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Uso Restrito

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October 2018
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Computers & electronics Audio & home theatre Audio equalizers

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USO RESTRITO USER GUIDE Publication AP6822 USO RESTRITO Limited One Year Warranty This product is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner. To ensure a high level of performance and reliability for which this equipment has been designed and manufactured, read this User Guide before operating. In the event of a failure, notify and return the defective unit to ALLEN & HEATH Limited or its authorised agent as soon as possible for repair under warranty subject to the following conditions Conditions Of Warranty The equipment has been installed and operated in accordance with the instructions in this User Guide. The equipment has not been subject to misuse either intended or accidental, neglect, or alteration other than as described in the User Guide or Service Manual, or approved by ALLEN & HEATH. Any necessary adjustment, alteration or repair has been carried out by ALLEN & HEATH or its authorised agent. This warranty does not cover fader wear and tear. The defective unit is to be returned carriage prepaid to ALLEN & HEATH or its authorised agent with proof of purchase. Units returned should be packed to avoid transit damage. In certain territories the terms may vary. Check with your ALLEN & HEATH agent for any additional warranty which may apply. This product complies with the European Electro magnetic Compatibility directive 2004/108/EC and the European Low Voltage Directive 2006/95/EC. This product has been tested to EN55103 Parts 1 & 2 1996 for use in Environments E1, E2, E3, and E4 to demonstrate compliance with the protection requirements in the European EMC directive 2004/108/EC. During some tests the specified performance figures of the product were affected. This is considered permissible and the product has been passed as acceptable for its intended use. Allen & Heath has a strict policy of ensuring all products are tested to the latest safety and EMC standards. Customers requiring more information about EMC and safety issues can contact Allen & Heath. NOTE: Any changes or modifications to the console not approved by Allen & Heath could void the compliance of the console and therefore the users authority to operate it. ZED-14, 18 & 24 User Guide AP6822 Issue 5 Copyright © 2007 Allen & Heath Limited. All rights reserved Allen & Heath Limited Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK http://www.allen-heath.com Allen & Heath 2 ZED-14, 18 & 24 User Guide PACKED ITEMS Check that you have received the following: MIC MIC LINE MIC LINE MIC LINE MIC LINE ST RTN MIC LINE LINE 2TRK RTN REC OUT L L L R R R R L/M L/M MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE L/M AUX1 OUT INSERT L 2 3 4 5 6 INSERT INSERT INSERT INSERT INSERT ST1 IN ST2 IN R AUX2 OUT INSERT R AUX3 OUT MONO OUT L/M ST3 IN R ST4 IN R 1 R 2 3 INSERT 4 INSERT 5 INSERT 6 INSERT 7 INSERT 8 INSERT 9 INSERT 10 0 20 10 10 30 40 50 -10 -6 63 26 0 20 10 GAIN 30 40 50 -10 -6 63 26 100Hz HF 500 -10 -6 63 26 -10 -6 -20 -30 USB -5 ON ON To LR To 7-8 2k 0 AUX 3-4 To LR To 11-12 HM LR PRE 0 +15 -15 +15 -15 +15 -15 +15 LF -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz PRE AUX1 PRE +6 OO AUX2 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 +15 HF 12kHz -15 PRE +6 OO AUX2 PRE +15 PRE +6 OO AUX2 PRE +15 PRE R PHONES MIN +15 MAX AUX1 STEREO STEREO PRE +6 OO AUX2 PRE +15 -15 AUX1 PRE +6 OO AUX2 PRE -15 LF +15 STEREO AUX1 AUX2 +6 OO 2TRK RTN AUX2 PRE +6 OO AUX3 POST +6 OO +6 +6 +6 +6 +6 PRE +6 = PAN +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = BAL = OUT BAL = R L MUTE R L MUTE R L R MUTE L MUTE R L MUTE R L MUTE R L MUTE BAL R L MUTE INSERT R ST 2 IN ST 3 IN R ST4 IN R R 0 GAIN 40 10 30 0 40 MIC LINE 50 -10 -6 0 20 10 63 26 50 -10 -6 63 26 GAIN 0 20 10 10 30 0 GAIN 40 M IC LINE 10 30 0 40 MIC LINE 50 -10 -6 0 20 10 63 26 50 -10 -6 63 26 GAIN 0 20 10 10 30 0 40 MIC LINE 50 -10 -6 63 26 GAIN 0 20 10 30 0 40 M IC LINE 50 -10 -6 0 20 10 10 63 26 GAIN ST 10 30 0 MIC LINE -10 -6 -10 RTN 100Hz HF 100H z HF HF 12kHz 100Hz 100Hz HF 12kHz HF 12kHz 100Hz HF 12kHz 100Hz 40 -20 50 -30 HF 12kHz -10 RTN 0 USB -5 RTN 0 -20 5 -10 AUX3 OUT MONO OUT R USB -5 -15 1k -15 +15 650 500 1k 1k 1k 500 200 2k 2k 3k 4k 120Hz MF -15 +15 650 500 200 2k 3k 120Hz -15 +15 650 500 200 2k 4k 120Hz 1k 120Hz -15 +15 650 500 1k 500 200 2k 2k 3k 4k MF -15 +15 650 200 3k 4k MF 120Hz 1k 500 2k 120Hz AUX1-2 10 ON ON To LR To CH POWER 5 -30 10 ON 1k 500 2k To LR To CH AUX 3-4 To LR To CH 120Hz ST1 -10 1k 2k 3k 4k 120Hz MF LR PRE 48V +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 PHANTOM PO WER UP=LR post +15 650 200 3k 4k MF -15 +15 650 200 3k 4k MF -15 +15 650 200 3k 4k MF SEND -20 5 -30 10 100Hz 12kHz RETURN 0 63 26 HF 12kHz 2 TRK -5 ST2 -10 -5 0 IN -20 ST3 -10 -5 0 IN -20 5 -30 0 -5 0 IN -20 5 -30 10 HF 5 -30 10 HF 12kHz ST4 -10 -5 IN -20 5 -30 10 4k MF 10 HF 12kHz HF 12kHz L 12kHz = PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL +15 -15 +15 -15 +15 -15 +15 LF -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 LF 80Hz -15 OR AUX1 PRE AUX1 PRE +6 +6 AUX2 AUX2 PRE AUX1 PRE +6 +15 AUX2 PRE +6 AUX2 PRE +15 PHONES MIN +15 MAX AUX1 STEREO STEREO AUX1 PRE +6 AUX2 +6 AUX2 PRE +15 -15 STEREO PRE AUX2 PRE -15 LF 80Hz -15 AUX1 +6 AUX2 PRE +15 STEREO PRE +6 AUX2 PRE +15 80Hz -15 AUX1 PRE -15 LF 80Hz -15 AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +15 LF 80Hz STEREO AUX1 +6 2TRK RTN AUX2 PRE PRE USB RTN +6 +6 AUX3 +6 AUX3 POST AUX3 POST AUX4 POST AUX3 POST OUT +6 AUX4 POST ALT POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST +6 AUX3 +6 AUX4 POST +6 POST +6 AUX4 POST +6 AUX3 POST +6 AUX4 POST AUX3 POST +6 AUX4 +6 AUX3 POST +6 0 +6 PRE POST +6 = PAN +6 = PAN +6 = PAN +6 = PAN = PAN +6 +6 = PAN +6 = PAN = PAN +6 = PAN +6 = PAN +6 LR MO NITOR POST +6 = BAL 0 +6 AUX4 POST +6 = BAL +6 = BAL PR E PO ST LR +6 = BAL AUX1 MASTER AUX1 0 MASTER L MUTE PK ! PFL R MUTE OO +6 OO +6 L R L R L R MUTE MUTE AUX2 L R MUTE L R MUTE L R MUTE L R MUTE L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R MUTE +6 AUX2 MASTER 0 MASTER PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! PK ! +6 PK ! PFL PFL PFL 10 10 10 10 10 10 10 PFL 10 10 10 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 5 10 10 PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL 10 10 10 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO 1 2 3 4 5 6 7-8 9-10 OO 11-12 OO OO 13-14 10 10 10 10 10 10 10 10 10 10 10 10 10 10 5 5 PFL PFL 10 10 +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE -15 LF 0 PK ! MAIN OUT L LR MONITOR LR +6 OO BAL R 10 30 MIC LINE 63 26 3k PRE 0 L 0 20 10 100Hz +15 650 500 120Hz 80Hz +6 OO POST +6 OO 40 50 -10 -6 MF AUX1 ALT +6 OO AUX4 POST +6 OO 0 GAIN 12kHz -15 200 2k 3k 4k +6 +6 OO 10 30 MIC LINE 63 26 HF 1k 120Hz +6 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST OO AUX3 POST +6 OO AUX4 POST INSERT L AUX2 OUT L 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO OO OO O OO OO OO OO 1 2 3 4 5 6 7 8 9 10 11-12 13-14 15-16 17-18 R MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST RTN 2TRK RTN L INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 5 REC OUT L L R R R L/M L/M L/M ST1 IN ST2 IN 5 5 30 OO L R ALT OUT L INSERT L AUX1 OUT MAIN OUT L R AUX2 OUT INSERT R AUX3 OUT MONO OUT L/M ST4 IN ST3 IN R INSERT INSERT R R R R PHONES AUX4 OUT GAIN 0 20 10 10 30 0 40 MIC LINE 50 -10 -6 63 26 GAIN 0 20 10 10 30 0 40 MIC LINE 50 -10 -6 63 26 100Hz HF 500 650 650 10 30 40 50 -10 -6 63 26 650 10 30 40 50 -10 -6 63 26 HF 650 10 30 40 50 -10 -6 63 26 HF 650 10 30 40 50 -10 -6 63 26 HF 650 10 30 40 50 -10 -6 63 26 HF 650 10 30 40 50 -10 -6 63 26 HF 650 10 30 40 50 -10 -6 63 26 HF 650 10 30 40 50 -10 -6 63 26 HF 650 40 50 63 26 HF 650 40 50 63 26 HF 650 40 50 63 26 HF 650 40 50 63 26 HF 650 -20 -30 -10 RTN 0 ON USB 0 RETURN 650 POWER AUX1-2 10 OO ON ON To LR To CH AUX 3-4 To LR To CH LR PRE UP=LR post ST1 -10 1k 200 2k 3k 120Hz SEND 5 -30 10 OO -5 -20 5 -30 To LR To CH 500 2k USB -5 -20 5 +15 -15 1k 4k -10 RTN 0 10 100Hz 3k 120Hz HM 2TRK -5 OO HF 650 200 4k -10 RTN 40 50 63 26 12kHz 500 2k 3k 120Hz HM ST 10 30 0 MIC LINE -10 -6 +15 -15 1k 200 4k 0 20 10 GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 10 30 0 MIC LINE -10 -6 +15 -15 1k 200 4k 0 20 10 GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 10 30 0 MIC LINE -10 -6 +15 -15 1k 200 4k 0 20 10 GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 10 30 0 MIC LINE -10 -6 +15 -15 1k 200 4k 0 20 10 GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 10 30 0 MIC LINE -10 -6 +15 -15 1k 200 4k 0 20 10 GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN 100Hz 12kHz 500 2k 3k 120Hz HM 0 20 10 0 MIC LINE +15 -15 1k 200 4k GAIN HF 12kHz 500 2k 40 50 63 26 100Hz +15 -15 1k 3k 120Hz 10 30 -10 -6 HF 12kHz +15 -15 200 HM 0 20 10 0 MIC LINE 100Hz HF 12kHz GAIN ST2 -10 -5 0 IN -20 IN 5 -30 4k 0 IN 5 -30 ST4 -10 -5 0 IN 5 -30 +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 PHANTOM POWER -5 0 5 -30 10 OO HF 12kHz -20 10 OO HF 12kHz -20 10 OO HF ST3 -10 -5 -20 10 OO HM 48V HF 12kHz L 12kHz +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE -15 +15 -15 +15 LF -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 LF 80Hz -15 AUX1 PRE AUX1 PRE +6 OO AUX2 AUX2 PRE AUX1 PRE +6 OOO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OOO +15 AUX2 PRE AUX2 PRE AUX2 PRE +15 PHONES MIN +15 MAX AUX1 STEREO STEREO PRE +6 OO AUX2 PRE +15 -15 AUX1 PRE AUX2 PRE +15 STEREO AUX1 +6 OO -15 LF 80Hz -15 STEREO PRE +6 OO +15 80Hz -15 AUX1 PRE +6 OO -15 LF 80Hz -15 AUX1 PRE +6 OO +15 LF 80Hz STEREO AUX1 AUX2 +6 OO 2TRK RTN AUX2 PRE PRE ALLEN&HEATH USO RESTRITO +6 OO AUX3 POST AUX4 0 20 10 100H z MF USB RTN +6 OO AUX3 40 50 -10 -6 +15 650 500 200 80Hz -15 STEREO +6 OO AUX2 PRE +15 80Hz -15 AUX1 GAIN 12kHz -15 +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 L 12kHz -15 LF 80Hz -15 AUX1 PRE +6 OO AUX2 PRE +15 LF 80Hz AUX1 0 MIC LINE 63 26 12kHz +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 5 10 OO HF 12kHz -15 LF 80Hz STEREO AUX1 10 30 48V PHANTOM POWER 0 -30 10 PFL ACTIVE -15 LF 80Hz AUX1 0 20 10 100Hz -5 IN -20 5 -30 OO HF 12kHz ST4 -10 -5 IN -20 5 10 OO HF ST3 -10 0 -30 10 OO -5 IN -20 5 -30 40 50 -10 -6 HF ON To LR To 9-10 ST2 -10 -5 IN -20 3k 0 GAIN POWER UP=LR post ST1 -10 1k 4k 10 30 AUX1-2 +15 650 AUX1 OUT PHONES 0 20 10 MIC LINE SEND 5 10 OO L/M AUX4 OUT USB RETURN 0 -30 10 OO -5 -20 5 -30 -10 RTN 0 -20 10 100Hz 500 120Hz HM -10 RTN 0 5 63 26 -15 200 2k 4k 2TRK -5 OO HF 1k 3k 120Hz HM -10 -6 -10 RTN 40 50 12kHz +15 650 200 4k ST 10 30 0 MIC LINE 100Hz 500 2k 3k 120Hz 0 20 10 GAIN 63 26 -15 1k 200 4k HM 40 50 HF +15 650 500 2k 10 30 0 MIC LINE 12kHz -15 1k 3k 120Hz 0 20 10 GAIN 100Hz HF +15 650 200 4k HM 40 50 12kHz 500 2k 10 30 0 MIC LINE 100Hz 1k 3k 120Hz HM 63 26 -15 +15 650 200 3k 4k 0 20 10 GAIN R L/M ALLEN& HEATH 1k 2k -10 -6 12kHz -15 +15 650 40 50 L R L/M R GAIN ALLEN&HEATH 500 120Hz 10 30 0 MIC LINE HF 12kHz -15 200 GAIN 100Hz HF 12kHz 0 20 10 10 0 MIC LINE ALT OUT L R L/M ST1 IN INSERT INSERT PHONES 0 MIC LINE REC OUT L R R AUX4 OUT GAIN 2TRK RTN L MAIN OUT L INSERT 1 INSERT ST RTN ALT OUT L USB RTN OR +6 OO AUX3 +6 OOO AUX3 POST = = +6 = +6 = +6 = +6 = +6 = +6 = +6 = +6 = +6 = +6 = +6 = +6 ALT OUT POST +6 OO +6 OO 0 +6 OO LR MONITOR AUX4 POST +6 OO BAL OO AUX3 POST AUX4 POST +6 OO BAL OO AUX3 +6 OO AUX4 POST = +6 POST +6 OO AUX4 +6 OO PAN OO AUX3 POST +6 OO POST +6 OO PAN OO AUX3 POST AUX4 POST +6 OOO PAN OO AUX3 +6 OO AUX4 POST = +6 POST +6 OOO AUX4 +6 OO PAN OO AUX3 POST +6 OO POST +6 OO PAN OOO AUX3 POST AUX4 POST +6 OO PAN OO AUX3 +6 OO AUX4 POST = +6 POST +6 OO AUX4 +6 OO PAN OO AUX3 POST +6 OO POST +6 OO PAN OO AUX3 POST AUX4 POST +6 OO PAN OO AUX3 +6 OO AUX4 POST = +6 POST +6 OO AUX4 +6 OO PAN OO AUX3 POST +6 OO POST +6 OO PAN OO AUX3 POST AUX4 POST +6 OO PAN OO AUX3 +6 OO AUX4 POST = +6 POST +6 OO AUX4 +6 OO PAN OO AUX3 POST +6 OO POST +6 OO PAN OO AUX3 POST AUX4 POST +6 OOO PAN OO AUX3 +6 OO AUX4 POST +6 OO PAN +6 POST +6 OOO AUX4 POST OO AUX3 POST +6 OO AUX4 POST +6 OO = BAL = PRE POST LR +6 OO BAL AUX1 MASTER 0 L R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R MUTE OO +6 OO +6 AUX2 MASTER 0 PK ! PK ! PFL PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PK ! PFL 10 5 0 PFL 10 5 0 10 10 5 5 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21-22 23-24 17-18 19-20 20 L R ZED-14, ZED-18 or ZED-24 MIXER Type A-B USB Lead To connect the ZED to your computer. Mains Lead Check that the correct mains plug is fitted. SONAR LE SONAR X1 LE Music Software Install disk. INSTALL c a k e w a lk Allen & Heath 3 ZED-14, 18 & 24 User Guide SAFETY INSTRUCTIONS WARNINGS - Read the following before proceeding : USO RESTRITO CAUTION ATTENTION: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR Read instructions: Retain these safety and operating instructions for future reference. Adhere to all warnings printed here and on the console. Follow the operating instructions printed in this User Guide. Do not remove cover: Operate the console with its covers correctly fitted. Power sources: Connect the console to a mains power unit only of the type described in this User Guide and marked on the rear panel. Use the power cord with sealed mains plug appropriate for your local mains supply as provided with the console. If the provided plug does not fit into your outlet consult your service agent for assistance. Power cord routing: Route the power cord so that it is not likely to be walked on, stretched or pinched by items placed upon or against it. Grounding: Do not defeat the grounding and polarisation means of the power cord plug. Do not remove or tamper with the ground connection in the power cord. ! WARNING: This equipment must be earthed. Water and moisture: To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet conditions. Do not place containers of liquids on it which might spill into any openings. Ventilation: Do not obstruct the ventilation slots or position the console where the air flow required for ventilation is impeded. If the console is to be operated in a rack unit or flightcase ensure that it is constructed to allow adequate ventilation. Heat and vibration: Do not locate the console in a place subject to excessive heat or direct sunlight as this could be a fire hazard. Locate the console away from any equipment which produces heat or causes excessive vibration. Servicing: Switch off the equipment and unplug the power cord immediately if it is exposed to moisture, spilled liquid, objects fallen into the openings, the power cord or plug become damaged, during lightning storms, or if smoke, odour or noise is noticed. Refer servicing to qualified technical personnel only. Installation: Install the console in accordance with the instructions printed in this User Guide. Do not connect the output of power amplifiers directly to the console. Use audio connectors and plugs only for their intended purpose. Allen & Heath 4 ZED-14, 18 & 24 User Guide SAFETY INSTRUCTIONS Important Mains plug wiring instructions USO RESTRITO The console is supplied with a moulded mains plug fitted to the AC mains power lead. Follow the instructions below if the mains plug has to be replaced. The wires in the mains lead are coloured in accordance with the following code: TERMINAL ! WIRE COLOUR European USA/Canada L LIVE BROWN BLACK N NEUTRAL BLUE WHITE E EARTH GND GREEN & YELLOW GREEN The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or with the Earth symbol. This appliance must be earthed. The wire which is coloured Blue must be connected to the terminal in the plug which is marked with the letter N. The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L. Ensure that these colour codes are followed carefully in the event of the plug being changed. General Precautions: Damage : Environment : Cleaning : Transporting : Hearing : 82 Allen & Heath To prevent damage to the controls and cosmetics avoid placing heavy objects on the control surface, scratching the surface with sharp objects, or rough handling and vibration. Protect from excessive dirt, dust, heat and vibration when operating and storing. Avoid tobacco ash, smoke, drinks spillage, and exposure to rain and moisture. If the console becomes wet, switch off and remove mains power immediately. Allow to dry out thoroughly before using again. Avoid the use of chemicals, abrasives or solvents. The control panel is best cleaned with a soft brush and dry lint-free cloth. The faders, switches and potentiometers are lubricated for life. The use of electrical lubricants on these parts is