Studiolive™ 16.4.2

Transcript

StudioLive 16.4.2 ™ 16-input digital mixer / FireWire interface for live performance and recording ●● 16 mic/line channel inputs with 100 mm faders and insert sends/returns ●● 17 Class A XMAX solid-state mic ­preamplifiers (16 ch. + talkback) ●● 4 subgroups with variable output delay ●● 6 auxiliary buses (pre/post-fader send) ●● 2 stereo 32-bit digital effects processors ●● Fat Channel signal processing on all channels and buses, with high-pass filter, 4-band quasi-parametric EQ, compressor, gate, and limiter ●● Stereo 31-band graphic EQ on the main bus and 4 dual-mono 31-band graphic EQs on the aux buses. ●● 32-in/18-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) ●● Scene and individual settings store and recall ●● Software bundle for Mac and Windows includes PreSonus Studio One Artist DAW, Capture live-recording software, Virtual StudioLive bidirectional mixercontrol software ●● Daisy-chain 2 StudioLive 16.4.2s for 32x8x2 (or 32x4x2, selectable) mixing and recording or 4 mixers for 64x16x2 live mixing (no recording) ●● Free StudioLive Remote iPad wirelesscontrol software available at the Apple App Store. Coming soon: QMix iPhone /iPod Touch wireless-control software. ™ T he PreSonus StudioLive 16.4.2 is a 16-channel (16x4x2) digital mixer that is designed for live events, live and studio recording, and corporate, institutional, and other installations. Each channel features an XLR mic input and high-headroom Class A XMAX mic preamps, individually switched 48V phantom power, ¼" balanced line inputs, and insert points. Channel, subgroup, and main levels are set with 100 mm faders. The StudioLive 16.4.2 has six aux buses, four subgroups with variable (2 to 500 ms) output delay, a talkback section with Class A XMAX preamp, extensive LED metering, mixer Scene save and recall, and channel-strip save/ recall/copy/paste. A stereo, graphic EQ is available on the Main output bus, and four more dual-mono graphic EQs are available for the aux buses. Every channel and subgroup has Solo and Mute buttons, the two FX buses have Mute buttons, and the Aux buses have Solo buttons. A Solo-in-Place (SIP) button is provided, and the Cue bus is switchable between AFL and PFL. The Solo and Main bus, Tape Input, and Main FireWire return can be monitored via the Control Room Outputs. All buttons on the mixing surface glow gently when inactive and brightly when selected for easy viewing in lowlight conditions. The mixer also offers a 12 VDC, BNC lamp socket. ™ ™ Main outputs are on both XLR and balanced ¼" jacks, and a full-range XLR Mono output is provided. The subgroup, aux send, and control room outputs are balanced ¼" jacks, as are the two stereo Aux returns. The stereo tape sends and returns use RCA jacks. Pre-insert, analog direct outputs are provided on DB25 connectors. A stereo coax S/PDIF digital output is included. The mixer incorporates a built-in 32x18 FireWire recording/playback engine and has two FireWire 400 (IEEE 1394) ports. In addition to providing computer connectivity, the ports permit passthrough for connecting a hard drive, and they allow two StudioLive 16.4.2s to be daisy-chained, providing a 32x8x2 or 32x4x2 (selectable) mixer with computer recording. Up to four StudioLive 16.4.2s can be daisy-chained for live mixing without recording. The StudioLive 16.4.2’s Fat Channel processing section offers 4-band quasiparametric EQ (with high/low Q switch on the two midbands and switchable shelving on the low and high bands), compressor, limiter, and expander/gate on every channel, aux, and subgroup, as well as a high-pass filter and phase reverse on each channel, aux, and effects bus. ™ ® ® ™ ™ ™ ® ™ ® ® RESOU RCES To obtain these documents, please go to the following Web page and click on the Downloads tab: www.presonus.com/products/Detail.aspx?ProductId=52 This data sheet: PreSonus_StudioLive_16.4.2.pdf CAD drawings: PreSonus_StudioLive_16.4.2.dxf A&E Specs: PreSonus_StudioLive_16.4.2_AE.doc Color brochure: PreSonus_Mixer_Brochure.pdf RELATED PRESONUS PRODUCTS text continued on page 4 StudioLive Linking Adapter StudioLive 16.4.2 Dustcover StudioLive 16.0.2 Digital Mixer StudioLive 24.4.2 Digital Mixer 1 8 OF PG Jun 2011 FireWire StudioLive 16.4.2 StudioLive 16.4.2 ™ ™ ™ The StudioLive Software Library ships free with the StudioLive 16.4.2! STUDIOLIVE 16.4.2 -10 +30 Mic/Line -10 1 +30 Mic/Line 2 -10 +30 Mic/Line 3 4 +30 Mic/Line -10 5 +30 Mic/Line 6 -10 +30 Mic/Line 7 -10 +30 Mic/Line 8 -10 +30 Mic/Line -10 9 +30 Mic/Line 10 -10 +30 Mic/Line 11 -10 +30 Mic/Line 12 -10 +30 Mic/Line -10 13 +30 Mic/Line 14 -10 +30 Mic/Line -10 15 +30 Mic/Line 16 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V Input Input Input Input Input Input Input Input Input Input Input Input Input Input Aux 2 Aux 3 Solo Post ™ -10 Input Aux 4 Solo Output Virtual StudioLive Remote Control +30 Mic/Line 48V Solo ™ -10 Digital Recording and Performance Mixer Input Aux 1 Capture Multitrack Recording ™ Solo Output Post Select Post Aux 6 Solo Output Select Aux 5 Solo Output Post Select Post FX B Mute Output Select FX A Mute Output Post Select Level Post Select Level Post Select OL -1 OL -2 -3 10 OL 10 -6 -6 0 0 -10 -9 -10 -10 -15 -12 -25 -25 -24 -15 -40 -40 -38 -18 -65 -65 -72 -21 -80 -80 Select Control Control Control Control Control Control Control Control Mix Mix|Pan Mix Mix|Pan Mix Mix|Pan Mix Mix Digital Effects | Master Control Studio One Artist DAW ™ (s) ●● Up to 34x34 multitrack recording ­application ●● Record with two mouse clicks ●● Essential editing suite (copy, cut, paste, splice, resize) ●● Peak LED-style meter bridge with clip indicators ●● Marker placement and recall ●● Export between markers ●● Record stereo mix of StudioLive mixer ●● Full transport control ●● Import/export individual WAV or OpenTL files ●● Mac - and Windows - compatible ® ® ●● Remote control of all main StudioLive 16.4.2 mixer functions via FireWireconnected computer ●● Easy drag-and-drop workflow ●● Drag presets directly to channels ●● Drag parts of presets directly to components in the Fat Channel ●● Adjust the Fat Channel gate, compressor, and EQ, plus the graphic EQs and effects, in a huge pop-up window ●● Quickly drop entire Scenes to the mixer for instant recall of all channel, effects, and graphic EQ settings ●● Load effects quickly by simply dragging presets into the GUI ●● Makes StudioLive as easy to use as Studio One ●● Use the mouse to quickly assign channels to multiple buses, mute, solo, etc. ●● Timestamp backups of the entire board ●● Elegant single-window work environment ●● Powerful drag-and-drop functionality ●● Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels ●● Content browser with convenient sort options and preview player ●● Most intuitive MIDI-mapping system available ●● Real-time audio time-stretching and re-sampling ●● Automatic delay compensation ●● Advanced automation ●● Instantly configures to PreSonus interfaces ●● Compatible with ASIO-, Windows Audio-, and Core Audio-compliant interfaces ●● 25 Native Effects 32-bit effects and virtual instrument plug-ins ●● 4+ GB of third-party software, loops, and instruments ●● Mac - and Windows - compatible ™ ® 0 -4 -8 -12 -16 -20 -24 -28 -32 -36 -40 -44 -48 -52 -56 +28 26 24 22 20 18 16 14 12 10 8 6 4 2 0 Value PG UP Next Prev FX Scene System Store Output GR Aux Input A Post On On Auto Soft On On Shelf On Hi Q On Hi Q Faders Locate Aux Aux Input B Select EQ&Dyn Recall Meters Input O TAP PG DN TalkBack Select Shelf On Mic AUX 1/2 Link Load Copy Sub 1 Save Sub 2 Sub 3 Sub 4 Main CUE 2 Track In Phones Monitor PFL Tape Tape Main AUX 3/4 (hold) Solo SIP AUX 5/6 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Select Select Select Select Select Select Select Select Select Select Select Select Select Select Select Select Select Select Select Select Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Solo Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute SUB1 SUB2 SUB3 SUB4 Main TALK Select ® 1 dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 U U U U U U U U U U U U U U U U U U U U U 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 SUB1 SUB2 SUB3 SUB4 MAIN FireWire Jun 2011 3 8 OF 8 PG 2 OF PG Jun 2011 provides preset- and Scene-management features and enables real-time adjustment of the most commonly used mixer settings. The StudioLive 16.4.2 can also be controlled wirelessly by networking an Apple iPad and the PreSonus StudioLive Remote App to a FireWire connected computer running VSL. And coming soon, any Aux bus will be wirelessly controllable from an iPhone or iPod Touch running PreSonus QMix and networked to the same Input Channels Input Channels 1-16 1-16 computer. StudioLive Remote and QMix are free from the Apple App Store. StudioLive 16.4.2 StudioLive 16.4.2 ™ ™ ™ ® ® ® Firewire Send 1-16 Firewire Send 1-16 Phase Gate H.P. Gate Compressor Compressor Equalizer Master Meter H.P. U U Main Mix L Main Mix L Main Mix R Main Mix R Gate Sub Group2 Sub Group3 Sub Group3 From Two Track