Primary-secondary battery system Change batteries without losing power Loop batteries continuously Primary-secondary battery system Change batteries without losing power Loop batteries continuously Primary-secondary battery system Change batteries without losing power Loop batteries continuously Primary-secondary battery system Change batteries without losing power Loop batteries continuously Primary-secondary battery system Change batteries without losing power Loop batteries continuously via optional Power Station Size 7.1” 7.1” 7.1” 5” 5” 4.3” - Resolution 1920 x 1200 1920 x 1200 1920 x 1200 1280 x 720 1280 x 720 800 x 480 - PPI 325 325 325 325 325 220 - Aspect ratio 16:9 native 16:9 native 16:9 native 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox - Color Gamut REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV SMPTE - Look up table (LUT) support 3D LUT (.cube file format) 3D LUT (.cube file format) 3D LUT (.cube file format) 1D LUT 1D LUT - - Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 - - - - Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit LCD (Resistive touch) - AtomHDR Yes Yes Yes Yes Yes No No Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm N/A N/A Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut Native gamut (no conversion) Native gamut (no conversion) N/A N/A Bit depth 10-bit (8+2 FRC) 10-bit (8+2 FRC) 10-bit (8+2 FRC) 8-bit 8-bit 8-bit N/A Brightness 1500nit (+/- 10%) 1500nit (+/- 10%) 1500nit (+/- 10%) 400nit 400nit HDR input (PQ/HLG*) HDR output (PQ/HLG*) Yes / Yes* Yes / Yes* Yes / Yes* Yes / Yes* Yes / Yes* Yes / Yes* No / No No / No No / No No / No N/A N/A HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4) SDI Quad link 4 x 3G SDI or up to 12G single link SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) - 1 x HD/SD-SDI (SMPTE) - - - Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4) SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G - 1 x HD/SD-SDI - - - Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) HDMI to HDMI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30 - SD 480i, 576i 1280 x 720p 50/60 1920 x 1080i 50/60 1920 x 1080p 24/25/30 SD 480i, 576i 1280 x 720p 50/60 1920 x 1080i 50/60 1920 x 1080p 24/25/30 SD 480i, 576i 1280 x 720p 50/60 1920 x 1080i 50/60 1920 x 1080p 24/25/30 SDI to SDI (Limitations on RAW input to loop out) 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/120* 2160p 24/25/30 - 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30 - - - HDMI to SDI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 720p 50/60, 1080i 50/60 1080p 24/25/30/50/60/120* 2160p 24/25/30 - - - - - SDI to HDMI (Limitations on RAW input to loop out) 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120* 2160p 24/25/30 - - - - - Touchscreen HDR N/A Video input/loop out Video output (play out) Supported loop out formats Video signal conversion 34 Atomos Specifications correct at time of printing E&OE * Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI © 2016 Atomos Global | atomos.com 35 SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR Supported Codecs & frame rates (record & playback) Raw Record* Raw to ProRes / DNxHR Brand / Model / Codec Resolution / Frame rate Resolution / Frame rate Sony FS5/FS7/FS700 CDNG 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100*/120*p 1080; 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100*/120*p 1080; Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Panasonic* Varicam CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Arri* Alexa Mini .ARI 2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p Brand / Model / Codec Resolution / Frame rate Resolution / Frame rate Sony FS5/FS7/FS700* ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200*/240*p 1080; 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080; Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Brand / Model / Codec Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate N/A N/A N/A N/A N/A Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate N/A N/A N/A N/A N/A Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate 1080p; 24/SF24/25/SF25/30/SF30 