Transcript
Block Diagrams STAGEPAS 500
STAGEPAS 300
[-50 ~ +25dBu]
LIMIT/
INPUT (CH3-4)
EQ
L R EFFECT [-8dBu]
BA
[-50 ~ +25dBu]
HIGH
LOW BA
EQ
MASTER LEVEL
[-8dBu]
BA
LOW BA
HIGH
[-8dBu]
EQ
BA
EQ
SP EQ
BA
SPEECH
BA
EQ
BA
PA
HPF
LEVEL
R
R
SPEECH
EQ HIGH
BA
R
MONITOR OUT
BA
R
MUSIC
MUSIC [-10dBu]
L
LEVEL
REC OUT
[-20 ~ +25dBu]
L/MONO
PA
L/L+R MONITOR OUT
SPEECH
SPEECH/
BA
LOW
L
[+4dBu]
BA
MUSIC
SUM BA
LIMITER
MUSIC
BA HPF
INPUT (CH7/8)
MONITOR OUT
SEECHP
R R
EQ
BA
BA
MONITOR OUT
BA
R
MUSIC
SPEECH/
BA
LOW
LIMITER
HIGH
EQ
[+23dBu]
PA
SPEAKER OUT SP EQ
SUM BA
-1
[-8dBu]
BA
LOW
L R
[+4dBu]
BA
MUSIC
HPF
BA
INPUT (CH5/6)
L
[-20 ~ +25dBu]
MUSIC
SUM
L
[+25dBu]
L HPF
R
INPUT (CH9/10)
PA
[-8dBu]
HIGH LEVEL
EQ
-1
SPEAKERS OUT
SUM BA
BA
LIMITER
BA
LOW
L R
LEVEL
EQ
BA
MASTER LEVEL
L
[+12dBu]
LIMITER
SP EQ
LEVEL
L
[-20 ~ +25dBu]
LINE
BA
L/MONO INPUT (CH5/6)
INPUT (CH7/8)
MIC/
LIMITER
SP EQ
LIMITER
LEVEL REVERB
R
PAD: 30dB
[+10dBu] [-8dBu]
[-8dBu]
BA
EQ
REVERB
LINE
[-50 ~ +25dBu]
[-20 ~ +25dBu]
HA
INPUT (CH1~4)
REVERB
PAD:30dB
MIC/
[-60 ~ +15dBu]
COMP
HA
[-60 ~ +15dBu]
[-8dBu]
LEVEL
HIGH
LOW
LINE
BA
EQ
COMP/LIMIT PAD: 30dB
MIC/
HIGH
HA
[-60 ~ +15dBu]
LOW
INPUT (CH1-2)
L R EFFECT
OFF ON PHANTOM +15V
DIGITAL EFFECT
MUSIC [-10dBu]
BA
HIGH LEVEL
SUM REVERB
L REC OUT
[-20 ~ +25dBu]
R R
EQ
BA
DIGITAL EFFECT
BA
SUM
BA REVERB
LOW
[-20 ~ +25dBu]
BA
R
BA
[-26dBu]
[-26dBu]
EQ
[-20 ~ +25dBu]
BA
R
[-26dBu]
EQ
[-20 ~ +25dBu]
BA
[-26dBu]
EQ
BA
CLICK TO SP/PHONES [-8dBu]
[-8dBu]
BA
BA
[-26dBu]
SUM
[-8dBu]
[-8dBu]
BA
BA
DIGITAL EFFECT
BA BA
BA
Output Power (RMS) Frequency Response (Nomimal output level @ 1 kHz)
BA
BA
[-26dBu]
INPUT (CH3/4)
[-20 ~ +25dBu]
BA
L/MONO INPUT (CH5/6) (CLICK)
[-20 ~ +25dBu]
R
[12dBu]
[-26dBu]
LOW
HIGH
[-26dBu]
EQ
EQ
BA
[-26dBu]
EQ
BA
[-8dBu]
HPF SUM
[-8dBu]
[-26dBu]
SPEECH
[-8dBu]
BA
STEREO SUB OUT [+4dBu] R
[+4dBu]
INPUT (CH7/8)
L
[-20 ~ +25dBu]
BA
[-26dBu]
EQ
SPEECH MUSIC
SPEECH/
[-8dBu]
SUM
SP EQ
LIMITER
BA
BA
[-26dBu]
BA
STEREO LINK OUT (R) [0dBu]
[0dBu]
[-8dBu]
[-8dBu]
CLICK TO PHONES
[-8dBu]
SUM
[12dBu]
BA
[-8dBu]
[-8dBu]
SUM
[-8dBu]
BA
100