Tape FromInput Two Track Tape Input From Two Track Digital From Two Input Track Digital Input (Main FireWire Return (Main 17/18) FireWire Return 17/18) Sub Group4 Sub Out 1 Sub Out 2 Sub Out 2 Sub Out 3 Sub Out 3 Sub Out 4 Sub Out 4 Sub Group3 Sub Group4 + Level -120 - +10 dB Subgroup 1-4 Subgroup 1-4 Dig Out Dig Out FireWire Send FireWire Send Solo Solo Aux Return A Dig Out FireWire Send Equalizer - - Aux Return LevelAux Return Level A/D -120 - +10 dB Fat Channel Fat Channel 3/4 AUX 5/6 Aux 1 Aux 2 3/4 Aux 6 -120 - +10 dB FireWire Return FireWire Return 17/18 17/18 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Fat Channel Fat ChannelLimit Aux 6 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Fat Channel Fat ChannelLimit Fat Channel Fat Channel Fat Channel Fat Channel -120 - +10 dB Level Aux 1 Aux 1 dB -120 - +10 Aux 2 Aux 2 Aux 3 Aux 3 Aux 4 Level -120 - +10 dB Limit Limit Limit Aux 1-6 Aux 1-6 Dig Out Dig Out FireWire Send FireWire Send Aux 6 Tape In FireWire Send Level Aux 1 dB -120 - +10 Aux 2 Aux 2 Aux 3 Aux 3 Aux 4 Aux 4 Aux 5 Aux 5 Aux 6 Aux 6 Gate H.P. Gate Compressor Compressor Equalizer Aux Out 3 Aux 4 Aux Out 3 Aux 4 Aux Out 4 Aux 5 Aux Out 4 Aux 5 Aux Out 5 Aux 6 Aux Out 5 Aux 6 Aux Out 6 Aux Out 6 Equalizer Limit Limit Main Bus L Main Bus R Main Bus L Main Bus R Level Internal FX Processor Internal FX Processor FX Return A Dig Out FireWire Send TalkBack Level TalkBack Level Level -120 - +10 dB TalkBack Mic to Main TalkBack Mic to Main TalkBack Mic to Aux TalkBack Bus Mic to Aux Bus A/D Subgroup 1 Subgroup 1 Subgroup 2 Subgroup 2 Subgroup 3 Subgroup 3 Subgroup 4 Subgroup 4 Level Aux- 1+10 dB -120 FX Send A/B FireWire Send Aux 4 Aux 5 Gate Compressor Compressor Equalizer FX Send A/B FireWire Send Aux 3 Aux 4 - - + + Gate EFX A Aux 2 Aux 3 H.P. FX Return A Dig Out FireWire Send Aux 1 Aux 2 -120 - +10 dB EFX A Internal FX Internal FX Unit Unit Aux 5 Aux 6 Aux 6 Equalizer H.P. Level 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Limit Level Internal FX Processor Internal FX Processor Limit FX Return B Dig Out FireWire Send Fat Channel Fat Channel SPDIF output SPDIF selectable output selectable from any digital fromoutput any digital stream output stream SPDIF Aux Out 2 Aux 3 H.P. Links to Output Dim LinksLevel to Output Dim Level -14 dB -14 dB FireWire Send FireWire 17/18 Send 17/18 Aux 3 Level Gain -120 - +10 dB Aux Out 1 Aux Out 2 -120 - +10 dB Mic -6 + 65 dB Mic -6 + 65 dB A/D Aux Out 1 Aux 2 Aux 5 Aux 6 Level Talkback MicTalkback Mic D/A Aux 1 Limit 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz A/D INPUT BUFFERA/D INPUT BUFFER -120 - +10 dB D/A Fat Channel Fat Channel Gain Aux 2 Aux 4 Aux 5 Tape In FireWire Send Aux 1 Limit Fat Channel Fat ChannelLimit H.P. Aux 5 -120 - +10 dB Limit - A/D H.P. Limit - H.P. Aux 4 Aux 5 36 - 465Hz 90 - 1.2kHz Equalizer 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Compressor Equalizer Fat Channel Fat Channel Compressor Equalizer Equalizer 36 - 465Hz 90 - 1.2kHz 380 - 5kHz 36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz + Aux 3 Aux 4 Gate Compressor H.P. Gate H.P.Compressor Aux 1 - Aux 3 Gate Gate Aux Output Levels Aux1-6 Output Levels 1-6 Limit + H.P. Aux 2 Equalizer Equalizer - Aux 1 Aux 2 Compressor Equalizer Compressor Equalizer + Aux 1 Gate Compressor H.P.Compressor Gate Gate Compressor H.P.Compressor Equalizer Equalizer 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Gate Compressor Compressor Equalizer Equalizer Limit H.P. - Aux Return B Dig Out FireWire Send Gate + 2 - Track-In Level2 - Track-In Level Gate H.P. Gate Gate H.P. H.P. - Aux Return B Dig Out FireWire Send A/D INPUT BUFFERA/D INPUT BUFFER A/D Aux 6 + Right Aux 5 Aux 6 - Right Aux 4 Aux 5 + Left Aux 3 Aux 4 D/A OUTPUT BUFFER D/A OUTPUT BUFFER - Left Aux 3 Links to Output Dim Links Level to Output Dim Level -14 dB -14 dB -120 - +10 dB + Tape Input Tape Input Aux 2 - Tape In To Control Tape Room In To Control Room FireWire Return 17/18 to Return Control17/18 Roomto Control Room FireWire Aux 1 dB -120 - +10 Aux 2 Aux Aux 5 Aux 6 Level + Aux 1 Aux Aux 3 Aux 4 Aux 5 Aux 6 Level AUX 5/6 Aux 1 Aux 2 Aux 3 Aux 4 TalkBack Mic to Aux TalkBack Bus Mic to Aux Bus - Limit -120 - +10 dB + Limit + 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz - A/D - Right + Left (Mono) Right + Left (Mono) Main Bus L Main Bus R SPDIF Level -120 - +10 dB Main Bus L Main Bus R Subgroup 1 Subgroup 1 Subgroup 2 Subgroup 2 Subgroup 3 Subgroup 3 Subgroup 4 Subgroup 4 Level Aux- 1+10 dB -120 EFX B FX Return