not recommended. The fader and potentiometer knobs may be removed for cleaning with a warm soapy solution. Rinse and allow to dry fully before refitting them. The console may be transported as a free-standing unit or mounted in a rack or flightcase. Protect the controls from damage during transit. Use adequate packing if you need to ship the unit. To avoid damage to your hearing do not operate any sound system at excessively high volume. This applies particularly to close-to-ear monitoring such as headphones and in-ear systems. Continued exposure to high volume sound can cause frequency selective or wide range hearing loss. 5 ZED-14, 18 & 24 User Guide CONTENTS USO RESTRITO Thank you for purchasing your Allen & Heath ZED mixer. To ensure that you get the maximum benefit from the unit please spare a few minutes familiarizing yourself with the controls and setup procedures outlined in this user guide. For further information please refer to the additional information available on our web site, or contact our technical support team. http://www.allen-heath.com Allen & Heath http://www.allen-heath.com/zed http://www.myspace.com/thezedspace Warranty.............................................. Packed Items ....................................... Safety Instructions.............................. Contents .............................................. Panel Drawings ................................... Introduction to ZED-14, 18 & 24... Specifications....................................... Dimensions.......................................... Block Diagram .................................... Mono Input Channel ......................... Stereo Input Channel ST1................ Stereo Input Channel ST2, 3 & 4.... Master Section.................................... USB Connection................................. SONAR LE software introduction. Configuring SONAR LE with ZED. Configuration with PT9 on a Mac .. Application Information—Live........ Application Information—Studio ... Using USB for effects ........................ Wiring Notes...................................... Product Support................................. 6 2 3 4 6 7 10 11 12 13 14 17 19 20 22 23 24 25 26 27 28 29 30 ZED-14, 18 & 24 User Guide PANEL DRAWINGS This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: CAUTION (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. RISK OF ELECTRIC SHOCK DO NOT OPEN ALLEN&HEATH AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS. WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. WARNING: THIS APPARATUS MUST BE EARTHED OFF ON 0 I FUSE T630mA L 250V 20mm AC MAINS IN ~ 100 - 240V~ 47-63Hz 40W MAX Allen & Heath MIC MADE IN CHINA. MIC MIC MIC MIC ST RTN MIC LINE LINE LINE LINE LINE LINE 1 2 3 4 5 6 INSERT INSERT INSERT INSERT INSERT INSERT 2TRK RTN REC OUT ALT OUT L L L L R R R R L/M L/M L/M L/M ST1 IN ST2 IN R ST4 IN ST3 IN R R MAIN OUT INSERT L AUX1 OUT L AUX2 OUT INSERT R AUX3 OUT MONO OUT R R PHONES AUX4 OUT 0 20 10 GAIN 10 30 0 MIC LINE 40 50 -10 -6 63 26 0 20 10 GAIN 10 30 0 MIC LINE 40 50 -10 -6 63 26 100Hz HF 500 650 1k 500 650 120Hz 500 120Hz 650 63 26 50 -10 -6 63 26 650 500 650 3k 4k 120Hz 650 120Hz ST1 -10 2k ON To LR To 9-10 120Hz 0 POWER AUX1-2 10 ON AUX 3-4 To LR To 11-12 0 LR PRE 12kHz 0 48V +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 PHANTOM POWER 5 10 OO HF 12kHz 0 -30 10 OO -5 IN -20 5 -30 10 OO HF ST4 -10 -5 IN -20 5 -30 10 OO HF ST3 -10 -5 IN -20 5 -30 4k HM ST2 -10 -5 IN -20 3k 4k HM ON SEND 5 OO To LR To 7-8 RETURN 0 -30 10 OO USB -5 UP=LR post 1k 200 3k 4k HM 500 2k -10 -20 5 +15 -15 1k 200 RTN 0 -30 10 OO USB -5 -20 5 -30 63 26 -10 RTN 0 100Hz +15 2TRK -5 -20 50 -10 -6 -10 RTN 40 HF -15 2k ST 10 30 0 MIC LINE 12kHz 1k 200 0 20 10 GAIN 100Hz +15 3k 120Hz 40 HF 500 HM 10 30 0 MIC LINE 12kHz -15 2k 0 20 10 GAIN 100Hz 1k 200 4k HM 50 -10 -6 +15 3k 4k 40 HF -15 2k 10 30 0 MIC LINE 12kHz 1k 200 3k HM 63 26 0 20 10 GAIN 100Hz +15 -15 2k 50 -10 -6 12kHz +15 200 40 HF 12kHz -15 10 30 0 MIC LINE 100Hz HF 12kHz 0 20 10 GAIN HF 12kHz L 12kHz +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE -15 +15 LF -15 +15 LF 80Hz +15 +15 LF 80Hz -15 -15 +15 +15 LF 80Hz -15 -15 +15 +15 LF 80Hz -15 -15 +15 +15 +15 LF 80Hz -15 -15 +15 LF 80Hz -15 -15 +15 -15 +15 AUX1 PRE AUX1 PRE +6 OO AUX2 AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO -15 AUX2 PRE +15 -15 MIN +15 MAX AUX1 STEREO STEREO AUX1 PRE +6 OO AUX2 PRE PHONES STEREO PRE AUX2 PRE -15 +6 OO +15 LF AUX1 PRE AUX2 PRE +15 -15 80Hz STEREO +6 OO +15 80Hz AUX1 PRE +6 OO -15 LF 80Hz STEREO AUX1 +15 LF 80Hz -15 -15 AUX2 OO +6 OO +6 2TRK RTN AUX2 PRE PRE ALLEN&HEATH USO RESTRITO Serial No. ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. USB RTN +6 OO AUX3 +6 OO AUX3 POST +6 OO AUX4 +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = PAN +6 OO = BAL +6 OO = BAL +6 OO 0 +6 OO LR MONITOR AUX4 POST +6 OO OUT POST AUX4 POST +6 OO ALT AUX3 POST AUX4 POST +6 OO +6 OO AUX3 POST AUX4 POST +6 OO +6 OO AUX3 POST AUX4 POST +6 OO +6 OO AUX3 POST AUX4 POST +6 OO +6 OO AUX3 POST AUX4 POST +6 OO +6 OO AUX3 POST AUX4 POST +6 OO +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST POST +6 OO = BAL = PRE POST LR +6 OO BAL AUX1 MASTER 0 L R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R MUTE OO +6 OO +6 AUX2 MASTER 0 PK ! PK ! PFL PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PFL 10 10 10 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO OO OO OO 1 2 3 4 5 6 7-8 9-10 7 11-12 13-14 L R ZED-14, 18 & 24 User Guide PANEL DRAWINGS This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: CAUTION (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. RISK OF ELECTRIC SHOCK DO NOT OPEN ALLEN&HEATH OFF ON 0 I AC MAINS IN ~ 100 - 240V~ 47-63Hz 26W Cert to CAN/CSA Std. C22.2 No 60065-03 Conforms to ANSI/UL Std. 60065-2003 ZED1802 Serial No. ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MIC MADE IN CHINA MIC MIC MIC MIC MIC MIC MIC MIC ST RTN MIC LINE LINE LINE LINE LINE LINE LINE LINE LINE LINE 1 2 3 4 5 6 7 8 9 10 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 2TRK RTN REC OUT ALT OUT L L L L R R R R L/M L/M L/M L/M ST1 IN ST 2 IN ST 3 IN R R R ST4 IN AUX1 OUT MAIN OUT INSERT L L AUX2 OUT INSERT R AUX3 OUT MONO OUT R R PHONES AUX4 OUT 0 20 10 GAIN 10 30 0 MIC LINE 40 50 -10 -6 63 26 0 20 10 GAIN 10 30 0 MIC LINE 40 50 -10 -6 63 26 100Hz HF 500 500 2k 650 MF 500 650 63 26 -10 -6 63 26 500 1k -10 -6 63 26 500 1k -10 -6 63 26 500 1k -10 -6 63 26 500 1k -10 -6 63 26 500 1k 500 2k -20 -30 500 2k RTN 0 10 -10 USB -5 RETURN 0 -20 5 -30 SEND POWER 5 -30 10 AUX1-2 10 ON ON ON To LR To CH To LR To CH To LR To CH AUX 3-4 LR PRE 48V PHANTOM POWER UP=LR post ST1 -10 1k 200 2k 3k 120Hz MF USB -5 -20 5 +15 650 3k 4k -10 RTN 0 63 26 -15 1k 200 2 TRK -5 100Hz +15 650 120Hz MF -10 -6 -10 RTN 40 50 HF -15 4k ST 10 30 0 MIC LINE 12kHz 3k 120Hz 0 20 10 GAIN 100Hz +15 650 200 4k MF 40 50 HF -15 2k 10 30 0 MIC LINE 12kHz 3k 120Hz 0 20 10 GAIN 100Hz +15 650 200 4k MF 40 50 HF -15 2k 10 30 0 MIC LINE 12kHz 3k 120Hz 0 20 10 GAIN 100Hz +15 650 200 4k MF 40 50 HF -15 2k 10 30 0 MIC LINE 12kHz 3k 120Hz 0 20 10 GAIN 100Hz +15 650 200 4k MF 40 50 HF -15 2k 10 30 0 MIC LINE 12kHz 3k 120Hz 0 20 10 GAIN 100Hz +15 650 200 4k MF 40 50 HF -15 2k 10 30 0 MIC LINE 12kHz 3k 120Hz 0 20 10 GAIN 100Hz 1k 200 4k MF -10 -6 +15 -15 2k 120Hz 40 50 HF 3k 4k 10 30 0 MIC LINE 12kHz 1k 200 3k 120Hz 63 26 0 20 10 GAIN 100Hz +15 -15 1k 200 -10 -6 12kHz +15 650 40 50 HF 12kHz -15 10 30 0 MIC LINE 100Hz HF 12kHz 0 20 10 GAIN ST2 -10 -5 0 IN -20 MF 0 0 5 -30 10 HF 12kHz -5 IN -20 5 -30 10 HF ST4 -10 -5 IN -20 5 -30 10 4k ST3 -10 0 IN -20 5 -30 -5 10 HF 12kHz HF 12kHz 12kHz +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 L R PFL ACTIVE -15 +15 -15 +15 LF -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 LF 80Hz -15 LF 80Hz +15 AUX1 PRE AUX1 PRE PRE +6 AUX2 AUX2 PRE PHONES -15 STEREO PRE MIN +15 MAX AUX1 STEREO STEREO AUX1 PRE +6 AUX2 +6 AUX2 PRE +15 LF +15 AUX1 AUX2 PRE -15 80Hz -15 STEREO +6 AUX2 PRE +15 PRE +6 +15 80Hz -15 AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 PRE +6 AUX2 PRE AUX1 -15 LF 80Hz -15 STEREO AUX1 +15 +6 2TRK RTN AUX2 PRE PRE ALLEN&HEATH USO RESTRITO AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. CET APPAREIL DOIT ETRE MIS A LA TERRE WARNING: THIS APPARATUS MUST BE EARTHED Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan Apparatet må tilkoples jordet stikkontakt Apparaten skall anslutas till jordat uttag FUSE T1A L 250V 20mm USB RTN +6 AUX3 +6 AUX3 POST POST POST POST +6 = PAN POST +6 = PAN POST +6 = PAN POST +6 = PAN POST +6 = PAN POST +6 = PAN POST +6 = PAN POST +6 = PAN POST +6 = PAN PAN BAL BAL +6 LR MONITOR POST +6 = 0 +6 AUX4 POST +6 = OUT +6 AUX4 POST +6 = ALT POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 AUX4 +6 AUX3 POST +6 = BAL PRE POST LR +6 = BAL AUX1 MASTER 0 L R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R MUTE +6 AUX2 MASTER 0 PK ! PK ! PFL PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! PFL 10 PK ! 