PHONES [20mW/40ohms]
100
PHONES [12dBu]
[-8dBu]
BA
PHONES
BA
[-8dBu]
LEVEL [-26dBu]
PA
BA
SPEAKER OUT (L/MONO)
INV
BA
HPF SUM
SPEECH
[-8dBu]
[+4dBu]
L/MONO STEREO SUB OUT
[-8dBu]
MUSIC
[-8dBu]
BA
STEREO SUB OUT [+4dBu] R
[+4dBu]
MUSIC HPF
MUSIC [-8dBu]
*1: plugged in STEREO LINK OUT(R) [+27dB/ +21dBu *1]
[-11dBu]
[0dBu]
LEVEL
[-26dBu]
EQ
INV
SUM
INV
L/MONO STEREO SUB OUT
MUSIC
[-8dBu]
[-26dBu]
[-8dBu]
[-8dBu]
SP/PHONES
BA
SUM
LIMITER
CLICK TO SP/PHONES [-26dBu]
[-8dBu]
LEVEL [-26dBu]
EQ
MASTERLEVEL INV
LEVEL REVERB
[+4dBu]
R
SUM
[-8dBu]
[-8dBu]
DIGITAL EFFECT
SUM
BA
[-11dBu]
SPEECH MUSIC
[-8dBu]
SPEECH/
REVERB
MUSIC
MUSIC
SUM
[-8dBu]
STAGEPAS 500 250 W + 250 W (±10 %) 4 Ω@ 10 % THD at 1 kHz (SPEAKER L/R) 200 W + 200 W 4Ω @ 1 % THD at 1 kHz (SPEAKER L/R)
Total Harmonic Distortion Hum & Noise (Equivalent Input Noise, Rs = 150 Ω, MIC/LINE = MIC)
PHONES [20mW/40ohms]
[-8dBu]
BA
[-8dBu]
General Specifications (Mixer) Maximum Output Power
100
100
PHONES
LEVEL [-26dBu]
[12dBu]
[-8dBu]
REVERB
< = -106 dBu (CH1/2) < = -112 dBu (CH3/4) < = -65 dBu Residual output
(SPEAKER L/R)
noise
STAGEPAS 250M STAGEPAS 300 STAGEPAS 150M 250 W (±10 %) 150 W+150 W (±10 %) 150 W (±10 %) 4 Ω @ 10 %THD at 1 kHz (SPEAKER) 6 Ω @10 % THD at 1 kHz (SPEAKER L/R) 6 Ω @ 10 % THD at 1 kHz (SPEAKER) 200 W 100 W+100 W 100 W 4 Ω @ 1 % THD at 1 kHz (SPEAKER) 6 Ω @1 % THD at 1 kHz (SPEAKER L/R) 4 Ω@ 1 % THD at 1 kHz (SPEAKER) -3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output (MUSIC/SPEECH=MUSIC, without Speaker EQ) (STAGEPAS 500/300: SPEAKER L/R) (STAGEPAS 250M/150M: SPEAKER) 0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN= nominal (STAGEPAS 500/300: MONITOR OUT, REC OUT) (STAGEPAS 250M/150M: ST SUB OUT, ST LINK OUT) < < < = -65 dBu Residual output noise = -112 dBu (CH3/4) = -106 dBu (CH1/2) < < (SPEAKER L/R) = -65 dBu Residual output noise = -65 dBu Residual output noise (SPEAKER) (SPEAKER)
65 W 24 kg (52-7/8" lbs.) (Speaker x 2 + Powered Mixer)
-70dB between input channels ±15 dB, HIGH 10 kHz shelving, LOW 100 Hz shelving 35 W 70 W 18 kg (39-5/8" lbs.) (Speaker x 2 + Powered Mixer) 13 kg (28-5/8" lbs.) (Speaker + Powered Mixer)