B Dig Out FireWire Send EFX B Aux 1 Aux 2 Aux 2 Aux 3 Aux 3 Aux 4 Aux 4 Aux 5 Aux 5 Aux 6 Aux 6 Jun 2011 5 8 OF 8 Limit Sub Out 1 Sub Group2 PG 4 OF PG Jun 2011 Phones Output Sub Group1 + Compressor Equalizer Limit Sub Group3 - 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Aux 6 Aux Return A Dig Out FireWire Send Gate Compressor - + + Aux 6 Gate A/D INPUT BUFFERA/D INPUT BUFFER - Aux 5 Sub Group2 + Aux 5 Sub Group1 - Aux 4 Limit + Aux 3 - Aux 2 Aux 4 U + Aux 1 dB -120 - +10 Aux 3 D/A + Sub 4 Limit - Sub 4 Aux 2 U Limit 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Fat Channel Fat Channel Aux 1 Limit Limit Fat Channel Fat Channel Fat Channel Fat Channel Fat Channel Fat Channel Fat Channel Fat Channel Sub 3 Phones Output - -120 - +10 dB Limit 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Sub 3 Level D/A Gate Compressor Compressor Equalizer 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k -Equalizer 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Sub 2 Left Right Equalizer Gate Compressor Compressor Equalizer Equalizer Gate Compressor Compressor Equalizer Equalizer Gate Sub 1 Sub 2 Compressor Equalizer + Gate Gate Sub 1 Limit -120 - +10 dB D/A -120 - +10 dB + Gate Compressor Aux Return LevelAux Return Level Limit D/A - Gate Link Mode - Pan Link enabled Mode - Pan enabled Equalizer 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Sub Meter -120 - +10 dB A/D Right Phones Level Left Right Control Room Output Control Room Output Sub Meter - Post Phones Level D/A + EFXB D/A - Aux 6 EFXA EFXB -120 - +10 dB + Aux 5 Aux 6 EFXA -120 - +10 dB - Compressor Equalizer Monitor Level Monitor Level Pan + Gate Compressor -120 - +10 dB Pan + Aux 4 - Aux 3 Aux 4 Tape Output Right D/A OUTPUT BUFFER D/A OUTPUT BUFFER - Aux 2 Aux 3 Left Tape Output Right Sub Group4 + -120 - +10 AuxdB1 Aux 2 Mono Output Mono Output Left + Aux 1 Level Main Output Right Mono Output Level Mono Output Level - Gate A/D INPUT BUFFERA/D INPUT BUFFER Level Right Output Level Attenution 0 to -40 dB D/A OUTPUT BUFFER D/A OUTPUT BUFFER Solo Bus Solo Bus FireWire Send FireWire Send - Pre1/ Pre2 Cue Level -120 - +10 dB + Pre1/ Pre2 Cue Level -120 - +10 dB + Sub Group4 Solo Bus R - Sub Group2 Link Mode - Pan enabled Link Mode - Pan enabled Solo Bus L Solo Bus R + Link Mode - Pan enabled Link Mode - Pan enabled Solo Bus L Sub Group1 - Sub Group1 Left Main Output + Aux Bus Output Aux Bus Output Post Fat Ch. Post Fat Ch. Left Output Level Attenution 0 to -40 dB Links to Output DimLinks Levelto Output Dim Level -14 dB -14 dB Fat Channel Fat Channel Aux Bus Output Aux Bus Output Post Gate Post Gate - Fat Channel Fat Channel D/A Limit - Limit Left (Mono) Aux Input B Aux Input B U D/A 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz + U Pan + Pan Limit -- Limit Post Right Equalizer -- 36 - 465Hz 90 - 1.2kHz 380 - 5kHz36 1.4k - 465Hz - 18kHz90 - 1.2kHz 380 - 5kHz 1.4k - 18kHz Aux 5 A/D Compressor Equalizer ++ ™ Gate Compressor BALANCE LINE DRIVERS BALANCE LINE DRIVERS A/D FireWire Return FireWire 1-16 Return 1-16 Left (Mono) Master Meter Equalizer Direct OutputDirect Output Aux Input A Aux Input A Master Bus Dig Out FireWire Send TalkBack Mic to Main TalkBack Mic to Main Phase A/D INPUT BUFFERA/D INPUT BUFFER A/D Master Bus Dig Out FireWire Send ++ Line Input Mic Pre Output - Mic Input Line Input Mic Pre Input Channel MeterChannel Meter Output - Channel Insert Channel Insert Mic Input Input Gain Mic -6 + 65 dBMic -6 + 65 dB Line -20 +20 dBLine -20 +20 dB 48V + Gain 48V Main Mix L Main Mix R Solo Bus L Solo Bus R Sub Group1 Main Mix L Sub Group2 Main Mix R Sub Group3 Solo Bus L Sub Group4 Solo1Bus R Aux Sub Aux Group1 2 Sub Aux Group2 3 Sub Group3 Aux 4 Sub Aux Group4 5 Aux Aux 1 6 Aux 2 EFX Aux A3 EFX Aux B4 Aux 5 Aux 6 EFX A EFX B ™ ™ ™ ™ + In addition, the Fat Channel provides panning, subgroup and main assigns, and sends to each aux and effects bus. The Fat Channel’s 16-segment, multipurpose LED meters offer 4 modes for the levels of all 16 inputs: post-gain and predynamics and fader; post-dynamics and fader; the amount of gain reduction; or the fader settings for a saved Scene. These meters can also be used to display output volume of each of the 6 Aux Sends. Channels can be linked in stereo as odd-even pairs (Ch. 1-2, 3-4, etc.), and a horizontal LED Pan meter displays the pan position for the selected channel or linked channels. The Fat Channel is available anywhere there is a blue Select button; when a Select button is fully lighted, the Fat