10 PK ! PK ! PK ! +6 PFL PFL 10 PFL 10 PFL 10 PFL 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO OO OO O OO OO OO OO OO 1 2 3 4 5 6 7 8 9 10 11-12 13-14 15-16 17-18 Allen & Heath 8 L R ZED-14, 18 & 24 User Guide PANEL DRAWINGS This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: CAUTION (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. RISK OF ELECTRIC SHOCK DO NOT OPEN ALLEN&HEATH AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING. ATTENTION: REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS. WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. WARNING: THIS APPARATUS MUST BE EARTHED ON 0 I USO RESTRITO OFF FUSE T630mA L 250V 20mm AC MAINS IN ~ 100 - 240V~ 47-63Hz 40W MAX Serial No. ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MIC MIC MIC MIC ST RTN MIC LINE LINE LINE LINE LINE LINE LINE LINE LINE 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT 40 50 63 26 0 20 10 GAIN 10 30 0 MIC LINE 40 50 -10 -6 HF 10 30 0 MIC LINE 40 50 -10 -6 63 26 100Hz 2TRK RTN REC OUT ALT OUT L L L L R R R R L/M L/M L/M L/M ST1 IN ST2 IN ST4 IN ST3 IN R R AUX1 OUT MAIN OUT INSERT L L AUX2 OUT INSERT R AUX3 OUT MONO OUT R R 650 2k 40 50 -10 -6 63 26 HF 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE 40 50 -10 -6 63 26 0 MIC LINE -10 -6 -10 RTN 40 -20 50 -30 63 26 0 2k RETURN 0 2k 3k 120Hz SEND POWER 5 -30 10 OO USB -5 -20 5 -30 -10 AUX1-2 10 OO ON ON To LR To CH AUX 3-4 To LR To CH LR PRE 48V +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 PHANTOM POWER UP=LR post ST1 -10 1k 200 4k RTN 0 -20 5 ON To LR To CH 650 3k 120Hz USB -5 +15 -15 500 200 -10 RTN 10 OO 100Hz 1k HM 2TRK -5 HF 500 2k 4k ST 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz HF 500 2k 10 30 12kHz 650 3k 120Hz HM GAIN +15 -15 1k 200 4k 0 20 10 100Hz 12kHz 650 3k 120Hz HM 0 MIC LINE +15 -15 500 200 2k 4k HM GAIN 10 30 100Hz 1k 3k 120Hz 63 26 12kHz 500 200 40 50 -10 -6 +15 -15 1k 3k 4k 0 MIC LINE 0 20 10 0 IN -20 0 12kHz 0 5 10 OO HF 12kHz 0 -30 10 OO -5 IN -20 5 -30 10 OO HF ST4 -10 -5 IN -20 5 -30 10 OO HF ST3 -10 -5 IN -20 5 -30 4k HM ST2 -10 -5 HF 12kHz L 12kHz +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE +15 -15 +15 LF 80Hz +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 +15 LF 80Hz -15 -15 +15 LF 80Hz -15 +15 -15 80Hz -15 +15 AUX1 PRE AUX1 PRE +6 AUX2 +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE AUX1 PRE +6 OO AUX2 PRE +15 +6 OO +6 OO PHONES +15 -15 STEREO MIN +15 MAX AUX1 STEREO STEREO AUX1 PRE PRE +6 OO AUX2 PRE +15 80Hz -15 AUX1 AUX2 PRE -15 LF STEREO PRE AUX2 PRE +15 80Hz -15 AUX1 PRE -15 LF STEREO AUX1 +15 LF AUX2 OO +6 OO +6 2TRK RTN AUX2 PRE PRE USB RTN +6 AUX3 +6 OO AUX3 POST AUX3 POST +6 AUX4 +6 OO +6 = +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = PAN +6 OO +6 OO = BAL +6 OO +6 OO = +6 OO 0 +6 OO LR MONITOR AUX4 POST BAL OUT POST AUX4 POST ALT AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO AUX3 POST AUX4 POST +6 OO POST +6 OO = BAL = PRE POST LR +6 OO BAL AUX1 MASTER 0 R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R MUTE OO +6 OO +6 AUX2 MASTER 0 PK ! PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PFL 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21-22 23-24 Allen & Heath 9 17-18 19-20 L R ZED-14, 18 & 24 User Guide ALLEN&HEATH 500 650 GAIN 10 30 HF 12kHz +15 -15 1k 0 20 10 100Hz HF 12kHz +15 2k 0 20 10 GAIN 63 26 100Hz 80Hz L MIC LINE LF OO MIC LINE 200 PAN MIC LINE HM OO MIC PHONES 650 OO MIC AUX4 OUT -15 OO MIC LINE HF -15 MIC LINE 12kHz -15 MIC LINE 10 30 -10 -6 500 MIC LINE 0 MIC LINE 120Hz MIC R 0 20 10 GAIN MIC INTRODUCTION TO THE ZED-14 & 24 The following is a technical overview of ZED, if you want to, please skip to the next section. The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beautiful county of Cornwall in the UK and is manufactured alongside a wide range of professional audio mixing consoles. Many of the components used in ZED are exactly the same as in the larger Allen & Heath products and the construction methods are also very similar — utilising individual vertically mounted channel circuit boards with each rotary control fixed with a metal nut to the front panel. This provides a very robust product that will resist damage and give years of reliable use. It also makes servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time, or easily change a fader. USO RESTRITO The audio circuitry is based on years of continual development and refinement , the performance of all the elements within the mixer scrutinised and perfected to ensure the very best sound quality possible. Multi-application: ZED’s are great for live mixing! Their layout makes them very easy to use and the 100mm faders give much better control of the mix compared to most products at a similar price. They are also great for recording, either a live show or an audio project at home can be built up track by track and studio monitor speakers can be fed from the Alt Outputs. ZED mixers are also ideal for teaching establishments, houses of worship, hotels and conference centres where their ease of use and robust qualities make them a top choice. Mic/Line Pre-amps: Based on the pre-amps from the PA series, the ZED-14, 18 & 24 pre-amps use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge — 69dB of range to be exact — and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. There is no “pad” switch, or pad circuit — line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket. This has the great advantage of lower noise when using the line input. (It is common to attenuate line level signals, the amplify them back up again which can give more noise or hiss). EQ: The ZED series mixers are equipped with a 3-band equaliser circuit on each mono input and a 2-band EQ on the stereo channels. The frequency and response of each has been carefully chosen to give the maximum performance when using the EQ on a variety of sources. AUX system: Four auxiliary buses are provided, two pre-fade and two post fader. Auxes 1 & 2 have master level controls. The auxes can be sent to the USB output for either recording or effects purposes and Auxes 1 & 2 can be configured as a stereo pair, with sends on the stereo channels switched either mono or stereo. Mono and Stereo Channels: One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the mono channels there are four stereo channels, each with a main stereo input on jack sockets, three of them have the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. USB: Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your computer to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! Quality audio to and from your PC or MAC. As you can tell, we’re very proud of this product we hope you like it too. Allen & Heath 10 ZED-14, 18 & 24 User Guide SPECIFICATIONS Operating Levels Input Mono channel (XLR) Input +6 to –63dBu for nominal (+17dBu in max) Mono channel Line Input (Jack socket) +10 to –26dBu (+30dBu maximum) Insert point (TRS Jack socket) 0dBu nominal +21dBu maximum 0dBu nominal (control = Off to +10dB) Stereo input (phono sockets) 0dBu nominal (control = Off to +10dB) USO RESTRITO Stereo Input (Jack sockets) Output L, R & Mono Outputs (L&R XLR, Mono Jack) 0dBu nominal. +21dBu maximum. Aux Outputs (Jack sockets) 0dBu nominal. +21dBu maximum. Alt Outputs (phono sockets) 0dBu nominal. +21dBu maximum. Rec Outputs (phono sockets) 0dBu nominal. +21dBu maximum. Frequency Response Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 20Hz to 20kHz. Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 30kHz Stereo in to Mix L/R out +0.5/-1dB 10Hz to 30kHz THD+n Mic in to Mix L/R Out, 0dB gain 1kHz +10dBu out 0.004% Mic in to Mix L/R Out, 30dB gain 1kHz 0.014% Line in to Mix L/R out 0dB gain 0dBu 1kHz 0.005% Stereo in to Mix L/R out 0dB gain +10dBu 1kHz 0.003% Headroom Analogue Headroom from nominal (0Vu) 21dB USB in & out headroom from nominal (0Vu) 14dB USB Audio CODEC (Coder/Decoder) USB Audio In/Out USB 1.1 compliant 16bit. Sample Rate 32, 44.1, or 48kHz Noise Mic Pre EIN @ max gain 150R input Z 22-22kHz -127dBu Mix L/R out, L/R faders = 0, 22-22kHz ZED-14 -88dBu Mix L/R out, L/R faders = 0, 22-22kHz ZED-18 -86dBu Mix L/R out, L/R faders = 0, 22-22kHz ZED-24 -84dBu Allen & Heath 11 ZED-14, 18 & 24 User Guide Dimensions MIC MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE ST RTN MIC LINE 2TRK RTN L L R R R R L/M 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT ALT OUT L LINE 1 INSERT REC OUT L L/M ST1 IN L/M ST2 IN R INSERT L INSERT R AUX3 OUT MONO OUT MAIN OUT L L/M ST4 IN ST3 IN R AUX1 OUT AUX2 OUT R R R PHONES AUX4 OUT GAIN 0 20 10 10 30 0 40 MIC LINE 50 -10 -6 63 26 GAIN 0 20 10 10 30 0 40 MIC LINE 50 -10 -6 63 26 100Hz HF 650 -15 1k 500 2k 650 500 465mm (18.3 inches) 120Hz 650 63 26 40 50 -10 -6 63 26 650 500 120Hz 650 50 63 26 40 50 -10 -6 63 26 650 500 120Hz 650 50 63 26 40 50 -10 -6 63 26 650 500 120Hz 650 50 63 26 10 30 40 50 -10 -6 63 26 500 650 4k 1k 650 500 120Hz 63 26 50 -10 -6 650 63 26 500 120Hz 650 63 26 10 30 0 MIC LINE 40 50 -10 -6 63 26 -15 500 650 2k 1k 500 650 1k 500 200 2k 3k 4k 120Hz HM 120Hz 650 RETURN 0 ST1 -10 IN 2k 3k 120Hz SEND POWER 5 -30 10 OO USB -5 AUX1-2 10 OO ON ON ON To LR To CH To LR To CH To LR To CH AUX 3-4 LR PRE 48V +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 PHANTOM POWER UP=LR post 1k 200 4k HM -10 -20 5 +15 3k 4k HM -15 RTN 0 -30 10 OO USB -5 -20 5 -30 63 26 -10 RTN 0 100Hz +15 2TRK -5 -20 50 -10 -6 -10 RTN 40 HF -15 2k ST 10 30 0 MIC LINE 12kHz +15 200 0 20 10 GAIN 100Hz HF 12kHz 3k 120Hz 0 20 10 GAIN 100Hz 1k 200 4k HM 50 -10 -6 +15 3k 4k 40 HF -15 2k 10 30 0 MIC LINE 12kHz 1k 200 0 20 10 GAIN 100Hz +15 3k 120Hz 40 HF 500 HM 10 30 0 MIC LINE 12kHz -15 2k 0 20 10 GAIN 100Hz 1k 200 4k HM 50 -10 -6 +15 3k HM 40 HF -15 2k 10 30 0 MIC LINE 12kHz +15 200 0 20 10 GAIN 100Hz HF 3k 120Hz 0 20 10 0 MIC LINE 12kHz -15 2k GAIN 100Hz 1k 200 4k HM 40 -10 -6 +15 3k 4k 10 30 HF -15 2k 0 20 10 0 MIC LINE 12kHz 1k 200 GAIN 100Hz +15 3k 120Hz 10 30 HF 500 HM 0 20 10 0 MIC LINE 12kHz -15 2k GAIN 100Hz 1k 200 4k HM 40 -10 -6 +15 3k 4k 10 30 HF -15 2k 0 20 10 0 MIC LINE 12kHz 1k 200 GAIN 100Hz +15 3k 120Hz 10 30 HF 500 HM 0 20 10 0 MIC LINE 12kHz -15 2k GAIN 100Hz 1k 200 4k HM 40 -10 -6 +15 3k 4k 10 30 HF -15 2k 0 20 10 0 MIC LINE 12kHz 1k 200 GAIN 100Hz +15 3k 120Hz 10 30 HF 500 HM 0 20 10 0 MIC LINE 12kHz -15 2k GAIN 100Hz 1k 200 4k HM 50 -10 -6 +15 3k 4k 40 HF -15 2k 10 30 12kHz 1k 200 0 -20 0 10 OO 0 10 OO 0 5 -30 10 OO HF 12kHz -5 IN -20 5 -30 HF 12kHz ST4 -10 -5 IN -20 5 -30 10 OO HF ST3 -10 -5 IN -20 5 -30 4k HM ST2 -10 -5 HF 12kHz L 12kHz +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE -15 +15 LF -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 -15 LF 80Hz -15 +15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 LF 80Hz -15 +15 -15 +15 +15 LF 80Hz -15 -15 +15 LF 80Hz -15 +15 -15 AUX1 PRE AUX1 PRE OO +6 OO +6 AUX2 +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 OO +6 AUX2 PRE AUX1 PRE OO +6 -15 +15 OO +6 AUX2 PRE +6 -15 OO +6 AUX2 PRE +6 OO +6 AUX2 PRE +15 -15 OO +6 +15 -15 MIN +15 MAX AUX1 STEREO STEREO AUX1 PRE OO +6 OO +6 AUX2 PRE PHONES STEREO PRE +6 +15 80Hz AUX1 OO AUX2 PRE -15 LF STEREO PRE OO +15 80Hz AUX1 PRE OO -15 LF 80Hz AUX1 PRE OO +15 LF STEREO AUX1 AUX2 OO +6 OO +6 2TRK RTN AUX2 PRE PRE USB RTN AUX3 AUX3 POST AUX3 POST +6 OO AUX4 +6 AUX4 POST +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 AUX4 +6 OO +6 OO +6 = PAN +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = +6 OO +6 OO = BAL +6 OO +6 OO = +6 OO 0 +6 OO LR MONITOR AUX4 POST BAL OUT POST AUX4 POST ALT AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST OO = AUX3 POST AUX4 POST PAN AUX3 POST OO POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST AUX4 POST PAN AUX3 POST OO POST +6 OO LR +6 OO = BAL = BAL PRE POST AUX1 MASTER 0 L R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L R MUTE L R MUTE L R MUTE L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R L MUTE R OO +6 OO +6 AUX2 MUTE MASTER 0 PK ! PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PK ! PFL PFL 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21-22 23-24 17-18 19-20 L R ZED-14 385mm (15.2 inches) ZED-18 464mm (18.3 inches) ZED-24 645mm (25.4 inches) 43 92 0 R2 98 USO RESTRITO 120Hz 63 26 0 20 10 0 MIC LINE 100Hz +15 3k HM 50 -10 -6 GAIN ALLEN&HEATH 500 40 12kHz +15 200 10 30 HF 12kHz -15 0 20 10 0 MIC LINE 100Hz HF 12kHz GAIN 450 Weight Unpacked Packed ZED-14 6.5kg (14.3 lb) 10.5kg (23.1 lb) ZED-18 8.5kg (18.7 lb) 13kg (28.6 lb) ZED-24 10.5kg (23.1 lb) 15kg (33 lb) 19” Rack kit for the ZED-14 - Order part number: ZED1402-RK19 19” Rack kit for the ZED-18 - Order part number: ZED1802-RK19 Allen & Heath 12 ZED-14, 18 & 24 User Guide MIC IN PP + - GAIN GAIN GAIN ON ON ON + - CHAN LR GAIN CHAN LR 100Hz GLOBAL 48V SWITCH GAIN R L LINE IN +48V STEREO CHANNEL 1 STEREO RETURN L R ST1/2/3/4 STEREO CHANNEL 2 2TRK RTN L R STEREO CHANNEL 3 L REC OUT LR CHAN HPF + SUM LF HM HF 3 BAND EQUALISER MONO CHANNEL INSERT SUM STEREO CHANNEL HF 2 BAND EQUALISER LF 2 TRK RTN TO MONITOR SELECTION USB RETURN FROM COMPUTER RECORD OUT PFL PEAK MUTE PFL PEAK MUTE WIRE PAD SOLDER LINK STEREO AUX 3 AUX 2 AUX 1 BAL AUX 4 AUX 3 AUX 2 AUX1 PAN RECORD OUT MONITOR USB RETURN 2TRK RTN AUX2 MASTER LEVEL AUX1 MASTER LEVEL R INSERT L INSERT ZED 14, 18 & 24 BLOCK DIAGRAM FADER FADER + SUM SUM + AUX 4 PFL ACTIVE MIX POST RECESSED SWITCHES MAIN LR FADERS USB RETURN PRIORITY SWITCHING AUX 1-2 AUX 3-4 L-R PRE PRIORITY SWITCHING AUX 2 AUX 1 2 TRK RTN PFL ACTIVE USB RTN ALT LEVEL TO ALT OUT SUM + USB DEVICE PFL/AFL L MAIN OUT R 0dBu NOMINAL AUX1 OUT AUX2 OUT AUX3 OUT AUX4 OUT METERS HEADPHONES PHONES LEVEL USB 1 STEREO I/O MONO OUT ZED-14, 18 & 24 User Guide 13 Allen & Heath R STEREO CHANNEL 4 ALT OUT L R L R AUX 1 AUX 2 AUX 3 AUX 4 PFL USO RESTRITO BLOCK DIAGRAM MONO INPUT CHANNEL Mic Input Socket MIC Standard 3-Pin XLR socket wired as Pin 1=Chassis, Pin 2=hot (+), Pin 3=Cold (-). USO RESTRITO Line Input Jack Socket Standard 1/4” (6.25mm) Jack socket for balanced or unbalanced line level signals. Wired Tip=Hot(+), Ring=cold (-), Sleeve=Chassis. The Line input overrides the Mic input, so if you want to hear something plugged in to the xlr socket, make sure nothing is plugged into the Line input. LINE Insert Jack Socket 1 Standard 1/4” (6.25mm) Jack socket for unbalanced insert send and return signals. Wired Tip=send, Ring=return, Sleeve=Chassis. Nominal level is 0dBu. The insert point is after the 100Hz filter and before the EQ. INSERT Gain Control GAIN 0 20 10 0 MIC LINE 10 30 40 GA 50 -10 -6 This adjusts the gain of the input amplifier to match the signal level of the input. The gain is varied from –6dB (attenuation) to +63dB for signals plugged in to the xlr socket (Mic Input) and –10dB to +26dB for signals plugged into the Line input jack. LI 63 26 100Hz 100Hz Hi-pass Filter dBr 10.00 The Hi-pass filter is used for reducing pop noise and rumble from microphone signals. It is a 2-pole (12dB per octave) filter with a corner frequency set at 100Hz. The filter affects signals from both Mic XLR and Line jack socket. 0.00 -10.00 -20.00 -30.00 -40.00 -50.00 10.00 Hz Allen & Heath 100.00 1000.00 10000.00 30000.00 14 ZED-14, 18 & 24 User Guide MONO INPUT CHANNEL 0 20 10 GAIN HF EQ 10 30 0 MIC LINE 40 50 -10 -6 The HF (High Frequency) equaliser affects the frequency response of the higher audible frequencies. The corner frequency of 12kHz is around 3dB from the maximum cut or boost of the circuit. It has plenty of gain and actually gives slightly more that the +/-15dB legend suggests. 