1080i; 50/60i 720p; 50/60p SD 480i, 576i 1080p; 24/SF24/25/SF25/30/SF30 1080i; 50/60i 720p; 50/60p SD 480i, 576i 1080p; 24/SF24/25/SF25/30/SF30 1080i; 50/60i 720p; 50/60p SD 480i, 576i Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate Resolution / Frame rate 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200*/240*p 1080i; 50/60i 720p; 50/60p 4K DCI; 4K UHD; 24/25/30p 2K; N/A 1080p; 24/25/30/50/60/100^/120^p 1080i; 50/60i 720p; 50/60p 4K DCI; 4K UHD; 24/25/30p 2K; N/A 1080p; 24/25/30/50/60/100^/120^p 1080i; 50/60i 720p; 50/60p 1080p; 24/SF24/25/SF25/30/SF30 1080i; 50/60i 720p; 50/60p SD 480i, 576i Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 4K UHD downscaling Yes - Loopout and playback (Not available in RAW) Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback - - - - HDMI 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent - 2ch 48kHz 16-bit 2ch 48kHz 16-bit 2ch 48kHz 16-bit (no gain control) SDI 12ch 48kHz 24-bit 12ch 48kHz 24-bit - 12ch 48kHz 16-bit - - - Audio 2ch balanced XLR analog in/out Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic 2ch balanced XLR analog in/out Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic Line in / Mic in / Headphone out 2ch 48kHz 24-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in 2ch 48kHz 16-bit HDMI Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard - Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard SDI SDI trigger camera selectable SDI trigger camera selectable - SDI trigger camera selectable - - - Other LANC control - Slave LANC control - Slave LANC control - Slave LANC control - Slave LANC control – Slave - - Playlist / Genlock / LTC Yes / Yes / Yes Yes / Yes / Yes Yes / No / No - - - - CDNG (Recorded content) No support No support N/A N/A N/A N/A N/A ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps All recorded files playback at native rate except 4K DCI which plays back at 24p only. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps All recorded files can playback. Playback in slow motion >= 100fps Pre-roll record Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) - - - - Custom timelapse Yes Yes Yes - - - - Meta data tagging Yes (10 tags available) Yes (10 tags available) Yes (10 tags available) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject) Supported media (Approved List at Atomos.com/drives) Select SSD: CDNG (4K30p), Video (4K60p, 1080 240p) Select SSD: Video (4K 30p, 1080 60p) Select SSD or HDD: Video (1080 30p, 720 60p) Select SSD: CDNG (4K30p) Select SSD: Video (4K 30p, 1080 60p) Select SSD or HDD: Video (1080 30p, 720 60p) Select SSD: Video (4K 30p, 1080 60p) Select SSD or HDD: Video (1080 30p, 720 60p) SSD 2.5” HDD (5,400 to 7,200rpm) SSD 2.5” HDD (5,400 to 7,200rpm) SSD 2.5” HDD (5,400 to 7,200rpm) Atomos CFast & approved 3rd party CFast Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm Master Caddy II (included) 75mm x 105mm x 12mm Master Caddy II (included) 75mm x 105mm x 12mm Master Caddy 1 (included) 75mm x 105mm x 12mm Master Caddy 1 (included) 75mm x 105mm x 12mm Master Caddy 1 (included) 75mm x 105mm x 12mm - Master caddy dock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 USB 2.0/3.0 CFast card reader Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible) Samurai Blade unit, Universal battery charger 110-240V, AC adapter & car charger, docking station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh battery, Rugged carry case, D-Tap adapter, 2.5mm “Y” adapter cable for LANC Ninja Blade unit, Universal battery charger 110-240V, AC adapter & car charger, docking station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh battery, Rugged carry case, Canon & Nikon adapter plates, 2.5mm “Y” adapter cable for LANC Ninja 2 unit, Universal battery charger 110-240V, docking station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh battery, Canon & Nikon adapter plates Ninja Star unit, Universal battery charger 110-240V, AC adapter & car charger, CFast card reader, 1 x Atomos 2600mAh battery, Rugged carry case, Cheese plate mounting adapter 5 x Master caddy cases, Sunhood, Carry cases, Canon & Nikon