Channel is active on that channel, aux, etc. Time-based effects such as delay and reverb are delivered by two stereo 32-bit effects processors, which are assigned to dedicated effects buses and come with 50 user-editable factory presets and 49 empty locations for user-created presets. Both internal effects returns can be directly patched to any of the analog Aux Buses. An LCD display gives access to the effects parameters, graphic EQ, Scene store/recall, channel strip store/recall, and system settings. In addition to the multifunction meters in the Fat Channel, the StudioLive 16.4.2 has a main metering section featuring 15- segment LED meters that display the levels of the currently selected channel or bus, the four Subgroups, and the Left and Right channels of the Main bus. This section features the same metering modes as the Fat Channel: pre-dynamics and pre-fader, post-dynamics and post-fader, the amount of gain reduction applied to each subgroup and the Main bus, or the fader settings for a saved Scene. In addition, the main meter section offers a dedicated Gain Reduction meter for the currently selected channel. The StudioLive 16.4.2 can be rack mounted (12U), using the included rack rails. The mixer operates on 100240 VAC and employs a standard IEC power connector. Bundled software includes PreSonus Capture multitrack audio-recording application (primarily intended for recording live events), PreSonus Studio One Artist digital audio workstation (for audio and MIDI production), and PreSonus Virtual StudioLive bidirectional mixer-control application, which StudioLive 16.4.2 Architect & ­Engineering Specifications Also available as a Word document: PreSonus_StudioLive_16.4.2_AE.doc 1. GENERAL CONFIGURATION. The mixer shall be a digital mixer and shall accommodate 16 line and/or 16 microphone signals, Channels 1–16; and shall include 16 analog Send/Return channel Inserts; 16 channel Direct Outputs; 2 stereo pairs of Aux Return inputs; 2 stereo pairs of Main mix outputs; 1 Main mix Mono output, 1 stereo pair of Control Room outputs; 4 Subgroup outputs; 6 Aux Send outputs; 1 stereo pair of RCA-type phono Tape outputs; 1 stereo Headphones output; 1 stereo S/PDIF coaxial digital output; and two FireWire 400 ports that can connect to a Mac or Windows PC for recording and control and to act as a pass-through for attaching an external storage drive. The mixer shall be capable of placement on a table or installation in a standard 19-inch rack mount via rack rail brackets (included) and shall be fitted with 1 rocker-type Power switch; 1 3-pin IEC power receptacle that accepts 100-240 VAC, with user-replaceable, socketed 2A fuse; 1 BNC socket, providing +12 VDC at 0.5A for fitting an external lamp (not included); and shall be entirely self-contained. 2. MIXER INPUTS. CHANNELS 1–16: Each channel shall include an electrically balanced, mono microphone input, using an XLR-3-F-type connector, providing gain from -30 to +16 dBu via a rotary Trim control. Each channel shall include one XMAX Class A solid-state microphone preamplifier. Phantom power shall be individually enabled/disabled for each channel via a button-type switch. Sixteen balanced line inputs shall be wired using ¼" TRS phone jacks and shall accept nominal levels from -10 to +22 dBu. Each channel shall include a pre-fader Insert point, using ¼" TRS phone jacks (tip=send, ring=return, sleeve=ground), delivering and accepting nominal levels from -10 dBV to +4 dBu. In addition, each channel shall accept an input signal from the FireWire 400 bus. The input of each channel shall be switchable between the analog inputs and the FireWire input, using a buttontype switch. Each channel and Subgroup shall have a Solo switch and a Mute switch. Each channel shall have a dedicated, 100 mm level-control fader with marked increments at ∞, -60, -50, -40, -30, -30, -20, -10, -5, 0, +5, and +10 dB. OTHER INPUTS: The mixer shall include 4 balanced Aux Return inputs, forming 2 stereo pairs, using ¼" TRS phone jacks, accepting nominal levels from -10 dBV to +4 dBu and maximum input levels of +22 dBu; a Talkback Microphone input that shall include one XMAX Class A solid-state microphone preamplifier with 48V phantom power always present, plus a rear-panel rotary level control; and 1 stereo pair of Tape Input jacks, using unbalanced RCA-type phono jacks, accepting nominal levels from -10 dBV to +4 dBu. The Tape Input source shall be switchable between the analog Tape Input and the FireWire input, using a