63 26 USO RESTRITO dBr 20.00 100Hz 15.00 10.00 5.00 HF 0.00 12kHz -5.00 -10.00 -15.00 +15 -15 500 650 -20.00 10.00 Hz 1k 1000.00 10000.00 30000.00 MF EQ 200 2k 3k 120Hz 100.00 4k HM The MF (Mid Frequency) equaliser affects the middle of the audible frequency range. The frequency graduations on the sweep control are the centre frequencies of the EQ. The range has been carefully chosen to cover “boomy” frequencies around 120Hz to 250Hz which may need cutting back, or a lift at 2 to 3kHz may be required for microphone intelligibility. dBr 20.00 -15 +15 15.00 10.00 LF 5.00 80Hz 0.00 -5.00 -10.00 -15 +15 -15.00 -20.00 10.00 Hz LF EQ The LF (Low Frequency) equaliser affects the response at the low end of the audio range. The graph shows the response of the LF EQ at maximum cut and boost. The corner frequency is 80Hz. 100.00 1000.00 10000.00 30000.00 dBr 20.00 15.00 10.00 5.00 0.00 -5.00 -10.00 -15.00 -20.00 10.00 Hz Allen & Heath 15 100.00 1000.00 10000.00 30000.00 ZED-14, 18 & 24 User Guide MONO INPUT CHANNEL Auxes 1 & 2 AUX1 PRE OO +6 OO +6 OO +6 AUX2 PRE AUX3 USO RESTRITO POST AUX4 Each of these controls sends a signal to an auxiliary bus. The signal is sourced pre-fade which means that the level is independent of, and unaffected by the fader. Auxes 1 & 2 are primarily used for foldback monitoring purposes, as the fader does not affect the level. They can also be used as feeds for recording and are available sources to the USB interface for this purpose. These sends are affected by the Mute switch, so muting the channel will also mute the Aux sends. The control varies the signal level to the bus from off (fully attenuated) to +6dB, with unity gain at the arrow. There are master level controls for the Aux 1 & 2 outputs situated in the master section of the mixer. POST +6 OO = PAN L R MUTE Auxes 3 & 4 These are post-fade sends, which means that the signals are affected by the channel fader. Primarily used for effects sends, the aux signal will reduce if the fader is pulled down so keeping the correct proportion of the effect. Muting the channel will also mute the Aux sends, and the send controls have 6dB gain fully clockwise. There are no master level controls for Aux 3 & 4 outputs. PK ! PFL PAN 10 The pan control adjusts how the signal from the mono input channel is shared between the left and right buses and subsequently the main stereo outputs. Set to the mid position, equal amounts of signal are fed to left and right, with pan set to L, none is sent to the Right bus. 5 Mute Switch 0 This mutes or cuts the signal to the left & right buses and the Aux buses. A rectangular LED illuminates to show the Mute switch is pressed. 5 10 PFL Switch & PK! LED The PFL (Pre-Fade Listen) switch sends the channel signal to the PFL bus and subsequently to the headphones and the main L R meters. Used for checking the audio signal before raising the fader or un-muting the channel. The PK! LED illuminates dimly to indicate the PFL switch is pressed, and brightly to indicate the channel signal is within 5dB of clipping. 20 30 Fader OO The 100mm fader affects the level of the channel signal to the left & right buses and Auxes 3 & 4. There is 10dB of gain at the top and the unity gain position is marked by “0”. 1 Allen & Heath 16 ZED-14, 18 & 24 User Guide STEREO INPUT CHANNEL ST1 ST RTN L Stereo Return Phono sockets This is an additional stereo input to the main stereo channel input (below). The gain is varied by the ST RTN control and this input can be sent to either the stereo channel or straight to the L R main bus, depending on the setting of the under-panel switch. These inputs are unbalanced. USO RESTRITO R Stereo 1 input jack sockets L/M ST1 IN RT R Standard 1/4” jack sockets for line level stereo signals. Can be used with a mono input where the L/M input will also connect to the R input if nothing is plugged in to R. The Stereo 1 inputs accept unbalanced or balanced signals. Stereo Return Level control Adjusts the level of the stereo return input from off (fully attenuated) to maximum where it has 10dB of gain. Stereo Return ON switch ST -10 RTN This switches the signal on when pressed in. Leaving the switch in the up position is recommended when the stereo return input is not in use to minimise unwanted noise being passed through. -5 0 -20 5 -30 10 OO Stereo Routing selector switch This switch selects whether the Stereo Return signal is sent to the L R bus directly, or the stereo channel 1. When it is pressed in, the Stereo Return signal sums together with the main stereo input. ON To LR To 7-8 ST1 -10 Adjusts the level of the ST1 input. The range is from off to +10dB. Stereo Channel EQ -5 The Stereo Channel EQ is 2 band with corner frequencies of 12kHz for the HF and 80Hz for the LF. 0 IN -20 5 -30 OO Stereo 1 Level control dBr 2 0.00 10 1 5.00 HF 1 0.00 12kHz 5 .0 0 -15 +15 0 .0 0 -5 .0 0 LF 80Hz -1 0 .0 0 -1 5 .0 0 -15 Allen & Heath +15 -2 0 .0 0 1 0 .0 0 Hz 17 1 0 0 .0 0 1 0 0 0 .0 0 1 0 0 0 0 .0 0 3 0 0 0 0 .0 0 ZED-14, 18 & 24 User Guide STEREO INPUT CHANNEL ST1 STEREO AUX1 PRE OO +6 OO +6 OO +6 AUX2 PRE AUX3 USO RESTRITO POST STEREO Aux 1 & 2 switch This is an under-panel selector switch that configures Auxes 1 & 2 to be either mono sends or a stereo send pair. UP: A mono sum of the left & right stereo channel signal is sent to Aux buses 1 & 2 by the control knobs. DOWN: The left stereo channel signal is sent to Aux 1 and the right is sent to Aux 2 by the control knobs. Note: This can be useful when setting up a seperate stereo output from the main L R output using Auxes 1 & 2, possibly for recording. This can be selected to feed the USB output to create an independent stereo feed for recording using a computer. AUX4 POST +6 OO = BAL L R MUTE Aux 1 & 2 sends These control the level of the signals sent to the Aux 1 & 2 buses. The Aux 1 & 2 send controls are configured either as two mono sends or as a stereo pair depending on the position of the STEREO switch (please see above). Auxes 1 & 2 are pre-fade, but muted when the Mute switch is pressed. There is 6dB of gain at the fully clockwise position. PK ! Aux 3 & 4 sends PFL These controls take a mono sum of the left & right stereo channel signals from after the fader and send them to the Aux 3 and Aux 4 buses respectively. They are muted when the Mute switch is pressed and have 6dB of gain at maximum. 10 Balance control 5 0 5 10 20 30 OO The Balance control varies the relative levels between the left and right channels. Mute Switch Mutes the signals to the main L R and the Aux buses. PFL Switch & PK! LED The Pre-Fade Listen switch takes a mono sum of the stereo channel signals from before the fader and mute switch. When pressed the signal will appear on the L R meters and be fed to the headphones circuit for monitoring. The PK! LED illuminates dimly to indicate the PFL switch is pressed, and brightly to indicate the channel signal is within 5dB of clipping. Fader The 100mm fader affects the level of the channel signal to the left & right buses and Auxes 3 & 4. There is 10dB of gain at the top and the unity gain position is marked by “0”. 7-8 Allen & Heath 18 ZED-14, 18 & 24 User Guide STEREO INPUT CHANNELS ST2, 3 & 4 & USB USO RESTRITO ST RTN 2TRK RTN REC OUT ALT OUT L L L L R R R R L/M L/M L/M L/M ST1 IN ST2 IN ST3 IN ST4 IN RT R ST RTN -10 2TRK -5 RTN 0 -20 -10 10 RTN 0 -10 10 ON ON To LR To 7-8 To LR To 9-10 R USB -5 RETURN 0 -20 5 -30 OO R USB -5 -20 5 -30 OO R SEND 5 -30 OO 10 ON To LR To 11-12 AUX1-2 AUX 3-4 LR PRE P UP=LR post Stereo Input Channel ST1 This is stereo input channel ST1 as described on previous pages. Stereo Input Channel ST2 The only difference from stereo input channel ST1 is the labelling of the additional stereo input on phono connectors, labelled as 2 Track Return. This is to indicate that a 2 track (stereo) input can be inserted here for playback of a stereo recording or incidental music. Stereo Input Channel ST3 Stereo input channel ST3 also has an additional stereo input, but instead of being on phono connectors, it comes from the USB audio input. The level control, ON switch and routing switch are the same as for stereo input channel ST1. It is best to leave the ON switch in its UP position when the USB input is not in use. The phono sockets carry the analogue record output signals that are sourced from the main L R outputs. They are pre-fade, post L R insert. Stereo Input Channel ST4 Stereo input channel ST4 has one stereo input (ST4) on jack sockets. The phono sockets carry the Alternate stereo output which comes from the selector switches and level control in the master section. USB connector & output selection. A standard USB type B connector plugs in here (cable supplied). The three selector switches determine what is sent on the USB output. They work on a priority system, so that if more than one is pressed the one nearest the top takes precedence. So if all 3 are pressed, then the Aux 1 & 2 signals would be sent by the USB device. Please refer to the section describing using