20 W 9.6 kg (21-1/8" lbs.) (Speaker + Powered Mixer)
STAGEPAS 500
STAGEPAS 300
STAGEPAS 150M
General Specifications (Speaker)
Speaker Unit
MIC LINE
LOW
STEREO LINK OUT (R) [0dBu]
[0dBu]
SUM
HPF
Enclosure Crossover Frequency Frequency Range Maximum Output Level
PAD: 30dB
BA
CLICK TO PHONES
SUM
Crosstalk (1 kHz) Input Channel Equalization Power Consumption Weight
[-50 ~ +25dBu]
R
R
INV
SP EQ PA
L/MONO INV
LEVEL
[-26dBu]
EQ
[-26dBu]
BA
SUM
INV
PHONES
LOW
L INPUT (CH9/10)
SP EQ LIMITER
[-8dBu]
BA
HIGH
BA
SUM
SPEAKER OUT (L/MONO)
[-8dBu]
BA
SP [-26dBu]
[-8dBu]
[0dBu]
LEVEL [-26dBu]
EQ
LOW
L/MONO INPUT (CH7/8) (CLICK)
[-26dBu]
EQ HIGH
INPUT (CH3/4-5/6)
INV
LIMITER
HIGH
L/MONO
[-26dBu]
[-8dBu]
LEVEL REVERB
BA
SUM
INV
EQ
LOW
LIMIT COMP
[-8dBu]
[-8dBu]
BA
[-26dBu]
[-26dBu]
HIGH
[-26dBu]
EQ
HA
HIGH
MIC LINE
[-26dBu]
*1: plugged in STEREO LINK OUT (R) [+28dB/ +22dBu *1]
LOW
PAD: 30dB
LIMIT/ COMP
MASTER LEVEL
[-60 ~ +15dBu]
HIGH
[-50~+25dBu]
[-36dBu]
LOW
HA
HIGH
INPUT (CH1-2)
[-60 ~ +15dBu]
INPUT (CH1-2)
L R EFFECT
OFF (SLIDE SW) ON PHANTOM +15V
L R EFFECT
STAGEPAS 150M
STAGEPAS 250M
116 dB (1 m) LF: 10" (25 cm) Cone HF: 1" (2.54 cm) Compression Driver
STAGEPAS 250M 2-way bass-reflex type, Polypropylene, Black 4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct) 55 Hz-20 kHz (-10 dB) 112 dB (1 m) 116 dB (1 m) LF: 8" (20 cm) Cone LF: 10" (25 cm) Cone HF: 1" (2.54 cm) Compression driver HF: 1" (2.54 cm) Compression Driver
• Specifications and appearance subject to change without notice.
112 dB (1 m) LF: 8" (20 cm) Cone HF: 1" (2.54 cm) Compression Driver
• All trademarks and registered trademarks are property of their respective owners.
www.siluj.com
Printed in Japan
This document is printed on chlorine-free (ECF) paper with soy ink.
Multi-purpose Portable PA Whether your Portable PA needs are Pro Audio (for music performance) or Public Address for school, church and meeting assemblies, the STAGEPAS systems are lightweight, compact and simple to setup—and fit a wide variety of applications.