adapter plates, Connect H2S converter, Connect S2H converter, Power Station 5 x Master caddy cases, Sunhood, D-Tap adapter, Carry cases, Connect H2S converter, Connect S2H converter, Power Station 5 x Master caddy cases, Sunhood, D-Tap adapter, car adapter, Carry cases, Connect H2S converter, Connect S2H converter, Power Station D-Tap adapter, Canon & Nikon adapter plates, Connect H2S converter, Connect S2H converter, CFast cards, Atomos specialty HDMI cables, Power Station Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) Refer camera compatibility list; atomos.com/cameras ProRes (HQ, 422, LT) DNxHR (HQX,HQ,SQ,LB) Onboard processing Audio in/out (48kHz PCM audio) Remote start/stop Playback Recording Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 XML support FCPX XML native support, FCP7/Adobe limited support with 3rd party conversion tools FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible) Accessories included Shogun Inferno unit, HPRC case, Control cable, XLR input breakout cable, 2x NP-F750 5200mAh batteries, Fast battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood Shogun Flame unit, Custom HPRC case, Control cable, XLR input breakout cable, 2x NP-F750 5200mAh batteries, Fast battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood Ninja Flame unit, Custom HPRC case, Control cable, 2x NPF750 5200mAh batteries, Fast battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood Optional extras Atomos HDMI cable, X-Rite calibration, XLR in/out breakout cable Atomos HDMI cable, X-Rite calibration, XLR in/out breakout cable Atomos HDMI cable, X-Rite calibration 36 Atomos Specifications correct at time of printing E&OE * Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI ^ From supported HDMI sources such as gaming consoles & graphics cards Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 FCPX XML native, FCP7 supported with conversion (Adobe compatible) © 2016 Atomos Global | atomos.com 37 SHOGUN STUDIO RONIN SHOGUN STUDIO RONIN Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 1080i; 50/60i 720p; 50/60p Codecs Apple ProRes HQ, 422, LT AVID DNxHD 220x, 220, 145, 36 Frame rates 1080p; 24/SF24/25/SF25/30/SF30 1080i; 50/60i 720p; 50/60p SD 480i, 576i Weight & dimensions Weight 5.0kg / 11lb 1.8kg / 3lb 15oz (Ronin) 4.8kg / 10lb 9oz (Ronin Duo) Rack height 3Ru 3Ru Rack mounting Removable rack ears Optional rack shelf Dimensions (W x H x D mm) 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears) 490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears) 202 x 120 x 160mm, 8.0 x 4.7 x 6.3” (Ronin) 490 x 120 x 160mm, 19.3 x 4.7 x 6.3” (Ronin Duo) Construction Steel construction for durability Steel construction for durablility Onboard processing Cooling Actively controlled fan with heat sinks Heat sink, fanless HDMI 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) Power SDI Yes - Always on via optional Connect converter Operating power (including SSD) 20 - 60W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) Analogue audio On HDMI/SDI loop out (Rec & Playout) No Redundant PSU Yes No Audio in/out (48kHz PCM audio) Compatible batteries No NP series, D-Tap and supporting accessories HDMI 2 or 8ch 24-bit, camera dependent No Input voltage (battery) - 6.2V to 16.8V SDI 12ch 48kHz 24-bit 12ch 48kHz 16-bit Analogue audio 2 x XLR in & 2 x XLR out on rear per record channel. Mic or line level with phantom 48V 2 x XLR in & 2 x XLR out on rear per record channel. Processing Gain control on line in & headphone output Gain control on line in & headphone output Maximum audio quality 24-bit, 48kHz 16-bit, 48kHz Audio delay Delay setting +1 to 99 frames No HDMI Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard No SDI SDI trigger camera selectable SDI trigger camera selectable RS422 RS422 machine control No AMP via Ethernet RJ45 10/100 No Serial Calibration (front) LANC control - slave HDMI Embedded timecode from camera or video device No SDI Embedded timecode from camera or video device Embedded timecode from camera or video device LTC In Yes (LTC loop back) No GenLock In Yes (GenLock loop back) No Playlist Yes (run down or