the USB audio port for more details. Allen & Heath 19 ZED-14, 18 & 24 User Guide MASTER SECTION Aux output jack sockets AUX1 OUT Standard 1/4” jack sockets for Aux 1 to 4 outputs. Impedance balanced, nominal level = 0dBu. MAIN OUT INSERT L L AUX2 OUT INSERT R Mix L R Insert jack sockets Standard 1/4” (6.25mm) Jack sockets for unbalanced insert send and return signals. Wired Tip = send, Ring = return, Sleeve = Chassis. Nominal level is 0dBu. R USO RESTRITO AUX3 OUT MONO OUT PHONES Main L R output xlr sockets AUX4 OUT Main left & right outputs. Impedance balanced signals, pin1 = chassis, pin2 = hot (+), pin3 = cold (-). Nominal level = 0dBu. POWER Mono output jack socket 48V PHANTOM POWER L +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE PHONES MIN MAX AUX1 STEREO AUX2 2TRK RTN A mono sum of the main left & right post-fade signals. ALLEN&HEATH +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 Headphones jack sockets One 1/4” and one 3.5mm jack socket for stereo headphones. Wired Tip = left, Ring = right, Sleeve = Chassis. It is recommended that headphones with an impedance higher than 30ohms are used. 48v Phantom Power switch USB RTN ALT OUT 0 +6 OO LR MONITOR PRE POST LR AUX1 MASTER 0 OO +6 OO +6 AUX2 ! Press this in to switch 48v Phantom Power to all the Mic input xlr connectors, if any of the microphones attached require power. Dynamic microphones won’t mind being connected to a phantom powered input, but care is needed to ensure that 48v is not switched on if an xlr is used to input a signal from an electronic circuit (ie. Another mixer or keyboard). When switching 48v on or off, or plugging in connectors to channels with 48v present, it is important (and normal practise) to mute the channels. This will avoid loud clicks and bangs potentially getting through to the amps & speakers with the possible effect of damaging the speakers, or your audience’s hearing! MASTER 0 10 5 0 5 Left Right meters 12 segment LED meters, peak type response, the “0” position reflects 0dBu at the outputs. These display the signals from the monitor selector switches below, or the PFL (pre-fade listen) signals from any selected channels, which overrides. 10 20 Allen & Heath 20 ZED-14, 18 & 24 User Guide USB & MASTER SECTION Headphone level control 48V PHANTOM POWER L +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 R PFL ACTIVE USO RESTRITO PHONES MIN MAX AUX1 STEREO AUX2 2TRK RTN USB RTN ALT OUT Adjusts the level of the headphone signal. ALLEN&HEATH +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 Warning ! To avoid damage to your hearing do not operate the headphones or sound system at excessively high volume. Continued exposure to high volume sound can cause frequency selective or wide range hearing loss. 82! Monitor selector switches These 4 switches select the signal source for the headphones monitor and the meters. They work on a priority basis. If they are all up then the post-fade main L R signals will feed the monitor circuit, if USB and 2 TRK are pressed, then only the 2 TRK signals will feed the monitor circuit. The stereo option of pressing both AUX 1 and AUX 2 together allows Aux 1 to feed the left and Aux 2 to feed the right monitor circuit. This is useful if a stereo mix is set up using Auxes 1 & 2. 0 Alternate output level control +6 OO LR MONITOR The Alt (Alternate) Output is useful for connecting a pair of monitor speakers separate to the main outputs. The level control adjusts the volume of the output from off to +6dB. PRE POST LR AUX1 MASTER 0 +6 OO AUX2 Alternate output selector switches MASTER These under-panel switches select the signal source for the Alt output. They select between the L R pre-fade, L R post-fade or the monitor L R signals. 0 +6 OO 10 Aux 1 & 2 master level controls For adjusting the level of the Aux 1 and 2 outputs. The range of level control is from off to +6dB. 5 0 Master L R faders 5 High quality 100mm faders for the main L R outputs. 10dB gain at the top, unity gain marked at “0”. 10 20 30 OO L Allen & Heath R 21 ZED-14, 18 & 24 User Guide USB CONNECTION ST4 IN R USB USO RESTRITO RETURN SEND AUX1-2 AUX 3-4 12 LR PRE P UP=LR post USB Audio Interface The ZED is equipped with a stereo bi-directional USB 1.1 compliant audio CODEC. It is fully compliant with USB 2 ports and uses standard Windows and MAC Core Audio Drivers. In other words, plug it in and your computer will find it and be able to transfer audio to and from the ZED USB device. You will need some form of audio software running on your computer to be able to record and play back what you record, but on a basic level, you can use your computers media player to play straight to the ZED device. Just a couple of points to look out for: Windows XP/Vista: When you plug in your ZED USB interface to your computer, if the volume level is low or inaudible, check the device volume in control panel/Sounds and Audio Devices/Volume. Set the volume to High. Windows 7: At present, Windows 7 treats the USB audio device as a microphone source instead if a line input, so set the device volume level much lower, we found setting to 3 is ideal. If you want to reduce latency (delay) there are some different drivers available for your operating system. Please check the Allen & Heath website www.allen-heath.com for details and links to third party companies able to supply appropriate drivers for your operating system. Allen & Heath 22 ZED-14, 18 & 24 User Guide cakewalk SONAR X1 LE DIGITAL AUDIO WORKSTATION SONAR X1 LE Overview. USO RESTRITO SONAR X1 LE is a software application from Cakewalk and is included free of charge with your new ZED mixing console. SONAR X1 LE is a powerful first step into the world of sequencing and hard disk recording on the Windows platform. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to your ZED mixer via the USB port. You can decide whether the SONAR family of products is right for you. If you choose to upgrade your copy of SONAR X1 LE to a more full-featured version, like SONAR X1 Producer, you’ll now be able to do so at significant savings. We will describe the basic steps of installing the software and getting started here, for more comprehensive help or technical support please use the Help files in SONAR X1 LE or visit the SONAR LE website: www.cakewalk.com/Products/SONARLE/ The website will have details on registering your product and upgrading it should you wish. There are also tutorials to get you started. • • • • • • • • • • • • • SONAR X1 LE Key Features. Powered by SONAR X1 32 audio tracks 64 MIDI tracks 8 simultaneous inputs and outputs 24-bit/96 kHz audio quality 24 simultaneous effects 8 simultaneous virtual instruments Integrated VST/VSTi support Support for ACID™-format loops Support for ReWire clients such as Live or Reason Active Controller Technology™ automatically maps MIDI keyboards and control surfaces to the parameters you need most on effects, instruments, volume, pan, and other mix elements Edit MIDI directly from the Track View with the Inline Piano Roll View. Support for 32-bit and 64-bit versions of Windows 7, Windows Vista, and Windows XP operating systems SONAR LE Installation. Put disk into CD or DVD ROM drive and follow instructions on screen. Register your copy of SONAR LE by accessing the Cakewalk website. Your SONAR LE software will display its unique serial number. If the installing computer has access to the internet just click “Register”, if not, use a different computer to access cakewalk.com and register by typing in the serial number. Allen & Heath 23 ZED-14, 18 & 24 User Guide SONAR LE will run automatically after installation, or else click the icon created on the desktop. To initially configure SONAR X1 LE with ZED: Create a normal Cakewalk project (an option offered when starting SONAR). In Edit/Preferences configure the I/O—enable the USB Audio CODEC under Devices. This is the ZED interface. For now, disable any other devices listed, for example the computer’s internal soundcard listed here. USO RESTRITO In SONAR X1 LE different views are available. The Track view shows audio and MIDI tracks in a timeline aspect and the Console view shows a mixer style layout. Different views can be displayed by the “dock” tabs at the bottom of the screen. On the left is the Track Inspector. Add an audio track or two clicking Insert/Audio Track. Tracks can be named by clicking the name box, here we