Versatility and Power—in Four Portable Systems
For Bands
Combining high-performance power and accurate sound reproduction with remarkable versatility in a portable package, Yamaha’s STAGEPAS Series Portable PA Systems are fast becoming the standard for musicians and other PA users on the go. These combination mixer/amplifier/speaker systems are exceptionally lightweight, portable and full-featured. Since virtually everything you need is in one, easy-to-use package, you can be set up and playing within a matter of minutes. And when you’re done, you can be packed and back on the road again with the same ease and speed. Yet despite the simplicity and compact size, these systems cut no corners in sound quality or versatility, and in fact give you some advanced features not normally found in systems of this class.
Multiple microphone inputs make the STAGEPAS series an ideal choice for band rehearsals and performances. The STAGEPAS 500 in particular is well suited for many sources and larger venues, while the optional MSR Series powered speakers can be used for monitoring.
For Singers Vocalists will appreciate the built-in, high-quality reverb on all STAGEPAS systems. Plus, the 250M and 500 models feature a built-in limiter/compressor to let you dial in a smooth, punchy vocal sound.
The series includes the single-speaker STAGEPAS 150M and 250M, which can be expanded to a stereo system by simply adding a second speaker. They can also function either as an ultra-portable PA system, or as a powerful keyboard amplifier—with sound quality and portability that far surpasses any other conventional keyboard amp. No matter what system you choose, you have a high-power, high-performance sound system ready for a wide variety of venues and events, both indoors and out.
All-in-one Systems
Detachable Powered Mixer
Virtually everything you need is right here in each of these systems: one versatile, powerful mixer/amplifier, two top-quality speakers (or one speaker, with the STAGEPAS 250M and 150M systems), and even the necessary speaker cables for quick setup!
The high-performance combination mixer/amplifier comes in 8- and 10channel configurations, providing all the inputs you need, as well as all the power you want. Fitting neatly inside one of the speaker cabinets, it can be used as is, or detached for convenient placement and easy access.
Two-way Full-range Speaker System The STAGEPAS delivers a remarkably large and powerful sound despite its compact size—thanks to the two-way speaker system and bass reflex design. All models feature a 1" titanium tweeter. The 250M and 500 employ a 10" woofer while the 150M and 300 have an 8" woofer. The sound is exceptionally clean, clear and free from break-up, even at high levels.
For Instrumentalists The versatile STAGEPAS mixer has more than enough input capability to directly handle many different instruments—from electric-acoustic guitars to electronic keyboards.
For Keyboard Players Players needing a simple, yet exceptionally highquality keyboard amplifier will find ideal solutions in the STAGEPAS 150M and 250M. These compact, highly portable and easy-to-use systems can serve as your main system for small gigs, or as a sub-mixer for direct connection to the main mixer at large events.
Optional BMS-10A for Convenient Mic Stand Mounting The detachable mixer can be conveniently mounted on a conventional microphone stand for easy access, using the optional BMS-10A Mic Stand Adaptor.
For Guitarists The STAGEPAS 150M and 250M are excellent systems for guitarists playing in small venues, since they deliver outstanding sound for the house as well as great monitor sound for the player.
For Public Speakers If you’re a speaker or giving presentations, you can instantly optimize the system settings with the special Speech mode—giving you maximum clarity for speech applications. Naturally, you can mix background music from a CD player or other source with the mic input.
10 Channels and 250W + 250W Power for More Sources and Larger Venues
The Ultimate In Portability with 8 Channels and 150W + 150W Output
Dual 250 Watt Class D Power Amplifier
Built-in Channel Compression/Limiting
Dual 150 Watt Class D Power Amplifier
Speaker Stand Mountable
Two 250 Watt power amplifier can fill surprisingly large clubs or rooms, or project your sound over a considerable distance outdoors. The class-D power amplifier has been painstakingly designed to deliver superior sound quality as well as reliability in a remarkably compact unit.
Channels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting is useful in preventing input overload and distortion with sources that suddenly surge in level, while compression can smooth out vocals, bass, guitar and other signals that have widely varying dynamic range, giving those sources added punch and helping them “sit” better in the mix.