button-type switch. The Tape Input level shall be controllable using a rotary encoder. ™ 3. MIXER OUTPUTS. MAIN OUTPUTS: The mixer’s Main mix-bus stereo outputs shall be fitted in three ways: Using balanced XLR jacks, delivering a maximum output of +24 dBu, with an output impedance of 100Ω; using balanced (also accepting unbalanced) ¼" TRS phone jacks, delivering a maximum output of +24 dBu; and using unbalanced RCA-type phono jacks (labeled Tape Out), delivering nominal levels from -10 dBV to +4 dBu. Output level for both the XLR and TRS Main mix-bus outputs shall be controllable using a single rear-panel knob. The Main mix-bus Mono output shall be fitted with one balanced XLR jack, delivering nominal levels from -10 dBV to +4 dBu, and with an output impedance of 100Ω; and it shall include a rear-panel rotary level control. In addition to the controls listed in section 2 (MIXER INPUTS), the mixer shall include 6 sets of Aux Send controls, each of which shall have a pre/post switch, a Solo switch, an Output level control that employs a rotary encoder, and a Select switch for routing to the Fat Channel processing section. 5. DYNAMICS PROCESSING, PARAMETRIC EQ, AND BUS ASSIGNMENT. All input channels, Aux Sends, Subgroups, and the Main Bus shall be routed to a section called the "Fat Channel" when their associated Select buttons are pressed. The Fat Channel shall provide the following digital signalprocessing: High-pass Filter and Phase Reverse (input channels only), Gate, Compressor, Limiter, Pan, and 4-band quasi-parametric equalizer (EQ). The Low band of the EQ shall have a sweepable frequency from 36 Hz to 465 Hz, ±15 dB, and shall be switchable between shelf and peaking. The Low Mid band shall have a sweepable center frequency from 90 Hz to 1.2 kHz, ±15 dB, and it shall include a Hi/Lo (0.55/2.0) Q switch. The High Mid EQ shall have a sweepable center frequency from 380 Hz to 5 kHz, ±15 dB, and it shall include a Hi/Lo (0.55/2.0) Q switch. The High band shall have a sweepable frequency from 1.4 kHz to 18 kHz, ±15 dB, and shall be switchable between shelf and peaking. In addition, the Fat Channel shall enable signals to be assigned to the Subgroups and Main bus and shall enable adjacent odd-even channels (Channels 1/2, 3/4, etc.) to be linked in stereo. The Fat Channel also shall provide button switches that enable Channel settings to be copied, loaded, and saved to and from onboard memory. 6. MIXER OUTPUT SECTION. The mixer shall have 1 stereo 100 mm fader for the Main bus, providing up to 10 dB gain, and 4 mono 100 mm Subgroup faders, each providing up to 10 dB gain. These 5 faders shall be marked at ∞, -60, -50, -40, -30, -30, -20, -10, -5, 0, +5, and +10 dB. Each subgroup output shall offer a defeatable variable output delay (2 to 500 ms). The mixer shall have a Solo bus that shall include a rotary Cue Mix volume control; a button switch that shall toggle between After-Fader Listen (AFL) and Pre-Fader Listen (PFL); and a Solo-in-Place (SIP) mode, which shall be engaged using a button switch. The mixer shall have a Monitor bus that feeds the Control Room and Headphone outputs. The Headphone output level and Control Room output level shall be controllable with dedicated rotary encoders. The Tape Input, Solo bus, Main bus, and main L/R FireWire returns shall each be assignable to the Monitor bus using dedicated button-type switches. The mixer shall have a Talkback mic section that shall include a rotary level control; four buttons that assign the Talkback mic to Aux Sends 1/2, 3/4, and 5/6 and to the Main bus; and a latching Talkback (Talk) on/off button. 7. EFFECTS AND GRAPHIC EQ. The mixer shall include two stereo, 32-bit effects processors and a library of effects presets that shall include time-based processing such as delay and reverb. The effects library and effects parameters shall be accessed using an FX button. The mixer shall also include one stereo, 31-band graphic equalizer that is assigned to the Main mix bus and four dual-mono 31-band graphic equalizers that are assignable to the Aux buses. ™ 8. MEMORY AND GENERAL SETTINGS. The mixer shall provide digital memory (storage) for the status of all digital mixer parameters but not for the status of the analog channel Trims. The mixer shall enable storage of up to 80 Global Scenes, 99 Fat Channel presets, 99 FX presets, and 99 GEQ presents. The mixer shall permit settings to be copied between channels. Memory shall also be provided for effects settings. The mixer shall include a Digital Effects | Master Control section that includes an LCD display and controls that provide access to systems settings and the graphic equalizer and that enables store and recall of mixer Scenes and Fat Channel and effects settings. These controls shall include a rotary Value encoder, Previous and Next buttons, Page Up and Page Down buttons, an FX button for accessing the effects, and Scene, System, Store, and Recall buttons. This section also shall include a Tap button, the primary purpose of which is setting tempo for the delay effects described in Section 7 (EFFECTS AND GRAPHIC EQ). 