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Video Devices PIX-250i
Video Devices PIX-250i
Video Devices PIX-250i
The video input on the PIX 250i has extensive compatibility with a wide range of cameras. It's BNC input accepts 12-bit 3G SDI (4:4:4 RGB or YCbCr), HD-SDI, SDI. Its HDMI input accepts high-definition and standard-definition video. With its 3G-SDI 4:4:4 input, recording to ProRes 4444 offers recordings that are perceptually indistinguishable from the original source material.
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Description Built for Mission-Critical Production l Dedicated video hardware records to standard removable solid-state drives. l Simultaneous multi-drive recording on up to two SSD drives enables redundancy and backup. l Never lose video or audio data with FileSafe™ software recovery utility. Extensive Video I/O The video input on the PIX 250i has extensive compatibility with a wide range of cameras. It's BNC input accepts 12-bit 3G SDI (4:4:4 RGB or YCbCr), HD-SDI, SDI. Its HDMI input accepts high-definition and standard-definition video. With its 3G-SDI 4:4:4 input, recording to ProRes 4444 offers recordings that are perceptually indistinguishable from the original source material. Timecode Generator The on-board high-accuracy Ambient timecode generator makes the PIX 250i right at home on any production from simple single camera shoots, to complex multi-camera sync-sound productions. All common timecode frame rates and modes are supported. Embedded timecode over SDI and HDMI is also supported.
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Video Devices PIX-250i
Frame Rate Converter and Scaler The PIX 270i features a powerful hardware scaler and frame rate converter. Up, down, cross-conversion and pulldown removal give users the ability to record files in a customer-requested rate, even rates not supported by the camera. The PIX 240i also supports aspect ratio conversion, HD to SD and SD to HD. Time Saving Efficiency Tapeless file-based recording, playback, and file transfer. Access and transfer files over Ethernet. Edit-ready Apple ProRes and Avid DNxHD files. Recording on up to two drives provides immediate file copies and back up, as well as long-form recording. Expandable and Networkable l Group control of multiple PIX recorders facilitates multi-camera recording. High-Quality HD Video l 12-bit 4:4:4 over 3G-SDI I/O. l Apple ProRes and Avid DNxHD codecs from 36 Mb/s proxies up to 330 Mb/s ProRes 4444 Applications l Multi-camera studio production. l Live Event sports and concerts. l Multi-channel video playback applications. l Frame synchronized multiple video channel playback for Live Events, Digital Signage, Museum multi-screen looped presentations, Video walls, Quad screen 4k presentations etc. l Mobile Production OB Truck. l Frame synchronized multi-cam recording for Production, Live Events, Mobile OBs and 2D/3D Production.
Specifications SDI Input & Output
l 3G SDI 4:4:4, HD-SDI, SDI 4:2:2 conforming to SMPTE 12M-1, 12M-2, 125M, 259M, 272M, 291M, 292, 296M, 299, 352M, 424, 425 l HDMI I/O Version 1.4a input, Version 1.3a output, HDCP enabled on input Video Input Resolutions / Rates 1080p23.976/24/25/29.97/30, 1080i50/59.94/60, 1080PsF23.976/24/25/29.97/30, 720p23.976/24/25/29.97/30/50/59.94/60, 576i50 (PAL), 480i59.94 (NTSC). Video Codecs and Files l Apple ProRes 4444 12-bit. l Apple ProRes 36, 100, 145, 220 Mb/s, 8- and 10-bit. l Avid DNxHD 36, 145, 220 and 220x. l Quicktime wrapper (.MOV). l exFAT File System. Up/Down/Cross Conversion
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Video Devices PIX-250i
480i, 576i, 720p, 1080i, 1080p to any 480i, 576i, 720p, 1080i, 1080p, anamorphic conversion. Frame Rate Conversion 24, 25, 30, 50, 60 to 24, 25, 30, 50,60, 23.976, 29.97, 59.94 to 23.976, 29.97, 59.94, automatic 3:2 pull-down removal in 23.976 and 24 frame modes, other pull-down cadences include 2:2:2:4, 2:3:3:2, 3:2:3:2:2, and 2:2. Audio Recording 16 channels record/playback, simultaneous with video Analog, HDMI / SDI, and AES3, selectable per channel. LCD Display 5-inch LCD; 800 x 480 resolution, IPS, flip-down for drive access, Analog Audio l Two balanced, line-level inputs on XLR. l Two balanced, line-level outputs on XLR. l Frequency Response: 10 Hz-20 kHz, +/- 0.5 dB re 1 kHz; THD + Noise: 0.004% max (1 kHz, 22 Hz-22 kHz). l Input and output topology: fully electronically balanced, line-level, RF, ESD, short, and overload protected; pin-2 hot, pin-3 cold. l Line output clipping level: +18dBu. l Output attenuation 0-20 dB, 1 dB increments. l Front-panel headphone, 1/4” with gain control. Digital Audio l Sampling rate / bit depth: 48 kHz, 24-bit.
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