Two 150 Watt power amplifier is plenty for most small venues and street performance situations. And you get clean, reliable power from a Class-D design that provides high-efficiency amplification with low power consumption and minimal heat generation, allowing the amplifier to be built into a smaller, lighter, and cooler package.
(with optional accessory) The STAGEPAS 300 speakers can be mounted onto a standard speaker stands, using an optional mount adaptor such as the ADP138, the Ultimate BMB200, or an equivalent.
8-channel Mixer with Monitor and Record Outputs
Common Features
298 (11-3/4")
342 (13-1/2")
Useful Features for Performers
Tripod pole diameter 35-36 mm
Phantom Power Switch
LIMIT / COMP Switches
Supplies phantom power to the microphone inputs on channels 1 through 4, for high performance condenser microphones.
Apply limiting or compression to channels 1 and 2 for added sonic control and versatility.
137 (5-3/8")
Useful Features for Bands
1
MSC
3 2 1
MSC
3 2 1
MSC
3
111.5 (4-3/8")
175 (6-7/8")
275 (10-7/8") 120 (4-3/4")
290 (11-3/8")
ON
AC IN
2
330 (13")
POWER
OFF
■ Mixer
1
+15
10
9/10
LEVEL
+15 –15 0
L
10 0
7/8
LEVEL
+15 –15
10 0
5/6
LEVEL
+15 –15
10 0
4
LEVEL
REVERB
+15 –15
10 0
3
LEVEL
REVERB
+15 –15
10 0
2
LEVEL
REVERB
+15 –15
10 0
1 0
LEVEL
–15
REVERB
10
10 0
LEVEL SPEECH MUSIC
MASTER
L
HIGH
+15 –15
R
L
R
LOW
+15 –15
HIGH
R
L (MONO)
LOW
+15 –15
HIGH MIC LINE
LOW
+15 –15
HIGH
MIC LINE
LOW
+15 –15
HIGH LIMIT COMP
MIC LINE
LOW
+15 –15
HIGH
LIMIT COMP
MIC LINE
–15
LOW
HIGH
10
ON
(MONO)
L
R
REVERB
0 -6
-20
POWER
MONITOR OUT
L SPEAKERS
0
R
OFF
CH1-4
MONITOR OUT
PHANTOM
LOW
R
+15
OPEN
Unit: mm (inch)
■ Speaker
MSC
LOCK OPEN
Dimensions
Neatly pack away your cables, microphones and other small necessities in the speaker accessory compartment, and enjoy a truly streamlined system when on the road.
455.5 (17-7/8")
LOCK
Convenient Accessory Compartment
3
■ Mixer
+6
Common Features • Detachable Powered Mixer • Two-way Full-range Speaker System • Built-in EQ and High-quality Digital Reverb • MUSIC / SPEECH Switch • Auto Limiter • LED Output Level Meter • Ideal for Monitor Speaker Use • Speaker Cables Supplied
Unit: mm (inch)
■ Speaker
+3
Dimensions
LIMITER
Neatly pack away your cables, microphones and other small necessities in the speaker accessory compartment, and enjoy a truly streamlined system when on the road.
2
Convenient Accessory Compartment
L
The STAGEPAS 500 mixer features switchable phantom power for the four mono microphone/line inputs. This lets you use high-performance phantom-powered condenser microphones in situations where you want the extended, natural response they provide.
The STAGEPAS 500 speaker is directly mountable on 35mm pole with securing thumb screw.
• Detachable Powered Mixer • Two-way Full-range Speaker System • Built-in EQ and 1-bit Modulation Reverb • MUSIC / SPEECH Switch • Auto Limiter • LED Output Level Meter • Ideal for Monitor Speaker Use • Speaker Cables Supplied
R
Phantom Power for High-performance Condenser Microphones
The powered mixer is normally stored in the rear of one of the speakers, but it can be easily detached (the only tool you need is a coin) for convenient operation. The STAGEPAS 300 mixer has a total of eight input channels: four mono microphone/line inputs and two stereo line inputs. In addition to speaker outputs for the supplied speakers, the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer’s output to a recording device.