9. AUDIO INTERFACE. The mixer shall provide a built-in computer interface for recording and playing back audio. The interface shall enable 32 audio streams to be sent to a Mac or Windows computer and 16 streams to be returned from the computer to the mixer via FireWire 400, as described in Section 1 (GENERAL CONFIGURATION) and Section 2 (MIXER INPUTS). The interface shall support digital audio with up to 24-bit bit depth and (selectable) 44.1 or 48 kHz sample rate. 10. METERING. MAIN METERING: The mixer shall provide individual level meters for the left and right channels of the Main bus and for each of the four Subgroups; these 6 meters shall be 15-segment LED meters, each with labeled points at -80, -65, -40, -25, -10, 0, and +10 dB, with an additional point labeled "OL" (Overload). The Main and Subgroup meters shall be calibrated so that a 0 dBu signal at the Main or Subgroup output shall be indicated as 0 dB on the meters, ±1 dB. The mixer shall provide one 15-segment LED meter to display the level of the currently selected channel; this meter shall have labeled points at -72, -38, -24, -15, -10, -6, and -2 dB, with an additional point labeled "OL" (Overload). The mixer shall provide one 15-segment LED meter to display the Gain Reduction for the currently selected channel; this meter shall have labeled points at -21, -18, -15, -12, -9, -6, and -2 dB. Button switches shall be provided that turn PFL input metering on/off; turn post-fader output metering on/off; turn gain-reduction metering on/off; turn aux bus master out metering on/off, and turn fader-recall (Locate) metering on/off. MULTIPURPOSE METERING: Multipurpose metering shall be provided in the Fat Channel section (described in Section 5, DYNAMICS PROCESSING, PARAMETRIC EQ, AND BUS ASSIGNMENT) that shall display the levels of all 16 inputs, post-gain and pre-dynamics, pre-EQ, and pre-fader; the levels of all 16 inputs, post-dynamics, post-EQ, and post-fader; the gain reduction for all 16 inputs; the output volume of each of the 6 Aux Sends; or the fader settings for a saved Scene. A horizontal LED Pan meter shall be provided that shall display the pan position for the selected channel or linked channels. 11. BUNDLED SOFTWARE. The mixer shall ship with at least three software packages for Mac and Windows computers. These packages shall include: • A multitrack audio-recording application primarily intended for recording live events. • A digital audio workstation application that enables recording, editing, and playback of both MIDI data and audio. • A bidirectional mixer-control application that provides preset- and scene-management features and enables real-time adjustment of the most commonly used mixer settings. The mixer shall also be wirelessly controllable from an Apple iPad, and its Aux buses shall be controllable from an Apple iPhone or iPod Touch, using dedicated applications when networked via Wi-Fi to a FireWire-connected computer running VSL. S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) 94 dB 12. PHYSICAL CONFIGURATION. Tape Inputs The mixer shall be made of steel, with an aluminum armrest, and shall be painted gray, silver, and blue with black-and-white graphics. The mixer shall weigh 35 lbs., 0 oz. (15.88 kg). Included brackets shall allow the mixer to be mounted in a rack system, with the chassis surface (except faders and knobs) to be flush with the rack rail. Dimensions of the mixer, not including rack rails, shall be 22.35" (56.77 cm) in length, 17.22" (43.74 cm) in width, and 6.9" (17.53 cm) in depth. 