have named tracks 1&2 ZED-Left and ZED Right. Configure the inputs for the tracks using the IN/OUT routing drop-down menu in the Track Inspector. Here we select LEFT USB Audio to track 1 and RIGHT USB Audio to track 2. The track outputs are routed to the Master bus in SONAR. Select the output for the Master bus in SONAR by clicking the drop-down arrow in the Inspector and selecting STEREO USB Audio CODEC which is the ZED USB return. In order to check the configuration, enable Input Echo On (the top right button in the track view header). Play some audio through your ZED mixer and select the USB send buttons to the audio signal (for example the L-R mix). N.B. Do not route the USB return to the L-R mix in your ZED mixer at this stage—a feedback loop could occur. You should see the signal on the metering in SONAR LE. To try a recording, enable the Record buttons on the tracks and click the main Record button on the transport toolbar. Recorded audio signal should be displayed in red. Click stop, or hit the space bar on your keyboard to stop the recording. Once you have recorded audio in your SONAR project you can play it back to the ZED mixer. De-select the record arm buttons and Input Echo on the tracks (or you could get both the recorded track signal AND the live input signal playing, and possibly a feedback loop). Press play or hit the spacebar on the keyboard. You should see the audio being played and levels on the meters in SONAR. On your ZED mixer, Press USB Rtn ON and turn the level up to the desired point. Audio should be playing from the tracks in SONAR to the L-R bus in your ZED. Allen & Heath 24 ZED-14, 18 & 24 User Guide CONNECTING A ZED TO PRO TOOLS 9 ON A MAC If you use Pro Tools 9 and want to connect to your ZED console using a Mac computer, here are some notes: 1. Connect your ZED mixer to your Mac via USB and power on the mixer. USO RESTRITO 2. With Pro Tools 9 installed, open Audio MIDI Setup on your Mac. PT9 should have created a Pro Tools Aggregate I/O folder in the Audio Devices list. The ZED interface should appear as USB Audio CODEC in the list along with other audio devices in your system. Tick Use to enable the device in PT9. You may need to also tick Resample in order for the audio data settings to be compatible with your PT9 session. Audio MIDI Setup... 3. Run Pro Tools 9 and create a new session with at least two audio tracks. Open the SETUP/ Playback Engine window and select Pro Tools Aggregate I/O as the Current Engine. Click OK. 4. In PT9 click SETUP and then I/O. Select Output from the menu and the devices available should appear in a box labelled PTAI/O (Pro Tools Aggregate I/O). Here you can create a new output path if one doesn’t exist, name it (here it’s called ZED Stereo OUT) and tick it to enable. The output path can be set as stereo or mono channels as is required. 5. Still in I/O Setup, click the Input tab. Again the input sources should appear for enabled devices in Pro Tools Aggregate I/O. Create a new path for the inputs and name as you prefer. Here we have a stereo input named ZEDStereo Input. Note that mono channels can use one channel of a stereo input path. Make sure the path is ticked and click OK. 6. Select the inputs and outputs for your tracks in your session. Here the input for mono Track 1 is selected as the Left channel from the ZED USB interface. The track outputs can either be routed to the ZED directly or to a master bus in Pro Tools and then to the ZED. 7. Finally check the interface and settings are working by recording some audio from the ZED mixer to PT9 and then play the audio back to the ZED afterwards. Always be wary of audio feedback loops with bi-directional interface connections which can cause high level audio feedback if signals are routed back to themselves either in the mixer or in the software system. Allen & Heath 25 ZED-14, 18 & 24 User Guide CD KEY: MICROPHONE SIGNAL STEREO LINE LEVEL SIGNAL FROM DIRECT BOX EFFECTS RETURN (STEREO) EFFECTS SEND STAGE MONITOR SIGNALS (LINE LEVEL) USB CONNECTION MAIN PA LINE LEVEL OUT (LEFT, RIGHT & SUB) ZED-14, 18 & 24 User Guide 26 Allen & Heath fx USO RESTRITO L KT-88 fx KEY: MICROPHONE SIGNAL STEREO LINE LEVEL SIGNALS USB CONNECTION EFFECTS RETURN (STEREO) EFFECTS SEND CONTROL ROOM MONITORS ARTISTS MONITOR ZED-14, 18 & 24 User Guide 27 Allen & Heath CD USO RESTRITO RECORDING APPLICATION DIAGRAM USING USB FOR EFFECTS ST2 IN ST3 IN R 2TRK -10 RTN R USB -5 RTN 0 -20 -10 USO RESTRITO To LR To 11-12 ST3 -10 5 HF 12kHz -15 80Hz 5 PRE -15 PRE POST 80Hz AUX4 POST -15 = BAL L R +15 AUX1 +15 -15 9 10 +15 STEREO AUX1 PRE 12 PRE +6 OO AUX2 OO +6 OO +6 OO +6 AUX2 PRE PRE +6 OO AUX3 AUX3 POST POST +6 OO AUX4 AUX4 POST 1 POST +6 OO = BAL L MUTE PK ! -15 STEREO +6 OO 8 80Hz +6 OO 2 LF +6 OO AUX3 +15 LF +6 OO AUX2 10 OO P 7 12kHz STEREO AUX1 5 HF 12kHz +15 0 -30 10 OO -5 IN -20 HF +15 LF -15 0 -30 10 OO LR PRE ST4 -10 -5 IN -20 3 AUX 3-4 UP=LR post 0 -30 AUX1-2 ON -5 6 5 To LR To 9-10 IN -20 4 SEND 10 OO ON ST2 -10 RETURN 0 -30 10 OO 5 R USB -5 -20 5 -30 ST4 IN = BAL R L MUTE PK ! PFL +6 OO PFL PFL 10 5 5 5 0 0 0 5 5 5 10 10 10 Allen & Heath 2 Select Aux 3-4 on the USB output selector switches. 3 USB lead carries the digital signals to & from the computer. 4 Select USB Device Left for Aux 3 or Right for Aux 4 as the input for the track in the software package. 5 You can use a send bus in software as you would a hardware mixer. 6 Assign an effect from your software plug in list. 7 If using reverb, it’s a good idea to have 100% wet mix level and reduce the predelay in order to compensate for any latency in USB. 8 Send the output of the software group or bus to USB Device. In this case, and probably with most reverbs, it will be stereo so it will go to left & right. 9 Set the return level and select USB ON. You can monitor the level quickly by selecting USB RTN on the headphone monitor selection. 10 You can select the USB return to use the stereo channel ST3. Or, if using the stereo channel for another input route the USB return direct to L-R by leaving this switch un-pressed. 11 If you are using the stereo channel ST3 for the USB return signal, then this will be your effects return (Wet mix) fader for the effects to L-R. 12 You can then add some reverb for example, to your foldback (artists’) monitors. PK ! 10 30 Use post fade Aux 3 & 4 as the sends from ZED so when you move the channel fader the effects level stays in proportion. R MUTE 10 20 11 1 20 30 20 30 28 ZED-14, 18 & 24 User Guide WIRING NOTES PROCESSOR Insert cable wiring RETURN S INSERT T R S R SEND USO RESTRITO GROUND RETURN SEND S T R IN LINK RING TO SLEEVE TO UNBALANCE Y-Adapter Y-Adapter 2 Outputs to 1 Input General Wiring Information Allen & Heath OUT T RCA PHONO CABLE RCA phono jacks adapter 1 Output to 2 Inputs UNBALANCED No ! UNBALANCED INSTRUMENT CABLE UNBALANCED BALANCED TRS JACK CABLE BALANCED Sleeve=ground Sleeve=ground Ring=cold (-) Ring=cold (-) Tip=hot (+) TO INPUT Yes Tip=hot (+) 2=hot (+) 1=ground BALANCED MIC CABLE XLR FEMALE XLR MALE 3=cold (-) BALANCED 1=ground BALANCED TRS to XLR-F CABLE Sleeve=ground 2=hot (+) FROM OUTPUT 3=cold (-) 1=ground BALANCED XLR FEMALE 2=hot (+) 3=cold (-) Ring=cold (-) Tip=hot (+) 2=hot (+) 1=ground BALANCED TRS to XLR-M CABLE BALANCED Sleeve=ground XLR MALE 3=cold (-) Ring=cold (-) Tip=hot (+) 29 ZED-14, 18 & 24 User Guide PRODUCT SUPPORT Investigate ALLEN & HEATH’s other ranges at www.allen-heath.com USO RESTRITO Large Live Sound mixers — iLive digital and GL Series Small Format Live Sound mixers — ZED, MixWizards and PA Series DJ products — Xone Series Sound Management Series — iDR Series Registering your product Thank you for buying the Allen & Heath ZED-14, 18 or 24 mixer. you enjoy many years of faithful service with it. We hope that you are happy with it and that Please go to www.allen-heath.com/register.asp and register your product’s serial number and your details. By registering with us and becoming an official Registered User, you will ensure that any warranty claim you might make is actioned quickly and with the minimum delay. Alternatively, you may either copy or cut off this section of the page, fill in the details, and return it by mail to: Allen & Heath Ltd, Kernick Industrial Estate, Penryn, Cornwall TR10 9LU, UK Allen & Heath 30 ZED-14, 18 & 24 User Guide USO RESTRITO USO RESTRITO

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