544.5 (21-1/2")
If there are more members in your band than the STAGEPAS 300’s 8 input channels can handle, or you simply have a lot of sources to mix, the STAGEPAS 500 gives you 10 input channels in all: four mono microphone/line inputs and three stereo line inputs. The additional stereo channel can be used for either a stereo or mono source. In addition to the main speaker outputs the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer’s output to a recording device.
Pole Mount Receptacle for Direct Speaker Stand Mounting
152 (6")
Versatile 10-channel Mixer with Monitor and Record Outputs
* Use of the stand should refer to stand manufacturer's instructions.
255 (10-1/8")
160 (6-1/4")
120 (4-3/4") 2-M8 x 25
MUSIC / SPEECH Switch
2-M8 x 25
This unique feature optimizes the system settings for maximum clarity with speech.
Live Performance with a Full Band
Duo Performers Mics
Vocal Optional MSR250 (as floor monitors)
Chorus X2
Audience Preamp for Acoustic Guitar
Electric -Acoustic Guitar
STAGEPAS SPEAKERS
Preamp for Acoustic Guitar Electric -Acoustic Guitar
STAGEPAS SPEAKERS
Synthesizer
Preamp for Acoustic Guitar
Electric -Acoustic Guitar
Synthesizer
1-bit Modulation Reverb Digital Reverb Renowned Yamaha SPX reverb technology gives you studio-quality ambience on the road.
Audience
Advanced 1-bit modulation technology delivers great-sound reverb for natural warmth and ambience.
96.3 (3-3/4")
Portable PA System / Keyboard Amplifier
Portable PA System / Keyboard Amplifier
10 Channels for More Sources, Plus 250 Watt of Power
Exceptionally Compact System —8 Channels, 150 Watt Output
This high-power amplifier is capable of filling a relatively large club or room with sound, and can even project well outdoors. The advanced Class-D design delivers exceptional efficiency— ensuring high power amplification with low power consumption and minimal heat generation. This means you get superior sound quality and reliability in a remarkably compact unit.
The STAGEPAS 250 mixer features switchable phantom power for the two mono microphone/line inputs. This lets you use high-performance phantompowered condenser microphones in situations where you want the extended, natural response they provide.
Ideal for Monitor Speaker Use The STAGEPAS 250M is also effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its full-range reproduction, convenient mixing controls, and versatile speaker placement.
Pole Mount Receptacle for Direct Speaker Stand Mounting Dimensions
Common Features
Unit: mm (inch)
■ Speaker
• Detachable Powered Mixer • Two-way Full-range Speaker System • Built-in EQ and High-quality Digital Reverb • MUSIC / SPEECH Switch • Auto Limiter • LED Output Level Meter • One Speaker Cable Supplied
■ Mixer
330 (13")
Useful Features for Keyboard Players 298 (11-3/4")
Balanced ST SUB OUT
A dedicated Stereo Link Out jack is provided for connection to optional MSR250 powered speaker—allowing you to easily create a powerful stereo setup for larger venues and greater sound projection.
These outputs let you connect additional powered speakers to the STAGEPAS 250M or send the mixer’s output to a main mixer or recording device.
175 (6-7/8")
120 (4-3/4")
Speaker Stand Mountable (with optional accessory) The STAGEPAS 150M speaker can be mounted onto a standard speaker stand, using an optional mount adaptor such as the ADP138, the Ultimate BMB200, or an equivalent.
Common Features • Detachable Powered Mixer • Two-way Full-range Speaker System • Built-in EQ and 1-bit Modulation Reverb • MUSIC / SPEECH Switch • Auto Limiter • LED Output Level Meter • One Speaker Cable Supplied
Dimensions ■ Speaker
Useful Features for Keyboard Players 111.5 (4-3/8")
152 (6")
342 (13-1/2")
Stereo Link Out
The STAGEPAS 150M is also effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its fullrange reproduction, convenient mixing controls, and versatile speaker placement.