reverse order) for selected, favorite or all clips No Loop in & out markets Loop in & out markets Dual channel Record 4K master with HD proxies. Record both ProRes & DNxHR versions, independent dual channel record. No No Video to ProRes / DNxHR DC Out No Yes Continuous power * Patent pending Dual power supplies AC, battery & DC Size 7.1” 5” Resolution 1920 x 1200 800 x 480 PPI 320 220 Aspect ratio 16:9 native 16:9 native / 4:3 Letterbox Color standard Rec.709 HDTV SMPTE Look up table (LUT) support 3D LUT (.cube file format) No Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit LCD (resistive touch) Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom No Calibration Calibration in factory to Rec.709, in field calibration with optional X-Rite unit No AtomHDR Yes No Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm N/A Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut N/A Bit depth 8-bit 8-bit Brightness 400nit Playback options HDR input (PQ/HLG*) HDR output (PQ/HLG*) Yes / Yes* Yes / Yes* Recording Touchscreen HDR Video input/loop out Remote control Timecode Playback HDMI 1 x HDMI (1.4b) per channel No Continuous record Single channel 4K / HD recording automatically switches between drive when at capacity SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel 1 x HD/SD-SDI 1.5G (SMPTE) Pre-roll record Yes (HD 8s, 4K 2s) No Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent) Custom timelapse Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock). No Meta data tagging Yes (10 tags available) Yes (Favorite, Reject) HDMI 1 x HDMI (1.4b) per channel No Recording media SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel 1 x HD/SD-SDI 1.5G (SMPTE) Drive slots 2 (1 per record channel) 1 per device Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Drive connection types SATA SATA Signal Video output (play out) Supported Codecs & frame rates (record & playback) Raw to CDNG (Record only) Raw to ProRes / DNxHR 38 Atomos Codecs Cinema DNG for supported cameras (Sony FS5/FS7/FS700, Canon C300MKII, C500, Panasonic VaricamLT Raw*) Frame rates 4K DCI / 4K UHD; 24/25/30p 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100^/120^ Supported media (Approved List Only) N/A N/A Specifications correct at time of printing E&OE * Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI ^ From supported HDMI sources such as gaming consoles & graphics cards 4K / HD (50/60/120p*) CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60) HD CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30) HD CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30) Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm Master Caddy I (included) 75mm x 105mm x 12mm Master caddy dock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 Supported applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+, EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible) Accessories included Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies 4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth Ronin unit, docking station & leads, 5 x master caddy cases, 2 x Atomos 2600mAh battery, D-Tap adapter Optional extras Master Caddy II x 5, X-Rite calibration Rack mount adapter, Connect H2S converter, Connect s2H converter Warranty 1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration © 2016 Atomos Global | atomos.com 39 Join the Atomos community. /atomosglobal /atomosvideo @Atomos_News /AtomosVideo @atomos_news Atomos (HQ) 29 Nott Street, Port Melbourne Email [email protected] VIC 3207 Australia Tel ATOMOS USA ATOMOS EUROPE ATOMOS JAPAN ATOMOS CHINA Atomos Inc Europe, Middle East & Africa Atomos Co. Ltd Atomos China Co., Ltd. 2056 NW Aloclek Drive, Atomos GmbH AY bld. 1-2-3 Nihonbashi Horidomecho 1208, Golden Tower, Suite #303 Hillsboro, OR, 97124 Hohe Str. 21 Chuo-ku, No.1 Xibahe South Road, 56410 Montabaur, Germany Tokyo 103-0012 Chaoyang District, 100028, Beijing, Tel: + 49 2602 839 180 0 Tel: +81 3 6661 2827 Tel: +1 503 388 3236 +61 3 9999 5908 China (English & German) Tel: +86 10 6440 3688 ® 2016 Atomos Global. “Atomos” and product names are registered trademarks. 40 Atomos