13. SPECIFICATIONS. In addition to specifications already cited, the mixer shall meet or exceed the following specifications: Microphone Preamp Type XLR Female, balanced Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, 0 / -0.5 dBu Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ± 0.5 dBu Input Impedance 1 kΩ THD to Direct Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd EIN to Direct Output 125 dB unwtd, +130 dB A-wtd S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 97 dB S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB Gain Control Range (± 1 dB) 16 dB to +67 dB Maximum Input Level (unity gain) 16 dBu Phantom Power (± 2 VDC) 48 VDC Line Inputs Type ¼" TRS Female, balanced mono Frequency Response to Direct Outputs (at unity gain) 10 Hz-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, ± 0.5 dBu Input Impedance 10 kΩ THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) 105 dB Gain Control Range (± 1 dB) -20 dB to +20 dB Maximum Input level (unity gain) 22 dBu Type RCA Female, unbalanced (stereo pair) Maximum Input Level 22 dBu Auxiliary Inputs Type ¼" TRS Female, balanced (2 stereo pairs) Maximum Input Level 22 dBu Main Outputs Type XLR Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level 24 dBu Output Impedance 100Ω Aux Outputs Type ¼" TRS Female, balanced (mono) Rated Output Level 18 dBu Output Impedance 100Ω Subgroup Outputs Type ¼" TRS Female, balanced (mono) Rated Output Level 18 dBu Output Impedance 100Ω Tape Outputs Type RCA Female, unbalanced (stereo pair) Rated Output Level 18 dBu Output Impedance 100Ω Control Room Outputs Type ¼" TRS Female, balanced (stereo pair) Rated Output Level 18 dBu Output Impedance 51W StudioLive 16.4.2 ™ Noise Gate / Expander Threshold Range -84 dB to 0 dB Attack Time 0.5 ms Release Time 0.05s to 2s Compressor Threshold Range -56 dB to 0 dB Ratio 1:1 to 14:1 Attack Time 0.2 ms to 150 ms Release Time 40 ms to 1000 ms Auto Attack and Release Attack = 10 ms, Release = 150 ms Curve Types hard and soft knee EQ Type 2nd order shelving filter (Q = 0.55) Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB Low Mid (Lo Q: 0.55; Hi Q: 2) 90 Hz to 1.2 kHz, ±15 dB High Mid (Lo Q: 0.55; Hi Q: 2) 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB Digital Audio ADC Dynamic Range (A-wtd, 48 kHz) 118 dB DAC Dynamic Range (A-wtd, 48 kHz) 118 dB FireWire S400, 400Mb/s Internal Processing 32-bit, floating point Sampling Rate 44.1, 48 kHz A/D/A Bit Depth 24 Reference Level for 0 dBFS 18 dBu Clock Jitter 20 ps rms (20 Hz-20 kHz) Jitter Attenuation 60 dB (1 ns in ≈ 1 ps out) System Crosstalk Input to Output (Ref = +4 dBu 20 Hz-20 kHz, unwtd) 90 dB Adjacent Channels (Ref = +4 dBu 20 Hz-20 kHz, unwtd) 87 dB The mixer shall be a PreSonus ­StudioLive 16.4.2. Jun 2011 7 8 OF 8 4. MIXER INPUT SECTION. StudioLive 16.4.2 PG 6 OF PG Jun 2011 OTHER OUTPUTS: Channels 1-16 shall include pre-insert, balanced, analog Direct Outputs, using two sub-DB25 jacks (channels 1-8 and channels 9-16), delivering nominal levels from -10 dBV to +4 dBu. The mixer shall include 4 Subgroup outputs, using balanced ¼" TRS phone jacks, delivering a maximum output level of +18 dBu and nominal levels from -10 dBV to +4 dBu, with an output impedance of 100Ω; 1 stereo pair of Control Room outputs, using balanced ¼" TRS phone jacks, delivering a maximum output level of +18 dBu and nominal levels from -10 dBV to +4 dBu, with an output impedance of 100Ω; 6 Aux Send outputs using balanced ¼" TRS phone jacks, delivering a maximum output level of +18 dBu and nominal levels from -10 dBV to +4 dBu, with an output impedance of 100Ω; and 1 stereo Headphones output, using an unbalanced ¼" TRS phone jack (tip=left, ring=right, sleeve=ground), and with a maximum output level of 150 mW. ™ StudioLive 16.4.2 ™ 16-input digital mixer / FireWire interface for live performance and recording 482.60mm [19.000in] 180.92mm [7.123in] 568.06mm [22.364in] 17.50° 5.50mm [0.217in] 172.84mm [6.805in] 208.25mm [8.199in] 567.98mm [22.361 in] 359.81mm [14.166in] 568.06mm [22.364in] 17.50° 5.50mm [0.217in] 172.84mm [6.805in] 567.98mm [22.361 in] 180.92mm [7.123in] 477.40mm [18.795in] 437.40mm [17.220in] 437.40mm [17.220in] 47.98mm [1.889in] TOP VIEW SCALE 1:2 RIGHT VIEW SCALE 1:2 47.98mm [1.889in] TOP VIEW SCALE 1:2 RIGHT VIEW SCALE 1:2 567.98mm [22.361 in] 924.80mm [36.409in] ™ 884.80mm [34.835in] TOP VIEW SCALE 1:2 ©2011 PreSonus Audio Electronics and PreSonus Software Ltd. All Rights Reserved. StudioLive, XMAX, and QMix are trademarks of PreSonus Audio Electronics. Capture and Studio One are trademarks of PreSonus Software Ltd. Windows is a registered trademark of Microsoft. Mac is a registered trademark of Apple, Inc. All specifications are subject to change. 8 8 OF PG Jun 2011 7257 Florida Blvd. Baton Rouge, LA 70806 ph 225-216-7887 fax 225-926-8347 [email protected] www.presonus.com