This power amplifier is all you’ll need for most small venues and street performance situations, as well as personal monitoring applications. The advanced Class-D design delivers exceptional efficiency—ensuring high power amplification with low power consumption and minimal heat generation. This means you get superior sound quality and reliability in a remarkably compact unit.
544.5 (21-1/2")
Channels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting is useful in preventing input overload and distortion with sources that suddenly surge in level, while compression can smooth out vocals, bass, guitar and other signals that have widely varying dynamic range, giving those sources added punch and helping them “sit” better in the mix.
Ideal for Monitor Speaker Use
The STAGEPAS 150M provides a total of eight input channels: two mono microphone/line inputs and three stereo line inputs. Along with the output for the supplied speaker, the built-in yet detachable mixer also has line outputs that can be used to connect additional powered speakers or to send the mixer’s output to a main mixer or recording device. A convenient PHONES jack is also included for connecting a set of headphones.
150 Watt Class D Power Amplifier
The STAGEPAS 250M speaker is directly mountable on 35mm pole with securing thumb screw.
Built-in Compression/Limiting
Flexible 8-channel Powered Mixer
Tripod pole diameter 35-36 mm
Stereo Link Out
Balanced ST SUB OUT
A dedicated Stereo Link Out jack is provided for connection to optional MSR100 powered speaker—allowing you to easily create a powerful stereo setup for larger venues and greater sound projection.
These outputs let you connect additional powered speakers to the STAGEPAS 150M or send the mixer’s output to a main mixer or recording device.
Unit: mm (inch)
■ Mixer
275 (10-7/8")
290 (11-3/8")
250 Watt Class D Power Amplifier
Phantom Power for High-performance Condenser Microphones
455.5 (17-7/8")
The built-in yet detachable mixer of the STAGEPAS 250M provides a total of ten input channels: two mono microphone/line inputs and four stereo line inputs. In addition to a speaker output for the supplied speaker, the mixer has line outputs that can be used to connect additional powered speakers or to send the mixer’s output to a main mixer or recording device. It also features a convenient PHONES jack for connecting a set of headphones.
137 (5-3/8")
Versatile 10-channel Powered Mixer
160 (6-1/4")
255 (10-1/8")
96.3 (3-3/4")
120 (4-3/4") 2-M8 x 25
* Use of the stand should refer to stand manufacturer's instructions.
2-M8 x 25
Small Gig with STAGEPAS 250M
Complete PA and Monitoring System with STAGEPAS 150M
Synthesizer
Vocal
Audience
Audience
MSR400
STAGEPAS SPEAKER
Music
Metronome/Click
Vocal
Preamp for Guitar
Vocal
CD
Click Assign Switches
Click Assign Switches
This convenient feature lets you connect a drum machine, synthesizer or metronome to Channels 7/8 and route a click/metronome or rhythm signal through the mixer for monitoring purposes only. Turning this switch on takes the Channel 7/8 signal out of the ST SUB OUT jacks. A second Click switch lets you route the click signal to the PHONES out for headphones monitoring.
This convenient feature lets you connect a drum machine, synthesizer or metronome to Channels 5/6 and route a click/metronome or rhythm signal through the mixer for monitoring purposes only. Turning this switch on takes the Channel 5/6 signal out of the ST SUB OUT jacks. A second Click switch lets you route the click signal to the PHONES out for headphones monitoring. Vocal Metronome/ Click
ON
ON
Monitor from Main PA
STEREO
BGM
Music/ BGM
Preamp for Bass
Synthesizer Stage Piano
Music/ BGM
Electric Bass
MON
STAGEPAS MSR100 SPEAKER (as a floor monitor) (as a floor monitor)
MON
OFF
ON
MG 32/14FX
Electric Guitar
